From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: QUINOA, meet THE KEEP. KEEP, meet QUINOA.
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Really-From: Steven Feldman
>Subject: Limited Editions
>From: tadream@c... (tadream mailing list)
>Date: Sun, 2 Nov 1997 19:29:03 -0000
>Really-From: 'Gerry Fox'
>
>At the Glasgow concert there was plenty copies of the Keep. The price
>was a bit steep at 20pounds sterling. [. . .]
*I'll* say! I mean, I bought the *bootleg* for less! X-0 ;) Why
in the heck is it 20pounds?!? QUINOA went for less at previous shows
and through Voiceprint, fer crissakes.
>[. . .] ref the recent comments about a limited edition of 150, there
>must have been more copies than that last night. [. . .]
Groan. It seems that my snide remark about the possibility of
Edgar pulling the same scam with THE KEEP as he did with QUINOA turned
out to be not a joke but the truth (but, actually, it *is* a joke, but
in another sense, if you know what I mean).
>[. . .] I didn't get one as I wasn't sure about the style of the music.
Oh brother. Read my lips: This was rare in 1984. This is rare now.
Why the hesitation? Pay now or pay more later. ;)
>What other albums/soundtracks is it similar to ?
LOGOS and THE PARK IS MINE (it's from 1983-1984).
>Ambient Monkeys - which seems to be Jerome/Edgar versions of classical
>pieces [. . .]
Ugh. First 'Pictures at an Exhibition' (TURN OF THE TIDES), then
'Largo' (TYRANNY OF BEAUTY), and now an album's worth of Classical cover
versions?!? Methinks the DIVINE COMEDY opera seems more like a certainty
with each passing moment! :( At least Edgar had the sense to release
this album's worth of covers under a pseudonym rather than as a bona fide
TD album (then, there would be a &*%@$~# Pavarotti track on it like there
is on the Eno/U2 project, The Passengers', album).
Hey, that's 45 TD albums I won't be buying now: the 44 JIM & PABLO
CDs and CD-ROMs, and AMBIENT MONKEYS. I guess it'll be easier to spring
for THE KEEP and the alleged 25-CD set that Edgar's been promising--for,
what is it, now? three years?--now.
>The Keep came in a black card fold open sleeve around a cd case. In the
>fold open part was a two page cd leaflet.
Oh, *I* see: *that's why* it's 20pounds instead of 10pounds: because
of a black fold open sleeve around the CD case. Golly, but I can't wait
to spend $15.00+ American on that black fold open sleeve. X-0 X-0 I've
waited 13 years for bullshit like *this*? 20pounds and the whizz-bang
graphics of the special limited edition is $%^@!#&% *black* with no
photos?!? It's time for the F-word, again, in TD Land, Kiddies! :( :(
>- I wish I had bought it now !
That's what I said on a Friday in 1984.
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
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Re: QUINOA, meet THE KEEP. KEEP, meet QUINOA.
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 2, 1997 8:35
pm
Subject: Re: Ambient Monkey - Details
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Really-From: TWeibre361
In a message dated 97-11-02 14:51:34 EST, you write:
<< This production has originally been used as pre-concert ambient music
during
parts of the Tangerine Dream European Tour 1997. >>
hehe...so now that the dream can be compared to all that other 'crap' ambient
stuff...got to say though, at least they have balls....
tom w
np: biosphere - substrata
From:
tadream@c... (tadream mailing list)
Date: (Date Unavailable)
Subject: The Keep, A.Monkeys etc
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Really-From: aliEn
> I'm sure that I speak for everyone when I say that it would be
>great if you'd print the track lists for all three items, along with the
>relevant credits. By 'relevant credits,' I mean copyright dates and
>permissions given re THE KEEP . . . and who the members of this 'Ambient
>Monkeys' thingie are.
as the reverse tells me.....
The Keep - TDI Music Special Edition
1.Puer natus est nobis (Gloria theme)****
2.Ancient Powerplant*
3.The Silver seal**
4.Voices from a common land***
5.Arx allemand*
6.The night in Romania*
7.Canzone**
8.Sign in the dark*
9.Weird village**
10.Love and destiny**
11.The challenger's arrival*
12.Supernatural accomplice*
13.Parallel worlds**
14.Truth and fiction*
15.Wardays sunrise*
16.Heritage survival***
composed by;
*Edgar Froese
**E.Froese and J.Schmoelling
***Froese, Schmoelling and Franke
****Thomas Tallis 1505-1585
Art by Edgar Froese.
Recorded February 1983 at the Tangerine Dream Studios Berlin. Engineered
(partly or in whole) by Froese, Schmoelling and Franke. All Guitars,
Vocoder voices, keyboards: Edgar Froese. Additional Keyboards and
Drumcomputer: Johannes Schmoelling. Additional Keyboards; Chris Franke.
Music Supervisor and Editor; Bob Badamy. Executive Producer; Michael Mann.
Mastered on DQC(tm) for official release first time 1997 by Jerome Froese
at Eastgate Studios Vienna.
THIS SOUNDTRACK IS THE FIRST AND ONLY AUTHORIZED RELEASE OF THE COMPLETE
MUSIC MATERIAL FROM THE MOVIE
(Blurb on how to contact TDI and web site url)
(running time 60:14)
(No barcode, cat no.TDI010CD)
(no copyright date)
(shiny black carboard case with a greeny blue T in the middle, all
enclosed in another black sleeve.)
---------------
Ambient Monkeys
1.Token from birdland
2.Symphony in a-minor
3.The seventh propeller of silence
4.Calyx Calamander
5.Largo
6.Riddle of the monket tribe
7.Moon Marble
8.Concerto in a-major
9.Lemon Vendor Khaly
10.Campera de Mon Glyan
11.Virtue is its own reward
12.Pantha rhei
13.Myopia world
Composed, performed and engineered by Edgar and Jerome Froese except;
2-J.S.Bach, 5-G.F.Handel, 8-W.A.Mozart.
Recorded 1997 at Fujiwara studios. Mixed and mastered by Jerome Froese at
Eastgate studios, Vienna.
Running time 48:34
TDI011CD
---------
Dream mixes 2 - sorry but I didn't purchase that CD, however it is only
one CD with about 7 tracks (can't remember which, sorry)
hope this is a help, if not - sorry for the long post.
--------------------------------
' They have the law behind them,
but the nerds were here first! '
(c) 1997 Humble Joe
--------------------------------
alien@e...
--------------------------------
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: The Keep - details
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Really-From: Steven Feldman
>Subject: The Keep - details
>Date: Sun, 02 Nov 1997 11:36:35 +0000 (GMT)
>From: tadream@c... (tadream mailing list)
>Really-From: Craig Cordrey 01383 828182
>
>Once again, TD has produced a wonderful package for this soundtrack.
[. . .]
What do you mean by that? You haven't seen the original, have you?
>[. . .] No jewel case, but a cardboard-style casing which, in the
>inside cover, has a small pocket containing the four-page 'booklet'.
Yeah, okay; but what holds the actual disc itself? Isn't there some
sort of deal with a hub in the middle somewhere?
>Page one is a copy of the front-cover.
>Page two is a copy of the back cover (see below).
>Page three contains four four film stills around a glowing cross. [...]
No such imagery as this page three stuff appeared on the original
album cover.
>[. . .] The stills depect (clockwise from top left) Jurgen Prochnow,
>Scott Glen (with glowing white eyes), a woman (presumably Alberta
>Watson?) and a scene which appears to show a blown-up truck or jeep?
>Afficianados of the film will be able to better describe this, I'm sure.
While these stills might all have been on the back cover of the
original album, there were one or two more than just four. One of them
(at the lower middle right) was a head shot of Molasar/Rasalom).
The melted jeep figures in in the last 15 minutes of the film, where
Molasar/Rasalom kills the majority of the nazis before killing the SS
commander).
>Behind the 'booklet' when it is removed is the cross emblem which appears
>throughout the album - [. . .]
What do you mean 'appears throughout the album'? Do you mean
'appears throughout the book' or '. . . the film,' instead?
>[. . .] - someone will know the name of this type of cross probably, but
>it doesn't have the upper most part in full, instead it has an arc so
>that the whole thing looks like a capital 'T' with a hump at the top.
This is the cross from the movie, not the book. In the movie, [the]
Glaeken (Scott Glenn) attaches it to a long metal pole to complete an
energy rod. In the book, it has a flat blunted top instead of a curve
because it doesn't top a rod but is the hilt for a sword.
There is no name for this cross. It was invented for the book and
re-invented for the movie.
>The cross is filled with a mixture of colours (green and blue to the
>fore) in a marble-print type effect.
Neat-sounding, to be sure, but in the movie/book, they were silver-
like and gold-like.
>I'll leave with the information which is printed on the back cover.
>Hope this satisfies your curiosity, Steve. [. . .]
Not quite yet. The front cover of the original album was the same
as that on the front of the laserdisk cover. The contents, too, seem
not to match. See below:
>1. Puer natus est nobis (Gloria theme)****
>2. Ancient powerplant*
>3. The silver seal**
> 4. Voices from a common land***
>5. Arx allemand*
>6. The night in Romania*
>7. Canzone**
>8. Sign in the dark*
>9. Weird Village**
>10.Love and destiny**
>11.The challenger's arrival*
>12.Supernatural accomplice*
>13.Parallel worlds**
>14.Truth and fiction*
>15.Wardays sunrise*
>16.Heritage survival***
Note that *none* of the titles above (except for 'Gloria') match
those on any bootleg *nor* from the various German radiocasts which had
track names like 'Fisherman's Morning.' I wonder if the 7 minute variant
of 'Moorland' is on there, or if the part of the ending that is only on
syndicated TV broadcasts (but not on cable, videotape, nor laserdisk) is
on there. Sigh. I think the only folks here who have heard my cassette
tape of the latter are Mark Filipak, Vic Rek, and myself . . . and none
of us have the THE KEEP CD to compare it to yet.
>Mastered on DQC(TM) for official release first time 1997 by Jerome
>Froese at Eastgate Studios Vienna. This soundtrack is the first and
>only authorized release of the complete music material from the movie.
Hee hee: does this mean the first official release since the boot-
leg CD-R, the Blue Moon boot, and the Fantasy Merchants cover soundtrack
--or is it a direct reference to the fact that a few hundred copies did
indeed slip out in 1984 a few months before the release of FIRESTARTER?
As for its being the 'complete music material,' why do I seem to
recall hearing something about Edgar mentioning a few years back that
THE KEEP might ultimately be released as a 2-CD set?
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: AMBIENT MONKEYS; TURN OF THE TIDES Posters
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Really-From: Steven Feldman
>Subject: Ambient Monkey - Details
>Date: Sun, 02 Nov 1997 11:53:27 +0000 (GMT)
>From: tadream@c... (tadream mailing list)
>Really-From: Craig Cordrey 01383 828182
>
>Tangerine Dream
>ambient monkeys
Uh-oh: so this *is* an official TD release; AMBIENT MONKEYS is not
a pseudonym for TD but the name of the album, instead? Ouch.
>1. Token from birdland (E. Froese/J. Froese)
>2. Symphony in a-minor (J.S. Bach)
>3. The seventh propeller of silence (E. Froese/J. Froese)
>4. Calyx Calamander (E. Froese/J. Froese)
>5. Largo (G.F. Handel)
>6. Riddle of the monkey tribe) (E. Froese/J. Froese)
>7. Moon marble (E. Froese/J. Froese)
>8. Concerto in a-minor, adagio (W.A. Mozart)
>9. Lemon vendor Khaly (E. Froese/J. Froese)
>10.Campera de Mon Glyan (E. Froese/J. Froese)
>11.Virtue is its own reward (E. Froese/J. Froese)
>12.Pantha rhei (E. Froese/J. Froese)
>13.Myopia world (E. Froese/J. Froese)
Okay, so does this mean that there are only three covers of
Classical tunes, or are the rest of the tracks neo-classical homages?
+ + + + + + +
>Subject: Glasgow - Concert Report
>Date: Sun, 02 Nov 1997 12:45:35 +0000 (GMT)
>From: tadream@c... (tadream mailing list)
>Really-From: Craig Cordrey 01383 828182
>
>MERCHANDISE :
>[. . .] I also passed on the posters available (Turn of the Tides and
>Tournado) - I'm not a poster man and I'd already spent all my cash!
Ack! How much were the TURN OF THE TIDES posters? Will these be
made available in the future (from Voiceprint, maybe)?
-- Steven Feldman
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Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
Gerry Fox
Tue
11/4/1997
3 KB
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Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
Steven Feldman
Tue
11/4/1997
5 KB
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Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
Craig Cordrey 01383 828182
Tue
11/4/1997
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Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
Jens Peschke
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Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
Lars R. Jones
Tue
11/4/1997
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Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
Craig Cordrey 01383 828182
Tue
11/4/1997
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 2, 1997 9:19
pm
Subject: Pre-release THE KEEP, and all that.
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Really-From: 'Jason P. Hopkins'
Subject: Pre-release THE KEEP, DREAM MIXES II/TIME SQUARE, AMBIENT MONKEYS
-
Really-From: Steven Feldman
>[. . .] The sound quality is superb but hang on to your illegal copy
>lads and lasses [. . .]
> Well, duh. Seeing as the 'unofficial' THE KEEP items are allegedly
> taken from the engineering studio and hence are rough mixes, there is
> bound to be a difference between them and what came out officially on
> CD--even if Edgar *didn't* spend six weeks fiddling with the tapes.
Ah well, maybe I didn't express that too well. So admitedly there will be
differences, but to miss out the superb main opening theme seems really
weird to me (you know, the film opens as the Germans approach The keep). I
mean usually you get the opening and closing titles.
I count three or four pieces that appear in the film that aren't on the new
release. But there are a couple of really nice 'new' bits.
>>[. . .] cause several important bits of music are missing (including my
>>favourite bit), [. . .]
> Can anyone here think of one, single, solitary, lone Tangerine
>Dream soundtrack album whose tracks match those used in the film track-
>per-track, version-for-version? My guess is 'no.'
See above. I can understand leaving out the Logos part (where the German
soldier discovers the secret behind the silver crosses and ends up losing
his head (and most of his torso it seems)), which is quite similar to the
Live CD version except for some chilling noises over the top.
>[. . .] unless they're going to improve on the 60 mins. running time
>for the full store issue (although I doubt it).
> First of all, it should be obvious by now that what is now being
>passed off as the THE KEEP soundtrack bears little in common with what
>briefly surfaced in 1984, if only because LPs generally don't have more
>than 48 minutes of music on them. The chances that this new CD has
>everything the original album had and then some are possible if the
>following scenario is true, though: .....
The latter scenario is true. The music is untwiddled, just superbly
remastered. Jerome certainly seems to have an ear for remastering.
>There is also a problem with what has been referred to as 'limited
>edition's and 'pre-release version's. Has anyone, for example, seen a
>*non*-limited TDI CD release of TURN OF THE TIDES or TYRANNY OF BEAUTY?
>And has anyone noticed any difference between the pre-released OASIS and
>the version that has been available via TDI since? Going by the logic
>that Ashok Prema has used in not wanting to re-press RED SHIFT because
>of perceived lack of demand, what if Ed/TDI has decided that the demand
>for TURN OF THE TIDES and TYRANNY OF BEAUTY do not necessitate another
>pressing, with the result that the limited edition pressings end up
>being the *only* pressings?
It would certainly be economic these days to press 1000 copies or more (and
judging by the number of copies some people were buying they'd soon go
through them) with the words TDI International Special Edition overlaid on
the standard Picture Disc (cat. no. TDI010CD) and then put it in a special,
and slightly unusal, packaging, but then press a few thousand more for
store release in standard jewel cases. After all, a standard CD cover
insert is provided in the packaging so half the work is done.
Alternatively, they could just leave the packaging as is and release it in
the form it's already in (although usually they do put a Cat. No. and
titles on the spine).
> Anyways, I *would* like to know what sort of graphics the THE KEEP
>CD wound up with--even if they differ greatly from the version the rest
>of the world winds up with. I remember fairly clearly what the front
>cover of the album looked like, and have a vague memory of the layout of
>the back cover.
Judging by the cover insert the cover will be the same, if they bother to
change it of course.
> I'm sure that I speak for everyone when I say that it would be
>great if you'd print the track lists for all three items, along with the
>relevant credits. By 'relevant credits,' I mean copyright dates and
>permissions given re THE KEEP . . . and who the members of this 'Ambient
>Monkeys' thingie are (I suspect it's a Jerome project, but if it was, I
>would've thought you'd said so) . . . and how many discs are in DREAM
>MIXES II and what albums DREAM MIXES II draws on.
I guess someone else has done that by now so I won't bore y'all with all
that lot.
First thoughts on Ambient Monkeys. Er....it's very ambient really. Lots of
interesting flora and forna used methinks.
If anyone's interested, I may put some further thoughts more of the gigs,
especially when the live tapes come through to rejog the old memory.
--Jason.
P.S. 'The Keep' may have been released on LP in 1984, but like the
alternative covers for the Dolphin Dance EP and Ultima Thule 7' on Ohr,
without evidence it's just a memory. The truth is out there ...
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:38
am
Subject: Movements of a Visionary
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Really-From: Steve Yensen
Steve Yensen wrote (quoting his own post):
>
> I remember hearing 'Movements of a Visionary' for the very first time
> on his Radio 1 Show 'Sounds of the 70s'. I had heard them before, but
> didn't really like their seemingly unconnected electronic sounds at
> the time.
>
Also in the early 70s I remember watching a really corny documentary
about
two surfers travelling the world in search of the perfect wave...
At a place called Point St. Francis, there was a demonstration of the
surfer's
art, accompanied by 'Movements of a Visionary'. I was brought down to
earth
by my dad, who said, 'You do listen to some rubbish!'
Steve
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 2, 1997 10:55
pm
Subject: Re: One Coma Virus Release, or Two?
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Really-From: Dave Brewer
> Quoted From: Steven Feldman
>
> [...]
> I came across a 1997 entry
> for an album by Coma Virus named 'De Umbris Idearum,' on a label called
> Side Effects. I thought that the only Coma Virus release was HIDDEN,
> from 1996. Can the following two items be one and the same or are they
> two different releases???
If I can remember correctly, De Umbris... is a Coma Virus Track on a
sampler called Side Effects. (or maybe the sampler's label is Side
Effects... I dunno)
Dave B.
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Idea for a 2-CD-R Set: MORPHING CATS
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Really-From: Steven Feldman
Folks,
Here's another example of how some of us really do have Tangerine
Dream on the brain:
+ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - +
| Proposed MORPHING CATS (or CATWALK IN MORPHING SPACE) 2-CD-R Set: |
+ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - +
CD One: The Complete KLEMANIA Alternates
INSIDE THE MORPHING SPACE .... 20:07 [1st KLEMANIA CD, 1993]
INSIDE THE MORPHING SPACE .... 20:56 [2nd KLEMANIA CD] French/Austrian Remix
INSIDE THE MORPHING SPACE .... 21:01 [3rd KLEMANIA CD, 1995]
MORPHING SPACE NAC Groove ..... 3:41
MORPHING SPACE Radio Edit ..... 3:25
MORPHING SPACE Ambient Mix .. + 6:15
------
Total for CD One ............. 74:25
CD Two: Catwalk Complete (all six studio versions) [plus KLEMANIA alts. cont.]
CATWALK (Short Walk Edit) ..... 4:31 AMP Records sampler CD
CATWALK [short version] ....... 4:30 Miramar promo/MIRAMAR COLLECTION 2 CD
CATWALK [original version] .... 7:21 TYRANNY OF BEAUTY CD
CATWALK Special Version ...... 15:14 from Italian magazine's free CD-I
CATWALK (Dress-up Mix) ........ 7:49 THE DREAM MIXES CD
CATWALK (Black Ink Mix) ..... + 8:12 THE [UK] DREAM MIXES 2-CD set
------
subtotal ..................... 47:37 --> --> --> --> 47:37
Scattered Thoughts of a Canyon Flight [1st KLEMANIA CD] 22:05
Silent Waves [ENCHANTING NATURE version] ............. + 3:43
------
Total for CD Two ...................................... 74:25
Weird how the times for both CDs add to seventy-four minutes
and twenty-five seconds, each, isn't it?
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
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Re: Idea for a 2-CD-R Set: MORPHING CATS
Vic Rek
Mon
11/3/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: The KLEMANIA Variants (compare to MORPHING CATS)
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Really-From: Steven Feldman
Subject: Re: *How* Many Versions of 'Morphing Space'?!?!
Date: Sun, 7 Sep 1997 01:35:23 -0400 (EDT)
From: tadream@c... (tadream mailing list)
Really-From: Vic Rek
>Really-From: goozer@a... (Hermes Guzman)
>
>Read my above quote as follows:
>1st 'KLEM/Mailorder' version
>2nd 'French retail remixed' version
>3rd 'official retail' version
>
>As you can see, the 1st version was sold at the KLEM festival _and_ offered
>via mailorder; the 2nd version of K was the first remix _and_ retail
>version, available only in France; and the 3rd version is the 2nd
>remix/'worldwide' 'official retail' version.
>
OK, here is my version of the Klemania releases:
1st version - regular store release, 1993 (mine is pressed in the US)
2nd version - KLEM/Europe release, 1993 (pressed in Austria)
(this one also contained the special numbered KLEM promo insert)
3rd version - regular store re-release with expanded booklet, 1995
Also tracks times: 1st 2nd 3rd
1. Scattered Thoughts of a Canyon Flight 22:05 22:05 22:27
2. Inside the Morphing Space (remix on 2nd) 20:07 20:56 21:01
3. Silent Waves 4:10 4:10 4:10
Two more comments.
1. I'm pretty sure I bought the first version in a retail store in 1993, so
KLEM/mailorder is in conflict.
2. I never heard of a French only release? Please provide more supporting
documentation.
Vic
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 1:50
am
Subject: Re: Boy wants to meet 'Dream' Girl
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Really-From: Gabe Yedid
You guys think you've got it rough?
I need to meet a gal who likes TD *and* organ music!
Gabe
real email addresses: gabe@c...
gyedid@p...
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Re: Boy wants to meet 'Dream' Girl
Sean Montgomery
Mon
11/3/1997
2 KB
8307
Re: Boy wants to meet 'Dream' Girl
Dave Brewer
Mon
11/3/1997
3 KB
8317
Re: Boy wants to meet 'Dream' Girl
Gabe Yedid
Tue
11/4/1997
3 KB
8320
Re: Boy wants to meet 'Dream' Girl
Sean Montgomery
Tue
11/4/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 2:09
am
Subject: Re: Another Forgotten American
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Really-From: Ken Beal
At 2:00 PM -0500 11/2/97, tadream mailing list wrote:
>Really-From: Jim Moore
>
>
>I, like many of my American Tangerine Dream fans,
>am hoping that someone could scoop up an extra copy
>of The Keep, Ambient Monkeys, and DM2 for me, as
>there is no word of a North American tour yet.
>
>Many thanks for anyone who can help out. I can pay
>check, money order, etc.
>
>- jim
>
Howdy Dreamers...
I ask for the same help...
Ken (kwb10@c...)
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 2:06
pm
Subject: Cymbalism?
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Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 2:02
pm
Subject: Ankh?
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Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 2:28
pm
Subject: Hey, Steve!
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Really-From: 'Elias Granillo, Jr.'
Hey, Steve, I got three copies of TD's latest electronivaganza (one for me,
one for Dan, and one for you!), AMBIENT HONKEYS. It's kinda like AM but
with some track variations--this is a limited run of 666 copies and I
nailed down three from an ad in Goldmine!!!!! Here's the tracklist:
>1. Token dropping from bird (E. Froese/J. Froese)
>2. Symphony in a-minor (J.S. Bach)
>3. The seventh propeller of silence (Flatulence Remix) (E. Froese/J.
Froese)
>4. Calyx Calamander (E. Froese/J. Froese)
>5. Largo (G.F. Handel)
>6. Armadillo coitus (E. Froese/J. Froese)
>7. Moon mammaries (E. Froese/J. Froese/Z. Perica) (this one's a killer!)
>8. Concerto in a-minor, adagio (W.A. Mozart)
>9. Condom vendor Ramba (E. Froese/J. Froese)
>10.Campera de Mon Glyan (E. Froese/J. Froese)
>11.Use it or lose it (J. Froese)
>12. Angels of death (M. Shreeve, arr. by J. Froese)
>13.Pantha rhei (E. Froese/J. Froese)
>14.Myomywottapeteryougotta (J. Biafra/J. Froese)
>15. Ace of Spades (L. Kilmister, arr. by E. Froese) (it was bound to
happen!)
Sincerely,
E-Man
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 2:36
pm
Subject: MORPHING CATS
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Really-From: 'Elias Granillo, Jr.'
--> --> --> 47:37
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 2:39
pm
Subject: TD BOY MEATS GIRL
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Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
--
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: Hey, Steve! (inane; no real content)
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Really-From: Steven Feldman
>Subject: Hey, Steve!
>From: tadream@c... (tadream mailing list)
>Date: Mon, 3 Nov 1997 06:28:59 -0800
>Really-From: 'Elias Granillo, Jr.'
>
>Hey, Steve, I got three copies of TD's latest electronivaganza (one for
>me, one for Dan, and one for you!), AMBIENT HONKEYS. [. . .] Here's
>the track list:
>
>>1. Token dropping from bird (E. Froese/J. Froese)
>>15. Ace of Spades (L. Kilmister, arr. by E. Froese) (it was bound to
>happen!)
I like these. ;) Har har har, ho ho ho, wheez, snuck, petooey.
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: Boy wants to meet 'Dream' Girl
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Really-From: Steven Feldman
>Subject: Boy wants to meet 'Dream' Girl
>Date: Sun, 02 Nov 1997 10:51:32 -0800
>From: tadream@c... (tadream mailing list)
>Really-From: DJS
>Organization: Rakinik Intertype
>
>Hi, my name is Danny and I've been looking for a person of the opposite
>sex for some time now to listen to Tangerine Dream with. [. . .] Also,
>we can have cool discussions on [. . .] Star Trek [. . .] I can't wait
>to watch Sailor Moon & Ranma 1/2 together.
Yeow! You should work for the Psychic Friends Network! This pegs
me pretty well. I never miss a STAR TREK movie or episode of DEEP SPACE
NINE, VOYAGER, or EARTH: FINAL CONFLICT. I used to be an anime collector
big-time, and had RANMA 1/2 1-13 subtitled before Viz Video even existed.
Are TD fans really that much of a stereotype?
>Subject: Re: Boy wants to meet 'Dream' Girl
>Date: Sun, 2 Nov 1997 20:50:43 -0500 (EST)
>From: tadream@c... (tadream mailing list)
>Really-From: Gabe Yedid
>
>You guys think you've got it rough?
>I need to meet a gal who likes TD *and* organ music!
Yeah, well, I'm looking for one that's into TD, kung fu movies, and
UFO abduction literature. I'm not holding my breath. I think I'm more
likely to find a copy of THE KEEP on vinyl before meeting such a woman,
but hey, you never know. ;)
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 3:30
am
Subject: Re: Idea for a 2-CD-R Set: MORPHING CATS
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Really-From: Vic Rek
>Really-From: Steven Feldman
>Total for CD One ............. 74:25
>Total for CD Two ...................................... 74:25
>
> Weird how the times for both CDs add to seventy-four minutes
>and twenty-five seconds, each, isn't it?
Funny? This is also the same running time of all The Keep songs I can piece
together from the various releases (including my LP) ;-) If you want a CD of
all these hits, just mail $19.95 (plus $3.95 shipping and handing) to:
That address that Pink Floyd recorded backwards on 'The Wall'...
Vic
P.S. Same coincidence as how all 25 K. Schulze Jubilee CDs add up to 1947
minutes of music (KS's birth year) ;-)
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 4:07
am
Subject: Where's the Zoo
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Really-From: AslanFan1@a...
Question:
Any news on when Schmoelling's Zoo of Tranquility will be rereleased by TDI?
Comments:
I bouight Tournado and was impressed with the sound quality but disappointed
with the content. There is a very limited amount of new music, you might as
well stick with the studio releases.
What perplexes me is that every TD live release was all new material for like
30 years. What inspired the release of old material? The fact that TDI can
put out whatever if wants to now?
I got the Miramar release of Oasis, after already owning the TDI release. The
extra track, Chia Maroon, runs 4:10. It's kind of interesting but a bit
repetitive and the drums sound like a demo to me. It does NOT come close to
being the positive addition that Jerome's Colorado Dawn was on Canyon Dreams.
It's more like the Fort Worth Runway One Track in terms of the ground it
cover, to me.
As for the TD scary stories, a long time ago while in high school, we had a
little initiation rite we put our freshman through on the cross country team.
We blasted the opening of Rubycon through a drainage tunnel they had to walk
through with an ocassional strobe light. Scary doesn't begin to describe it.
Come to think of it, it was pretty awful for the youngsters.
Would anyone care to have a conversation about the Albuquerque concert of
1986. LIVEMILES is NOT from that performance. I ran into Paul Haslinger at a
trade show and he confirmed it, although he seemes less than enthusiastic to
discuss it.
Also, anybody know where I can get a CD of Paul's Octahedron music?
Did anyone notice the trailer for the move Intersection was music from Dead
Solid Perfect? Did they actually use the music in the movie or just the
teaser?
Has anyone been able to click on the guitar necks of Jerome's page to make
anything happen?
Anybody got Franke's Pacific Blue soundtrack that could furnish a review?
Is Horizon Music still putting out Beyond the Horizon?
I'll be looking for answers, ya'll. (I just returned from Austin).
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dn3
Mon
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 5:01
am
Subject: Re: Boy wants to meet 'Dream' Girl
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------------------------------------------------------------------------------
Really-From: 'Lars R. Jones' <105411.3107@c...>
>Really-From: Steven Feldman
>>Subject: Boy wants to meet 'Dream' Girl
>>Really-From: DJS
>>Hi, my name is Danny and I've been looking for a person of the opposite
>>sex for some time now to listen to Tangerine Dream with. [. . .] Also,
[...]
> Yeow! You should work for the Psychic Friends Network! This pegs
>me pretty well.
>
>>Subject: Re: Boy wants to meet 'Dream' Girl
>>Really-From: Gabe Yedid
>>You guys think you've got it rough?
>>I need to meet a gal who likes TD *and* organ music!
> Yeah, well, I'm looking for one that's into TD, kung fu movies, and
>UFO abduction literature. I'm not holding my breath. I think I'm more
>likely to find a copy of THE KEEP on vinyl before meeting such a woman,
>but hey, you never know. ;)
-- maybe you 3 should get together ;-)
yenta
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 7:04
am
Subject: Re: QUINOA, meet THE KEEP. KEEP, meet QUINOA.
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: Steven Feldman
>
> >Subject: Limited Editions
> >From: tadream@c... (tadream mailing list)
> >Date: Sun, 2 Nov 1997 19:29:03 -0000
> >Really-From: 'Gerry Fox'
> >
> >At the Glasgow concert there was plenty copies of the Keep. The price
> >was a bit steep at 20pounds sterling. [. . .]
>
> *I'll* say! I mean, I bought the *bootleg* for less! X-0 ;) Why
> in the heck is it 20pounds?!? QUINOA went for less at previous shows
> and through Voiceprint, fer crissakes.
>
> >[. . .] ref the recent comments about a limited edition of 150, there
> >must have been more copies than that last night. [. . .]
>
> Groan. It seems that my snide remark about the possibility of
> Edgar pulling the same scam with THE KEEP as he did with QUINOA turned
> out to be not a joke but the truth (but, actually, it *is* a joke, but
> in another sense, if you know what I mean).
>
> >The Keep came in a black card fold open sleeve around a cd case. In the
> >fold open part was a two page cd leaflet.
>
> Oh, *I* see: *that's why* it's 20pounds instead of 10pounds: because
> of a black fold open sleeve around the CD case. Golly, but I can't wait
> to spend $15.00+ American on that black fold open sleeve. X-0 X-0 I've
> waited 13 years for bullshit like *this*? 20pounds and the whizz-bang
> graphics of the special limited edition is $%^@!#&% *black* with no
> photos?!? It's time for the F-word, again, in TD Land, Kiddies! :( :(
>
> >- I wish I had bought it now !
>
> That's what I said on a Friday in 1984.
>
Well, Steven, if edgar pulls the same shit he did with Quinoa...I'll
make sure everyone gets a CDR of it because I'm tired of this limited
edition bullshit. That's right Edgar....if you don't want
bootlegs...give us what we want! There better be an abundance of Keep
soundtracks for all. What is this damn fetish with limited editions.
First comics, then toys...now CD's??
DJ
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 7:07
am
Subject: Re: Boy wants to meet 'Dream' Girl
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: Gabe Yedid
>
> You guys think you've got it rough?
>
> I need to meet a gal who likes TD *and* organ music!
>
> Gabe
>
> real email addresses: gabe@c...
> gyedid@p...
oh man...i feel for you dude. Heh heh. Organ music???
Dano
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Re: Boy wants to meet 'Dream' Girl
Gabe Yedid
Mon
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3 KB
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 7:14
am
Subject: Re: Boy wants to meet 'Dream' Girl
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Really-From: 'Greg Heil'
> To remove yourself from this list, send a message to majordomo@c...
that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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>
----------------------------------------------------------------------------
--
> Really-From: DJS
>
>
> tadream mailing list wrote:
> >
> >
----------------------------------------------------------------------------
--
> > To remove yourself from this list, send a message to
majordomo@c... that
> > says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> >
----------------------------------------------------------------------------
--
> > Really-From: Gabe Yedid
> >
> > You guys think you've got it rough?
> >
> > I need to meet a gal who likes TD *and* organ music!
> >
> > Gabe
> >
> > real email addresses: gabe@c...
> > gyedid@p...
>
>
>
> oh man...i feel for you dude. Heh heh. Organ music???
>
> Dano
Real organ music... or body organ music?
I don't think women find puttering men very attractive.. probablie on the
smelly side!
Greg...
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Mon
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 8:02
am
Subject: Astral Landscapes-another TD comp.
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Really-From: TangerineC
Yes ladies and gents, there is one more TD compilation album to ad to the
list: Astral Landscapes. It is a 2- cd set. No info is given about this album,
other than it's 2-cd's and it's real cheap. Only $17. Does anybody have any
info or maybe a track listing for these Cd's? Tom TangerineC@a...
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 8:56
am
Subject: I can't go TD concerts
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Really-From: =?iso-8859-1?Q?Jos=E9?= =?iso-8859-1?Q?_?=
=?iso-8859-1?Q?Fern=E1ndez?=
Anyone can say me the track list of Dream Mixes II?
I've seem two emails with 2 differents track list of Ambient Monkeys?
Can anyone explain to me?
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 9:07
pm
Subject: TD Boy Meats Girl (pun intended)
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Really-From: 'Elias Granillo, Jr.'
Really-From: 'Lars R. Jones' <105411.3107@c...>
>>Really-From: Steven Feldman
>>>Subject: Boy wants to meet 'Dream' Girl
>>>Really-From: DJS
>>>Hi, my name is Danny and I've been looking for a person of the opposite
>>>sex for some time now to listen to Tangerine Dream with. [. . .] Also,
[...]
>> Yeow! You should work for the Psychic Friends Network! This pegs
>>me pretty well.
>>
>>>Subject: Re: Boy wants to meet 'Dream' Girl
>>>Really-From: Gabe Yedid
>>>You guys think you've got it rough?
>>>I need to meet a gal who likes TD *and* organ music!
>> Yeah, well, I'm looking for one that's into TD, kung fu movies, and
>>UFO abduction literature. I'm not holding my breath. I think I'm more
>>likely to find a copy of THE KEEP on vinyl before meeting such a woman,
>>but hey, you never know. ;)
>-- maybe you 3 should get together ;-)
>yenta
Yeah, but Lars, when there's three, who gets to be the bitch? Or do you
have two? Or two studs? HAHAHAHAHAHAHAHAHAHA
E-Man
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Re: TD Boy Meats Girl (pun intended)
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Mon
11/3/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 9:26
am
Subject: Re: The Keep - details
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Really-From: Craig Cordrey 01383 828182
>Really-From: Steven Feldman
>>Subject: The Keep - details
>>Date: Sun, 02 Nov 1997 11:36:35 +0000 (GMT)
>>From: tadream@c... (tadream mailing list)
>>Really-From: Craig Cordrey 01383 828182
>>
>>Once again, TD has produced a wonderful package for this soundtrack.
>[. . .]
>
> What do you mean by that? You haven't seen the original, have you?
No, I meant 'once again' as in 'another great package' along with the
semi-transparent CD 'Maedchen on the steps'. No, I have not seen the original
Keep album.
>
>>[. . .] No jewel case, but a cardboard-style casing which, in the
>>inside cover, has a small pocket containing the four-page 'booklet'.
>
> Yeah, okay; but what holds the actual disc itself? Isn't there some
>sort of deal with a hub in the middle somewhere?
There's a funny blue rubbery thing, not like the usual plastic 'spikes' or
'tynes'. That's the most disappointing thing about the package because I find
it quite difficult to relocate the CD when putting it back (or at least,
getting it to stick).
>
>>Behind the 'booklet' when it is removed is the cross emblem which appears
>>throughout the album - [. . .]
>
> What do you mean 'appears throughout the album'? Do you mean
>'appears throughout the book' or '. . . the film,' instead?
No, I mean 'appears throughout the album' i.e. on the front cover, the front
cover of the 'booklet', the centre of the four picture stills and the rear
panel when the CD is removed.
I certainly don't mean o pick a fight here, but aren't you being particularly
down on this before you've seen or heard it? Okay, it does not have exactly the
same cover as the original album you saw 13 years ago - but why should it have?
I certainly take the point about this being the 'first official release' if, as
you say, it did appear in 1984. However, since it appears that the album was
pulled for licensing/legal reasons, then I would suggest that this is the first
official release (i.e. agreed by all parties).
I haven't seen the film, but if the music on the boot does all come from the
film then it's not all here on this CD. Of course, there is music on this CD
which does not appear on the boot, but I don't know how much is 'real' (i.e.
original) and how much is 'new'.
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 9:31
am
Subject: Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
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Really-From: Craig Cordrey 01383 828182
>Really-From: Steven Feldman
>
>>Subject: Ambient Monkey - Details
>>Date: Sun, 02 Nov 1997 11:53:27 +0000 (GMT)
>>From: tadream@c... (tadream mailing list)
>>Really-From: Craig Cordrey 01383 828182
>>
>>Tangerine Dream
>>ambient monkeys
>
> Uh-oh: so this *is* an official TD release; AMBIENT MONKEYS is not
>a pseudonym for TD but the name of the album, instead? Ouch.
Correct.
>
>>1. Token from birdland (E. Froese/J. Froese)
>>2. Symphony in a-minor (J.S. Bach)
>>3. The seventh propeller of silence (E. Froese/J. Froese)
>>4. Calyx Calamander (E. Froese/J. Froese)
>>5. Largo (G.F. Handel)
>>6. Riddle of the monkey tribe) (E. Froese/J. Froese)
>>7. Moon marble (E. Froese/J. Froese)
>>8. Concerto in a-minor, adagio (W.A. Mozart)
>>9. Lemon vendor Khaly (E. Froese/J. Froese)
>>10.Campera de Mon Glyan (E. Froese/J. Froese)
>>11.Virtue is its own reward (E. Froese/J. Froese)
>>12.Pantha rhei (E. Froese/J. Froese)
>>13.Myopia world (E. Froese/J. Froese)
>
> Okay, so does this mean that there are only three covers of
>Classical tunes, or are the rest of the tracks neo-classical homages?
No, there are only three classical pieces, Gerry was perhaps a bit misleading
in his comments. Although there are thirteen titles listed, there is, in fact,
just a single 48:34 long piece. Each individual 'track' fades in and out (or
just segues into the next piece) behind the incessant calling of birds,
monkeys, wolves and lashing rain.
There are snippets of well-known tracks here, including Green Desert and a
coule of others which I haven't fully identified yet.
Of the three CDs I bought (Keep, Ambient Monkey and DMII) this is the best!
(IMO, of course).
>
>+ + + + + + +
>
>>Subject: Glasgow - Concert Report
>>Date: Sun, 02 Nov 1997 12:45:35 +0000 (GMT)
>>From: tadream@c... (tadream mailing list)
>>Really-From: Craig Cordrey 01383 828182
>>
>>MERCHANDISE :
>>[. . .] I also passed on the posters available (Turn of the Tides and
>>Tournado) - I'm not a poster man and I'd already spent all my cash!
>
> Ack! How much were the TURN OF THE TIDES posters? Will these be
>made available in the future (from Voiceprint, maybe)?
They weren't that expensive (maybe £3 to £5, I think), but I had absolutely no
money left, having already spent 150 quid!!! So, no-one please go on about
passing by collector's items I might have been able to sell on. I know, I know,
but I'm only a part-time fan. I'm not prepared to let my family starve just to
buy TD memorabilia!
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 10:02
am
Subject: Re: TD Boy Meats Girl (pun intended)
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Really-From: TangerineC@a...
In a message dated 97-11-03 04:14:44 EST, you write:
<< Yeah, well, I'm looking for one that's into TD, kung fu movies, and
>>UFO abduction literature. I'm not holding my breath. I think I'm more
>>likely to find a copy of THE KEEP on vinyl before meeting such a woman,
>>but hey, you never know. ;) >>
Hey! My girlfriend loves TD and UFO's. Except for the kung fu part. But hey,
2 out of 3 aint bad. See, there are girls out there who like that kind of
stuff. Dont give up the search. :)
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 10:58
am
Subject: RE: Sharing interest
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Really-From: Michael Richard
Hello!
> Get into prog rock, dude, there's more women than into that than
> emusic, heh heh, lots of cuties at Los Angeles's Progfest '97 back
> in May, heh heh, and I was with one of them, hee hee
Unfortunatly, there's no Progfest inside 300 kilometers (maybe more) from
my house. The better I can do is to go to Genesis show, 2 hours of road...
> Really, the net isn't any place to pick up, bro. What if you desperately
> like somebody, and she likes you, and let's say you live in the UK or
> wherever, and she lives in New Zealand? Are you going to ask your boss > for
a raise to save for a plane ticket?!?!?!!?!??!!?
I wasn't looking for a girl here, but if there's no one matching in the world,
the statistic rules proves that there's no chance to get one in my area :))
See ya!
:) Michael (:
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 11:13
am
Subject: RE: Boy wants to meet 'Dream' Girl
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Really-From: Michael Richard
Hell-o!
> You guys think you've got it rough?
> I need to meet a gal who likes TD *and* organ music!
>
> Gabe
>
> real email addresses: gabe@c...
> gyedid@p...
Hmmm... a girl who likes TD, organ music (what's that exactly?) and live in
Montreal, just perfect! Older than me, DOH! :))
See ya!
:) Michael (:
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 12:42
pm
Subject: Re: Guitar Necks (was: Where's the Zoo)
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Really-From: dn3
On Sun, 2 Nov 1997 23:07:52 -0500 (EST) tadream mailing
list wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: AslanFan1@a...
>
>
> Has anyone been able to click on the guitar necks of Jerome's page to make
> anything happen?
It worked perfectly fine in my case. Quite interesting, but
I'm not really all that much of a guitar person. I wonder
if they'll ever have a page called 'The Tangerine Dream
Synthesiser Collection - click a keyboard for additional
info'.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 2:24
pm
Subject: Mini Report: The Glasgow Show
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Really-From: Grant Middleton
For those going to a UK show, get there for the starting time
shown on the ticket ! They started on the stroke of 7:30.
I was impressed by their musical skill, their sonic clarity and
their punctuality.
Joking apart, the PA boys done good. The sound was loud enough
to get immersed in, yet you could still make out every
instrument and (more importantly) my hearing was back to normal
the following morning.
Emil played some nice drummy type things (probably hooked up to
trigger samplers) and cymbals.
Zlatco played some nice guitar (especially on the mystery last track
of set 2) and seemed to show a bit more restraint than usual (ie he
only played 10 notes for every one, rather than 20 notes for every
one). He DID bugger about too much with Beach Scene though, playing
a fairly 'generic' solo in place of Edgar's most excellent melody.
Jerome stood in front of his keyboards and made a pretty good job of
miming his way through the set. He may even have genuinely played
one or two lines.
Edgar sat on his stool all night and didn't even try to look like
he was playing. Still, he is The Man, and can afford to rest on his
laurels and get paid for it.
The computer visuals were very nice. Interestingly, they seemed to
draw a lot on the style of FSOL's Lifeforms visuals.
The Vintage Set was OK in places, very good in others (Streethawk,
Warsaw In The Sun and Stratosfear stuck out in particular). I just
wish they'd stick to the original sound - it's what the people
want. Pink Floyd were prepared to run through the whole of DSOTM
on stage and people raved about it. How about a run-through of
Encore or Logos for the vintage TD fans ?
Set 2 was quite pleasant. It was interesting to note that the
tracks from Goblin's Club almost always led to applause - perhaps
the crowd is becoming '90s TD fans, rather than a bunch of '70s
fans come to pay homage (I include myself in the latter category).
A good job was made of Two Bunch Palms, Lamb With Radar Eyes and
Rising Haul In Silence (VERY nice visual accompaniment).
Of the encores, I enjoyed Towards The Evening Star immensely and
ended up humming it intermittently for the rest of the night and
the next morning.
I hung around after the show to get autographs. Jerome signed
his nude piccy on the inside of Epsilon and Edgar grumpily
signed my vinyl copy of Rubycon. Jerome seemed to want to stay
and talk but Dad hastily got on the bus bound for the hotel.
Shame, as Jerome struck me as a decent bloke ('Do you vant me
to write on de legs or de fedder or de breast ?').
Also met Conrad Gibbons, Armin Theissen and their friends. There was
definitely a good atmosphere about the whole night. As Craig said,
will this be Edgar's Last Stand in the UK ???
I'm interested to see what Jerome will do with TD once he takes over.
Edgar was definitely looking like he wasn't enjoying himself anymore,
yet Jerome seemed to have a LOT of enthusiasm. I don't feel quite so
pessimistic about their future as I did a few years ago.
Gearhead report : Ed and Jerome had three generic black box keyboards
and a computer-in-a-box each. Don't ask me what they were. They DID
have a killer DAT player, though.
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
--------------------------------------------------------------------
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Mon
11/3/1997
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Re: Mini Report: The Glasgow Show
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Tue
11/4/1997
3 KB
8385
Re: Mini Report: The Glasgow Show
Miguel Angel Esteban
Tue
11/4/1997
3 KB
8306
Re: Mini Report: The Glasgow Show
Plumer, Scott
Mon
11/3/1997
2 KB
8358
Re: Mini Report: The Glasgow Show
Grant Middleton
Tue
11/4/1997
7 KB
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Re: Mini Report: The Glasgow Show
Paul Nagle
Tue
11/4/1997
3 KB
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Gabe Yedid
Tue
11/4/1997
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 7:40
am
Subject: Info on Dream Mixes II
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Really-From: Peter Ravn
____________________________________________________________________
Get free e-mail and a permanent address at http://www.netaddress.com
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 9:39
pm
Subject: Glasgow track list
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Really-From: Armin Theissen
Hi,
here the tracklist of the Glasgow concert from Nov. 1st 1997
Of course you all know the albums these tracks are from - but I
write this mail also for non-TD freaks who'd like to listen into
the originals.
1st set
=======
1. Waterbourne (Oasis)
2. Betrayal (Sorcerer)
3. Poland (I mean the 2nd half of 1st track of Poland, which is called
Poland, as far as I remember)
4. Sundance Kid (220 Volt)
5. Silver Scale (Tangents 5, used to open the 2nd set in early 80s, but
not played 'til the end here)
6. Warsaw in the sun (from Poland)
7. Stratosfear '95 (Tyranny of Beauty, or Stratosfear for original version)
8. Dolphin Dance (Underwater Sunlight)
9. Le Parc - Streethawk (Le Parc)
10. Beach Theme (Thief)
2nd set
=======
11. Drum Solo (Tournado)
12. Flashflood (Oasis)
13. 220 Vold (220 Volt)
14. Firetongues (Turn of the Tides)
15. Two Bunch Palms (220 Volt)
16. Little blond in the park of attractions (Tyranny of Beauty, but actually
they played the Thai Dub Mix of Dream Mixes)
17. Rising haul in silence (Goblin's Club)
18. Lamb with radar eyes (Goblin's Club)
19. Touchwood (Rockoon, but here of Dream Mixes)
20. unknown piece, but I recognized the chord progression of 'Loved by the Sun'
from the 'Legend' Soundtrack!
1st encore
==========
21. Maedchen on the Stairs (World tour limited CD, or call it 'White Eagle')
22. Thief Yang and the Tangram Seal (Shepard's Bush, this track includes
bits and pieces of 'Force Majeure' (Force Majeure), 'Tangram set 1'
(Tangram), and a typical sequencer line from the album Thief)
2nd encore
==========
23. Towards the Evening Star (Goblin's Club)
that was it.
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 2:42
pm
Subject: Wanted: Info on Dream Mixes
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------------------------------------------------------------------------------
Really-From: Peter Ravn
Hi,
Anybody of you wonderful people attending the UK concerts sending some
info on DREAM MIXES II ?
Music, tracklist, cover etc.
Best regards,
Peter Ravn
PS: See some of you in London!
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 3:33
pm
Subject: Re: COMA VIRUS (fwd)
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Really-From: Michael A Jean
---------- Forwarded message ----------
Date: Fri, 21 Feb 97 11:12:05 -0800
From: Paul Haslinger <>
To: mjean@s...
Subject: Re: COMA VIRUS
> The title escapes me at the moment,
>but none of the CD track titles sounded familiar. So, is there a unique
>song available only on the sampler, or is my memory just faulty?
the track on the sampler is related to one piece on 'hidden', but
technically they are two different compositions/assemblies
-ph-
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 3:54
pm
Subject: Re: Hey, Steve! (utterly inane; no content whatsoever)
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------------------------------------------------------------------------------
Really-From: Grant Middleton
Alrighty, Steven wins the prize for correctly naming all five of the
Goblins from Snow White-Eagle's club.
> Har har har, ho ho ho, wheez, snuck, petooey.
Step right up, folks ! Who'll be the first to name all of the reindeer
on the cover of Edgar's new solo album 'Christmas Sleighbell Slachthausse
Funfe' (apologies in advance to all German speakers and Kurt Vonnegut
fans for the spelling).
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
--------------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 4:17
pm
Subject: Re: Boy wants to meet 'Dream' Girl
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------------------------------------------------------------------------------
Really-From: Gabe Yedid
On Sun, 2 Nov 1997, tadream mailing list wrote:
> > Really-From: Gabe Yedid
> >
> > You guys think you've got it rough?
> >
> > I need to meet a gal who likes TD *and* organ music!
> >
>
> oh man...i feel for you dude. Heh heh. Organ music???
some of us do not live by e-music alone
> Dano
>
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 11:20
pm
Subject: glasgow gig
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------------------------------------------------------------------------------
Really-From: Armin Theissen
Hi,
after posting the tracklist, here my view of the gig (and others).
The concert had a really lame start. I see that glueing together
bits and pieces of 'vintage' material doesn't work! I've been to
three TD concerts in the early 80s. These concerts had some kind of
a concept - some dramatic build-up over a complete 50/60 minute set.
You know 'Poland' and 'Logos', and perhaps some fantapes, and know
what I'm talking about.
Tearing 4/5 minute 'vintage' pieces out of their completely different
contexts and glueing them together with boring bridges isn't what TD's music
is about - at least not 70s and early/mid 80s TD.
Much different the 2nd set. This one was homogeneous, and furthermore
fast and driving - I wanted to move (dance?) but was trapped in a chair....
The Glasgow gig had a better sound than the one in Bonn in April (which
suffered from severe bass feedback problems), but was - not loud enough!
Yes, for the really really first time I thought that TD isn't loud enough!
What a difference to Mojave Plan live in '82.
I also found the Bonn gig musically a bit better (better arrangement of
tracks in set 1). I'd wish that if they do a vintage set, they should
concentrate very much on one period and do it homogeneously, say, for
instance, putting together only early 80s material (and *not* amputating
Silver Scale but play it as they did 16 years ago). Or - what about
playing only new material????
After the gig - I wasn't waiting with Craig, Conrad, Grant and the others
backstage but went with three of my friends into a pub. Above mentioned
didn't believe me that Edgar and Jerome were continuing the show in
that Karaoke bar just 50 yards away from the venue... Afterwards,
we discovered that somebody broke into my car. Welcome to Glasgow.....
They robbed two backpacks we had in the trunk. Gone my camera, my
100 Pounds italian sunglasses - and a 250 Pounds raincoat. Damn.
At least the car was o.k. (on another occasion in Germany they smashed
my windows...).
I'm curious what Conrad will tell us about the Leeds and Birmingham gigs.
til then
Armin
np: Time Square - Dream Mixes II
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 4:20
pm
Subject: Re: Boy wants to meet 'Dream' Girl
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------------------------------------------------------------------------------
Really-From: Gabe Yedid
On Mon, 3 Nov 1997, tadream mailing list wrote:
> > > Really-From: Gabe Yedid
> > >
> > > You guys think you've got it rough?
> > >
> > > I need to meet a gal who likes TD *and* organ music!
> > >
> >
> >
> > oh man...i feel for you dude. Heh heh. Organ music???
>
> Real organ music... or body organ music?
> I don't think women find puttering men very attractive.. probablie on the
> smelly side!
The real thing. Bach. Buxtehude. The Couperins. Franck. Alain.
Messiaen. Guilmant. Reger.
Hammond lovers need not apply.
> Greg...
>
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 4:14
pm
Subject: Re: Mini Report: The Glasgow Show
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Really-From: Gabe Yedid
On Mon, 3 Nov 1997, tadream mailing list wrote:
> Emil played some nice drummy type things (probably hooked up to
> trigger samplers) and cymbals.
>
> Zlatco played some nice guitar (especially on the mystery last track
> of set 2) and seemed to show a bit more restraint than usual (ie he
> only played 10 notes for every one, rather than 20 notes for every
> one). He DID bugger about too much with Beach Scene though, playing
> a fairly 'generic' solo in place of Edgar's most excellent melody.
I'm amazed Edgar let him play it at all! Did he at least use the
'original' sound, or his usual Satriani-clone sound?
(note: I want to hear Edgar tackle 'Homeless' on the Thief guitar)
> Jerome stood in front of his keyboards and made a pretty good job of
> miming his way through the set. He may even have genuinely played
> one or two lines.
> Edgar sat on his stool all night and didn't even try to look like
> he was playing. Still, he is The Man, and can afford to rest on his
> laurels and get paid for it.
Well, there are two blokes from Nottingham who claim they had good enough
seats on the balcony that they could see Edgar playing the sequencer
parts by hand (see TD page guestbook)(!). Perhaps he's now got acute
arthritis and still hasn't recovered from that night?
> The computer visuals were very nice. Interestingly, they seemed to
> draw a lot on the style of FSOL's Lifeforms visuals.
I wonder if they were done by that Japanese guy they did a video with (or
seem to have, anyway). Maybe they were previews of said video?
> The Vintage Set was OK in places, very good in others (Streethawk,
> Warsaw In The Sun and Stratosfear stuck out in particular). I just
> wish they'd stick to the original sound - it's what the people
> want. Pink Floyd were prepared to run through the whole of DSOTM
> on stage and people raved about it. How about a run-through of
> Encore or Logos for the vintage TD fans ?
>
> Set 2 was quite pleasant. It was interesting to note that the
> tracks from Goblin's Club almost always led to applause - perhaps
> the crowd is becoming '90s TD fans, rather than a bunch of '70s
> fans come to pay homage (I include myself in the latter category).
> A good job was made of Two Bunch Palms, Lamb With Radar Eyes and
> Rising Haul In Silence (VERY nice visual accompaniment).
>
> Of the encores, I enjoyed Towards The Evening Star immensely and
> ended up humming it intermittently for the rest of the night and
> the next morning.
>
> I hung around after the show to get autographs. Jerome signed
> his nude piccy on the inside of Epsilon and Edgar grumpily
> signed my vinyl copy of Rubycon. Jerome seemed to want to stay
> and talk but Dad hastily got on the bus bound for the hotel.
> Shame, as Jerome struck me as a decent bloke ('Do you vant me
> to write on de legs or de fedder or de breast ?').
Well, if Edgar can no longer even sign autographs with a sense of humour,
maybe it *is* better for all concerned he retires sooner or later.
You make it seem as if Jerome is looking forward to running the band
*his* way.
Since you seem to have identified the DAT, guess that clears up any
question about whether or not the shows are all live. Pity, but it may
be a necessary evil unless they find a 3rd synth player.
Gabe
real email addresses: gabe@c...
gyedid@p...
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Paul Nagle
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Re: Mini Report: The Glasgow Show
Miguel Angel Esteban
Tue
11/4/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 4:25
pm
Subject: RE: Boy wants to meet 'Dream' Girl
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Really-From: Gabe Yedid
On Mon, 3 Nov 1997, tadream mailing list wrote:
> Really-From: Michael Richard
>
>
> Hmmm... a girl who likes TD, organ music (what's that exactly?) and live in
> Montreal, just perfect! Older than me, DOH! :))
Organ music: music played on an instrument that is mechanical in nature,
usually controlled by a keyboard-based console with stops,
and operated principally by forcing air from a wind chest through a set
of pipes that have been constructed in such a way as to produce an
ear-splitting sound when air runs through them.
It's possible to find ones who live in Montreal and like organ music--our
city is richly endowed with organs--but the average age at a Montreal organ
recital is, like, 55. How many of these people are also closet TD fans
remains to be seen.
> See ya!
>
> :) Michael (:
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 4:44
pm
Subject: RE: Sharing same interest...
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Really-From: 'Plumer, Scott'
>I'm looking for a girlfriend who share the same interests than
me.
What about Elana, is she available? :-)
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 11:49
pm
Subject: glasgow tracklist
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Really-From: Armin Theissen
Hi,
I just realise - while listening to 'Time Square' - that the last track
of the Glasgow concert (last track of 2nd set) which starts with a
chord progression very very similar to 'Loved by the sun' is 'Time Square'
(title track).
Wonderful album, btw! Really really really really really good!!!!
If this is what Jerome is about to do after Edgar retires - then its o.k.!
armin
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 4:57
pm
Subject: No mail?
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Really-From: TangerineC@a...
For some reason i'm not getting the TD list. I find it hard to believe that
after all the hot topics that are being discussed, there is no mail. Did I
get kicked off the list again?
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:10
pm
Subject: TD & Chow Yun Fat
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: TangerineC@a...
>
> In a message dated 97-11-03 04:14:44 EST, you write:
>
> << Yeah, well, I'm looking for one that's into TD, kung fu movies, and
> >>UFO abduction literature. I'm not holding my breath. I think I'm more
> >>likely to find a copy of THE KEEP on vinyl before meeting such a woman,
> >>but hey, you never know. ;) >>
>
> Hey! My girlfriend loves TD and UFO's. Except for the kung fu part. But hey,
> 2 out of 3 aint bad. See, there are girls out there who like that kind of
> stuff. Dont give up the search. :)
Why is it that all us geeks listen to TD and watch hong kong films or
Godzilla. Oh, have I ever mentioned that Rubycon and Kraftwerk's music
were used in the film, Master of the Flying Guillotine? Those asian folk
are just so original. Oh, and by the way, my wife digs TD and hong kong
films. Heh, what a little money can do. Heh heh heh (joke there
pilgrims).
Dano
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:07
pm
Subject: Re: The Keep - details
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: Craig Cordrey 01383 828182
>
> >Really-From: Steven Feldman
> >>Subject: The Keep - details
> >>Date: Sun, 02 Nov 1997 11:36:35 +0000 (GMT)
> >>From: tadream@c... (tadream mailing list)
> >>Really-From: Craig Cordrey 01383 828182
> >>
> >>Once again, TD has produced a wonderful package for this soundtrack.
> >[. . .]
> >
> > What do you mean by that? You haven't seen the original, have you?
>
> No, I meant 'once again' as in 'another great package' along with the
> semi-transparent CD 'Maedchen on the steps'. No, I have not seen the original
> Keep album.
>
> >
> >>[. . .] No jewel case, but a cardboard-style casing which, in the
> >>inside cover, has a small pocket containing the four-page 'booklet'.
> >
> > Yeah, okay; but what holds the actual disc itself? Isn't there some
> >sort of deal with a hub in the middle somewhere?
>
> There's a funny blue rubbery thing, not like the usual plastic 'spikes' or
> 'tynes'. That's the most disappointing thing about the package because I find
> it quite difficult to relocate the CD when putting it back (or at least,
> getting it to stick).
>
> >
> >>Behind the 'booklet' when it is removed is the cross emblem which appears
> >>throughout the album - [. . .]
> >
> > What do you mean 'appears throughout the album'? Do you mean
> >'appears throughout the book' or '. . . the film,' instead?
>
> No, I mean 'appears throughout the album' i.e. on the front cover, the front
> cover of the 'booklet', the centre of the four picture stills and the rear
> panel when the CD is removed.
>
> I certainly don't mean o pick a fight here, but aren't you being particularly
> down on this before you've seen or heard it? Okay, it does not have exactly
the
> same cover as the original album you saw 13 years ago - but why should it
have?
> I certainly take the point about this being the 'first official release' if,
as
> you say, it did appear in 1984. However, since it appears that the album was
> pulled for licensing/legal reasons, then I would suggest that this is the
first
> official release (i.e. agreed by all parties).
>
> I haven't seen the film, but if the music on the boot does all come from the
> film then it's not all here on this CD. Of course, there is music on this CD
> which does not appear on the boot, but I don't know how much is 'real' (i.e.
> original) and how much is 'new'.
>
you guys have to be kidding! All this over what the jewel case looks
like? just wait until you get it yourself. I can't imagine getting so
excited or caring so much about what a jewel case package looks like.
You're all crazy TD fans!!! I'm pleased to be here among such freaks.
Heh heh
Regards,
Dano
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:14
pm
Subject: Organ music???
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Really-From: DJS
>
> Hell-o!
>
> > You guys think you've got it rough?
> > I need to meet a gal who likes TD *and* organ music!
> >
> > Gabe
> >
> > real email addresses: gabe@c...
> > gyedid@p...
>
> Hmmm... a girl who likes TD, organ music (what's that exactly?) and live in
> Montreal, just perfect! Older than me, DOH! :))
>
> See ya!
>
> :) Michael (:
Okay Gabe...we're all stumped. What the hell is organ music??? Are we
talking metal flutes or skin flutes here.
Dano
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:12
pm
Subject: Re: Sharing interest
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Really-From: DJS
> Really-From: Michael Richard
>
> Hello!
>
> > Get into prog rock, dude, there's more women than into that than
> > emusic, heh heh, lots of cuties at Los Angeles's Progfest '97 back
> > in May, heh heh, and I was with one of them, hee hee
>
> Unfortunatly, there's no Progfest inside 300 kilometers (maybe more) from
> my house.
TIME TO MOVE DUDE!
> I wasn't looking for a girl here, but if there's no one matching in the world,
> the statistic rules proves that there's no chance to get one in my area :))
TIME TO MOVE DUDE!!!!!!
>
> See ya!
>
> :) Michael (:
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 2, 1997 6:21
pm
Subject: RE: Sharing some interest...
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Really-From: '=?ISO-8859-1?Q?Jos=E9_Ram=F3n?='
First Michael:
> >Really-From: Michael Richard
> >
> >Hello there!
> >
> >I'm looking for a girlfriend who share the same interests than me.
> >
> >But, just to know, how many girls here (or how many do you know) are
> >under 18, like Internet and really love to listen to Tangerine Dream, Klaus
> >Schulze and related music?
> >
> >I guess no more than 5 around the world, how many in my area?
> >I don't think I've chance to get one, heh? :)
> >
> > See ya!
> >
> > :) Michael (:
> >
>
After Wouter:
> Well Michael,
>
> Don't be that negative ; of course you'll find a girlfriend who loves to
> listen to TD and other electronic music.
>
> I had the same problem too for a couple of years, but.....last years'
> KLEMdag really was my happy day. During the Paul Haslinger concert......do I
> need to say more ??? Since then, we went to a lot of electronic concerts and
> we have a wonderful relation.
>
> So keep the faith and I'm sure your wishes will be fullfilled !!!
>
> Cheeeeeeeers, Wouter.
Hee hee, Michael... If you don't find her, you always can make her. A while
ago my girldfriend hated to TD, now she is buying compact discs... She likes
220 Volt Live, Hyperborea, Logos, Legend, Turn Of The Tides, Goblins Club,...
Rubycon!, Atem!...
Regards.
José Ramón
PD - Well, Michael, I have a Spanish friend of feminine sex... Favourite
groups: J-M. Jarre, Tangerine Dream (Baumann time), ... Age: 17 years... The
love is strange, perhaps you and her...
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 2, 1997 6:58
am
Subject: Re: Boy wants to meet 'Dream' Girl
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Really-From: Sean Montgomery
> You guys think you've got it rough?
>
> I need to meet a gal who likes TD *and* organ music!
Or, at least, a woman who'll like your 'organ'...
Sean Montgomery 3D ANIMATOR
http://www.topix.com/~sean
'A paranoiac is someone
in possession of the facts'
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Re: Boy wants to meet 'Dream' Girl
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Mon
11/3/1997
3 KB
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Re: Boy wants to meet 'Dream' Girl
Gabe Yedid
Tue
11/4/1997
3 KB
8320
Re: Boy wants to meet 'Dream' Girl
Sean Montgomery
Tue
11/4/1997
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:21
pm
Subject: Re: TD for Halloween
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Really-From: dn3
On Thu, 30 Oct 1997 15:54:25 -0500 (EST) tadream mailing
list wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: TangerineC@a...
>
>
> Dont forget some parts of Logos are spooky too.
Dennis
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:40
pm
Subject: Thank you for the concert reports!
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Really-From: Dave Brewer
Like the subject says, I thank all of the folks who have shared concert
experiences with the list. I really enjoy hearing about them, since I
know I won't make it to any. I can only hope they'll return to North
America AND Arizona soon. My first and last TD concert was in Scottsdale
in '92, and I really need my fix! The A'dam Eve discs helped somewhat,
but it's not quite the same... I also look forward to finding The Keep,
Time Square and Ambient Monkeys in shops soon (either mail order, online
or local). Horizon Music: I hope Tournado and Oasis do indeed get mailed
out this week, I really wanna hear them!
Dayv Bru'r
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:56
pm
Subject: RE: Mini Report: The Glasgow Show
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Really-From: 'Plumer, Scott'
>Edgar was definitely looking like he wasn't enjoying himself
anymore,
C'mon, Grant, did Ed _ever_ look like he was enjoying himself?
:-)
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:55
pm
Subject: Re: Boy wants to meet 'Dream' Girl
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Really-From: Dave Brewer
Well, it seems like the majority of us have some rather strange
combinations of tastes (myself included!). I think the odds are against
someone finding a person who has all of the same tastes. I won't even try;
besides, I wouldn't want to date someone who was just like me anyway. As
long as she will tolerate my interests and let me enjoy them (especially
TD), then that's fine. I will do the same for her, and I also wouldn't mind
some sharing back and forth. Hey, the last girlfriend I had was starting
to like TD (especially Melrose) before we broke up. But that's enough
about that!
Dave 'broken-hearted' Brewer
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 7:02
pm
Subject: Re: Glasgow - Concert Report
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Really-From: 'Gerry Fox'
----------------------------------------------------------------------------
--
Really-From: Craig Cordrey 01383 828182
PRE-SHOW :
We had good seats, six rows back from the stage, and only a few seats left
of
centre. It was only just before 19-30, and there were lots of empty seats.
As
the concert started and went on, obviously a number of people also thought
that
the doors were opening at that time, because there were a lot of
late-comers,
some (in front of us) not even getting in until about three-quarters
through
the first set.
Glad you enjoyed the show, I thought it much better than the Edinburgh
concert in '92. Thanks for putting some names on the tracks. I have a
shocking memory for titles.
Ref the late comers, I was about four or five rows behind you and over to
the right and we had four Idiots who came into row in front of us 45
minutes after the concert began - just in the middle of Stratosfear I
think. Then 2 of them left after 5 minutes to go to - well goodness knows.
They managed to be late for the second set as well by 10 minutes.
Why they bothered coming I'll never know. They spoiled the ambience for a
good many people.
Gerry
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 6:54
pm
Subject: Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
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Really-From: 'Gerry Fox'
No, there are only three classical pieces, Gerry was perhaps a bit
misleading
in his comments. Although there are thirteen titles listed, there is, in
fact,
just a single 48:34 long piece. Each individual 'track' fades in and out
(or
just segues into the next piece) behind the incessant calling of birds,
monkeys, wolves and lashing rain.
Oops ! I was speaking from memory and the classical titles were the ones
lodged in my mind the next day.
If it is better than DM2 I wish I had got it now. Do we know if it will be
available other than at the concerts ?.
Gerry
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 7:07
pm
Subject: Tour Merchandise Prices
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Really-From: dn3
Hello Dreamers,
just wondering how much money I ought to take to
the Shepherd's Bush concert for merchandise products. I'd
like to buy The Keep, Ambient Monkeys, Timesquare, a
T-Shirt (yes, Scott, that's yours!!), and maybe a poster if
they're really nice. Can anyone who has been to one of the
concerts in Bristol, Glasgow, and wherever, please give me
a rough idea about how much cash I need to bring? I take it
they don't accept Switch, and I'd strangle myself with a
keyboard lead if I haven't got enough cash on me.
Thanks a lot. - Dennis
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 7:16
pm
Subject: RE: Sharing interest
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Really-From: 'Plumer, Scott'
> > > Get into prog rock, dude, there's more women than into that than
> > > emusic, heh heh, lots of cuties at Los Angeles's Progfest '97 back
> > > in May, heh heh, and I was with one of them, hee hee
Lotsa cuties at ProgFest? Not from what I've heard. Maybe none
of them went to Le Orme.
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 7:09
pm
Subject: Time Scare track listing please!!
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Really-From: Claude Roy
Could someone tell us what the track listing of Time Scare!
Everybody talking about this album but nobody mention what's
on it.
Claude Roy
Longueuil, Qc Canada
Sites internet/Internet web pages
--------------------------------------------
http://pages.infinit.net/ozzz/cin/cinbienv.htm (Cinema/movies)
http://pages.infinit.net/ozzz/gci/gcimain.htm (Genie civil/Civil engineering)
http://pages.infinit.net/ozzz/tennis/tennis.htm (Tennis)
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 8:25
pm
Subject: Doctor Music Festival
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Really-From: 'Plumer, Scott'
Did TD ever play the Doctor Music Festival? It was to be held in Spain
on Jully 11 - 14. It was on their tour date list, but I don't know if
they ever cancelled it or not. And why were the eastern Europe dates
cancelled?
Scott E. Plumer
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 9:18
pm
Subject: Re: Tour Merchandise Prices
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Really-From: 'Gerry Fox'
>
>
> Hello Dreamers,
>
> just wondering how much money I ought to take to
> the Shepherd's Bush concert for merchandise products. I'd
> like to buy The Keep, Ambient Monkeys, Timesquare, a
> T-Shirt (yes, Scott, that's yours!!), and maybe a poster if
> they're really nice. Can anyone who has been to one of the
> concerts in Bristol, Glasgow, and wherever, please give me
> a rough idea about how much cash I need to bring? I take it
> they don't accept Switch, and I'd strangle myself with a
> keyboard lead if I haven't got enough cash on me.
>
> Thanks a lot. - Dennis
>
Lots
The Keep was £20 and the rest £15. T shirt £10 Posters £3 I think and metal
pin badges £2
It was cash or cheque at Glasgow.
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 9:14
pm
Subject: Re: Time Scare track listing please!!
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Really-From: 'Gerry Fox'
Could someone tell us what the track listing of Time Scare!
Everybody talking about this album but nobody mention what's
on it.
Claude Roy
Longueuil, Qc Canada
The track listing for TimeSquare Dream Mixes 2 is as follows
1. Mobocaster 7.24
2 Jungle Jacula 8.41
3 Towards the Evening Star ( Blue Gravity Mix) 8.41
4 Digital Sister 7.10
5 Pixel Pirates 6.55
6 Culpa Levis 10.11
7 TimeSquare 8.42
Total Time 57.44
Produced by Edgar Froese
Composed and arranged by Jerome and edgar Froese
Recorded June/July 1997 at Eastgate Studios
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 5:08
pm
Subject: Re: Movements of a Visionary
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Really-From: Michael Fox
At 10:38 PM 11/2/97 -0800, you wrote:
>Steve Yensen wrote (quoting his own post):
>Also in the early 70s I remember watching a really corny documentary
>about
>two surfers travelling the world in search of the perfect wave...
You refer to the wonderful 'Endless Summer'.
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 11:04
pm
Subject: Re: Boy wants to meet 'Dream' Girl
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Really-From: Gabe Yedid
On Mon, 3 Nov 1997, tadream mailing list wrote:
> Really-From: Sean Montgomery
>
>
>
> > You guys think you've got it rough?
> >
> > I need to meet a gal who likes TD *and* organ music!
>
>
> Or, at least, a woman who'll like your 'organ'...
Boy Sean, you really CAN take it down a notch or 2, can't you?
While our minds are in the gutter, you know what they say: not a REAL
organ unless you've got at least 1 32' pipe.
>) >)
>
> Sean Montgomery 3D ANIMATOR
> http://www.topix.com/~sean
Gabe
real email addresses: gabe@c...
gyedid@p...
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 11:11
pm
Subject: Re: Time Scare track listing please!!
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Really-From: Gabe Yedid
On Mon, 3 Nov 1997, tadream mailing list wrote:
> Really-From: 'Gerry Fox'
>
>
>
> The track listing for TimeSquare Dream Mixes 2 is as follows
> 1. Mobocaster 7.24
> 2 Jungle Jacula 8.41
Is this another remix of 'Jungle Journey'?
Wait...oh god, jerome, what HAVE you been smoking...and why aren't you
sharing?
> 3 Towards the Evening Star ( Blue Gravity Mix) 8.41
Yeah! Let 'em show Alex Paterson how it's REALLY done!
> 4 Digital Sister 7.10
> 5 Pixel Pirates 6.55
Sounds like it was inspired by an episode of Reboot with Cap'n Capacitor...
> 6 Culpa Levis 10.11
> 7 TimeSquare 8.42
>
> Total Time 57.44
>
> Produced by Edgar Froese
> Composed and arranged by Jerome and edgar Froese
> Recorded June/July 1997 at Eastgate Studios
Are any of these remotely similar in nature to 'Order of The Ginger G(u)ild'?
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 11:17
pm
Subject: Re: Organ music???
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Really-From: Gabe Yedid
On Mon, 3 Nov 1997, tadream mailing list wrote:
> Really-From: DJS
> >
> > > You guys think you've got it rough?
> > > I need to meet a gal who likes TD *and* organ music!
> > >
> > > Gabe
> >
> > Hmmm... a girl who likes TD, organ music (what's that exactly?) and live in
> > Montreal, just perfect! Older than me, DOH! :))
> >
> > :) Michael (:
>
>
> Okay Gabe...we're all stumped. What the hell is organ music??? Are we
> talking metal flutes or skin flutes here.
Dan, I was not trying to be ribald or cryptic. You must have seen a pipe
organ at least once in your life...
I was deep into organ music long before I ever knew who really wrote that
piece 'Dr. Destructo' (my first TD exposure at age 8) or before _Phaedra_
ever graced my LP collection. And I never stopped loving it, though I
must admit I enjoy it live far more than recorded.
> Dano
>
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 12:30
am
Subject: Re: Boy wants to meet 'Dream' Girl
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Really-From: Sean Montgomery
> > > I need to meet a gal who likes TD *and* organ music!
> >
> > Or, at least, a woman who'll like your 'organ'...
>
> Boy Sean, you really CAN take it down a notch or 2, can't you?
*stands up, takes a bow* 'thank you, thank you...you're too kind..'
:-)
Sean Montgomery 3D ANIMATOR
http://www.topix.com/~sean
'A paranoiac is someone
in possession of the facts'
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: TD Boys Will Be Boys
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Really-From: Steven Feldman
>Subject: TD Boy Meats Girl (pun intended)
>From: tadream@c... (tadream mailing list)
>Date: Mon, 3 Nov 1997 13:07:59 -0800
>Really-From: 'Elias Granillo, Jr.'
>
>>Really-From: 'Lars R. Jones' <105411.3107@c...>
>
>>>>Really-From: Steven Feldman
>>>>Subject: Boy wants to meet 'Dream' Girl
>>>>Really-From: DJS
[. . .]
>>>>Subject: Re: Boy wants to meet 'Dream' Girl
>>>>Really-From: Gabe Yedid
>
>>-- maybe you 3 should get together ;-)
>
>>yenta
>
>Yeah, but Lars, when there's three, who gets to be the bitch? Or do you
>have two? Or two studs? HAHAHAHAHAHAHAHAHAHA
Sigh. See what grousing about how 'Edgar's reaming us' with the
recent pre-lease CD prices can lead to, Lars?
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
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Really-From: Steven Feldman
>Subject: Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
>Date: Mon, 03 Nov 1997 09:31:57 +0000 (GMT)
>From: tadream@c... (tadream mailing list)
>Really-From: Craig Cordrey 01383 828182
>
>>>Tangerine Dream
>>>ambient monkeys
>
>[. . .] Although there are thirteen titles listed, there is, in fact,
>just a single 48:34 long piece. Each individual 'track' fades in and
>out (or just segues into the next piece) [. . .]
Do you mean to say that this CD isn't indexed, then? There's just
one big track that doesn't allow you to zip to a fave track at the press
of a button?
>[. . .] behind the incessant calling of birds, monkeys, wolves and
>lashing rain.
Uh, unless I'm mistaken, the preponderance of animal sounds is what
New Age, isn't it? I seem to recall this being said on the GoldTri list
somewhat recently.
>There are snippets of well-known tracks here, including Green Desert
>and a couple of others which I haven't fully identified yet.
Hmmm, could this be TD's answer to the Future Sound of London album,
LIFE FORMS?
>>>Subject: Glasgow - Concert Report
>>>Date: Sun, 02 Nov 1997 12:45:35 +0000 (GMT)
>>>From: tadream@c... (tadream mailing list)
>>>Really-From: Craig Cordrey 01383 828182
>
[I--meaning Steven Feldman--said:]
>> Ack! How much were the TURN OF THE TIDES posters? Will these
>>be made available in the future (from Voiceprint, maybe)?
>
>They weren't that expensive (maybe =A33 to =A35, I think) [. . .]
I'm assuming that '=33 to =A35' means '3 dollars 30 cents to 3
3 dollars 50 cents.' Is that right???
>Subject: Re: Tour Merchandise Prices
>From: tadream@c... (tadream mailing list)
>Date: Mon, 3 Nov 1997 21:18:25 -0000
>Really-From: 'Gerry Fox'
>
>The Keep was =A320 and the rest =A315. T shirt =A310 Posters =A33 I
>think and metal pin badges =A32
Does the above mean . . .
o THE KEEP: 32 dollars
o AMBIENT MONKEYS: 31 dollars 50 cents
o TIMESQUARE/DREAM MIXES II: 31 dollars 50 cents
o T-shirt: 31 dollars
o Posters: 3 dollars 30 cents
o Metal pin badges: 3 dollars 20 cents
If the above prices are correct, I'm wondering if anyone would be
so good as to bring a mailing tube with them to a show and pick me up
one of each? (Maybe if you get a bunch, Lars and I can split the
postage and buy them all from you.)
-- Steven Feldman
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Craig Cordrey 01383 828182
Tue
11/4/1997
5 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: RUBYCON-Autograph Seekers Make Edgar Grumpy
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Really-From: Steven Feldman
>Subject: Re: Mini Report: The Glasgow Show
>Date: Mon, 3 Nov 1997 11:14:37 -0500 (EST)
>From: tadream@c... (tadream mailing list)
>Really-From: Gabe Yedid
>
>On Mon, 3 Nov 1997, tadream mailing list wrote:
>
>> I hung around after the show to get autographs. Jerome signed
>> his nude piccy on the inside of Epsilon and Edgar grumpily
>> signed my vinyl copy of Rubycon. [. . .]
>
>Well, if Edgar can no longer even sign autographs with a sense of
>humour, maybe it *is* better for all concerned he retires sooner or
>later.
Relax. Edgar is probably just tired of every third TD fan shoving
a copy of RUBYCON under his nose for autograph purposes -- rather than
one of his latter-day 'classics.' ;)
-- Steven Feldman
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DJS
Tue
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4 KB
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Re: RUBYCON-Autograph Seekers Make Edgar Grumpy
Plumer, Scott
Tue
11/4/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 1:37
am
Subject: --------> TD - - - - Boy/Girl <----------
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Really-From: PNaunton
In a message dated 97-11-03 05:11:26 EST, you write:
<< >>UFO abduction literature. I'm not holding my breath. I think I'm more
>>likely to find a copy of THE KEEP on vinyl before meeting such a woman,
>>but hey, you never know. ;) >>
Hey! My girlfriend loves TD and UFO's. Except for the kung fu part. But hey,
2 out of 3 aint bad. See, there are girls out there who like that kind of
stuff. Dont give up the search. :)
>>
There are other parameters to consider as well, like their having
two eyes, one nose, two ears. and one mouth for example. Certain other
elements which make for a pleasing relationship go way beyond music likes and
such. And then don't forget the wiley ways of certain fortune hunters. Yes,
they actually pretend to like TD, and all that other male stuff, and when you
say, 'I Do.' then they don't anymore.
Phil Naunton
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--------> TD - - - - Boy/Girl <----------
Lars R. Jones
Tue
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Is DREAM MIXES II a Misnomer?
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Really-From: Steven Feldman
>Subject: Re: Time Scare track listing please!!
>From: tadream@c... (tadream mailing list)
>Date: Mon, 3 Nov 1997 21:14:49 -0000
>Really-From: 'Gerry Fox'
>
>The track listing for TimeSquare Dream Mixes 2 is as follows
>1 Mobocaster [..............................] 7.24
>2 Jungle Jacula [...........................] 8.41
>3 Towards the Evening Star (Blue Gravity Mix) 8.41
>4 Digital Sister [..........................] 7.10
>5 Pixel Pirates [...........................] 6.55
>6 Culpa Levis [............................] 10.11
>7 TimeSquare [..............................] 8.42
>
> Total Time [.......................] 57.44
Okay, if the CD is subtitled DREAM MIXES II, why is it that there
is only one out-and-out remix, i.e. only one track with a recognizable
name? (I'm guessing that the other tracks might be conglomerated tracks
like 'Thief Yang and the Tangram Seal' judging by comments that the
title track 'TimeSquare' is partly reminiscent of 'Loved by the Sun.')
If indeed only one of TIMESQUARE's seven tracks is a remix, where
does Edgar get off calling this CD DREAM MIXES II?!? (Maybe it's just
to alert the casual buyer that if he or she liked DREAM MIXES I, then
they'd be apt to like DREAM MIXES II, as well?!?)
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Why I'm Cranky About THE KEEP Pre-release CD
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Really-From: Steven Feldman
>Subject: Re: The Keep - details
>Date: Mon, 03 Nov 1997 09:26:02 +0000 (GMT)
>From: tadream@c... (tadream mailing list)
>Really-From: Craig Cordrey 01383 828182
>
>I certainly don't mean o pick a fight here, but aren't you being
>particularly down on this before you've seen or heard it? [. . .]
Well, here's eight reasons, for starters:
1) The advance word about the CD being a limited pressing of 150 copies
has turned out to be--how shall I put it?--untrue.
2) The price is a tad exhorbitant: $35 for a single-CD.
3) Once again, those on my side of pond have to go to extraordinary
lengths to make sure they get a TD pre-release that might never see
a state-side counterpart
4) It's being offered at the same time that two other high-priced items
have come on the scene: AMBIENT MONKEYS and DREAM MIXES II (by high-
priced, I mean $10 more each than the Australian GOBLINS' CLUB and
TOURNADO cost at the previous batch of shows).
5) The packaging is flimsy and will be hard to keep in good shape.
6) This CD won't fit in most CD racks.
7) The rubbery 'hub' will probably dry out and crack, i.e. become
unfunctional in about ten years.
8) Excepting the 'cover track' ('Gloria'), none of the previously-named
tracks that were broadcast over German radio seem to be on this CD
that supposedly represents the entire soundtrack.
>[. . .] Okay, it does not have exactly the same cover as the original
>album you saw 13 years ago - but why should it have?
No reason, seeing as it's a TDI product. Remember how it was
mentioned that the Japanese TANGRAM CD actually has reproductions of the
Tangram photos in the packaging?
>I certainly take the point about this being the 'first official release'
>if, as you say, it did appear in 1984. [. . .]
Yes, this *is* a rather delicious irony, isn't it? ;)
>[. . .] However, since it appears that the album was pulled for
>licensing/legal reasons, then I would suggest that this is the first
>official release (i.e. agreed by all parties).
I'm not arguing that point. The point I'm making is that--out of
all the soundtrack albums TD has released--especially those that have
been released years after their corresponding films were releeased--this
is the only time that any mention has been made of a CD constituting the
first *official* release of its music.
>I haven't seen the film, but if the music on the boot does all come from
>the film then it's not all here on this CD. [. . .]
I had a feeling that would be the case.
>[. . .] Of course, there is music on this CD which does not appear on
>the boot [. . .]
This doesn't surprise me, either.
>[. . .] but I don't know how much is 'real' (i.e. original) and how
>much is 'new'.
Well, I've got THE KEEP videotape, and the syndicated-TV-only track,
and a cassette boot (from about 1993), and the Blue Moon boot, so when I
get ahold of the TDI CD, I'll be able to offer up some opinions.
>Subject: Re: The Keep - details
>Date: Mon, 03 Nov 1997 10:07:39 -0800
>From: tadream@c... (tadream mailing list)
>Really-From: DJS
>Organization: Rakinik Intertype
>
>you guys have to be kidding! All this over what the jewel case looks
>like? just wait until you get it yourself. I can't imagine getting so
>excited or caring so much about what a jewel case package looks like.
Considering that the packaging is what's jacking the price of the
CD up by $10-$15?!?
>You're all crazy TD fans!!! I'm pleased to be here among such freaks.
Well, *that's* encouraging, anyways. Thank you. ;)
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:30
pm
Subject: TD Dream Mamacita
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Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:45
am
Subject: Looking for U.S. CD/LD mailorder addresses
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Really-From: Mak0shark@a...
Does anyone in the U.S. know of any good, cheap internet mail order addresses
for ordering Tangerine Dream CD's and LD's.
Thanks,
Mak0shark@a...
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Tue
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4 KB
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Plumer, Scott
Tue
11/4/1997
3 KB
8399
Re: Looking for U.S. CD/LD mailorder addresses
Robert Grabowsky
Wed
11/5/1997
3 KB
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Re: Looking for U.S. CD/LD mailorder addresses
Andrew J. Rozsa
Tue
11/4/1997
5 KB
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Re: Looking for U.S. CD/LD mailorder addresses
Neal McAuley
Wed
11/5/1997
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Re: Looking for U.S. CD/LD mailorder addresses
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:46
pm
Subject: Latecomers
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Really-From: 'Elias Granillo, Jr.'
[
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:37
pm
Subject: Edgar the Norseman
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Really-From: 'Elias Granillo, Jr.'
>>Edgar was definitely looking like he wasn't enjoying himself
>>anymore,
>C'mon, Grant, did Ed _ever_ look like he was enjoying himself?
>:-)
>Scott
You know, methinks the only time Edgar has the 'look' (where a musician is
getting off making pained/orgasmic facial expressions where he's 'feeling'
every note) is when he plays guitar, especially the '88 San Diego gig..
Either way, he still looks like a Viking.
E-Man
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:56
pm
Subject: Cuties
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
--
>Really-From: 'Plumer, Scott'
>> > > Get into prog rock, dude, there's more women than into that than
> >> > emusic, heh heh, lots of cuties at Los Angeles's Progfest '97 back
> > >> in May, heh heh, and I was with one of them, hee hee
>Lotsa cuties at ProgFest? Not from what I've heard. Maybe none
>of them went to Le Orme.
>Scott
Of course not...they went to see Arena. Le Orme smoked, the best of the
weekend. All the cute chicks were taken anyway, and my buddy Seanna thought
most of the guys needed a makeover, HAHAHA John Jowitt's (Arena) honey was
cute, and that Ten Jinn vocalist had a nice blond hanging on his
shoulder...
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: There will be a Third Redshift Album, and Maybe More!
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------------------------------------------------------------------------------
Really-From: Steven Feldman
Howdy Kiddies,
Thought some of you might like to see this!
-- Steven Feldman
+ + + + + + +
Date: Mon, 03 Nov 1997 09:44:34 +0000 (GMT)
Message-Id: <9434440903111997/A05656/SULLY/11BB1A6C2100*@M...>
From: owner-goldtri@a...
Really-From: Grant Middleton
Subject: [goldtri] There IS a God (Redshift will continue !)
Reply-To: GoldTri Mailing List
Hi folks,
I've just received a message from Mark Shreeve.
In it, he says that Redshift will be a continuing project
and that they're starting work on a third album. Here's
what he says :-
'Ether' has just(3 days ago) been finished...there are 2 live tracks(from
Jodrell Bank)and 2 studio tracks.The excerpt on Ash's CD was taken from a
26 minute track..brevity,brevity!.
Redshift is hopefully a long term band,we have already started on a third
album,the thing with Ian was probably a one-off(the band name is 'ARC' by
the way),but who knows..?.
Actually,the stuff that Ian and I have done might appeal to you if you're
into dark,analogue sequencer based music. It is a bit more Node-like than
Redshift,we didn't want to do a Mark Shreeve album with Ian Boddy chords,
or an Ian Boddy album with Mark Shreeve tunes. What we have done might
surprise people.
A bit more Node-like than Redshift.
It's a good time to be alive !
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
--------------------------------------------------------------------
+ + + + + + +
Date: Mon, 3 Nov 1997 10:14:49 -0000
Message-ID: <01BCE841.53EE5DA0@r...>
From: owner-goldtri@a...
Really-From: Simon Pride
Subject: RE: [goldtri] There IS a God (Redshift will continue !)
Reply-To: GoldTri Mailing List
On 03 November 1997 09:44, Grant Middleton wrote:
> Hi folks,
>
>
>
> I've just received a message from Mark Shreeve.
>
>
>
> In it, he says that Redshift will be a continuing project
> and that they're starting work on a third album. [. . .]
[Interior. Day]
[Close-up on a medium-sized ceramic PIGGY BANK]
[The camera slowly pulls back as we see coming into shot, in slow motion,
a HAMMER descending onto the PIGGY BANK. The PIGGY BANK explodes in a
frenzy of small porcelain fragments, flying outwards in slomo.]
[A HAND appears and rakes up the coins released by the destruction of the
PIGGY BANK]
[Fade to black.]
[GRAMS: A door slams]
----------------------------------------------------------------------
Simon Pride
Technical User Services
University of Cambridge Computing Service
----------------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 3:19
am
Subject: Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'Jens Peschke'
> Really-From: Steven Feldman
>
[Gerry Fox]
> >The Keep was =A320 and the rest =A315. T shirt =A310 Posters =A33 I
> >think and metal pin badges =A32
>
> Does the above mean . . .
> o THE KEEP: 32 dollars
> o AMBIENT MONKEYS: 31 dollars 50 cents
[...]
Steven, read '=A3' as British pounds.
'=A320' are 20 pounds or L20, '=315' L15, etc., which is quite expansive.
Jens
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 3:02
pm
Subject: TD Play A Festival?
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
--
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:06
am
Subject: Re: boy meets dream girl
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Jonathan Sands
>Date: Sun, 02 Nov 1997 10:51:32 -0800
>From: tadream@c... (tadream mailing list)
>Really-From: DJS
>Organization: Rakinik Intertype
>
>Hi, my name is Danny and I've been looking for a person of the opposite
>sex for some time now to listen to Tangerine Dream with. [. . .] Also,
>we can have cool discussions on [. . .] Star Trek [. . .] I can't wait
>to watch Sailor Moon & Ranma 1/2 together.
> Yeow! You should work for the Psychic Friends Network! This pegs
>me pretty well. I never miss a STAR TREK movie or episode of DEEP SPACE
>NINE, VOYAGER, or EARTH: FINAL CONFLICT. I used to be an anime collector
>big-time, and had RANMA 1/2 1-13 subtitled before Viz Video even existed.
>Are TD fans really that much of a stereotype?
>Subject: Re: Boy wants to meet 'Dream' Girl
>Date: Sun, 2 Nov 1997 20:50:43 -0500 (EST)
>From: tadream@c... (tadream mailing list)
>Really-From: Gabe Yedid
>
>You guys think you've got it rough?
>I need to meet a gal who likes TD *and* organ music!
> Yeah, well, I'm looking for one that's into TD, kung fu movies, and
>UFO abduction literature. I'm not holding my breath. I think I'm more
>likely to find a copy of THE KEEP on vinyl before meeting such a woman,
>but hey, you never know. ;)
> -- Steven Feldman
Hmm...Let's see... Star Trek - check, DS9 - check, Voyager - check,
Anime - definitely (especially Macross), Tangerine Dream - *big* check
on this one, Organ Music - sort of (preferably choral music, I'm an
Alto), Kung Fu Movies - well, I watch Kung Fu: The Legend Continues, UFO
lit - definite check if you include X-Files comics :), Sailor Moon -
well, it's good for a laugh..., Now if anyone goes in for Highlander
movies, tv series, etc., I'd say you've found your lady! Unfortunately
for you guys, I just got married on October 4th, but you were sooooo
close - I'd say there's hope out there. :) Keep looking!!
Kim
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:25
pm
Subject: Autographs
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>>> signed my vinyl copy of Rubycon. [. . .]
>>
>>Well, if Edgar can no longer even sign autographs with a sense of
>>humour, maybe it *is* better for all concerned he retires sooner or
>>later.
>> Relax. Edgar is probably just tired of every third TD fan shoving
>>a copy of RUBYCON under his nose for autograph purposes -- rather than
>>one of his latter-day 'classics.' ;)
>> -- Steven Feldman
Hey, at least I'd be appreciative enough to show Edgar a copy of *Melrose*
(gee, now THERE's a classic, hee hee) and say, 'Edgar, your guitar-playin'
touches my soul...peace, Norseman!)
E-Man
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:14
pm
Subject: TD Franchise
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>Okay, if the CD is subtitled DREAM MIXES II, why is it that there
>is only one out-and-out remix, i.e. only one track with a recognizable
>name? (I'm guessing that the other tracks might be conglomerated tracks
>like 'Thief Yang and the Tangram Seal' judging by comments that the
>title track 'TimeSquare' is partly reminiscent of 'Loved by the Sun.')
>If indeed only one of TIMESQUARE's seven tracks is a remix, where
>does Edgar get off calling this CD DREAM MIXES II?!? (Maybe it's just
>to alert the casual buyer that if he or she liked DREAM MIXES I, then
>they'd be apt to like DREAM MIXES II, as well?!?)
>-- Steven Feldman
Of course Ed wants you to buy it! We fans collectively have been supporting
his opportunity to live off music-making since 1970!! DREAM MIXES II
coincides with the debut of the TD FANS HOME SHOPPING NETWORK!!! Check your
local cable service!
TD is a franchise, or hasn't anyone noticed?!?!?!?
E-Man
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:40
am
Subject: Re: Latecomers
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: thesmitter@j... (Larry E Smith)
WHAT???? They played in San Diego in '88??? How did I miss that one???
What venue did they play in???
Thanks,
Larry
>Really-From: 'Elias Granillo, Jr.'
>
>
>
>][over to
>knows.
> for a
>
>
>Shit, all the longhairs (forgive me all, I'm one, too!) at the '92
>Los
>Angeles Wiltern Theater gig kept getting up and leaving because they
>probably thought TD was 70's proto-metal!! HAHAHA WRONG!!!! The
>ass-wipes
>in front of us kept complaining about the music, joking, and throwing
>their
>heads back; Dan and I almost told them to get the fuck out, so what if
>they
>wasted ticket money...
>
>HOWEVER, everyone at the '88 San Diego gig was a fan, and it provided
>for a
>great ambience AND good show (even if it was on DAT)...and it was nice
>and
>LOUD!!!
>
>E-Man
>
>
]
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 5:40
pm
Subject: San Diego
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>WHAT???? They played in San Diego in '88??? How did I miss that one???
>What venue did they play in???
>Thanks,
>Larry
Yeah, it was the *Optical Race* tour, bro! It was at the California
Theater, on 9-21 or somewhere around there. It was smokin'! They started
with 'Mothers of Rain.' They also debuted 'After The Call' which would be
released on *Miracle Mile* the year after. It was a smokin' show, the last
real 'trio' incarnation of TD and the last one that really meant anything,
arguably. Edgar and Paul playing guitar together was a whole lot better
than Jerome doing his passe/cliche fretboard finger-tapping while wearing
black tights standing next to Zlatko 'Look, Mom! I'm Joe Satriani!' Perica,
as well...this show was WAY better than the 92' L.A. show.
E-Man
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 7:58
am
Subject: Re: RUBYCON-Autograph Seekers Make Edgar Grumpy
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Steven Feldman
>
> >Subject: Re: Mini Report: The Glasgow Show
> >Date: Mon, 3 Nov 1997 11:14:37 -0500 (EST)
> >From: tadream@c... (tadream mailing list)
> >Really-From: Gabe Yedid
> >
> >On Mon, 3 Nov 1997, tadream mailing list wrote:
> >
> >> I hung around after the show to get autographs. Jerome signed
> >> his nude piccy on the inside of Epsilon and Edgar grumpily
> >> signed my vinyl copy of Rubycon. [. . .]
> >
> >Well, if Edgar can no longer even sign autographs with a sense of
> >humour, maybe it *is* better for all concerned he retires sooner or
> >later.
>
> Relax. Edgar is probably just tired of every third TD fan shoving
> a copy of RUBYCON under his nose for autograph purposes -- rather than
> one of his latter-day 'classics.' ;)
>
> -- Steven Feldman
I know...let's take a copy of the Orb's remix to have him sign. Think
he'd cramp? Or how about taking three or four Silva Screen TD CD's. Heh
heh. Edgar looooves Ford Thaxdon and Silva.
Dan
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 8:04
am
Subject: Re: Looking for U.S. CD/LD mailorder addresses
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Mak0shark@a...
>
> Does anyone in the U.S. know of any good, cheap internet mail order addresses
> for ordering Tangerine Dream CD's and LD's.
> Thanks,
> Mak0shark@a...
We have lots of em at Super Collector at good prices. We also carry the
harder to find Silva titles (Dead Solid Perfect, Park Is Mine, Deadly
Care, Etc.) at cool prices (16.99 ea.). Give us a buzz at
1-800-99-sci-fi. If you have TD related questions though you better ask
for me. Everyone else there is pretty ignorant when it comes to TD. I
should be putting a complete list of TD related items we sell in a week
or two. Watch this list pilgrim...there be a lot of stuff we sell.
rock on,
Dano
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 8:15
am
Subject: Re: TD Play A Festival?
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: 'Elias Granillo, Jr.'
>
> ----------------------------------------------------------------------------
> --
>
>
>
>
> Back when Bobi and Joanne ran the TDIFC, they printed TD would NEVER play a
> festival!! I think they may fear being 'outperformed,' and maybe they
> thought/think they're too good, or something...
>
> E-Man
They couldnt play a festival...the audience would be too close and
notice that they weren't actually playing. Heh heh. Then Edgar would
have to break out his viking axe guitar and start performing Deep
Purple's Smoke On The Water to convince them he had some talent.
Dano
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 8:07
am
Subject: U.S.fans/'Legend'CD4sale
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Mak0shark@a...
If anyone in the U.S. is interested in a Tangerine Dream 'Legend' CD please
e-mail me. I already own the CD and I just received another one as a gift.
If your interested in sale/trade, please e-mail me at:
Mak0shark@a...
Thanks,
stephen orwig
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 8:53
am
Subject: Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Craig Cordrey 01383 828182
>Really-From: Steven Feldman
>
>>Subject: Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
>>Really-From: Craig Cordrey 01383 828182
>>
>>>>Tangerine Dream
>>>>ambient monkeys
>>
>>[. . .] Although there are thirteen titles listed, there is, in fact,
>>just a single 48:34 long piece. Each individual 'track' fades in and
>>out (or just segues into the next piece) [. . .]
>
> Do you mean to say that this CD isn't indexed, then? There's just
>one big track that doesn't allow you to zip to a fave track at the press
>of a button?
This is correct.
>
>>[. . .] behind the incessant calling of birds, monkeys, wolves and
>>lashing rain.
>
> Uh, unless I'm mistaken, the preponderance of animal sounds is what
>New Age, isn't it? I seem to recall this being said on the GoldTri list
>somewhat recently.
I don't know about that, but I'd have to say that tis isn't really my
definition of 'ambient' anyway. It does not sound like 'classic' Eno, Namlook
or any other of those real ambient artists. It also does not sound like Phaedra
or any other TD albums of that period which have previously been called
'ambient'.
It sounds like normal music of the 90s with animal and weather effects on top.
>>>>Subject: Glasgow - Concert Report
>>>>Really-From: Craig Cordrey 01383 828182
>>
>[I--meaning Steven Feldman--said:]
>>> Ack! How much were the TURN OF THE TIDES posters? Will these
>>>be made available in the future (from Voiceprint, maybe)?
>>
>>They weren't that expensive (maybe =A33 to =A35, I think) [. . .]
>
> I'm assuming that '=33 to =A35' means '3 dollars 30 cents to 3
>3 dollars 50 cents.' Is that right???
Sorry, my system seems to have inexplicably mangled those values. I meant 3UKP
to 5UKP (UK Pounds).
>
>>Subject: Re: Tour Merchandise Prices
>>From: tadream@c... (tadream mailing list)
>>Date: Mon, 3 Nov 1997 21:18:25 -0000
>>Really-From: 'Gerry Fox'
>>
>>The Keep was =A320 and the rest =A315. T shirt =A310 Posters =A33 I
>>think and metal pin badges =A32
>
> Does the above mean . . .
> o THE KEEP: 32 dollars
> o AMBIENT MONKEYS: 31 dollars 50 cents
> o TIMESQUARE/DREAM MIXES II: 31 dollars 50 cents
> o T-shirt: 31 dollars
> o Posters: 3 dollars 30 cents
> o Metal pin badges: 3 dollars 20 cents
No, it means 20UKP, 15UKP, 10UKP, 3UKP and 2UKP respectiviely.
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:05
pm
Subject: Re: Mini Report: The Glasgow Show
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------------------------------------------------------------------------------
Really-From: Paul Nagle
** tadream mailing list wrote to tadream@c... :
>Well, there are two blokes from Nottingham who claim they had good enough
>seats on the balcony that they could see Edgar playing the sequencer
>parts by hand (see TD page guestbook)(!). Perhaps he's now got acute
Shame nobody played the synth solos by hand though innit? It's not
like they're technically difficult even!
8-)
>Since you seem to have identified the DAT, guess that clears up any
>question about whether or not the shows are all live. Pity, but it may
>be a necessary evil unless they find a 3rd synth player.
They don't need a third synth player, just some signs of life from the
two already present. Instead they sit with podgy fingers fidgetting
around the same area of keyboard, looking as animated as showroom
dummies. The word performance doesn't quite fit here.
Since this is all I expected, I quite enjoyed it. The guitarist fellow
saved the night for me...
Paul
--------------------------------------------------------------------------------\
-------
Paul Nagle - paul@s...
http://www.softroom.demon.co.uk (Upd. 15/10/97)
--------------------------------------------------------------------------------\
-------
Replies
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Yahoo! ID
Date
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8385
Re: Mini Report: The Glasgow Show
Miguel Angel Esteban
Tue
11/4/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: CD's
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Johan.O.Edberg@t...
Hi !
How can I get hold of these sinse I'm not attending any of the shows ??
Tournado The live cut, record in Europe 97
The Keep A few pre-sale copies will be on sale (official release: Jan 98)
TimeSquare Dream Mixes II - start of pre-sales (official release: Feb 98)
Ambient monkeys In huge demand: the pre-concert music and sounds -
strange stuff!
Pleased to hear from you
johan.o.edberg@t...
Replies
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Yahoo! ID
Date
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8406
Re: CD's
Rainer Rutka
Wed
11/5/1997
3 KB
33017
CD's
fozziebear
Wed
3/27/2002
2 KB
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 10:39
pm
Subject: RE: Boy wants to meet 'Dream' Girl
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------------------------------------------------------------------------------
Really-From: Michael Richard
Hello!
> Organ music: music played on an instrument that is mechanical in
> nature, usually controlled by a keyboard-based console with stops,
> and operated principally by forcing air from a wind chest through a set
> of pipes that have been constructed in such a way as to produce an
> ear-splitting sound when air runs through them.
Is it possible to download sounds on Internet? I know what's an organ, but
what 'organ music' is, I've no idea. I like 'church' organ solos on Devil
Doll's
albums, but a CD with this only...
> It's possible to find ones who live in Montreal and like organ music--our
> city is richly endowed with organs--but the average age at a Montreal
> organ recital is, like, 55. How many of these people are also closet TD
> fans remains to be seen.
Sorry, 55 is to old for me :)) It's what I said, people who like good music are
rarely young...
See ya!
:) Michael (:
Replies
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Date
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8360
What's organ music?!?!?!?! (was RE: Boy wants to
Gabe Yedid
Tue
11/4/1997
3 KB
8375
Re: Boy wants to meet 'Dream' Girl
TangerineC@a...
Tue
11/4/1997
2 KB
8390
Re: Boy wants to meet 'Dream' Girl
DJS
Wed
11/5/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 11:32
am
Subject: Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
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------------------------------------------------------------------------------
Really-From: 'Lars R. Jones' <105411.3107@c...>
HI Steven
I don't know what it looks like on your system but it is probably similar.
the British pound sign (the script L with the bar across it) comes across
as an =A3 (that's 'equal sign, capital A, number 3') anytime you see these
three characters before a number, you just need to mentally insert the
pound sign. Therefore, =A320 becomes 20 pounds stirling... many of us
poor Amis can't even make a pound sign let alone receive one and forget
about all those other diacritical marks as well!
I checked the rate this morning and it was over 1.75 + you have to pay the
exchange fee.... so just figure that it's about 1.80 dollars per 1 pound.
therefore, multiply 1.8 by 20 pounds and you come up with $36.... the
posters are 3 pounds or about $5.40.
>The Keep was =A320 and the rest =A315. T shirt =A310 Posters =A33 I
>think and metal pin badges =A32
lars
Replies
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Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
Craig Cordrey 01383 828182
Tue
11/4/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 11:32
am
Subject: --------> TD - - - - Boy/Girl <----------
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Really-From: 'Lars R. Jones' <105411.3107@c...>
> And then don't forget the wiley ways of certain fortune hunters. Yes,
>they actually pretend to like TD, and all that other male stuff, and when
you
>say, 'I Do.' then they don't anymore.
-- yes, and wasn't it you who really said: 'when the band slips on the
hand, the wet glands turn to sand...'
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 10:45
am
Subject: RE: TD Dream Mamacita
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Really-From: Michael Richard
Hi!
> Well, Michael, I have a Spanish friend of feminine sex...
> Favourite groups: J-M. Jarre, Tangerine Dream (Baumann time), ...
> Age: 17 years...
> The love is strange, perhaps you and her...
>
> AAAYYYY, caramba!!!! Send her over here, amigo!!! Hopefully she looks
> like Salma Hayek,...hee hee
>
> Sorry, Mike, I don't think she'd like you after all, haha
Anyway, do you think I'll swim to cross the sea each week-end? :)) But I'm
happy to know that this kind of girl exists :))
See ya!
:) Michael (:
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 12:25
pm
Subject: Mystery Last Track in Live Set
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Really-From: Grant Middleton
Yeah, you're right, Armin - it's Mobocaster from DM II. I preferred
the live version, as Zlatco's playing was (for once) very sensitive
and sweetly melodic. The solo that he played is nowhere to be found
on this studio track, though.
The chord sequences could have been from a Schmoelling-era track, they
are so juicy. Nice one, guys.
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
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8354
Re: Mystery Last Track in Live Set
Craig Cordrey 01383 828182
Tue
11/4/1997
3 KB
8356
Re: Mystery Last Track in Live Set
Gabe Yedid
Tue
11/4/1997
4 KB
8357
Re: Mystery Last Track in Live Set
Gabe Yedid
Tue
11/4/1997
2 KB
8369
Re: Mystery Last Track in Live Set
Craig Cordrey 01383 828182
Wed
11/5/1997
4 KB
8355
Re: Mystery Last Track in Live Set
Gabe Yedid
Tue
11/4/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 12:46
pm
Subject: Re: TD for Halloween
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Really-From: dn3
On Mon, 3 Nov 1997 18:21:17 +0000 (GMT) tadream mailing
list wrote:
> ------------------------------------------------------------------------------
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> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: dn3
>
>
>
> On Thu, 30 Oct 1997 15:54:25 -0500 (EST) tadream mailing
> list wrote:
> >
------------------------------------------------------------------------------
> > To remove yourself from this list, send a message to majordomo@c...
that
> > says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> > message body. You MUST do this from the address you subscribed with.
> > The List owner does not read this list. Complaining here is useless.
> >
------------------------------------------------------------------------------
> > Really-From: TangerineC@a...
> >
> >
> > Dont forget some parts of Logos are spooky too.
>
>
> Dennis
(extra free space just to make sure this time)
How come that whenever I write a shorter-than-usual
message, the first (and possibly only line) gets cut off
and the result of all that is something silly like signing
someone else's message again?? Sorry, what I was actually
going to say was that I was wondering why nobody had
mentioned 'Alpha Centauri' as suitable Halloween Music...
Dennis
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 1:47
pm
Subject: Re: AMBIENT MONKEYS; TURN OF THE TIDES Posters
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Really-From: Craig Cordrey 01383 828182
>Really-From: 'Lars R. Jones' <105411.3107@c...>
>
>HI Steven
>I don't know what it looks like on your system but it is probably similar.
>the British pound sign (the script L with the bar across it) comes across
>as an =A3 (that's 'equal sign, capital A, number 3') anytime you see these
>three characters before a number, you just need to mentally insert the
>pound sign. Therefore, =A320 becomes 20 pounds stirling... many of us
>poor Amis can't even make a pound sign let alone receive one and forget
>about all those other diacritical marks as well!
>
>I checked the rate this morning and it was over 1.75 + you have to pay the
>exchange fee.... so just figure that it's about 1.80 dollars per 1 pound.
>therefore, multiply 1.8 by 20 pounds and you come up with $36.... the
>posters are 3 pounds or about $5.40.
>
>>The Keep was =A320 and the rest =A315. T shirt =A310 Posters =A33 I
>>think and metal pin badges =A32
It's probably also worth reminding you Yanks that CDs are expensive here anyway
- with an average new/chart CD costing between £13 and £15 (13UKP to 15UKP) in
most high-street stores. Admittedly 20UKP is pretty extreme, but I've been
known to pay more than that for some CDs (imports, true).
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 1:49
pm
Subject: Re: Mystery Last Track in Live Set
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Really-From: Craig Cordrey 01383 828182
>Really-From: Grant Middleton
>
>
>Yeah, you're right, Armin - it's Mobocaster from DM II. I preferred
>the live version, as Zlatco's playing was (for once) very sensitive
>and sweetly melodic. The solo that he played is nowhere to be found
>on this studio track, though.
>
>The chord sequences could have been from a Schmoelling-era track, they
>are so juicy. Nice one, guys.
Now you've got me confused! Mobocaster is the first track on DMII, but I thoght
Armin said the last track on the CD (TimeSquare) was the last track played in
the set?
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
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Re: Mystery Last Track in Live Set
Gabe Yedid
Tue
11/4/1997
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Re: Mystery Last Track in Live Set
Gabe Yedid
Tue
11/4/1997
2 KB
8369
Re: Mystery Last Track in Live Set
Craig Cordrey 01383 828182
Wed
11/5/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:40
pm
Subject: Re: Mystery Last Track in Live Set
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Really-From: Gabe Yedid
On Tue, 4 Nov 1997, tadream mailing list wrote:
> Really-From: Grant Middleton
>
>
> Yeah, you're right, Armin - it's Mobocaster from DM II. I preferred
> the live version, as Zlatco's playing was (for once) very sensitive
> and sweetly melodic. The solo that he played is nowhere to be found
> on this studio track, though.
>
> The chord sequences could have been from a Schmoelling-era track, they
> are so juicy. Nice one, guys.
Well, c'mon folks, we all knew it was only a matter of time before Jerome
got into tinkering with the old gear and sounds ;)
It may very well have been a Schmoelling-era discard updated for the '90s,
similar to the relationship 'Order of the Ginger G(u)ild' has to
'Convention of the 24'.
Or maybe Jerome himself is beginning to see the benefits (to himself and
the band's future) of mastering that general style and sound.
> --------------------------------------------------------------------
> Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:53
pm
Subject: Re: Mystery Last Track in Live Set
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Really-From: Gabe Yedid
On Tue, 4 Nov 1997, tadream mailing list wrote:
> Really-From: Craig Cordrey 01383 828182
>
>
> >Really-From: Grant Middleton
> >
> >
> >Yeah, you're right, Armin - it's Mobocaster from DM II. I preferred
> >the live version, as Zlatco's playing was (for once) very sensitive
> >and sweetly melodic. The solo that he played is nowhere to be found
> >on this studio track, though.
> >
> >The chord sequences could have been from a Schmoelling-era track, they
> >are so juicy. Nice one, guys.
>
> Now you've got me confused! Mobocaster is the first track on DMII, but I
thoght
> Armin said the last track on the CD (TimeSquare) was the last track played in
> the set?
Well...
if the the last track of the concert had the chords from 'Loved By The
Sun'...
and the last track on the CD had these same chords...
I think we solved the mystery. Unless, of course, both 'Time Square'
*and* 'Mobocaster' make use of this progression.
If he does mean 'Time Square', Grant is spot on when he says the chord
seqeunces could be from a Schmoelling-era track, because, in fact, they are!
Given the snippet of 'Mojave Plan' that appeared in 'San Rocco', I think
Jerome may just enjoy dropping such deconstructionist hints...
> -------------------------------------------------------------
> Craig R. J. Cordrey craig.cordrey@g...
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:56
pm
Subject: Re: Mystery Last Track in Live Set
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Really-From: Gabe Yedid
I forgot to ask: how is the 'Towards The Evening Star' remix? Certainly
closer to the original than The Orb's, but is it 'better'?
Also, was the version of 'TTES' played at the gigs the GC version or the
DM2 version?
real email addresses: gabe@c...
gyedid@p...
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 3:13
pm
Subject: Re: Mini Report: The Glasgow Show
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Really-From: Grant Middleton
> Really-From: Gabe Yedid
>
> > one). He DID bugger about too much with Beach Scene though, playing
> > a fairly 'generic' solo in place of Edgar's most excellent melody.
>
> I'm amazed Edgar let him play it at all! Did he at least use the
> 'original' sound, or his usual Satriani-clone sound?
Pretty much the usual Zlatco sound, but more restrained than
usual - he at least tried to be musical rather than dazzlingly
fast just for the sake of it.
> > Jerome stood in front of his keyboards and made a pretty good job of
> > miming his way through the set. He may even have genuinely played
> > one or two lines.
>
> > Edgar sat on his stool all night and didn't even try to look like
> > he was playing. Still, he is The Man, and can afford to rest on his
> > laurels and get paid for it.
>
> Well, there are two blokes from Nottingham who claim they had good enough
> seats on the balcony that they could see Edgar playing the sequencer
> parts by hand (see TD page guestbook)(!).
Well, as I wasn't at Nottingham, I can't comment. I find
it very hard to believe, but I'm prepared to be proved
wrong. Are either of them up to the task of playing such
precise music for such a duration ? And what would be the
point of playing the sequencer parts instead of the lead
parts ? It all seems a bit weird and suspicious, if you
ask me.
> > The computer visuals were very nice. Interestingly, they seemed to
> > draw a lot on the style of FSOL's Lifeforms visuals.
> I wonder if they were done by that Japanese guy they did a video with (or
> seem to have, anyway). Maybe they were previews of said video?
I hope so - good trippy 3D pseudo-creature stuff. It certainly
complemented the music well.
> > I hung around after the show to get autographs. Jerome signed
> > his nude piccy on the inside of Epsilon and Edgar grumpily
> > signed my vinyl copy of Rubycon. Jerome seemed to want to stay
> > and talk but Dad hastily got on the bus bound for the hotel.
> > Shame, as Jerome struck me as a decent bloke ('Do you vant me
> > to write on de legs or de fedder or de breast ?').
> Well, if Edgar can no longer even sign autographs with a sense of humour,
> maybe it *is* better for all concerned he retires sooner or later.
Maybe he just had a bad night in Glasgow all in, I don't know.
Conrad seemed to think he was in good spirits when he met him
backstage, though. The overall sense I got from him was that he
wanted to get on the bus and away as quickly as possible. Jerome
at least had the decency to say 'Goodbye' to those people who
had waited for the best part of two hours for the pleasure of
meeting them.
> You make it seem as if Jerome is looking forward to running the band
> *his* way.
Personally, I can't wait. Now that I know just how much of a
good influence Jerome has had on TD (IMO), I see Ed as being an
inertial force holding him back. Of course, it could be that
I'm reading too much into the situation. Or worse still, Edgar
might stay on as the 'Creative Director', keeping the youngster
in check even though he won't be playing any instruments.
> Since you seem to have identified the DAT, guess that clears up any
> question about whether or not the shows are all live.
I didn't actually SEE a DAT, so it may have been that they were
using computer sequencers. Frankly, I think they'd be mad to
trust a complex MIDI setup for a whole concert night after night,
but it COULD be the case. Easier just to slap in a DAT tape and
be done with it.
At the end of the day though, even if they were playing full-
time keyboards, they would only have been able to perform about
25% of the total sound coming out the PA. Let's just say that
at least 75% of the keyboard parts were outside their direct
control (sequenced, pre-recorded CD, DAT, whatever). I'll put
serious money on that (not that we'll have much chance to prove
it of course).
BTW, Ash Prema and Paul Nagle both agree that nothing was being
played live. Strangely, it doesn't bother me - I was more miffed
at Jean Michel Jarre miming on his Laser Harp for about five
minutes, even though he and his band played pretty much everything
else live (sometimes downright sloppily). Funny old world, innit ?
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
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Re: Mini Report: The Glasgow Show
Paul Nagle
Tue
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Gabe Yedid
Tue
11/4/1997
10 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Need info about list owner
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Really-From: greg@g... (Greg Stumpf)
Sorry for wasting bandwidth, but can somebody privately email me the
email address for the owner of the tadream list? I cannot find the
information anywhere.
Thank you,
Greg Stumpf
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 3:50
pm
Subject: What's organ music?!?!?!?! (was RE: Boy wants to meet 'Dream' Girl)
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Really-From: Gabe Yedid
On Mon, 3 Nov 1997, tadream mailing list wrote:
> Really-From: Michael Richard
>
>
> Hello!
>
> Is it possible to download sounds on Internet? I know what's an organ, but
> what 'organ music' is, I've no idea. I like 'church' organ solos on Devil
Doll's
> albums, but a CD with this only...
*Gabe rubs eyes incredulously*
You mean you have never even heard the Tocatta and Fugue in D minor by
J.S. Bach, best known of organ warhorses? C'mon, think of any horror
movie...
Now I'm trying to think of a really good, cheap organ sampler that will
allow one to get to know both the sacred and profane aspects of the
instrument's MAH-velous repertoire, through all time periods. Usually I
would make it myself, if it was for a friend.
> > It's possible to find ones who live in Montreal and like organ music--our
> > city is richly endowed with organs--but the average age at a Montreal
> > organ recital is, like, 55. How many of these people are also closet TD
> > fans remains to be seen.
>
> Sorry, 55 is to old for me :)) It's what I said, people who like good music
are
> rarely young...
ain't that the truth
> :) Michael (:
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 10:59
pm
Subject: Re: Mini Report: The Glasgow Show
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Really-From: Paul Nagle
** tadream mailing list wrote to tadream@c... :
>precise music for such a duration ? And what would be the
>point of playing the sequencer parts instead of the lead
>parts ? It all seems a bit weird and suspicious, if you
>ask me.
One point is that it's easier to mime sequencer parts as you don't
have to pay attention to what's coming next.
Paul
--------------------------------------------------------------------------------\
-------
Paul Nagle - paul@s...
http://www.softroom.demon.co.uk (Upd. 15/10/97)
--------------------------------------------------------------------------------\
-------
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:40
pm
Subject: Boot List on Lycos Search
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Really-From: Vic Rek
Did you know that when I searched lycos at www.lycos.com for 'Tangerine
Dream Mail Order' I got Klaus Beschorner's 'TD Boot Discography' as the
number 2 hit? :-)
Vic
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 5:50
pm
Subject: HELP
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Really-From: Micke Stark
Hi !
I also need help to get hold of these:
The Keep A few pre-sale copies will be on sale (official release:
Jan 98)
TimeSquare Dream Mixes II - start of pre-sales (official release:
Feb 98)
Ambient monkeys In huge demand: the pre-concert music and sounds -
strange stuff!
Thank You and best regards
/Micke
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:06
pm
Subject: RE: RUBYCON-Autograph Seekers Make Edgar Grumpy
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Really-From: 'Plumer, Scott'
>>Well, if Edgar can no longer even sign autographs with a sense
of
>>humour, maybe it *is* better for all concerned he retires
sooner or
>>later.
> Relax. Edgar is probably just tired of every third TD fan
shoving
>a copy of RUBYCON under his nose for autograph purposes --
rather than
>one of his latter-day 'classics.' ;)
> I think your right. I gave Fish a copy of 'Script for a Jester's
> Tear' (his first album with Marillion) to sign, and he didn't look too
> happy. I told him 'Just be thankful I'm going to your show!' And no,
> he didn't clobber me.
>
Scott
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:49
pm
Subject: RE: TD Play A Festival?
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Really-From: 'Plumer, Scott'
>Back when Bobi and Joanne ran the TDIFC, they printed TD would
NEVER play a
>festival!! I think they may fear being 'outperformed,' and
maybe they
>thought/think they're too good, or something...
They've played several festivals over the years, actually:
Oct. 1969: Esseneer Songtage, with Zappa et al.
May 73: Festival Points de Ce, France
Oct 13, 1974: Metamusik Festival, Berlin
Sept. 14, 1975: Fete de L'Humanite, Paris (sponsored by the
French Communist Party)
Aug. 29, 1981: Free Concert for Nuclear Disarmament, East Berlin
June 11, 1983: Fassbinder Memorial
Nov. 1986: Music in Film Festival, San Francisco
Of course, all this information, and more, is available in my
book, :-)
Scott
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:45
pm
Subject: Re: Mini Report: The Glasgow Show
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Really-From: Gabe Yedid
On Tue, 4 Nov 1997, tadream mailing list wrote:
> Really-From: Grant Middleton
>
>
> > Really-From: Gabe Yedid
> >
> > > one). He DID bugger about too much with Beach Scene though, playing
> > > a fairly 'generic' solo in place of Edgar's most excellent melody.
> >
> > I'm amazed Edgar let him play it at all! Did he at least use the
> > 'original' sound, or his usual Satriani-clone sound?
> Pretty much the usual Zlatco sound, but more restrained than
> usual - he at least tried to be musical rather than dazzlingly
> fast just for the sake of it.
I listened to this yesterday afternoon, and to be honest, I simply can't
picture it with anybody BUT Edgar performing that solo. As to the synth
parts, it could sound quite passable with the lead synth sound replaced
by the 'Private-era harpsichord', but the guitar? Irreplaceable (until
I've heard otherwise with my own ears).
> > > Jerome stood in front of his keyboards and made a pretty good job of
> > > miming his way through the set. He may even have genuinely played
> > > one or two lines.
> > > Edgar sat on his stool all night and didn't even try to look like
> > > he was playing. Still, he is The Man, and can afford to rest on his
> > > laurels and get paid for it.
Personally, I don't think he's got any excuse for it, unless he is
heading down the same road as Keith Emerson.
It might be an outgrowth of using the more stripped-down rigs they seem to
favour these days, rather than the huge, gear-rich rigs they used to lug
around.
Maybe with their current touring schedules, such huge rigs are no longer
feasible (i.e. they would have to have at least 3 days between concerts
with such a setup).
> > Well, there are two blokes from Nottingham who claim they had good enough
> > seats on the balcony that they could see Edgar playing the sequencer
> > parts by hand (see TD page guestbook)(!).
> Well, as I wasn't at Nottingham, I can't comment. I find
> it very hard to believe, but I'm prepared to be proved
> wrong. Are either of them up to the task of playing such
> precise music for such a duration ? And what would be the
> point of playing the sequencer parts instead of the lead
> parts ? It all seems a bit weird and suspicious, if you
> ask me.
'Precision is the key'...so, this begs the question: why do they want it
to sound just like the studio version, instead of playing the whole thing
live? Have they become control freaks who are too afraid of mucking it
up, at the cost of depriving it of the 'live vitality' and making a
difference by slipping in a bit of improv?
I remember from one of Jarre's early '90s Paris concerts (La Defense, i
think it was), they showed one of his keyboard players hammering away the
sequencer part for 'Calypso pt. 2', by hand. If Edgar was indeed doing
this same thing, it may be that he is no longer able to endure the
physical rigours of touring the way he used to, so yes, it would all be a
chore for him.
> > > The computer visuals were very nice. Interestingly, they seemed to
> > > draw a lot on the style of FSOL's Lifeforms visuals.
>
> > I wonder if they were done by that Japanese guy they did a video with (or
> > seem to have, anyway). Maybe they were previews of said video?
>
> I hope so - good trippy 3D pseudo-creature stuff. It certainly
> complemented the music well.
But do you go to a TD show for the SHOW, or the music?
> > > I hung around after the show to get autographs. Jerome signed
> > > his nude piccy on the inside of Epsilon and Edgar grumpily
> > > signed my vinyl copy of Rubycon. Jerome seemed to want to stay
> > > and talk but Dad hastily got on the bus bound for the hotel.
> > > Shame, as Jerome struck me as a decent bloke ('Do you vant me
> > > to write on de legs or de fedder or de breast ?').
>
> > Well, if Edgar can no longer even sign autographs with a sense of humour,
> > maybe it *is* better for all concerned he retires sooner or later.
>
> Maybe he just had a bad night in Glasgow all in, I don't know.
> Conrad seemed to think he was in good spirits when he met him
> backstage, though. The overall sense I got from him was that he
> wanted to get on the bus and away as quickly as possible. Jerome
> at least had the decency to say 'Goodbye' to those people who
> had waited for the best part of two hours for the pleasure of
> meeting them.
> > You make it seem as if Jerome is looking forward to running the band
> > *his* way.
>
> Personally, I can't wait. Now that I know just how much of a
> good influence Jerome has had on TD (IMO), I see Ed as being an
> inertial force holding him back. Of course, it could be that
> I'm reading too much into the situation. Or worse still, Edgar
> might stay on as the 'Creative Director', keeping the youngster
> in check even though he won't be playing any instruments.
You're not the first person who's indicated that Jerome seems to be a
more personable guy than his father...it may be that there is a real
difference between those two, in perception of fan contact.
I hope that Jerome will at least have the good sense to take a break once
every 2 years. Still, I can't help but think that TD will be losing
something very special when Edgar finally leaves, which has to do with my
comments about Jerome not yet having found the depth of expression Edgar
is still able to convey in his music. It may be he never acquires that
particular skill, so TD will become a real 'head' band under his
leadership--making complex, mentally stimulating, well-composed
and well-produced music with a nice groove, but cold and emotionally distant.
> > Since you seem to have identified the DAT, guess that clears up any
> > question about whether or not the shows are all live.
>
> I didn't actually SEE a DAT, so it may have been that they were
> using computer sequencers. Frankly, I think they'd be mad to
> trust a complex MIDI setup for a whole concert night after night,
> but it COULD be the case. Easier just to slap in a DAT tape and
> be done with it.
You metioned they had 2 keyboards each. These were probably master
keyboards. Did you see any rack-mounts?
> At the end of the day though, even if they were playing full-
> time keyboards, they would only have been able to perform about
> 25% of the total sound coming out the PA. Let's just say that
> at least 75% of the keyboard parts were outside their direct
> control (sequenced, pre-recorded CD, DAT, whatever). I'll put
> serious money on that (not that we'll have much chance to prove
> it of course).
So, how many pairs of hands would it take to play everything you heard,
do you guess? TD's thinking is probably something like why play all the
old parts and scramble around trying to play the new lines on top of it,
when the older parts can be played from a recording and the new lines at
least have a chance of being improvised and/or played well?
> BTW, Ash Prema and Paul Nagle both agree that nothing was being
> played live. Strangely, it doesn't bother me - I was more miffed
> at Jean Michel Jarre miming on his Laser Harp for about five
> minutes, even though he and his band played pretty much everything
> else live (sometimes downright sloppily). Funny old world, innit ?
(see above comment about control and the desire for perfection)
Well, you do seem to have enjoyed your time at the concert nonetheless.
If you felt it was a rewarding, enjoyable experience, and got your
money's worth, then I wouldn't spend too much time agonizing over it, if
I were in your place.
> --------------------------------------------------------------------
> Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:43
pm
Subject: That Darn Past!
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Really-From: 'Greg Heil'
> Personally, I can't wait. Now that I know just how much of a
> good influence Jerome has had on TD (IMO), I see Ed as being an
> inertial force holding him back. Of course, it could be that
> I'm reading too much into the situation. Or worse still, Edgar
> might stay on as the 'Creative Director', keeping the youngster
> in check even though he won't be playing any instruments.
I tend to *think* that it was Edgar's relationship with Chris that might
have totally pulled him out of the sequenced work of the past. I don't
think Edgar can listen to past Franke era work without being reminded of a
bitter end to the relationship. To credit Edgar, *if* the direction and
influence Chris wanted to pull into TD was equal to his current solo
output, then I could justify why they would part.
But then how much do we credit Rubycon to Chris? A large part?
Then understanding why Jerome does all the remasters of the work of past is
quite understandable.. and this Tangents deal only existed because Edgar
wanted to prove to the world that he could do everything even without his
past members.. especially without Chris..!
Then to be put down by fans who do not like his current output, Edgar just
continues on like any artist, going to new things, as the past dosn't mean
much anymore....
Anyway.. this is of course all conjecture on my part!
I think Jerome truly rocks.. with DM and I think he's fairly responsible
with TtES on GC as well. I hope father has respect for his son's artistic
talents. I think it would be very much against Edgar's ways to think he
would interfere with the head man/artisto that he gave his band to!
Greg...
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:52
pm
Subject: Re: Need info about list owner
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------------------------------------------------------------------------------
Really-From: 'Andrew J. Rozsa'
At 09:21 AM 11/4/1997 CST, Greg Stumpf wrote:
>Sorry for wasting bandwidth, but can somebody privately email me the
>email address for the owner of the tadream list? I cannot find the
>information anywhere.
>
>Thank you,
>Greg Stumpf
>
Actually all the information you ever wanted about this list was
included with the 'Welcome to Tadream' message you got when you
subscribed. See if you can find in your mail client's IN box somewhere.
The listserver's address is listed in every single message you
get from this list.
Mr. David Datta's address (it may have changed), the originator
of this list, is:
datta@c...
This may have changed.
Best,
Andrew
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:53
pm
Subject: Re: Mystery Last Track in Live Set
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------------------------------------------------------------------------------
Really-From: Craig Cordrey 01383 828182
>Really-From: Gabe Yedid
>
>I forgot to ask: how is the 'Towards The Evening Star' remix? Certainly
>closer to the original than The Orb's, but is it 'better'?
Better than the Orb's, or the original? I haven't heard the Orb's version, so
can't comment. As for comparison with the original, I never like saying one is
'better' than the other, sicne I'm usually prejudiced towards whichever one I
heard first. However, the remix is certainly enjoyable and interesting, and
feels far more laid back that the original (and the other mixes) too. There's
almost a reggae feel to it (IMO), BU THIS IS NOT REALLT A REGGAE TRACK). Key
word in this sentence is 'feel'!
>
>Also, was the version of 'TTES' played at the gigs the GC version or the
>DM2 version?
It was the original version at Glasgow.
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 5:07
pm
Subject: Re: No mail?
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------------------------------------------------------------------------------
Really-From: 'Andrew J. Rozsa'
At 11:57 AM 11/3/1997 -0500, TangerineC wrote:
>For some reason i'm not getting the TD list. I find it hard to
believe that
>after all the hot topics that are being discussed, there is no
mail. Did I
>get kicked off the list again?
As of 10/25/97, last time I looked, you were on the list. Send a
who tadream
message to majordomo. It will return a list of all the present
subscribers.
Best,
Andrew
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 5:15
pm
Subject: RE: Looking for U.S. CD/LD mailorder addresses
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------------------------------------------------------------------------------
Really-From: 'Plumer, Scott'
>Does anyone in the U.S. know of any good, cheap internet mail
order addresses
>for ordering Tangerine Dream CD's and LD's.
Try: http://www.cdnow.com They have lotsa stuff at reasonable
prices. Here's a sample:
'93 220 Volt Live BUY IT CD $11.49 TAPE $ 7.49
Alpha Centauri BUY IT CD $12.49
'73 Atem BUY IT CD $12.49
'95 Book Of Dreams BUY IT CD $17.49 TAPE $ 9.99
'91 Canyon Dreams BUY IT CD $13.99 TAPE $ 8.99
'95 Dream Mixes BUY IT CD $13.99 TAPE $ 8.99
Dream Music BUY IT CD $15.49 TAPE $ 9.99
And so on. They also have videos & LD's. This is where I got my
copy of Three Phase. Their service is quick & reliable.
Scott
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Re: Looking for U.S. CD/LD mailorder addresses
Robert Grabowsky
Wed
11/5/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 6:23
pm
Subject: Re: Looking for U.S. CD/LD mailorder addresses
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------------------------------------------------------------------------------
Really-From: 'Andrew J. Rozsa'
At 09:45 PM 11/3/1997 -0500, you wrote:
>-----------------------------------------------------------------
-------------
>To remove yourself from this list, send a message to
majordomo@c... that
>says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
>message body. You MUST do this from the address you subscribed with.
>The List owner does not read this list. Complaining here is useless.
>-----------------------------------------------------------------
-------------
>Really-From: Mak0shark@a...
>
>
>Does anyone in the U.S. know of any good, cheap internet mail
order addresses
>for ordering Tangerine Dream CD's and LD's.
>Thanks,
>Mak0shark@a...
I assume you are in the US.
The Official purveyor of TD music and merchandise is:
http://www.vprint.demon.co.uk/tadream/
They are in UK, but have US reps. A bit on the dear side.
The following will shop for you for the best prices:
Global Electronic Music Marketplace (GEMM): http://www.gemm.com/
I buy my stuff from CD Now. They are not the cheapest, but are
extremely reliable and fast.
CD Now: http://cdnow.com/
Presently, they list the following number of TD titles:
39 domestic
16 import
3 singles
4 videos (NTSC format)
Others you might consider:
AB CD: http://www.abcds.com/
CD Banzai: http://www.cdbanzai.com/
CD Universe: http://www.cduniverse.com/cgi-bin/cdubin.exe/lobby/
CD World: http://gate.cdworld.com/
Compact Disc Connection:
http://www.cdconnection.com/bin/nph-main/XybSvTWjVS7F.b
For unusual, rare, and live recordings I suggest ProgTron at:
htttp://www.webpage.com/~progtron/progtron.html
Dano's people at:
http://supercollector.com/
will have many soundtracks you can't find elsewhere.
For emusic, progrock and similar music you can mail ordering
(with or without Web presence) from the follwoing:
Syn-Phonic
PO Box 2034, La Habra, CA 90631
(714) 894-9506 (M-Th 7PM-10PM PST)
Wayside Music
PO Box 8427, Silver Spring, MD 20902-8427
(301) 589-1803
http://members.aol.com/Cuneiform2/cuneiform.html
Fax (301) 589-1819
Doug Larson
62 Crane St., Caldwell NJ 07006
Phone: (201) 226-6332
Email: douglars@h...
This is NOT, by any means, an exhaustive list. There are MANY
other resources. Do some searching on the Web. However, this
ought to get you started. If the above list doesn't drive your
savings to a zero balance, you are a better man than most of us here.:-)
Good luck and enjoy.
Andrew
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 7:03
pm
Subject: Detail Freak? Need a Hand?
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------------------------------------------------------------------------------
Really-From: Craig Cordrey 01383 828182
No, this isn't another spam, it's me!
I've just joined the ever growing list of Internet fanatics with my own
web-page, and since it's directly related to music (Tangerine Dream in
particular but also others), I thought you might be interested.
The URL is
http://www.geocities.com/SunsetStrip/Lounge/7497
Have a look and let me know what you think - improvements, additions, etc.
You'll see it's pretty basic, but hopefully has some useful and (perhaps) new
information for you.
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 7:13
pm
Subject: das mädchen auf der treppe 12inch
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------------------------------------------------------------------------------
Really-From: WSenfflebe
Hi,
staatsgrenze west is out. my new item for trade/sales (please, not tapes)
is 12inch DAS MÄDCHEN AUF DER TREPPE with 4 tracks
speed, flock, katja and Das Mädchen......
If there interest so let me know
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 8:00
pm
Subject: Re: Boy wants to meet 'Dream' Girl
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------------------------------------------------------------------------------
Really-From: TangerineC@a...
Hey Dave! Your depressing me, man! Dont worry, you'll find another girl, and
when it's meant to be, it'll happen. Oh boy! This is starting to sound like
Dear Abbey. :)
<< Hey, the last girlfriend I had was starting
to like TD (especially Melrose) before we broke up. But that's enough
about that!
Dave 'broken-hearted' Brewer >>
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 8:21
pm
Subject: Dream Mixes 2
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------------------------------------------------------------------------------
Really-From: 'Gerry Fox'
Has anyone yet identified the tracks remixed for DM2 other than ..Evening
Star. and how many are new.
I'm going crazy playing different tracks from different albums trying to
match them up.
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Re: Dream Mixes 2
Gabe Yedid
Wed
11/5/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 4:43
pm
Subject: RE: TD Dream Mamacita
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------------------------------------------------------------------------------
Really-From: '=?ISO-8859-1?Q?Jos=E9_Ram=F3n?='
> Really-From: Michael Richard
>
>
> Hi!
>
> > Well, Michael, I have a Spanish friend of feminine sex...
> > Favourite groups: J-M. Jarre, Tangerine Dream (Baumann time), ...
> > Age: 17 years...
> > The love is strange, perhaps you and her...
> >
> > AAAYYYY, caramba!!!! Send her over here, amigo!!! Hopefully she looks
> > like Salma Hayek,...hee hee
> >
> > Sorry, Mike, I don't think she'd like you after all, haha
>
> Anyway, do you think I'll swim to cross the sea each week-end? :)) But I'm
> happy to know that this kind of girl exists :))
>
> See ya!
>
> :) Michael (:
Heh heh... Hi,... You can write her... Laura is a very nice girl. This is
her address:
LAURA S. GARCIA
C/ ORQUIDEA, 17
04230 HUÉRCAL DE ALMERÍA
ALMERÍA (ESPAÑA)
Greeeeeeetings,
José Ramón
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 9:07
pm
Subject: Re: TD for Halloween
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------------------------------------------------------------------------------
Really-From: TangerineC
Hey Dennis! only your name showed up on this thread. Please repeat your
message.
In a message dated 97-11-04 14:34:34 EST, you write:
<< >
> Dont forget some parts of Logos are spooky too.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 9:20
pm
Subject: A question for German speakers
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'Plumer, Scott'
Here's a question that's been nagging at me for years:
Should 'Froese' and 'Schmoelling' have umlauts?
Scott E. Plumer
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Re: A question for German speakers
Jens Peschke
Wed
11/5/1997
3 KB
8432
Re: A question for German speakers
Michael Fox
Wed
11/5/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 9:14
pm
Subject: Re: --------> TD - - - - Boy/Girl <----------
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------------------------------------------------------------------------------
Really-From: TangerineC
Dear Phil,
You better believe she has 2 eyes, ears and a nose! As a matter of fact, I got
real lucky. She's beautiful too.She's the best thing that happened to me. That
is why I wrote to the list. It is'nt impossible to meet such a girl. And as
for the after you get married part, she was already into this stuff when I met
her, so I dont think it would change. But that's not why I love her. Her
liking TD is just a plus. :)
In a message dated 97-11-04 11:00:02 EST, you write:
<< Hey! My girlfriend loves TD and UFO's. Except for the kung fu part. But
hey,
2 out of 3 aint bad. See, there are girls out there who like that kind of
stuff. Dont give up the search. :)
>>
There are other parameters to consider as well, like their having
two eyes, one nose, two ears. and one mouth for example. Certain other
elements which make for a pleasing relationship go way beyond music likes and
such. And then don't forget the wiley ways of certain fortune hunters. Yes,
they actually pretend to like TD, and all that other male stuff, and when you
say, 'I Do.' then they don't anymore.
Phil Naunton >>
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 3, 1997 8:46
pm
Subject: Re: Mini Report: The Glasgow Show
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------------------------------------------------------------------------------
Really-From: 'Marcel Engels'
>Really-From: Grant Middleton
>
>Gearhead report : Ed and Jerome had three generic black box keyboards
>and a computer-in-a-box each. Don't ask me what they were. They DID
>have a killer DAT player, though.
The 'little' black boxes were Quasimidi RaveOlutions.
I just remembered when I wanted to buy my Quasimidi Quasar a
few years ago. I went to every music-store around and they said:
Never heard of it, we only sell well-known and good stuff.
I was angry when they said that!
Now a few years later, TD, Jarre, Schulze and about a 100 more
artisits (inlc. me)are using these bad stuff. What a strange world, isn't
it?
Marcel
Music-page :http://www.pi.net/~m1engels/fsp.htm
Email :fsp@p...
(now available: EP-CDR 'Substance')
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 10:17
pm
Subject: Re: A question for German speakers
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------------------------------------------------------------------------------
Really-From: 'Jens Peschke'
> Really-From: 'Plumer, Scott'
>
>
> Here's a question that's been nagging at me for years:
>
> Should 'Froese' and 'Schmoelling' have umlauts?
No. Both are spelled correct.
BTW: 'oe' is pronounced like the o-umlaut.
Umlauts are in Sch(o)nw(a)lder, Amon D(u)(u)l (a hint for Craig Cordreys
new web page)
and G(o)ttsching
while
Hoenig, Froese, Schmoelling and Schoener don´t include such umlauts.
Hope this helps
Jens
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 9:57
pm
Subject: Leeds Concert
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Really-From: 'Martin Fellis'
The Leeds Concert tracklist seems to be identical to the Glasgow one.
The venue was like a smaller version of Shepherds Bush '96, but was only
about one third full with the main balcony closed off, despite tickets
being sold for it. I bought my tickets only two weeks before the Concert
and they were numbered in the 300's, capacity was suppose to be 1800
(should have played Newcastle instead, right Dave?). While the low numbers
may have been disappointing for TD it was good for those in the audience as
you could move around almost anywhere you wanted. The atmosphere was a
little lacking.
Merchandise prices same as Glasgow, but they were taking Visa/MasterCard
(officially only
upto their floor limit, I was told that the £66 I spent was over it, but
they relented & I got the goodies - limited edition tour no. 3069/5000).
Sound quality was good once I got in the middle - too much of Emil's drums
from the left speaker, but could have been louder. Jerome was further
forward than Edgar. Le Parc certainly appeared to be on 'Memorex'. One guy
jumped on the stage, just before the encores and wanted to shake Edgar's
hand. Dad was even less amused than usual, but his son had a big grin on
his face! Needless to say the security guys threw the offender out; for a
minute I thought Edgar might cancel the encores!
The Stratosphere, Dolphin Dance part was the highlight for me, but as at
Glasgow the Goblins Club/Dream Mix tracks got the most applause.
All in all slightly disappointing, not as good as London last year, or the
3 1980's concerts I saw.
Martin
NP Redshift
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 10:40
pm
Subject: RE: What's organ music?!?!?!?! (was RE: Boy wants to meet 'Dream' Girl)
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Really-From: Michael Richard
Hi!
> You mean you have never even heard the Tocatta and Fugue in D minor
> by J.S. Bach, best known of organ warhorses? C'mon, think of any
> horror movie...
Tocatta? Connais pas...
But I've surely ever heard Fugue in D minor, but unconsciensly... Tell me
one real good disk to buy (J.S. Bach seems to be a good choice) and it will
be my next purchase. Just to tell you an idea of my classical knowledge and
taste, I like Beethoven, Walter Carlos, Andrew Lloyd Webber, Carl Orff,
Vivaldi, Pachelbel... and I HATE Mozart.
> Now I'm trying to think of a really good, cheap organ sampler that will
> allow one to get to know both the sacred and profane aspects of the
> instrument's MAH-velous repertoire, through all time periods. Usually I
> Would make it myself, if it was for a friend.
Can I be considerated for a friend? :) The words 'sacred' and 'profane'
attract me a lot! Maybe because Carmina Burana...
See ya!
:) Michael (:
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 2:50
pm
Subject: Re: Mini Report: The Glasgow Show
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------------------------------------------------------------------------------
Really-From: Miguel Angel Esteban
>>Since you seem to have identified the DAT, guess that clears up any
>>question about whether or not the shows are all live. Pity, but it may
>>be a necessary evil unless they find a 3rd synth player.
>
>They don't need a third synth player, just some signs of life from the
>two already present. Instead they sit with podgy fingers fidgetting
>around the same area of keyboard, looking as animated as showroom
>dummies. The word performance doesn't quite fit here.
>Since this is all I expected, I quite enjoyed it. The guitarist fellow
>saved the night for me...
They needs C. Franke!!! ;-))
Miguel.
wwWWww
[o][o]
------------------------ooO--(__)--Ooo-----------------------------------
Fairlight Jarre Newsletter. Fanzine by the Spanish J.M. Jarre Fanclub
email : maec@a...
Website: http://www.arrakis.es/~maec
Price per issue: 150 pesetas
=========================================================================
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 1:14
am
Subject: Re: Dream Mixes 2
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Really-From: Gabe Yedid
On Tue, 4 Nov 1997, tadream mailing list wrote:
> Really-From: 'Gerry Fox'
>
>
> Has anyone yet identified the tracks remixed for DM2 other than ..Evening
> Star. and how many are new.
>
> I'm going crazy playing different tracks from different albums trying to
> match them up.
Unless you count 'Time Square', which is a possible remix of 'Loved By
The Sun' from _Legend_, these are all new pieces with the exception of
'TTES'.
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: THE KEEP Track Times Requested
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------------------------------------------------------------------------------
Really-From: Steven Feldman
Forgive me if it's already been done and I missed it, but has
anyone listed the running times of the tracks on THE KEEP yet? I'd like
to know what they are so as to begin comparing their running times to
what's on the Blue Moon boot. I'm especially curious what the status of
'Romanian Road,' ' Fisherman's Morning,' and 'Sailing Mission' is, since
these tracks (along with 'Gloria') are the ones that were broadcast over
German radio and yet don't seem to be on the CD that was just issued--
or are they, but under different names?
-- Steven Feldman
+ + + + + + +
1. Puer natus est nobis (Gloria theme)****
2. Ancient powerplant*
3. The silver seal**
4. Voices from a common land***
5. Arx allemand*
6. The night in Romania*
7. Canzone**
8. Sign in the dark*
9. Weird Village**
10. Love and destiny**
11. The challenger's arrival*
12. Supernatural accomplice*
13. Parallel worlds**
14. Truth and fiction*
15. Wardays sunrise*
16. Heritage survival***
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Re: THE KEEP Track Times Requested
Craig Cordrey 01383 828182
Wed
11/5/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: (Date Unavailable)
Subject: Re: Looking for U.S. CD/LD mailorder addresses
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Neal McAuley
You wrote:
>Does anyone in the U.S. know of any good, cheap internet mail order addresses
>for ordering Tangerine Dream CD's and LD's.
>Thanks,
>Mak0shark@a...
>
I've been getting most of my CD's through CDNow
and most LD's I purchase throught Ken Crane's laserdiscs
Neal :-)
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 5:56
am
Subject: Best TD while having sex (WITH GIRLS!!)
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Really-From: DJS
This might be a dumb question because of the numorous people here
without female companionship....but I have to start a new thread. Let's
get some opinions. What are the BEST TD songs to listen to while making
love to your girl (or hey...if yer into men..heh heh...GET THE HELL OUT
OF HERE!!). So, Here's my top 5....and yes...I have used them heh heh
heh.
5. Desire (heartbreakers)
4. Zen Garten (Le Parc) The beautiful choir remix on DRC..not the studio
mix.
3. Unicorn Theme (Legend) (you can kiss yer girl AND yer erection
goodbye if you use the Jon Anderson vocal version)
2. Beach Theme (or Scene) (if you can manage to avoid picturing James
Caan on the beach without his shirt heh heh)
and the winner is.......
1. Hyperborea...man this baby flows...and it's looong heh heh heh.Let's
see...I think she...you know...5 times before this song end....er....oh
nevermind.
Dano
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Plumer, Scott
Wed
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2 KB
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Re: Best TD while having sex (WITH GIRLS!!)
TangerineC@a...
Wed
11/5/1997
2 KB
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Re: Best TD while having sex (WITH GIRLS!!)
Craig Cordrey 01383 828182
Thu
11/6/1997
3 KB
8428
Re: Best TD while having sex (WITH GIRLS!!)
DJS
Wed
11/5/1997
4 KB
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Re: Best TD while having sex (WITH GIRLS!!)
Sean Montgomery
Wed
11/5/1997
3 KB
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Re: Best TD while having sex (WITH GIRLS!!)
Michael Fox
Wed
11/5/1997
2 KB
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Re: Best TD while having sex (WITH GIRLS!!)
Neal McAuley
Wed
11/5/1997
3 KB
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Re: Best TD while having sex (WITH GIRLS!!)
DJS
Thu
11/6/1997
3 KB
8459
Re: Best TD while having sex (WITH GIRLS!!)
DJS
Thu
11/6/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 5:45
am
Subject: Re: Boy wants to meet 'Dream' Girl
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: TangerineC@a...
>
> Hey Dave! Your depressing me, man! Dont worry, you'll find another girl, and
> when it's meant to be, it'll happen. Oh boy! This is starting to sound like
> Dear Abbey. :)
>
> << Hey, the last girlfriend I had was starting
> to like TD (especially Melrose) before we broke up. But that's enough
> about that!
>
> Dave 'broken-hearted' Brewer >>
Hey guys, don't worry...you'll all find some babe who loves TD and sex
and listening to TD while having sex. After all, I've know 2 women that
love TD...especially while making love...in fact...er....oh gotta go. My
babe wants to do the nasty while listening to Dream Mixes
Catwalk-Undress mix.
Captain Dan
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 4:53
pm
Subject: TD Dream Date!
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
> Heh heh... Hi,... You can write her... Laura is a very nice girl. This
is
>her address:
>José Ramón
Muchas gracias, amigo!!!!! (ha ha) Si tal vez necesitas algo en el futuro,
no mas llamame!!!
E-Man
P.S. Everybody remember that classic (was it?) Daffy Duck 'stomp':
MINE! MINE! MINE! MINE! MINE! MINE! MINE! MINE! MINE! MINE! MINE! MINE!
MINE!
hahahahahahaha heeeeeee-larious!!!!
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 4:56
am
Subject: Re: THE KEEP Track Times Requested
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------------------------------------------------------------------------------
Really-From: Gabe Yedid
On Tue, 4 Nov 1997, tadream mailing list wrote:
> Really-From: Steven Feldman
>
>
> Forgive me if it's already been done and I missed it, but has
> anyone listed the running times of the tracks on THE KEEP yet? I'd like
> to know what they are so as to begin comparing their running times to
> what's on the Blue Moon boot. I'm especially curious what the status of
> 'Romanian Road,' ' Fisherman's Morning,' and 'Sailing Mission' is, since
> these tracks (along with 'Gloria') are the ones that were broadcast over
> German radio and yet don't seem to be on the CD that was just issued--
> or are they, but under different names?
I'm interested to know just what the 'story' behind these remixed tracks
are. 'Romanian Road' and 'Fisherman's Morning' are stylistically quite
different from the rest of what's on the boot-not to mention other
contemporary TD, and don't really evoke the same kind of atmosphere.
What prompted these remixes? Did Edgar do them himself, or did the whole
band take part?
> -- Steven Feldman
> + + + + + + +
>
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 5:03
pm
Subject: Glasgow Show Minutiae
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>Really-From: Gabe Yedid
>On Tue, 4 Nov 1997, tadream mailing list wrote:
>> Really-From: Grant Middleton
> >
> >
> >> Really-From: Gabe Yedid
> >>
> > >> one). He DID bugger about too much with Beach Scene though, playing
> > > >a fairly 'generic' solo in place of Edgar's most excellent melody.
> >
> > >I'm amazed Edgar let him play it at all! Did he at least use the
> > >'original' sound, or his usual Satriani-clone sound?
> >Pretty much the usual Zlatco sound, but more restrained than
> >usual - he at least tried to be musical rather than dazzlingly
> >fast just for the sake of it.
>I listened to this yesterday afternoon, and to be honest, I simply can't
>picture it with anybody BUT Edgar performing that solo.
Yep, I'm with you on this one, Gabe!!! Nobody but NOBODY,....!!!
> As to the synth parts, it could sound quite passable with the lead synth
sound replaced by the 'Private-era harpsichord',
You've gotta be kidding, Gabe, I am sick to death of that sound, and it
should never be used as a lead again!!! My buddy Dan has that sound on his
DX7 II-FD (called 'stratotro' on his synthbank) and we both think that
Edgar far more than OD'ed on that patch...AND we'll never use that voice in
a composition thanks to ED!!!! Ed better whip his out Prophet and Jupiter
synth-samples if he's ever to look for a replacement
E-Man
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Wed
11/5/1997
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 5:22
am
Subject: OFFTOPIC: Star Trek Auction?
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------------------------------------------------------------------------------
Really-From: Sturminatr@a...
Hey all,
I've got an off-topic question for y'all. I have an extra copy of the
just-released Star Trek Encylopedia (Revised), and I was wondering if any of
you folks out there would be interested in getting rid of some of your excess
TD stuff in an auction for the book.
If there's sufficient interest, I'll run an auction off-list.
Thanks for the bandwidth,
B. Kirby
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DJS
Wed
11/5/1997
4 KB
8470
Re: OFFTOPIC: Star Trek Auction?
Dave Lane
Thu
11/6/1997
2 KB
8492
Re: OFFTOPIC: Star Trek Auction?
Robert Grabowsky
Fri
11/7/1997
3 KB
8477
Re: OFFTOPIC: Star Trek Auction?
DJS
Thu
11/6/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 6:23
pm
Subject: Re: Looking for U.S. CD/LD mailorder addresses
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: rmknudson@j... (matt knudson)
I noticed you are into laserdiscs. Do you have all of TD's videos on
laser? What is the DREAM VIDEOS laserdisc (109 mins) that CD NOW is
selling?
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 5:26
am
Subject: Re: What's organ music?!?!?!?! (was RE: Boy wants to meet 'Dream' Girl)
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------------------------------------------------------------------------------
Really-From: 'Greg Heil'
> > You mean you have never even heard the Tocatta and Fugue in D minor
> > by J.S. Bach, best known of organ warhorses? C'mon, think of any
> > horror movie...
>
> Tocatta? Connais pas...
>
> But I've surely ever heard Fugue in D minor, but unconsciensly... Tell
me
> one real good disk to buy (J.S. Bach seems to be a good choice) and it
will
> be my next purchase. Just to tell you an idea of my classical knowledge
and
> taste, I like Beethoven, Walter Carlos, Andrew Lloyd Webber, Carl Orff,
> Vivaldi, Pachelbel... and I HATE Mozart.
>
> > Now I'm trying to think of a really good, cheap organ sampler that will
> > allow one to get to know both the sacred and profane aspects of the
> > instrument's MAH-velous repertoire, through all time periods. Usually
I
> > Would make it myself, if it was for a friend.
>
> Can I be considerated for a friend? :) The words 'sacred' and 'profane'
> attract me a lot! Maybe because Carmina Burana...
>
> See ya!
>
> :) Michael (:
I know it's only one song, but try G Major Tocatta
off of Fresh Aire 4.. by Mannheim Steamroller.. nice synth stuff on that
album too =)
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 5:50
pm
Subject: Edgar Nolte??? Nick Froese???
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
You know, people, Dan and I have concluded that:
EDGAR FROESE and NICK NOLTE are one and the same!!!!!!
Has anyone noticed...that when TD is on tour, a new Nick Nolte movie
DOESN'T come out?!?
Has anyone ever seen a picture of Edgar Froese and Nick Nolte in the same
room????
I didn't think so....
E-Man
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 6:18
pm
Subject: Auction
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>Really-From: Sturminatr@a...
>Hey all,
>I've got an off-topic question for y'all. I have an extra copy of the
>just-released Star Trek Encylopedia (Revised), and I was wondering if any
of
>you folks out there would be interested in getting rid of some of your
excess
>TD stuff in an auction for the book.
>If there's sufficient interest, I'll run an auction off-list.
>Thanks for the bandwidth,
>B. Kirby
Want my vinyl copy of ELECTRONIC MEDITATION? Played it once or twice years
and years ago....roach chewed off a corner....got some coffee stains on
it...I don't want that Star Trek book, not into ST, but you can have
this...
E-Man
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 6:47
am
Subject: RE: Looking for U.S. CD/LD mailorder addresses
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Robert Grabowsky
Try this one:
Minette Music 1-505-882-4830
Ask for Dave and the best time to call is in the evenings
or weekends.
He is located in New Mexico which is in the Mountain
time zone.
I have been dealing with him for a few years now and I
have never had a problem.
Robert
P.S. SuperCollector is also a good source for Soundtracks
as previously posted
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 6:55
pm
Subject: TD: Spotlight on Musicianship
------------------------------------------------------------------------------
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Really-From: 'Elias Granillo, Jr.'
Okay, gang, here's some more mind chowder to meditate on:
We all know and love the compositions that TD--in their various
line-ups--have cooked up. Usually a song might have one chief composer, who
may write the melody and leave the rhythm tracks to the others...best
example is Froese, Franke and Baumann. Peter and Chris can be likened to
the ' 'electronic' bassist/drummer.' Later, Paul Haslinger and Jerome would
change this format of the 'other 2/3' of TD by composing main melody lines,
and performing on Octapads. Then, of course, Linda came in and helped
transmogrify TD's sound a bit by adding sax. Chris Franke also cooked up
those great sequences which many of us like the F/F/Schmoelling line-up's
overall sound for, particularly 'Silver Scale,' 'Poland,' 'Mojave Plan,'
etc. Though Edgar may be recognized as THE Tang. Dream composer overall,
who do you think the best MUSICIANS--not composers--were?
I particularly think Johannes Schmoelling and Paul Haslinger--with their
technical & classical proficiencies, are arguably the two best musically
trained individuals TD ever integrated. NOTE: Johannes' entrance into the
group marked a major NEW sound in the TD history (another equally unique
sound has not been since inititated... understandable, it's hard,
considering the ubiquity of electronic instruments nowadays, and new modes
of synthesis. What happened to granular synthesis? ALESIS has produced some
hot, affordable instruments, nonetheless!) with both PERGAMON and TANGRAM,
and Paul's entrance initiated UNDERWATER SUNLIGHT, a classic album IMHO, of
which the Tangs have not reproduced another of comparable stature. It was
great seeing TD live in San Diego in '88, and Paul would step down to the
Yamaha portable placed stage center--in front of all that gear! and
figuratively dwarfing it, in a way!!!!--and executing a beautiful (played
LIVE, people!!! Paul even snuck in a couple of notes from PERGAMON! one
dude HOWLED!!) Bach piece (was it an *invention*? which one(s)?).
Yep, we miss Paul and Johannes..at least TDI's re-releasing ZOO with bonus
tracks (cool!). Hey, Paul, what the hell happened? FUTURE PRIMITIVE and
that's it?!?!?!?! What the hell are you doing over here in L.A.? Put
something out! I hope you read this!
only sling on his axe (no pun intended, Norseman!) for a single piece of
music, while Zlatko plays away, and slaps his guitar while gyrating his
hips when he's not playing! Come on, guys, give me a KX88 or SOMETHING to
stand behind and look at!). And Jerome...with time, with time....
Comments, anybody?
E-Man
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Grant Middleton
Wed
11/5/1997
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TD: Spotlight on Musicianship
W.W. Bessels
Thu
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Craig Cordrey 01383 828182
Thu
11/6/1997
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DJS
Wed
11/5/1997
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Re: TD: Spotlight on Musicianship
Dave Brewer
Wed
11/5/1997
6 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 9:08
am
Subject: Re: OFFTOPIC: Star Trek Auction?
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
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> ------------------------------------------------------------------------------
> Really-From: Sturminatr@a...
>
> Hey all,
>
> I've got an off-topic question for y'all. I have an extra copy of the
> just-released Star Trek Encylopedia (Revised), and I was wondering if any of
> you folks out there would be interested in getting rid of some of your excess
> TD stuff in an auction for the book.
>
> If there's sufficient interest, I'll run an auction off-list.
>
> Thanks for the bandwidth,
> B. Kirby
Ack! Cough! Star Trek!? Ack! SPitooey! Babylon 5....Ack!! Wait, they
made a film about people who watch Star Trek and B5 religiously. Wasn't
little Robby Carradine in it?
Dano
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 8:56
am
Subject: Re: THE KEEP Track Times Requested
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Really-From: Craig Cordrey 01383 828182
Steve,
This information can be found at my brand new web-page. Here's the URL :
http://www.geocities.com/SunsetStrip/Lounge/7497/
(Well, if Scott can promote his book, I can promote my web-page, can't I?)
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 9:05
am
Subject: Re: TD: Spotlight on Musicianship
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Really-From: Craig Cordrey 01383 828182
You haven't really been keeping up with Paul's output, have you?
In addition to Future Primitive, he's also output World Without Rules under his
own name, played and composed on two Lightwave albums (Tycho Brahe is one, I
forget the other) and has produced some (apparently) very dark ambient/space
stuff under the name Coma Virus.
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 9:06
am
Subject: Re: Glasgow Show Minutiae
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: 'Elias Granillo, Jr.'
>
> >Really-From: Gabe Yedid
>
> >On Tue, 4 Nov 1997, tadream mailing list wrote:
>
> >> Really-From: Grant Middleton
> > >
> > >
> > >> Really-From: Gabe Yedid
> > >>
> > > >> one). He DID bugger about too much with Beach Scene though, playing
> > > > >a fairly 'generic' solo in place of Edgar's most excellent melody.
> > >
> > > >I'm amazed Edgar let him play it at all! Did he at least use the
> > > >'original' sound, or his usual Satriani-clone sound?
>
> > >Pretty much the usual Zlatco sound, but more restrained than
> > >usual - he at least tried to be musical rather than dazzlingly
> > >fast just for the sake of it.
>
> >I listened to this yesterday afternoon, and to be honest, I simply can't
> >picture it with anybody BUT Edgar performing that solo.
>
> Yep, I'm with you on this one, Gabe!!! Nobody but NOBODY,....!!!
>
> > As to the synth parts, it could sound quite passable with the lead synth
> sound replaced by the 'Private-era harpsichord',
>
> You've gotta be kidding, Gabe, I am sick to death of that sound, and it
> should never be used as a lead again!!! My buddy Dan has that sound on his
> DX7 II-FD (called 'stratotro' on his synthbank) and we both think that
> Edgar far more than OD'ed on that patch...AND we'll never use that voice in
> a composition thanks to ED!!!! Ed better whip his out Prophet and Jupiter
> synth-samples if he's ever to look for a replacement
>
> E-Man
Oh isn't that the truth!! I will never use that sound...oh wait...but
you all like it...I can do a whole album with that sound and you'll all
buy it! I'll be rich!!
Yeeeehahahahahaa!
Dano
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 9:11
am
Subject: Re: Edgar Nolte??? Nick Froese???
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
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> ------------------------------------------------------------------------------
> Really-From: 'Elias Granillo, Jr.'
>
> You know, people, Dan and I have concluded that:
>
> EDGAR FROESE and NICK NOLTE are one and the same!!!!!!
>
> Has anyone noticed...that when TD is on tour, a new Nick Nolte movie
> DOESN'T come out?!?
>
> Has anyone ever seen a picture of Edgar Froese and Nick Nolte in the same
> room????
>
> I didn't think so....
>
> E-Man
Barry and NOT Tangerine Dream??? I wonder why Edgar didn't hop on that
one. To busy STARRING in the movie maybe??
Dano
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 11:01
am
Subject: Re: CD's
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Really-From: Rainer Rutka
> Hi !
> How can I get hold of these sinse I'm not attending any of the shows ??
>
> Tournado The live cut, record in Europe 97
>
> The Keep A few pre-sale copies will be on sale (official release: Jan 98)
>
> TimeSquare Dream Mixes II - start of pre-sales (official release: Feb 98)
>
> Ambient monkeys In huge demand: the pre-concert music and sounds -
> strange stuff!
> Pleased to hear from you
> johan.o.edberg@t...
ME 2 !
Rainer Rutka
E-Mail : rainer@k...
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 9:32
am
Subject: Ambient Monkeys
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Really-From: TangerineC@a...
Does anyone know where I can purchase this Cd besides going to the concert?
Replies
Name/Email
Yahoo! ID
Date
Size
9369
Ambient Monkeys
Plumer, Scott
Tue
12/9/1997
3 KB
9372
Re: Ambient Monkeys
Plumer, Scott
Tue
12/9/1997
4 KB
9376
Re: Ambient Monkeys
Craig Cordrey 01383 828182
Wed
12/10/1997
4 KB
9378
Re: Ambient Monkeys
Dennis Nigbur
Wed
12/10/1997
3 KB
9382
Re: Ambient Monkeys
Craig Cordrey 01383 828182
Wed
12/10/1997
4 KB
9380
Re: Ambient Monkeys
Plumer, Scott
Wed
12/10/1997
3 KB
9536
Re: Ambient Monkeys
Wouter Bessels
Sat
12/20/1997
3 KB
10249
Ambient Monkeys
Jeffrey Au-Yeung
Sat
1/24/1998
3 KB
10328
Re: Ambient Monkeys
Phil PDX
Tue
1/27/1998
2 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 10:29
am
Subject: Re: TD: Spotlight on Musicianship
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Really-From: Grant Middleton
Good thread E-Man !
FWIW, I'd say the following members showed these skills best :-
Edgar - Best composer, most romantic, angriest face.
Chris - Best sequencers, best synth (The Big Moog), best pair of
glasses.
Peter - Best synthetic sounds, most likely to be mistaken
for my mate Dave.
Johannes - Best soloist, most hummable tunes, most likely to be
mistaken for a porn star.
Paul - Best all-round musician, spikiest hair (pre-Jerome).
Linda - Best legs, best chest, cutest face, shortest skirts.
What, you mean she plays music TOO ?@!
Jerome - Best appreciation of modern music, cheeriest disposition,
most likely to be mistaken for Roseanne Barr.
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
--------------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 6:03
pm
Subject: WARNING - BIG POST - Manchester Concert. :-)
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Really-From: lawry@h... (Lawry Simm)
Hi all,
Here are some thought/observations and info from the Manchester gig.
Firstly, I was blown away. Who cares if it wasn't all live. The only TD
concert I'd previously been to was in 1990, also at Manchester, and last
nights show was way better.
Can someone re-post the set list for the tour please. I'm sure that I
heard Going West and Tangram (solution part) last night, but don't recall
seeing them on the set list that had been posted. (I've deleted it though
so I can't check).
Everything Emil and Zlatco played was live. I though Emil shone like a
star at points, he really added something to the tracks. Sometimes however
he was a little too far forward in the mix, with some of his fills drowning
out the rest. I felt sorry for Zlatco a lot of the time because he looked
like a spare part. However, when he did get the spotlight, he was very
good.
Being a keyboard player myself, I studied the Froese's like a hawk, and
only on one occasion did I see Edgar 'play' a lead solo, but I'm sure it
was mimed anyway. I observed him running the sequencer parts from his
computer-in-a-box, he kept hitting enter before and after songs.
Jerome (he sure needs to lose some lard) 'played' solo a couple of times,
but mostly they were both 'playing' the pad sounds. However, knowing
that to play everything live would involve about a dozen keyboardists,
I was neither surprised, nor dismayed by this. This is just how things
are!
I was so glad to hear things that I never thought I'd hear live, and I truly
hope that this is not the last time that they visit th UK with Edgar in tow,
even if he does look like a grumpy old man.
On to the merchandise. After hearing/reading what I did about the Keep, I
was expecting a rather crappy affair packaging wise, but I was impressed
(if not by the price). I think it's beautifully packaged. At Manchester
they did accept Visa/Mastercard, but the house limit was supposedly 40
pounds. However, I spent 200 pounds (not all for me!) and that was ok.
I just had to sign 5 Visa slips. Please note however that there is a
4% charge for credit cards.
(By the way, people who I arranged to pick up stuff for, I got what you
all wanted, and I'll mail you individually after this).
In case you're not sure, the full list of stuff on sale, if I recall
correctly is
CD's
----
The Keep
Ambient Monkeys
TImeSquare (Dream Mixes II) - (so called!)
Goblin's Club - Australian Version
Oasis
Tournado
Limited Edition Tour single (Madchaen on the stairs etc... )
The keep was 20 pounds, all other albums, 15 pounds, and the single was 6
pounds.
Misc
----
TDI logo pin badge - 2 pounds
Turn of the tides poster - 3 pounds
Tournado poster (small) - 3 pounds
T-shirts - black with TDI logo in either blues or yellow/green - 10 pounds
Be warned though, if you buy a lot of stuff, they don't have carrier bags.
I had to cart 12 cd's around with me all night! Not an easy task. :-(
Outside the gig, I bought a (naughty boy) counterfeit Tournado T-shirt
for 3 pounds (surely they must have cost more than this to make!) and IMHO
it is better than the official ones. Though I would expect the availability
of this unofficial product to be limited.
If anyone wants track lists for the new cds, then just mail me. Your wish
is my command. Reviews may follow once I've listened to it all!
All in all, I thoroughly enjoyed the concert and I recommend that people
still waiting for their concert not to be put off by the old doom-mongers
that think if TD isn't improvised on old mellotrons and moogs that it's
rubbish. Believe me, it is not! Sequencers are a sign of the times,
and you should just accept them and get on with enjoying the compositions
instead of dismissing it all as shite.
Enjoy. :-)
Lawry.
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 11:10
am
Subject: The Return of TD Humour (Ambient Monkeys)
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Really-From: Grant Middleton
Ambient Monkeys - They must be f***ing joking !
If you want to know how this SHOULD have turned out, play FSOL's
Lifeforms. This is a poorly-executed found-sound montage with some
fairly dull music underneath. Imagine 'Tyranny of Beauty Revisited'
and you'll be close.
You have been warned !
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
--------------------------------------------------------------------
Replies
Name/Email
Yahoo! ID
Date
Size
8414
Re: The Return of TD Humour (Ambient Monkeys)
Craig Cordrey 01383 828182
Wed
11/5/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 12:19
pm
Subject: I dreamed a dream / what can it mean?
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Really-From: 'Lars R. Jones' <105411.3107@c...>
I had a tangerine dream last night (I have them at least once a month or
more) but this one is so rich in symbolism that I thought I'd put it out
for (psycho)analysis... Dr. R., are you reading? ;-)
I was living in Arizona (where I used to live) and TD was playing a small
concert there. they had lots CDs on sale and they were expensive (not a
dream!) but I **didn't** buy any because I was waiting for Edgar and
because I felt sure they would turn up at Voiceprint in a few weeks. I
only had a tour program in my backpack. finally, edgar came walking
through the crowd in the lobby between the souvenir tables accompanied by
Chris Franke (who hadn't played with TD). They were talking as if good
friends. I said 'excuse me, do you have a minute?' and, as an excuse to
get him to stop, I asked for his (edgar's) autograph. well, he had to wait
a few minutes while I dug around for a pen and tried to find the tour
program. finally he signed it and Chris said, 'don't you want my autograph
as well?' but I said, 'no I've already got it on klemania.' (sort of a
dumb reason, given that I already have edgar's autograph on about 10-12
things... and only one with Chris'). well I started talking with Edgar and
then Chris said good-bye and left us. Edgar and I went outside and started
talking, I started asking him questions. Edgar was being quite friendly
and was willing to talk. He told me was playing the role of Christ (that's
Jesus Christ ;-) in some stage play that sounded like a cross between JC
superstar and the Last Temptation of Christ and a passion play. I asked
edgar about The Ones and what the name referred to. it seemed like it had
to do with the confrontation of materiality and object-ness with the modern
sense of artistic unity .... (now I definitely dredging into my
dissertation topic ;-) and we started talking about Tangerine Dream and
where the name came from... (I seem to have forgotten now just what he
said ;-) we started talking about modern lit crit and theory and the place
of TD's music in all of this (something to which I've given plenty of
thought), and then I asked edgar some question that I shouldn't and he
didn't answer so I said, 'it's OK if you don't want to answer that, it's
not an interview.' He said, 'no I don't mind telling you, but perhaps we
could arrange a series of interviews.' well I was thrilled since he seemed
ready to reveal TDs secrets. so we scheduled some time around his
appearances as Christ (a once-a-week show and he was only in town then).
well I got home and was telling my wife (who had been at the show with me);
I was all excited... then I started thinking, why in the hell didn't I buy
any of those CDs?!
I'm just left with this image of Edgar 'nailed' to a crucifix which is
being raised by a crowd below; the scene is lit only by bright white
spotlights focused on Edgar's figure
I dreamed a dream and Edgar was playing Christ, so what can it mean?
----------------------------------------------------
BTW, here are the lyrics from the Legend demo version, never used in the
film (I enjoy the long version of unicorn theme as well). I've had this
stuck in my head for a day or two so I'm going to exorcise the demon by
doing this; I haven't gotten all the lyrics because they are not always
clear... I think it's not a bad piece at all but then I love the legend
soundtrack..... the melody is basically an early version of 'loved by the
sun' but with totally different lyrics. It's a melancholy little song
about the passage of life...
has the dreamer awakened?
does anyone know the singer and who did the lyrics? are they by edgar
perchance?
--------------------------------
I dreamed a dream,
what can it mean?
I dreamed that I,
was a maiden queen.
guarded by
an angel high
with this walk(?)
was never beguiled
and I went
for night and day
and he wiped
my tears away
`why so sad?'
`and oh why?'
he wip'd the tears away
he came to me
night and day
I kept on crying
and he'd come in my heart
still light(?)
sometimes he's waiting
in the plain(?).
and the wars
are such rosy red.
I dried the tears
I earned my fears
with (...?) my shield and spears
I see my angel came again
ah 'twas only came in vain;
walked on the few years left
and gray hairs
were on my head.
(bridge)
soon my angel came again
ah, 'twas only came in vain
for at the time
beauty had fled
and I found gray hair
was on my head...
-----------------------
Replies
Name/Email
Yahoo! ID
Date
Size
8422
Re: I dreamed a dream / what can it mean?
Andrew J. Rozsa
Wed
11/5/1997
3 KB
8425
Re: I dreamed a dream / what can it mean?
DJS
Wed
11/5/1997
4 KB
8446
Re: I dreamed a dream / what can it mean?
Lars R. Jones
Thu
11/6/1997
2 KB
8451
Re: I dreamed a dream / what can it mean?
Andrew J. Rozsa
Thu
11/6/1997
2 KB
8457
Re: I dreamed a dream / what can it mean?
DJS
Thu
11/6/1997
3 KB
8744
Re: I dreamed a dream / what can it mean?
AOutland@a...
Sun
11/16/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: Re: Introduction
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Really-From: scooter@m... (John Von Pey)
Hello Phil,
ta> Welcome to Tangerine Dreamaholics Anonymous. Everyone, this
ta> is John.
Thank you.
ta> John, tell everyone in the group how you sold your soul for a copy of
ta> 'Sephiroth Awakenings' the previously unknown TD studio release from
ta> 1987.
Well, that was quite easy. I went to a local boot sale, and there it was.
Even better, it was the clear red multicolored one, with the book and the
poster in the gatefold sleeve. Can you imagine my joy as they only asked
about 2 pound? But on the other hand, they couldn't charge much more,
since they had a lot of copies..
ta> All kidding aside welcome to the group.
Thanx :-)
ta> Errr, that was a joke everybody. There is no
ta> 'Sephiroth Awakenings. Really. I was just kidding. Just made
ta> the name up. Honestly. . . . . . !
Oh, blimey. sorry folks, he is right (at least this time :-) I have never
seen a TD album with this title :-(
Tadream on
John
ta> -!- WtrGate+ v0.93.p1 sn 49
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 12:24
pm
Subject: D: Stuntman
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Really-From: Grant Middleton
Better late than never !
Stuntman - Lovely melody, emminently hummable. A REAL TUNE. Love it
particularly at the end when the strings get all lush and thick.
It Would Be Like Samoa - Very digital sounds open this one -
PPG in origin. A Tangram feel overall, in both instrumentation
and music. Strangely(?), it sounds like a Schmoelling-era track without
Schmoelling or Franke. What synth does Edgar use for that brassy
solo sound, prevalent on both Tangram and this album ? Gearheads ?
Thief-ish workout happens later, again diminished by the absence
of Franke and Schmoelling.
Detroit Snackbar Dreamer - Portamento'd lead line (very unusual
for TD) sounding almost Thereminish. Lots of fat fuzzy analogue
bass on fully-open filters. Nice thin Elka (I think) strings.
Develops into a Force Majeure-ish laid-back jam.
Drunken Mozart In The Desert - Opener is a nice showcase for
the synths, especially the timbral acrobatics of the PPG Wave.
Sequencer and lead recall later '70s experiments, particularly
Stratosfear. Develops into a sort of Monolight pt 1 'bright'
melodic section. Some powerful chord changes counterpoint and
darken what would have been an overly sickly-sweet feel.
A Dali-esque Sleep Fuse - This is more what I would expect
from Edgar. Single bass sequencer line in stark relief (no
delay lines or phase-shifters for this guy). Typical Edgar
sloppy, but endearing, guitar jam over the top. It must have
been hard later on trying to generate a 'group dynamic' on
a multi-tracked session. It works well, though.
Scarlet Score For Mescalero - I love this track. Very like the
end of Tangram pt 2. That gorgeous solo brass synth appears again.
I wonder what Edgar was thinking though, with the large farty chord
at point 02:34 - it just seems like he pressed too firmly on the
keyboard aftertouch but liked the 'take' so much that he had to
keep it in.
The overall feel of the album is of sparseness, even when using
large string washes - a very clean sound. This does mean, however,
that I find a bit in-yer-face for late-night listening. I have
the same problem with Ricochet and Stratosfear. As car music
though, it's fairly cool.
Interesting liner note : 'Only electronic analogue and digital
equipment were used.' Right up there with 'No samplers/synths
used on this album' as stated by Queen and Phil Collins at various
points in their careers. What about your axe then, Mr Norseman ?
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
--------------------------------------------------------------------
Replies
Name/Email
Yahoo! ID
Date
Size
8416
Re: D: Stuntman
Gabe Yedid
Wed
11/5/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 12:36
pm
Subject: Re: The Return of TD Humour (Ambient Monkeys)
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Really-From: Craig Cordrey 01383 828182
>Really-From: Grant Middleton
>
>Ambient Monkeys - They must be f***ing joking !
>
>If you want to know how this SHOULD have turned out, play FSOL's
>Lifeforms. This is a poorly-executed found-sound montage with some
>fairly dull music underneath. Imagine 'Tyranny of Beauty Revisited'
>and you'll be close.
>
>You have been warned !
So that's why it swiftly appeared on my desk again!!
I still say this is my favourite of the three CDs I bought on Saturday, so
there!
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 8:13
pm
Subject: time square track in concert
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Really-From: Armin Theissen
>
>Yeah, you're right, Armin - it's Mobocaster from DM II. I preferred
>the live version, as Zlatco's playing was (for once) very sensitive
>and sweetly melodic. The solo that he played is nowhere to be found
>on this studio track, though.
>
no, it wasn't 'Mobocaster', but 'Time Square' (last track on this CD).
armin
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 3:01
pm
Subject: Re: D: Stuntman
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Really-From: Gabe Yedid
The guitar Edgar used on this album was in fact a Roland GS/GR 500, a
pre-MIDI guitar synth.
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 3:06
pm
Subject: linda spa/richi wester
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Really-From: Michael A Jean
While playing Rockoon for the first time in a while, I noticed that the
sax is played by Richi Wester rather than Linda Spa... Who is Richi, and
where did he/she come from/go?
MJ
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 3:08
pm
Subject: H Bosch
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Really-From: Michael A Jean
Does anyone know what ever happened to that S/T to a film about BOSCH,
that TD was supposedly working on a few years back?
MJ
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 3:10
pm
Subject: Re: Glasgow Show Minutiae
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Really-From: Gabe Yedid
On Wed, 5 Nov 1997, tadream mailing list wrote:
> Really-From: 'Elias Granillo, Jr.'
>
>
>
> >I listened to this yesterday afternoon, and to be honest, I simply can't
> >picture it with anybody BUT Edgar performing that solo.
>
> Yep, I'm with you on this one, Gabe!!! Nobody but NOBODY,....!!!
You could even put the same guitar and setup in Zlatko's hands, and it
wouldn't be the same.
> > As to the synth parts, it could sound quite passable with the lead synth
> sound replaced by the 'Private-era harpsichord',
>
> You've gotta be kidding, Gabe, I am sick to death of that sound, and it
> should never be used as a lead again!!! My buddy Dan has that sound on his
> DX7 II-FD (called 'stratotro' on his synthbank) and we both think that
> Edgar far more than OD'ed on that patch...AND we'll never use that voice in
> a composition thanks to ED!!!! Ed better whip his out Prophet and Jupiter
> synth-samples if he's ever to look for a replacement
FOR THE PURPOSE, I think the sound would fit well in 'Beach Theme', at
least to give it a more modern-TD feel. In fact, I could almost consider
the lead sound actually used on 'BT' an ancestor of that Stratotro patch.
With time and attention, I think a pretty good Sun Gate-like arrangement of
'Beach Theme' could be done well. (but not by MIDI-illiterate me)
> E-Man
>
>
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 11:18
pm
Subject: TD: Spotlight on Musicianship
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Really-From: 'W.W. Bessels'
Hi tadreamers,
I totally agree with E-Man, and I think too that Schmoelling and Haslinger
are the best musically trained individuals that TD had ever intergrated.
The 80s were my favourite years, with the highlights (for me):
Hyperborea, Pergamon and Underwater Sunlight.
These three albums are so wonderful compiled and every song fits into the
right place. I even like to call them 'concept-albums'. Also the band does
not fall into repetitions of previous albums, even when new members have
arrived. I mean, Pergamon is totally different to Force Majeure, and that is
also with Hyperborea/White Eagle and Le Parc/Underwater Sunlight.
Maybe I'm not far from the truth, when I say that the creativity in the
music of Tangerine Dream nowadays could only be 'saved' by either
Schmoelling or Haslinger. They had a massive influence on Edgar (and Chris
also) and Edgar mentions this in the booklet from the Poland-remaster, so he
certainly was happy with those years.
By the way, Paul Haslinger performed a wonderful '1988 Tour like' piano solo
last year at the KLEMdag in Holland during his performance and after that he
played Dolphin Dance, Alchemy of the Heart and Canyon Voices incorporated in
a medley. The power-failure that occurred during this concert was
fortunately not during these songs !!
So please Johannes and/or Paul, join the band again !!!
Cheeeeeeeers, Wouter.
np live tape Brussels 1980
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From:
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Date: Wed Nov 5, 1997 3:30
pm
Subject: RE: Best TD while having sex (WITH GIRLS!!)
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Really-From: 'Plumer, Scott'
>1. Hyperborea...man this baby flows...and it's looong heh heh
heh.Let's
>see...I think she...you know...5 times before this song
end....er....oh
>nevermind.
I was always partial to 'Dr. Destructo.' :-) :-) :-) :-) :-) :-)
:-) :-)
Scott
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 3:43
pm
Subject: Re: I dreamed a dream / what can it mean?
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Really-From: 'Andrew J. Rozsa'
At 07:19 AM 11/5/1997 -0500, Lars wrote:
>I had a tangerine dream last night
[..........]
V-e-e-e-r-r-y Interrresting! Hmmmmmm...... :-)
Actually (on a superficial level), your dream is not all that obscure.
1. You really like TD; you live with the music in your mind all the time;
2. People have been taking pot shots at Edgar and you resent it
(he is being crucified);
3. You wish Edgar 'talked' to us on this list;
4. You wish (like me) that you had the talent AND the opportunity
to make TD music. Not like it.. IT!
How does the above fit? :-) If it does, you owe me 4 boots; if it
doesn't, it is a joke.
:-) :-)
Andrew
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 4:11
pm
Subject: Review: The Keep (Official TDI Release)
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Really-From: Grant Middleton
Puer Natus Est Nobis (Gloria Theme) - Features female lead vocals
singing what I suppose is Latin. Edgar did a great job of arranging the
beautiful Thomas Tallis composition for an 'electronic orchestra'.
Hauntingly beautiful, and the best track by far.
Ancient Powerplant - Isn't the German word for powerplant 'Kraftwerk' ?
Just a thought. Anyhow, this features some phasing bass drones (don't
know if it's at 50 or 60 Hz :-) and dulcimer-like glissandi. The lead
uses 1/4-note bends making it sound Eastern in origin. Strangely out-
of-place drums enter later along with extra solo synths. Very nasty-
sounding samplers cheapen the feel later on - hissy and badly looped.
The Silver Seal - Typical early '80s hard-edged digital voicings.
Nice flute solo sound. Has a bit of a Hyperborea feel, I'd say.
Voices From A Common Land - Simple, cute melody line. Slightly
mock-oriental pentatonic in nature.
Arx Allemand - This sounds like a pseudo-classical piece which
inevitably brings Switched-On Bach to mind. Very uplifting.
The Night In Romania - This could do with some reverb, chaps. Johannes
was always a bit guilty of hitting you smack in the face with block
chords of fuzzy sounding synth. Nice bass and flute lead, though.
WTF are the drums up to ? A single snare on the 8th beat of the bar.
Bizarre.
Canzone - Nice, almost Vangelisesque, orchestral feel. Crappy use
of samplers - loop speeding up and slowing down as the pitch
moves. Against all the odds it somehow hangs together.
Sign In The Dark - Ouch ! That hurt ! Nasty flanged noisy percussion.
Typical Franke sequencer and rhythm work. Disturbing wailing 'lead'
sound. Somehow, the sounds are in different sonic environments
which, I must admit, I don't like. Perhaps it has been 'Tangentised'.
Weird Village - Weird stuff, indeed ! Disturbing 'Halloween' music.
Later develops into brassy, Logos territory.
Love And Destiny - Big digital sounds to open. Why were these sounds
used ? Because they were new ? They drill into your temples. Not
pleasant. Musically, it might have been OK if they'd opted for a
thick, luscious Roland string wash or something. Very dated.
The Challenger's Arrival - Kinda Thief-ish guitar, strings, drums
and bass thing. Bowed strings introduce more melodic guitar work,
then things calm down and get bassy and meaty. Big analogue chords.
Supernatural Accomplice - Scary abstract sounds open this. Do I
hear samples from the start of Force Majeure ? Weird vocoded
vocals provide the lead over a clustered chord backdrop. Quite
disturbing in its own way.
Parallel Worlds - Cavernous reverb. Slightly Eastern flavour lead
line. Digital sweeping synth sounds over gentle bass sequencer.
Then you're whacked in the face by a not-so-gentle FM sequencer
pattern. A stunning contrast of well-executed analogue softness
and totally inappropriate digital crap.
Truth And Fiction - Droney bass counterpointed by vocoded lead
and bright digital chimey sounds. Brightens up later to an almost
Tangramesque plateau of sweetness.
Wardays Sunrise - Gentle, melodic tune along the lines of
Cloudburst Flight's quieter moments. Nice double guitar work
from Big Ed.
Heritage Survival - I recognise this passage from Logostypes.
Overdubbed guitary-type patch sounds more recent, however.
Nice chord progression. As the teacher said in Back To The
Future 'Sorry guys, you're just too darn loud' - what the
hell was Edgar thinking with that in-yer-face lead line ?
I forgot there was so much original material on this S/T. Must watch
the movie again soon. I seem to remember the music being inappropriate,
but maybe I was listening too closely BECAUSE it was TD playing it.
Then again, maybe '80s electronic music simply DIDN'T go with the
visual theme.
The packaging is excellent (with slight reservations over the rubber
disc-mounting hud) and should fit into a typical jewel-case space, I'd
say.
Musically, this is NOT INDISPENSIBLE. It may have been a long time
coming, but I don't think that's reflected in the quality of the
music. Look to Thief or Sorcerer for a classic S/T.
The sound quality is what you would expect from Jerome at the controls
of the DQC (tm) system - nothing short of excellent.
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
--------------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 7:02
pm
Subject: Re: linda spa/richi wester/Jeff Robinson
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
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> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: Michael A Jean
>
> While playing Rockoon for the first time in a while, I noticed that the
> sax is played by Richi Wester rather than Linda Spa... Who is Richi, and
> where did he/she come from/go?
>
> MJ
You know, I also noticed that Jeff Robinson engineered the music. I
wonder what he's doing today. Anyone Know?.
Dano
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 7:05
pm
Subject: Re: I dreamed a dream / what can it mean?
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: 'Andrew J. Rozsa'
>
> At 07:19 AM 11/5/1997 -0500, Lars wrote:
>
> >I had a tangerine dream last night
> [..........]
>
> V-e-e-e-r-r-y Interrresting! Hmmmmmm...... :-)
>
> Actually (on a superficial level), your dream is not all that obscure.
>
> 1. You really like TD; you live with the music in your mind all the time;
> 2. People have been taking pot shots at Edgar and you resent it
> (he is being crucified);
> 3. You wish Edgar 'talked' to us on this list;
> 4. You wish (like me) that you had the talent AND the opportunity
> to make TD music. Not like it.. IT!
>
> How does the above fit? :-) If it does, you owe me 4 boots; if it
> doesn't, it is a joke.
>
> :-) :-)
>
> Andrew
Actually, Edgar won't talk to us because he's too busy making films (see
Edgar Nolte/Nick Froese thread) and scaling the high alps in search of
the Great Axe of his ancestor, Olaf Thorinhelm.
Dano
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 6:09
pm
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: TangerineC@a...
In a message dated 97-11-05 10:36:20 EST, you write:
<<
>1. Hyperborea...man this baby flows...and it's looong heh heh
heh.Let's
>see...I think she...you know...5 times before this song
end....er....oh
>nevermind.
>>
How about 'Wahn'? Just kidding. :)
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Re: Best TD while having sex (WITH GIRLS!!)
Craig Cordrey 01383 828182
Thu
11/6/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 6:09
pm
Subject: Re: TD: Spotlight on Musicianship
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Really-From: Craig Cordrey 01383 828182
>Really-From: 'W.W. Bessels'
>
>
>Hi tadreamers,
[ most of Wouter's comments snipped ]
>
>So please Johannes and/or Paul, join the band again !!!
>
uh-oh!
WARNING : OLD-THREAD-ABOUT-TO-REAR-ITS-HEAD-YET-AGAIN ALERT
WARNING : OLD-THREAD-ABOUT-TO-REAR-ITS-HEAD-YET-AGAIN ALERT
WARNING : OLD-THREAD-ABOUT-TO-REAR-ITS-HEAD-YET-AGAIN ALERT
WARNING : OLD-THREAD-ABOUT-TO-REAR-ITS-HEAD-YET-AGAIN ALERT
WARNING : OLD-THREAD-ABOUT-TO-REAR-ITS-HEAD-YET-AGAIN ALERT
WARNING : OLD-THREAD-ABOUT-TO-REAR-ITS-HEAD-YET-AGAIN ALERT
I hope Hilmar Kraft has got a hold of (or soon will have a hold of) the new
albums released this week. He was the one who tried to tell me that Oasis was
TD's new direction, and I couldn't see it. Now, with a wider view of the
musical activities of the band over the passed two years or so (Dream Mixes,
Goblin's Club, Oasis, Dream Mixes II and Ambient Monkey), I think he was
perhaps right.
Whilst I still get the impression that TD are releasing too many 'gimmicks' at
the moment (all bar Goblin's Club _could_ fit into the 'gimmick' category), I
think I can see where Jerome is taking the band now, or at least how he is
influencing it.
I don't think we need Johannes or Paul back. I don't argue that they are
certainly talented individuals, and I enjoy their solo material too, but we all
know they'll never come back, and I starting to feel comfortable with that.
The return of an old member would definitely knock Jerome (and Edgar) off their
current path, which would probably be a bad thing.
However, I still think they could do with that third mind to bounce more ideas
off. But a new (younger, i.e. Jerome's age, not Edgar's) guy (or gal), not one
of the old boys.
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 7:25
pm
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: 'Plumer, Scott'
>
> >1. Hyperborea...man this baby flows...and it's looong heh heh
> heh.Let's
> >see...I think she...you know...5 times before this song
> end....er....oh
> >nevermind.
>
> I was always partial to 'Dr. Destructo.' :-) :-) :-) :-) :-) :-)
> :-) :-)
>
> Scott
Heh heh. Well, that's good for a lunch time quickie. So how did your
babe respond to music originally intended to be play while watching
James Caan blow up cars and buildings??
Dano
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 7:21
pm
Subject: Re: TD: Spotlight on Musicianship
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Really-From: DJS
> Really-From: Grant Middleton
>
> Good thread E-Man !
>
> FWIW, I'd say the following members showed these skills best :-
>
> Edgar - Best composer, most romantic, angriest face.
Of course...he's a Nordic Warrior!
> Chris - Best sequencers, best synth (The Big Moog), best pair of
> glasses.
I thikn it's time for a new photo of him to be taken though, really.
> Peter - Best synthetic sounds, most likely to be mistaken
> for my mate Dave.
Too bad he looked as ugly as Geddy Lee in the old days. Wonder if he got
dates.
> Johannes - Best soloist, most hummable tunes, most likely to be
> mistaken for a porn star.
And you would know this because???? Heh heh. Boogie nights anyone?
> Paul - Best all-round musician, spikiest hair (pre-Jerome).
At least he didn't look like Roseanne.
> Linda - Best legs, best chest, cutest face, shortest skirts.
> What, you mean she plays music TOO ?@!
Who cares what she plays...next time we'll throw our underwear on stage
so she can sleep with it on her head at night.
> Jerome - Best appreciation of modern music, cheeriest disposition,
> most likely to be mistaken for Roseanne Barr.
Yeehahaha....so it wasn't just me.
rock on,
Captain Dan!
>
> --------------------------------------------------------------------
> Grant Middleton,
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 6:51
pm
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: Craig Cordrey 01383 828182
>Really-From: TangerineC@a...
>
>How about 'Wahn'? Just kidding. :)
Sounds like they were doing it whilst it was recorded!
'aaaahhHHHH .... BEEEeeeeee' etc, etc.
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 6:56
pm
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: Sean Montgomery
> What are the BEST TD songs to listen to while making love to your girl
> (or hey...if yer into men..heh heh...GET THE HELL OUT OF HERE!!).
What are ya..some kind of homophobe? You wouldn't come in here making
racial slurs, would you?
Anyway, I totally agree with the choice of Hyperborea. As for other
suggestions:
- Love on a Real Train (what...no one has suggested this yet?)
- Song of the Whale
- Mothers of Rain
- Kiew Mission
- Charly the Kid
- Canyon Voices
- The third movement of 'Alchemy of the Heart'
- Bus Station
- Mount Shasta
Sean Montgomery 3D ANIMATOR
http://www.topix.com/~sean
'A paranoiac is someone
in possession of the facts'
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 2:04
pm
Subject: Re: A question for German speakers
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Really-From: Michael Fox
At 04:20 PM 11/4/97 -0500, you wrote:
>Here's a question that's been nagging at me for years:
>
>Should 'Froese' and 'Schmoelling' have umlauts?
No, I think they should have Eggs Benedict (or as a friend says--eggs
bendmydick)
Mike
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 2:05
pm
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: Michael Fox
At 09:56 PM 11/4/97 -0800, you wrote:
What are the BEST TD songs to listen to while making
>love to your girl
Well, my fave TD is.....um.......well, it's Enigma's first CD. Sorry.
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 7:21
pm
Subject: Re: TD: Spotlight on Musicianship
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Really-From: Dave Brewer
> Quoted From: 'Elias Granillo, Jr.'
>
> Okay, gang, here's some more mind chowder to meditate on:
>
> etc. Though Edgar may be recognized as THE Tang. Dream composer overall,
> who do you think the best MUSICIANS--not composers--were?
>
> I particularly think Johannes Schmoelling and Paul Haslinger--with their
> technical & classical proficiencies, are arguably the two best musically
> trained individuals TD ever integrated.
I agree that Paul and Johannes are the most proficient musicians to join
TD. But it almost looks like you attribute only technical ability to the
best musicians. I must disagree here if this is what you mean. I feel you
don't have to have years of training to be a good musician. You need that
training to be a good performer. You can play fast lines that dazzle the
ears without saying anything meaningful in the music. (I think some have
accused Zlatko of doing such things) To me, that means the musician knows
his/her scales very well, but not much else. Not to say that all fast
playing is meaningless noodling; and not to say that all slower, less
technical playing is meaningful. Often, you can say more by saying less,
and often, etude-like melodies can be quite moving as well. I guess it
depends on who's playing.
A good musician must also be able to interact well with the others in the
group. In high school, I was in a Jazz band, and in my senior year we had
two bass players. One was technically proficient, but usually stomped all
over the rest of the group (especially the soloist) with his playing, like
he was off in his own world. The other was self-taught, but came up with
lines that worked well with what was going on, and could adjust his playing
depending on who was soloing. Guess who I thought was the better bassist?
But that's a tangent. I guess I wanted to show where I was coming from.
And if you (E-Man) *didn't* think that only technical skills made a
musician good, then I agree with you! :-)
NOTE: Johannes' entrance into the
> group marked a major NEW sound in the TD history (another equally unique
> sound has not been since inititated... understandable, it's hard,
> considering the ubiquity of electronic instruments nowadays, and new modes
> of synthesis. What happened to granular synthesis? ALESIS has produced some
> hot, affordable instruments, nonetheless!) with both PERGAMON and TANGRAM,
> and Paul's entrance initiated UNDERWATER SUNLIGHT, a classic album IMHO, of
> which the Tangs have not reproduced another of comparable stature.
Yeah, that's the formula of the changes of TD. Blend equal parts of new
members and new synth and recording technology.
It was
> great seeing TD live in San Diego in '88, and Paul would step down to the
> Yamaha portable placed stage center--in front of all that gear! and
> figuratively dwarfing it, in a way!!!!--and executing a beautiful (played
> LIVE, people!!! Paul even snuck in a couple of notes from PERGAMON! one
> dude HOWLED!!) Bach piece (was it an *invention*? which one(s)?).
I don't know about San Diego, but on the Spherical Harmonics boo...err...
rare live recording from the 88 tour, he played an excerpt of Beethoven's
Waldstein Sonata. (during the encores, if I'm not mistaken) Yeah, I like
the medley piano solos Paul did. (I've heard only two of them, the Berlin
87 one from Antarktis being the other one) I even kinda put one together
myself from the smattering of TD songs I've learned on piano.
Dave Brewer
From:
tadream@c... (tadream mailing list)
Date: (Date Unavailable)
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: Neal McAuley
My best experiences have been with 'Underwater Sunlight' and 'Pergamon'.
I've lent these CD's to others and told them to get busy with their
significant others and they actually admit that I might have some shred
of musical taste (I'm usually pulling into work blaring something hard
rocking/metallic to wake me up)
Cheers,
Neal :-)
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 7:05
pm
Subject: The Manchester Concert - Yeeesss!
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Really-From: sypower@o...
Hello people,
Some thoughts on last night's Manchester concert.
Yeaahhhh! This was a truly fabulous TD night, not
quite on a par with the Logos concert here in '82,
but for me, the buzz was definitely equal to the
'86 show. It put last year's Shepherd's Bush bash
in context. I was listening to a tape of that earlier
in the week and I now realise that the atmosphere then
was over the top - wild applause at the start of every
tune. I suspect that that's because at the time, we
didn't know if we would ever see TD again and were
therefore determined to enjoy the night. The atmosphere
last night was much closer to how I remember it from the
80s - a much quieter, more thoughtful kind of enthusiasm.
The concert also put into context the stage shows
at Shepherd's Bush and the '92 concerts, which were
somewhat cheap and nasty. The '97 show is much more
polished - great lighting effects, staging, and some
wild stuff on the screen at the back of the stage - lots of
morphing, globular, octopussy things. Edgar and Jerome
are well to the back and in shadow. They have the
usual 'filing cabinets with lights and buttons', as
well as new contraptions that look like those electronic
card games in pubs! Overall, the show looks much more
expensive and clearly a lot of time went into putting it
together.
Musically, it was another greatest hits package. Here's
the set list of the first half (I'll post the full list
when I've had chance to re-listen to the whole concert):
First half:
[Didn't know it]
Betrayal
Poland (second half)
Sundance Kid
Silver Scale
Warsaw in the Sun
Stratosfear 1995
Dolphin Dance
Streethawk
Beach Theme
Encores:
Das Maedchen/segue to Thief Yang
Toward the evening star
I disagree with Armin [?], who said that the first half
didn't flow. For me, the whole show flowed beautifully.
In large part, I think, because the hateful sax is now
out of the picture. Highlights of the first half were the
first and last track. The latter was a truly fabulous
version of 'Beach Theme', with Zlatko taking the guitar.
Zlatko has clearly matured as a guitarist - the million-
note-a-second Joe Satriani nonsense is now a thing of the
past. He has obviously learned to 'serve the composition'
more, rather than engage on a musical ego trip - which
is the reason Edgar gave for his leaving the band in '93.
The only musical downer came at the beginning of the
second half - the drum solo. Come on, fellas - drum solos
are so dated and passe they make Mick Jagger look young
and trendy. The real highlight of the second half was the
final piece. As anyone who's made a fan tape knows, you
can never fully concentrate on the show - part of your
mind is always on that bloody tape. But for this piece
I was truly mesmirized - it was the real-deal out-of-body,
out-of-time experience that I associate with TD's best music.
There were two encores - the Maedchen remix/Thief Yang and
Towards the Evening Star. The latter emphasised how good
the PA was - the sound was crystal clear. And for the
first time that I remember at a rock concert, it wasn't too
loud. I only spent about 15% of the whole show with
my hands over my ears, rather than the usual 90%, despite the
fact that we were only 15 rows or so from the front. Maybe Edgar
read my complaining e-mail about ridiculous volume on tadream
last year after the Shepherd's Bush concert!
I have a 150 minute-ish tape of pretty good quality of the whole
show. However, if anyone wants to trade - and past experience
suggests that a few might ;-) - I suggest you wait until Friday
before contacting me as I intend taping the London show as well.
Now on to the after-show excitement. Along with 20 or so Voyager
readers, I was allowed backstage for a chat with the band. We
were shown into a grotty little cafe area. Zlatko and Emil were
already there and some people started chatting with them.
Everyone started getting more and more nervous as we waited for
Edgar. Then, after about 15 minutes he and Jerome came in to a
round of applause. First Edgar want around the room getting film
of everyone on his camcorder, so maybe we'll appear in some
future video! Then he sat down, started signing things and said
'Questions?' His manner at this point was a slightly detatched
'Yeah, yeah, I've seen all this before. Get on with it.' People
were a bit too nervous and no-one asked anything. He seemed to
be getting a bit impatient and said 'I can write and talk at the
same time, you know.' So I thought: what the hell? and started
asking him about the relative importance of sound colour v.
fancy chords and fast playing. I had imagined that this would
be a subject close to his heart and it was. At this point, everyone
else was still milling around, so I basically had Edgar to myself
for about 10 mins! Then more people started to gather round.
Edgar started to loosen up and he was really very charming
and amusing at times. Obviously I can't remember what was said
verbatim, but here are my approximations of some of his answers:
Is it true that you will retire in 2000?
Yes.
Is this the last time we'll see you in the UK?
Who knows? There are still two years to go...
How do you choose the set lists?
I let Jerome do it.
On improvisation:
I have no interest in improvising any more.
Will you ever use the old analogue gear again?
No. Why should I want to go back to twiddling knobs?
In particular, he was very forthright about TD moving in
new directions. He was sympathetic to people who yearn
after the days of Logos and Rubycon but utterly unyiedling.
But the great thing was - he didn't get annoyed as he sometimes
seems to on this subject. He really had us laughing. He genuinely
seemed to understand those people whose buttons had been
pushed by the 70s and 80s stuff and who 'buy each new
CD in the hope of finding a tiny bit of Logos in it.'
He confirmed that old unrleleased stuff will be released
via the TDI label because 'I've finally realised that there
are lots of people who want to hear it', but bemoaned the
fact that doing so will be hard work because of the sound
quality of some of those recordings. Presumably he's
referring to the remastering effort required.
During this time Jerome was over in another part of the
room talking to some other people. I didn't hear too
much of what he said, except that 'The sax is gone. Gone,
gone, gone!' and that he has no idea what Linda Spa is
doing now.
Edgar really seemed to enjoy the conversation and only broke
it off after 90 mins. or so and then only because some girl
from the TD entourage was urging him to bring a halt to
proceedings. One sad note, though: it's clear that the years
of loud PAs have taken their toll. I lost count of the
number of times he had to ask for questions to be repeated,
or didn't hear them at all.
So, armed with a tape of the concert, plenty of photos of
the backstage get-together, and signed copies of Tangents
and TimeSquare, it was time to go. I think you'll
understand me when I say that last night will always be one
of my most treasured memories. Sorry if this account
is somewhat disjointed and inarticulate, but I was
so hyped last night that I didn't sleep til about
4am, and I've written this on the back of only three
hours' sleep.
Glynn
PS:
A BIG thank you to Jason Hopkins for organising the
backstage access. Unfortunately, Jason had the stinking bad
luck not to be able to attend.
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The Manchester Concert - Yeeesss!
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The Manchester Concert - Yeeesss!
Lars R. Jones
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11/6/1997
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Re: The Manchester Concert - Yeeesss!
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Thu
11/6/1997
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 11:02
pm
Subject: Re: 'The Sunday Times 1000 Makers of Music'
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Really-From: 'Simon W. Hood'
Steve Yensen wrote:
>A bit of information (I've waited 6 weeks for this) ...
>
>This is the complete text of TD's entry from today's Sunday Times
>'1000 Makers of Music' (part 6 - Sibelius to Zukerman).
>There is a 5'x5' colour photograph of Chris Franke (!), dated around
>1973
>judging by his equipment, with the caption:
>'Dream on: Chris Franke joined Tangerine Dream in time for the group
>to be banned from Catholic buildings by the Pope'
>
>========================================================================
>
>I know that John Peel has been broadcasting popular, progressive and
>rock music on the BBC since the 60's, and is still doing so today.
>
>I remember hearing 'Movements of a Visionary' for the very first time
>on his Radio 1 Show 'Sounds of the 70s'. I had heard them before, but
>didn't really like their seemingly unconnected electronic sounds at
>the time.
>
>I think from that moment on, I was hooked ...
>
>Steve.
>
>
Thanks for posting this to the list, Steve. I was going to do it too,
but you've beaten me to it
For the benefit of those who don't have access to 'The Sunday Times',
their '1000 Makers of Music' was a supplement in 6 weekly parts. The
newspaper 'invited its panel of experts to choose the 1000 people most
responsible for the way music sounds today'. This was split between 500
classical and 500 popular ('embracing show business as well as rock and
jazz').
To quote the introduction: 'We started by asking: Who are the musical
figures who have done most to enrich western civilisation? Who are the
movers who force the pace?'
The fact that TD made it into this selection proves their influence. Of
course, we on the TD mailing-list knew this all along :-)
Other figures in the world of electronic music to appear in the 1000
were Kraftwerk and Dr Robert Moog. Neither Jean-Michel Jarre nor
Vangelis were included
--
Simon W. Hood
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 4, 1997 11:32
pm
Subject: Re: Glasgow - Concert Report
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Really-From: 'Simon W. Hood'
Craig Cordrey wrote:
>We had good seats, six rows back from the stage, and only a few seats left of
>centre.
My friend from Dundee and I were in the *seventh* row back from the
stage, also left of centre. You must have been sitting just in front of
us.
I've never been as close as this to TD at a concert. You could see
everything they were playing (or not playing, as was the case for a
large amount of the time). For instance, there was a minute or two
during the first set when you could see Edgar very obviously glancing at
his monitor again and again. It seemed to me that whatever was in his
machine was 'driving' him, rather than the other way around.
>Silver Scale was next up, but I think (IMO) they went a bit over-the-top with
>the overlayed 'extras', often drowning out the original sounds.
It was disappointing they didn't play more of it. They spent a great
deal of time building it up excellently, then just when I thought they
were going to 'let rip', they faded it down into another bridge section.
What a tease.
>They moved into Dolphin Dance, didn't play Logos (I don't think), played good
>old Streethawk and then the surprise 'bonus track' - Beach Theme/Scene. That
>really went down a storm too, although Zlatko perhaps should have stuck closer
>to the original solo. However, it was great to hear this classic 'live', and it
>was a great closer to the first set.
I agree, but Edgar should have played this.
>The second set was probably pretty much as per Tournado (I say probably because
>I don't have that CD), and I've lost track with most of the track names these
>days. Yes, they played Touchwood (yet again), Little Blond ... and a couple of
>tracks from Goblins Club. They also played a track which no-one I spoke to had
>heard before and, despite listening to the last track on Dream mixes II right
>now, I still don't know what it was. Quite laid back with an underpinning beat,
>it was both a surprise and a great piece of music.
>
With the exception of the two pieces from the 'Dream Mixes', I was a bit
bored during the second set because of Zlatko's endless guitar parts.
This was also how I felt at the 1990 Edinburgh concert with Linda Spa's
endless saxophone parts. How I wish they'd go back to using keyboards
only (and *Edgar's* guitar).
>Needless-to-say, the band left the stage to great applause and cheers, and so
>returned to do three encores : Maedchen on the stairs, Thief Yang and the
>Tangram Seal and then Towards the Evening Star. I though this was actually a
>strange choice for the encore, but it seemed to go down well.
>
Towards the Evening Star was crystal sharp in sound quality, I thought.
>CONCLUSION :
>All in all, this was a great night out. Of course the music was excellent, and
>the computer generated images which accompanied (nay, took centre stage in some
>places) the music were excellent.
Agreed
--
Simon W. Hood
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 6, 1996 11:31
pm
Subject: TD live video 1997
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Really-From: 'van hove'
Hi Folks,
I have two videos from TD for sale.
I have the livevideo recordings from Sheperd Bush 1996 and the
live video from Bonn(Germany)1997.
These are full concerts: 120 minutes and in digital sound and vision
quality.
The price for these limited items are 15 GBP each, this includes
post and package, aithin the next 5 days delieverd at your adress in
Europe.
If you are interested, send cash money to
p o box 82
2950 Kapellen
Belgium
or call me mobile 00 32 75 900 553
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TD live video 1997
John Von Pey
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11/6/1997
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Re: TD live video 1997
Plumer, Scott
Thu
11/6/1997
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Re: TD live video 1997
van hove
Sat
11/9/1996
4 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 3:17
am
Subject: Paul Haslinger...HUH?!?!
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Really-From: 'Elias Granillo, Jr.'
>Paul has been doing alot besides Future Primitive...where have you been?
>Check out his webpage....
GOLLYGOSHWOW! I completely forgot about his work with Lightwave and his
post-FUTURE PRIMITIVE release WWR...
I forgot about them because they were so, er, ah, forgettable. They just
sorta came and went. WHOOOOOSH! Dig?
Paul needs to put out something I FEEL like shelling out fifteen bucks for.
E-Man
P.S. DON'T take this so personally, people!!! If you loved these albums,
then keep right on LOVING them! Don't paste my note onto your post and
bitch and moan becuz I don't like Lightwave or WWR.
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Re: Paul Haslinger...HUH?!?!
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11/6/1997
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 12:38
pm
Subject: TD: Which Sound?
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Really-From: 'Elias Granillo, Jr.'
>>> Yep, I'm with you on this one, Gabe!!! Nobody but NOBODY,....!!!
>>You could even put the same guitar and setup in Zlatko's hands, and it
wouldn't be the same.
Yep, you can say that, again! I'm a Pepper, you're a Pepper...
>>> As to the synth parts, it could sound quite passable with the lead
synth
>>> sound replaced by the 'Private-era harpsichord',
>>
>> You've gotta be kidding, Gabe, I am sick to death of that sound, and it
>> should never be used as a lead again!!! My buddy Dan has that sound on
his
>> DX7 II-FD (called 'stratotro' on his synthbank) and we both think that
>> Edgar far more than OD'ed on that patch...AND we'll never use that voice
in
>> a composition thanks to ED!!!! Ed better whip his out Prophet and
Jupiter
>> synth-samples if he's ever to look for a replacement
>FOR THE PURPOSE, I think the sound would fit well in 'Beach Theme', at
>least to give it a more modern-TD feel. In fact, I could almost consider
>the lead sound actually used on 'BT' an ancestor of that Stratotro patch.
>With time and attention, I think a pretty good Sun Gate-like arrangement
of
>'Beach Theme' could be done well. (but not by MIDI-illiterate me)
>> E-Man
>Gabe
Yeeech, Gabe!!! Dude, you better cancel your subscription to MAD
magazine!!!! An you say? If that part isn't going to be played
with a voice which has a root in a saw wave OR square wave, then I'd even
rather hear it played with a Hammond Organ patch!!! 'Beach Scene' is a
classic example of electronic ROCK, and is just too new agey a
sound to substitute it!! Heresy!! Blasphemy!!!
Case Closed!
*sound of hammer upon gavel*
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 12:52
pm
Subject: TD: Musicianship
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Really-From: 'Elias Granillo, Jr.'
>Hyperborea, Pergamon and Underwater Sunlight.
>These three albums are so wonderful compiled and every song fits into the
>right place. I even like to call them 'concept-albums'.
That they are, brother. What dey are, dey are...
>Also the band does not fall into repetitions of previous albums, even when
new >members have arrived. I mean, Pergamon is totally different to Force
Majeure, and >that is also with Hyperborea/White Eagle and Le
Parc/Underwater Sunlight.
Yep, keep holding the hammer just like that...
>Maybe I'm not far from the truth, when I say that the creativity in the
>music of Tangerine Dream nowadays could only be 'saved' by either
>Schmoelling or Haslinger. They had a massive influence on Edgar (and Chris
>also) and Edgar mentions this in the booklet from the Poland-remaster, so
he
>certainly was happy with those years.
That's why I wrote what I wrote! You see, people, I'm not bagging on Edgar
Van Halen, er, Froese, he's a monster in his own right. With Chris, you had
two of these monsters making music. (Baumann's cool, he was there, too...)
But when you had Schmoelling, followed by Haslinger, you had THREE monsters
in the same cave, learning the concept of fire over and over again! *ooga
booga* Since the trio-motif is now non-extant, TD's suffered. The last CD
that pumped my nads (*Oasis* since then, though, I dig it, and ToB was
good) when I first heard it was *Rockoon*--unfortunately it doesn't
maintain its creative momentum all the way through. 'Big City
Dwarves'--quite a different tune from what I expected them to do-- is such
a great fix, but 'Girls..' and that penguin song are on there, too.
If Ed is really going to hang it up in 2000, then he just is. If Jerome
really wants to kick things into high gear (although I feel some things
should just END while they're still halfway good) as the new Tang Overlord,
he should get TWO more synthesists, one who hopefully plays some other
instruments to spice things up...that way, you might have three egos
colliding with each other, but they're composing great music.
Speaking of egos, did I ever mention that Dan and I are always yelling at
each other: 'Turn it down, man! I can't hear myself play!'
>By the way, Paul Haslinger performed a wonderful '1988 Tour like' piano
solo
>last year at the KLEMdag in Holland during his performance and after that
he
>played Dolphin Dance, Alchemy of the Heart and Canyon Voices incorporated
in
>a medley. The power-failure that occurred during this concert was
>fortunately not during these songs !!
Hey, buddy, ol' pal, chum,...if you've got a tape of that, you can be my
new best friend. Just take a number...(hee hee)
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 12:57
pm
Subject: Paul Haslinger
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Really-From: 'Elias Granillo, Jr.'
>Elias,
>I have forwarded your very complimentary email onto Mr. Haslinger, so you
>never know, you _may_ even get an email back from him....
>Regards
>Alistair Hull
Thanks! Could you inform me about Coma Virus? That's Paul's current
project, right?
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Snap Judgments re Haslinger Product
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Really-From: Steven Feldman
FUTURE PRIMITIVE is rather good, despite its genre (world music).
WORLD WITHOUT RULES is hyperactive, coarse, and too 'ethnic' for its
own good.
Lightwave's TYCHO BRAHE, despite moments of distant dissonance, is
rather lovely and entrancing in a dark sort of way.
Lightwave's MUNDUS SUBTERRANEUS is a masturbatory celebration of musique
concrete to the detriment of making any sort of pleasing music.
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 1:57
am
Subject: Re: Paul Haslinger...HUH?!?!
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Really-From: Dave Brewer
> Quoted From: 'Elias Granillo, Jr.'
>
> P.S. DON'T take this so personally, people!!! If you loved these albums,
> then keep right on LOVING them! Don't paste my note onto your post and
> bitch and moan becuz I don't like Lightwave or WWR.
>
:-)
I don't take any opinions here personally; they're just as viable as
mine, even when they don't agree. Anyway, I enjoy differences of opinion-
they're more educating and interesting than if everyone agreed on
everything.
Now, my point. I do like FP and WWR, and hearing both of these, I never
would have thought that anyone would like one, but not the other. I
know, I don't know anything! I do like Lightwave's Tyco Brahe sometimes,
but I can understand someone not being into that one. It's more or less a
contemporary-styled Zeit. I still have yet to hear Coma Virus, but it
sounds interesting. (ditto for the Planetary Traveller video)
Dave B.
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 2:42
am
Subject: Re: I dreamed a dream / what can it mean?
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Really-From: 'Lars R. Jones' <105411.3107@c...>
>How does the above fit? :-) If it does, you owe me 4 boots; if it
>doesn't, it is a joke.
-- if it doesn't, do you owe me 4 boots?
lars
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From:
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Date: Thu Nov 6, 1997 2:41
am
Subject: Oasis
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Really-From: Rich Maggio
I just picked this CD up tonight. I can sum up my feelings for it in
one word - awesome! I recall many of you had similar feelings for this
CD when it was first available at TD concerts over the summer.
I agree with you all whole heartedly! :-D
This is the most refreshing thing I have heard from TD in many years!
This is NOT at all what I expected. I was expecting something that
would
be about as exciting as Canyon Dreams (meaning, not very exciting at
all! :-).
The sounds are new - it doesn't sound like a rehash of the last 2 or 3
CDs that they have made. OK, the songs are not the 20 min. epics that
we all love, but they are long enough to develop into more than just a
repetitive melody. The songs, though they go together to form an
album, are all different. The music is not very slow, but it is not
overly 'Jeromicized' either - it has a bit of a beat to it without the
beat
taking over the music entirely.
Is it me, or does this CD sound more like an EF CD than TD. This CD
puts
me in mind of the first time that I listened to Beyond the Storm for
the first time.
Now, if I could only get my hands on tournado. Does anyone have any
idea what
is up with the North American distribution of that CD? I have had it on
order at my local CD shop for 3 weeks and they still haven't gotten it.
Rich Maggio
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Sat
11/29/1997
3 KB
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Re: Oasis
matt knudson
Sat
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Re: Oasis
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Michael Fox
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12/26/1997
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Colin Knowles
Thu
1/15/1998
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Wed
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Re: Oasis
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 2:59
am
Subject: The Manchester Concert - Yeeesss!
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Really-From: 'Lars R. Jones' <105411.3107@c...>
Hi Steve
Did you catch these comments:
>Obviously I can't remember what was said
>verbatim, but here are my approximations of some of his answers:
>Is it true that you will retire in 2000?
>Yes.
;-(
>On improvisation:
>I have no interest in improvising any more.
;-( -- perhaps the saddest comment of all!
>He confirmed that old unrleleased stuff will be released
>via the TDI label because 'I've finally realised that there
>are lots of people who want to hear it', but bemoaned the
>fact that doing so will be hard work because of the sound
>quality of some of those recordings. Presumably he's
>referring to the remastering effort required.
-- see, ya see, it will happen so save yer pennies (although admittedly it
doesn't sound like it's going to happen very soon!)
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 2:59
am
Subject: The Manchester Concert - Yeeesss!
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Really-From: 'Lars R. Jones' <105411.3107@c...>
I know people are going to jump all over Glynn's wonderful account of his
experiences but I just wanted to say one thing:
>On improvisation:
>I have no interest in improvising any more.
-- this brings a certain sense of sadness into my heart ;-(
lars
(no, i'm not bitching about old v.new TD, this is a completely different
issue)
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: THE KEEP Discography (all 3 + Fantasy Merchants)
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Really-From: Steven Feldman
Okay,
Below are the track names and running times of the Blue Moon boot,
the CD-R, the six covers by the Fantasy Merchants, and the official CD
of THE KEEP. Barring the original 1984 album, this is what we've got:
(One question: the person quoted below who listed the particulars from
the Blue Moon boot says that there was a booklet in the CD that had pics
of Michael Mann & Edgar Froese on the set of film. I don't recall my
copy of the CD having any such pictures.)
-- Steven Feldman
+ + + + + + +
+ - - - - - - - - - - - - - - - - - - +
| THE BLUE MOON BOOTLEG CD FROM 1995: |
+ - - - - - - - - - - - - - - - - - - +
Subject: Re: Bootlegged Dreams Update #16
Date: Sun, 23 Apr 1995 22:14:58 -0500 (CDT)
From: tadream@c... (tadream mailing list)
Really-From: 'Karl W. Reinsch'
Tangerine Dream - The Keep
Blue Moon Records BM-12/BMCD12
Total running time: 66:40
1. Dinu Pass (3:07)
2. The Keep (Main Title) (4:05)
3. The Black Soldiers (5:14)
4. Deadly Silver Crosses (6:31)
5. Brothers In Death (8:07)
6. Evil Healing (3:51)
7. Glaeken's Quest (4:38)
8. The Evil From Within (4:47)
9. The Black Soldiers (1st Mix) (8:57)
10. Gloria (3:05)
11. Romanian Road (2:52)
12. Fisherman's Morning (3:20)
13. Sailing Mission (3:00)
14. The Keep 'Mid Theme' (Remix) (1:50)
15. The Keep 'End Theme' (Remix) (2:22)
Tracks 1-9: Studio master tape, 10-13 German radio broadcast, 14-15 remixes
from rare bootleg CD '70/90'.
Quality is ok, not superb by any means. Track 5 should be familiar to owners
of 'Logos' - it is 8 minutes of that little snippet we bought 'Logos' for!
The simple booklet contains a few photos including Michael Mann & Edgar
Froese on the set of the film.
+ - - - - - - - - - - - - - - +
| THE BOOTLEG CD-R FROM 1995: |
+ - - - - - - - - - - - - - - +
Subject: Re: Boolegged Dreams Update #16
From: tadream@c... (tadream mailing list)
Organization: MausNet (Mitglied im IN e.V.)
Date: Mon, 24 Apr 95 20:56:00 GMT
Really-From: Klaus_Beschorner@b... (Klaus Beschorner)
>What is the difference between the 'regular' KEEP and the CD-R. I've
>heard the regular one (the sound is not too bad, really), but I've seen
>that the listing for the CD-R, titled 'The Complete Works of THE KEEP',
>is about 75 minutes. The regular one is about 65-66 minutes. Do you
>have exact track listings?
Sure, but as the track titles are made up by the producers this may not
be as much help as you expect. They are both based on three principal
sources : four tracks that Edgar gave to WDR for radio airplay (those have
his 'official' titles, #14-17 below), a tape of the rough studio mixes (#1-
13 on the CD-R) for the soundtrack, and the film itself.
The track listing of the CD-R is :
1.Sailing Mission 3:52
2.Reign of terror 5:20
3.Dinu pass I 3:02
4.Dinu pass II 4:08
5.Mighty Castle 8:15
6.Leave taking 1:22
7.Crossing saver 4:02
8.Gloria 1:42
9.Denounce 3:45
10.Terrible 5:42
11.Fisherman's morning 6:44
12.Glow in the dark 8:20
13.The Keep theme 3:57
14.Sailing Mission 3:05
15.Gloria 3:06
16.Fisherman's morning 3:20
17.Romanian Road 2:52
By the way - whoever compiled a list of song titles on TD bootlegs -
please contact me, we could throw our files together for the definitive
TD-bootlegography...
-klaus-
+ - - - - - - - - - - - - - - - - - - - - - - - - +
| THE KEEP BY THE FANTASY MERCHANTS CD FROM 1995: |
+ - - - - - - - - - - - - - - - - - - - - - - - - +
THE KEEP: The Film Music of Tangerine Dream, performed by the Fantasy
Merchants
TSUNAMI TC1 0616
1st Floor - A First Floor Project
(p) & (c) 1995 by First Floor AG
THE KEEP:
1. The Keep - Main Title* 4:47
2. Glacken's Quest 4:25
3. Brothers in Death 8:15
4. Fisherman's Morning 3:37
5. Evil Healing 4:54
6. Gloria* 3:15
(Froese/Franke/Schmoelling)
Publisher: Warner/Chappell
FIRESTARTER:
7. Crystal Voice 3:15
8. Burning Force 4:28
Publisher: MCS Music Ltd.
THE HEARTBREAKERS:
9. The Heartbreakers 2:34
10. Twilight Painter 4:15
(Froese/Franke/Schmoelling)
Publisher: TADREAM Music Publishing
NEAR DARK:
11. Caleb's Blues 3:09
Publisher: Silva Screen Music
SORCERER:
12. Medley: Search/The Call/Grind/The Mountain Road 9:40
(Froese/Franke/Baumann)
Publisher: Leeds Music Corp./Front Line Music Inc.
RISKY BUSINESS:
13. Love on a Real Train 3:28
(Froese/Franke/Schmoelling)
Publisher: Warner Bros. Music Ltd.
All Music composed by Tangerine Dream
Album produced by Thomas Karban
Arranged and performed by Goetz Steeger and Gunther Laudahn
*Sopran: Annette Kohler [with an umlaut over the 'o']
Mastered by Peter Harenberg .ham.
+ - - - - - - - - - - - - - - - - - - +
| THE OFFICIAL THE KEEP CD FROM 1997: |
+ - - - - - - - - - - - - - - - - - - +
The Keep
Original Motion Picture Soundtrack
Produced by Edgar Froese
1. Puer Natus est Nobis (Gloria theme)**** 3:09
2. Ancient Powerplant* 4:28
3. The Silver Seal** 3:07
4. Voices from a Common Land*** 4:06
5. Arx Allemand* 4:24
6. The Night in Romania* 3:15
7. Canzone** 2:51
8. Sign in the Dark* 4:19
9. Weird Village** 3:23
10. Love and Destiny** 3:31
11. The Challenger's Arrival* 4:32
12. Supernatural Accomplice* 4:07
13. Parallel Worlds** 4:29
14. Truth and Fiction* 2:52
15. Wardays Sunrise* 3:20
16. Heritage Survival*** 4:13
*Composed by E. Froese
**Composed by E.Froese and J.Scmoelling
***Composed by Froese, Schmoelling, Franke
****Composed by Thomas Tallis 1505-1585, Arr. by E.Froese
Recorded February 1983 at the Tangerine Dream Studios Berlin
Engineered (partly or in whole) by E.Froese, J.Scmoelling, C.Franke
All Guitars, Vocoder voices, Keyboards : Edgar Froese
Additional Keyboards and Drum computer:Johannes Schmoelling
Additional Keyboards : Chris Franke
Music Supervisor and Editor : Bob Badamy
Executive Producer:Michael Mann
Mastered on DQC(TM) for official release first time 1997 by Jerome Froese
at Eastgate Studios Vienna
This soundtrack is the first and only authorized release of the complete
music material from the movie.
+ - - - - - - - - - - - - - - - - - - - - - +
| THE ORIGINAL ALBUM OF THE KEEP FROM 1984: |
+ - - - - - - - - - - - - - - - - - - - - - +
???
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Re: THE KEEP Discography (all 3 + Fantasy Merchan
Dave Lane
Thu
11/6/1997
2 KB
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The Keep/Ambient Monkeys
dn3
Sun
11/9/1997
4 KB
9128
Re: THE KEEP Discography (all 3 + Fantasy Merchan
Francisco Salgado C.
Thu
11/27/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 3:14
am
Subject: Re: I dreamed a dream / what can it mean?
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Really-From: 'Andrew J. Rozsa'
At 09:42 PM 11/5/1997 -0500, Lars wrote:
>-- if it doesn't, do you owe me 4 boots?
>lars
What boots? We have no stinkin' boots on this list!
Andrew
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 5:07
pm
Subject: Re: Paul Haslinger...HUH?!?!
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Really-From: rmknudson@j... (matt knudson)
What about OCTAHEDRON? Don't forget that one.
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 5:42
pm
Subject: TD Musicanship
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Really-From: 'Elias Granillo, Jr.'
>>
>> I particularly think Johannes Schmoelling and Paul Haslinger--with their
>> technical & classical proficiencies, are arguably the two best musically
>> trained individuals TD ever integrated.
>I agree that Paul and Johannes are the most proficient musicians to join
>TD. But it almost looks like you attribute only technical ability to the
>best musicians. I must disagree here if this is what you mean. I feel you
>don't have to have years of training to be a good musician.
Actually, I myself am somewhere in that zone between self-taught and
technically-proficient (which I'm not very). Many of my fave recording
artists are self-taught. I was just intersted to see who would debate me.
Nope, I DO NOT only attribute technical ability, etc.,...
>You need that training to be a good performer. You can play fast lines
that dazzle >the ears without saying anything meaningful in the music. (I
think some have
>accused Zlatko of doing such things)
Actually, that's what we're ALL bagging on Zlatko about; we miss Edgar's
human, tasteful playing, such as David Gilmour vs. Yngwie Malmsteen (ugh!
to the latter, I don't care how good he is)
>To me, that means the musician knows his/her scales very well, but not
much >else. Not to say that all fast playing is meaningless noodling; and
not to say that >all slower, less technical playing is meaningful. Often,
you can say more by saying >less, and often, etude-like melodies can be
quite moving as well. I guess it
>depends on who's playing.
Absolutely. That's why I love Carlos Santana'a playing so much. His sense
of timing and chord-splicing is what makes his fretwork so tasty!!
>A good musician must also be able to interact well with the others in the
>group. In high school, I was in a Jazz band, and in my senior year we had
>two bass players. One was technically proficient, but usually stomped all
>over the rest of the group (especially the soloist) with his playing, like
>he was off in his own world. The other was self-taught, but came up with
>lines that worked well with what was going on, and could adjust his
playing
>depending on who was soloing. Guess who I thought was the better bassist?
>But that's a tangent. I guess I wanted to show where I was coming from.
I agree! I was playing with another keyboardist and bassist and drummer in
a garage, once, the year after high school. The bassist was heavily into
jazz (he was also in jazz band, still in H.S.; the drummer was really into
Rush (as was/am I), the other keysman was more into the industrial stuff
(Skinny Puppy, Front 242), and my influences were prog & electronic, etc.
So this one day, along comes this young guitarist to jam with us, and I'll
I've gotta say is, 'Hi, Randy Rhoads! Nice to meetcha!' That damn punk was
so loud and obtrusive to what we were trying to do, he (like a typical
metal guitarist) was oblivious to our agitation!!!!! Not to mention so
LOOUUUD!!! So I knw where you're coming from, Dave! This kid was only 16,
and he could smoke, and if he hasn't burned out on something, maybe I'll
even see hear him on the radio with some group! But to PLAY with him? No
thanks,...
>And if you (E-Man) *didn't* think that only technical skills made a
>musician good, then I agree with you! :-)
As you have read, not simply technical skills do a fine musician make, is
what I say!
I still emphasize, however, that the nuances that Johannes and Haslinger
each brought with them hasn't been matched, and things haven't been
as interesting to the degree, since, when they were around.!
Cool discussion, man!! See ya!!
E-Man
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 5:57
pm
Subject: Spotlight On Musicianship
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Really-From: 'Elias Granillo, Jr.'
>I don't think we need Johannes or Paul back. I don't argue that they are
>certainly talented individuals, and I enjoy their solo material too, but
we all
>know they'll never come back, and I starting to feel comfortable with
that.
If they did something as a guest for a few tracks or an album, would be
nice, though,
kinda like the Doobie Brothers reuniting...
>The return of an old member would definitely knock Jerome (and Edgar) off
their
>current path, which would probably be a bad thing.
>However, I still think they could do with that third mind to bounce more
ideas
>off. But a new (younger, i.e. Jerome's age, not Edgar's) guy (or gal), not
one
>of the old boys.
Agreed. Someone of serious caliber, though. Has anyone heard Erik
Norlander's debut CD, *Threshold*? STELLAR SHIT, DUDES! You all would
definitely like it! His arsenal reads about as long as Mark Shreeve's if
not longer! Analog Orgasmagog!!
>Craig R. J. Cordrey
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 5:51
pm
Subject: TD SEX WITH CHIX OST!!
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Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
--
>Really-From: Neal McAuley
>My best experiences have been with 'Underwater Sunlight' and 'Pergamon'.
Uuh, I hate to do this to all you TDers, but an ex-babe of mine & I bumped
uglies 4 a really long time to Ozric Tentacles once. You know, you punch
the 'REPEAT ALL' button...
>I've lent these CD's to others and told them to get busy with their
>significant others and they actually admit that I might have some shred
>of musical taste (I'm usually pulling into work blaring something hard
>rocking/metallic to wake me up)
Same hear, er, here, dude! I need some CRUNCH in the morning!!! Like
Eternity X, Fates Warning, Prong, good stuff like that!
>Cheers,
>Neal :-)
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 6:25
pm
Subject: Yet Another TDI Release
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Really-From: 'Elias Granillo, Jr.'
Another compilation (hoorays or groans?) rears its jewel case and cheesy
photo-collage cover, this time from the shores of TDI itself:
BIFROST:
The tracklist:
1. Eyewitness News 5:11
2. Story of the Brave 5:17
3. Largo 4:12
4. Body Corporate 3:40
5. Turning Off The Wheel 6:11
Widow Maker Suite: (6-8)
6. Back To The Race 2:15
7. Racing Montage 3:40
8. Widow Maker/Widow
Race 3:24
9. Alien Goodbye 3:07
10. The Blue Bridge (live) 3:47
11. Shy People 5:04
12. Funky Atlanta 4:00
13. The Conspiracy 5:54
14. Galley Slave's
Horizon (Edit) 3:36
Alas, this too will have a limited run of 150 copies!
You-Know-Who!
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Re: Yet Another TDI Release
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Thu
11/6/1997
4 KB
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Re: Yet Another TDI Release
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Thu
11/6/1997
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 8:28
am
Subject: Re: I dreamed a dream / what can it mean?
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: 'Lars R. Jones' <105411.3107@c...>
>
> >How does the above fit? :-) If it does, you owe me 4 boots; if it
> >doesn't, it is a joke.
> -- if it doesn't, do you owe me 4 boots?
> lars
I want Nike's...not boots.
Dano
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 8:31
am
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: TangerineC@a...
>
> In a message dated 97-11-05 10:36:20 EST, you write:
>
> <<
> >1. Hyperborea...man this baby flows...and it's looong heh heh
> heh.Let's
> >see...I think she...you know...5 times before this song
> end....er....oh
> >nevermind.
> >>
>
> How about 'Wahn'? Just kidding. :)
Heh heh...I'm afraid that would put her to sleep or make her believe she
was stoned though she smoked nothing.
Dano
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 8:27
am
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: DJS
> Really-From: Sean Montgomery
>
> > What are the BEST TD songs to listen to while making love to your girl
> > (or hey...if yer into men..heh heh...GET THE HELL OUT OF HERE!!).
>
> What are ya..some kind of homophobe? You wouldn't come in here making
> racial slurs, would you?
Only if you were all nazi's heh.
WHAT!?!? What do homos have to do with racism? Nothing! It was a
joke...but I guess you are right. There is nothing funny about men
boning men in the beeehind. Turn on your TV and watch some Southpark
dude. Sorry if I offended thee..didn't realize you were a gay rights
activist. Now get back to listening to Kenny G and relax.
>
> Anyway, I totally agree with the choice of Hyperborea. As for other
> suggestions:
>
> - Love on a Real Train (what...no one has suggested this yet?)
> - Song of the Whale
> - Mothers of Rain
> - Kiew Mission
> - Charly the Kid
> - Canyon Voices
> - The third movement of 'Alchemy of the Heart'
> - Bus Station
> - Mount Shasta
Hey, that's more than five! Just kidding dude...I can call ya dude
right?
Dano
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 7:55
am
Subject: Re: Yet Another TDI Release
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Really-From: 'Jens Peschke'
> Really-From: 'Elias Granillo, Jr.'
>
>
> Another compilation (hoorays or groans?) rears its jewel case and cheesy
> photo-collage cover, this time from the shores of TDI itself:
>
> BIFROST:
>
> The tracklist:
>
[...]
>
> Alas, this too will have a limited run of 150 copies!
Me, me, me ;-)
Don´t miss the forthcoming TDI016 CD 'The collected breaks'. This limited
edition
of only 666 copies will be available *only* at November, the 31st.
It´ll include an extended 'Ambient duck-remix' of John Cages '4:33'.
For further details call Dr. R., E-Man.
Jens
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 8:47
am
Subject: Re: Glasgow - Concert Report
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Really-From: Craig Cordrey 01383 828182
>Really-From: 'Simon W. Hood'
>
>
>Craig Cordrey wrote:
>
>>We had good seats, six rows back from the stage, and only a few seats left of
>>centre.
>
>My friend from Dundee and I were in the *seventh* row back from the
>stage, also left of centre. You must have been sitting just in front of
>us.
>
I was one of those irritating people whose bladder couldn't make it through the
first set, and I had to nip to the toilet part way through the first set. I
left at the end of Stratosfear and returned part way through Dolphin Dance (I
think).
I knew I shouldn't have had that last pint, but then I didn't expect the
concert to start bang-on 7-30!
-------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828182
GEC-Marconi Radar and Defence Systems
Simulation and Training Division
Donibristle, Fife, Scotland
-------------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 11:00
am
Subject: Re: The Manchester Concert - Yeeesss!
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Really-From: CMOSLover
Hi all,
> Some thoughts on last night's Manchester concert.
> Yeaahhhh! This was a truly fabulous TD night, not
Know what you mean! Last time I saw them (sorry I don't do the big
follow them where ever they bit!) was arround '90 or '91
can't remember which (just after Melrose came out I think!). Last time
was good (actually my first gig upon coming to uni!), Tuesday night was
supreme. Excellent all round (wasn't as sold out as I would have
liked..).
Excellent lights, some amazingly bizarre genetic art computer graphics,
and the best PA I've ever heard! Even with the bass extremes of 'Towards
the Evening star' everything (cymbals, keyboards etc.) remained crystal
clear even though we were only about 11-12 rows form front.
BTW, anyone know how those percusion were miked?. I don't mean the drum
pads, I mean cymbals etc..
As far as play list goes: they wondered abit from the one I was
expecting, the one on the web site, but can't reaily say by how much.
Not being an afficionardo of track names (I get as far as 'Oh this is
the second or third track on 'Rockoon'), the onlt ones I immediately
recnoginsed were 'Streehawk/Le Park', 'Beach Theme' and maybe on or two
others but I can't remember.
> version of 'Beach Theme', with Zlatko taking the guitar.
Agreed that was the highlight of set 1.
> The only musical downer came at the beginning of the
> second half - the drum solo. Come on, fellas - drum solos
Maybe its just me but I thought the drum solo was great. OK as a link it
maybe wasn't the best idea ever, but it still worked (I seem to remeber
most the other people in the Apollo agreeing!)
> first time that I remember at a rock concert, it wasn't too
> loud. I only spent about 15% of the whole show with
True. Actually that's two gigs I've been to were the PA's volume has
been alright (the other being Hawkwind). Its good to see.
All in all, the best £14 I've spent for a while. Beat into submission
the Jarre concert, and I may even have created a new fan (the guy I went
with hadn't heard them before!).
Colin
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 11:05
am
Subject: Re: 'The Sunday Times 1000 Makers of Music'
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Really-From: CMOSLover
Simon W. Hood wrote:
>
> The fact that TD made it into this selection proves their influence.
But then again so did Bonzo Dog (Doo Dah) Band-not that I'm complaining.
> Other figures in the world of electronic music to appear in the 1000
> were Kraftwerk and Dr Robert Moog. Neither Jean-Michel Jarre nor
> Vangelis were included
Not quite true. Vangelis wasn't but Jean-Michel got a one liner on the
end of his father, Maurice.
Colin Knowles
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 12:03
pm
Subject: Oops ! (was : time square track in concert)
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------------------------------------------------------------------------------
Really-From: Grant Middleton
> Really-From: Armin Theissen
>
>
> >Yeah, you're right, Armin - it's Mobocaster from DM II. I preferred
> >the live version, as Zlatco's playing was (for once) very sensitive
> >and sweetly melodic. The solo that he played is nowhere to be found
> >on this studio track, though.
>
>
> no, it wasn't 'Mobocaster', but 'Time Square' (last track on this CD).
>
> armin
Oops ! You're right. Still, there is a definite similarity in feel
between Mobocaster and Time Square, wouldn't you agree ? I'd say
they put the rest of the CD to shame. I find 'Towards The Evening
Star' in particular to be a bit weird, especially when they mix the
opening 6/8 time rhythm with the 4/4 time opener of the original track.
I'd still love to hear the track again, especially if Edgar looks
out his axe for it.
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
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From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: TD live video 1997
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Really-From: scooter@m... (John Von Pey)
Hello,
-=> Quoting tadream@c... to John von Pey <=-
ta> Hi Folks,
ta> I have two videos from TD for sale.
ta> I have the livevideo recordings from Sheperd Bush 1996 and the
ta> live video from Bonn(Germany)1997.
ta> These are full concerts: 120 minutes and in digital sound and vision
ta> quality.
ta> The price for these limited items are 15 GBP each, this includes
ta> post and package, aithin the next 5 days delieverd at your adress in
ta> Europe.
ta> If you are interested, send cash money to
I am interested in the Sheperd Bush 1996 concert. But I've got a few
questions.
1. Are this fantapes (stupid question, I suppose yes)
2. Is there a cover around the tape or is it 'just' a tape in a blank box
3. Can I pay by Eurocheque, if yes, on which name can I write it?
Tadream on,
John
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 12:52
pm
Subject: Why Do We Go To Concerts ???
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Really-From: Grant Middleton
After all the reports of the UK Tour and discussion about the 'liveness'
(or otherwise) of the Froeses, I was wondering what it actually was
that we hoped to gain from going to a TD (or any) concert instead of
listening to the discs on your stereo.
I've come up with a few reasons to go to gigs :-
1. You get to see your heroes in the flesh. 'Ohmygod ! That's the
REAL Edgar up there !'
This certainly applied to the UK Tour and, I guess, most gigs. Exceptions
might be stadium gigs where you're half a mile away from the stage.
2. You might get to actually meet them and talk to them / get
autographs, photos, etc. (Even if they ARE grumpy).
This applied (in my case, at least).
3. The band might be technical wizards (tight as a gnat's chuff)
and seeing them playing together is a transcendental experience.
This IMO does NOT apply. The machines let TD realise the music they
hear in their heads. I personally think that hearing them play
100% live would be disappointing. If you want to see some great
musical performers, go and see Ozric Tentacles.
4. They put on a good multi-media show (lights, projections, lasers,
dry ice, etc)
I looked upon the show (before I went) as going to the cinema
to see a movie about TD. It would be a pleasant audio/visual
treat. For me, the more lights, lasers, slides, videos, etc.
the better. Pink Floyd at Manchester 1988 was my fave show of
all time. (Yes, Gabe, I DO go for the show, as well as the music.
They're not mutually exclusive.)
5. The PA system lets you hear the music LOUD.
I'm not a fan of music being so loud your ears are affected for
days after. It mushes up the balance of individual instruments
and could lead to permanent damage. At Glasgow, the sound
level was PERFECT. Congratulations to the sound guys for not
yielding to temptation.
6. You get to hear new interpretations of well-known pieces.
Well, yes, they had new twists on old ideas. Personally speaking,
I prefer note-perfect renditions of album tracks, but it's also
nice to hear a re-work.
7. You get to see artists jamming and creating something new in
real-time.
No chance ! Every last microsecond was pre-mapped. To be honest,
new material has to be catchy for it to work the first time you
hear it. Choronzon was the only track I could recall after my
first exposure. TD's later music generally requires a few listens
before you see the depth in it, so what would be the point in
pure improvisation ?
8. It's a social event where you get to meet members of the opposite
sex.
Hahahahahahahahahahahahahahahahahahahaha.
All in all, I enjoyed the show, precisely because I _wasn't_ expecting
a return to the '70s. My senses were stimulated by the sights and
sounds, my mind was kept active trying to spot old pieces when they
started and spotting the differences as they were playing, and I got
to meet The Man (and The Son, of course). A good night out, not a
religious experience.
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 5, 1997 7:39
pm
Subject: RE: Best TD while having sex (WITH GIRLS!!)
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Really-From: 'Plumer, Scott'
>> >1. Hyperborea...man this baby flows...and it's
looong heh heh
>> heh.Let's
>> >see...I think she...you know...5 times before this
song
>> end....er....oh
>> >nevermind.
>
>> I was always partial to 'Dr. Destructo.' :-) :-) :-)
:-) :-) :-)
>> :-) :-)
>>
>> Scott
>Heh heh. Well, that's good for a lunch time quickie. So how did
your
>babe respond to music originally intended to be play while
watching
>James Caan blow up cars and buildings??
She suffered the 'little death.' :-)
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 2:35
pm
Subject: Re: Why Do We Go To Concerts ???
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Really-From: CMOSLover
Grant Middleton wrote:
> (or otherwise) of the Froeses, I was wondering what it actually was
> that we hoped to gain from going to a TD (or any) concert instead of
> listening to the discs on your stereo.
Apart from an excuse to have half a day off work you mean? ;-)
> 1. You get to see your heroes in the flesh. 'Ohmygod ! That's the
> REAL Edgar up there !'
Agree totally! Certainly applied to Jarre. Also Roger Taylor.
> I looked upon the show (before I went) as going to the cinema
> to see a movie about TD. It would be a pleasant audio/visual
I thought the same with Jarre-but it wasn't.
> treat. For me, the more lights, lasers, slides, videos, etc.
> the better. Pink Floyd at Manchester 1988 was my fave show of
Up to a point. There's no point having zillions of fancy effects if you
can't use them properly.
> 5. The PA system lets you hear the music LOUD.
> level was PERFECT. Congratulations to the sound guys for not
Manchester was spot on too.
> 6. You get to hear new interpretations of well-known pieces.
>
> Well, yes, they had new twists on old ideas. Personally speaking,
> I prefer note-perfect renditions of album tracks, but it's also
Me to!
> 7. You get to see artists jamming and creating something new in
> real-time.
>
> No chance ! Every last microsecond was pre-mapped. To be honest,
> new material has to be catchy for it to work the first time you
> hear it. Choronzon was the only track I could recall after my
> first exposure. TD's later music generally requires a few listens
I knew the first time I heard the intro to 'Catwaik' that 'Tyranny' was
going to be a good album. Similarly with 'Toward the Evenging Star' and
'Goblins Club'. The rest of the album took a while granted. Not as bad
as trying to listen to Oldfield's 'Amarok' the first couple of times!
> 8. It's a social event where you get to meet members of the opposite
No, thats singles bars isn't it? ;-)
> a return to the '70s. My senses were stimulated by the sights and
> sounds, my mind was kept active trying to spot old pieces when they
A film quote springs to mind-'The lights, the sounds, all wrap arround.
Spooky yet sublime'
Colin Knowles aka CMOSLover
(I hate the stuff actually!)
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 2:42
am
Subject: Why go to a damn concert?
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Really-From: 'Elias Granillo, Jr.'
>Really-From: Grant Middleton
>After all the reports of the UK Tour and discussion about the 'liveness'
>(or otherwise) of the Froeses, I was wondering what it actually was
>that we hoped to gain from going to a TD (or any) concert instead of
>listening to the discs on your stereo.
>I've come up with a few reasons to go to gigs :-
>1. You get to see your heroes in the flesh. 'Ohmygod ! That's the
REAL Edgar up there !'
That's right, it's the Norseman himself! So I usher a quick prayer Odin and
scream at the top of my lungs for them to play 'Songs From The Wood'!
>This certainly applied to the UK Tour and, I guess, most gigs.
Exceptions
>might be stadium gigs where you're half a mile away from the stage.
Sorry, I could barely see (they were the size of ants) when they played the
Los Angeles Coliseum in 1988.
>2. You might get to actually meet them and talk to them / get
> autographs, photos, etc. (Even if they ARE grumpy).
> This applied (in my case, at least).
Once upon a time, I would have died for Edgar to sign my vinyl copy of
ELECTRONIC MEDITATION (the one with the coffee cup ring and a corner chewed
off by a rat/roach)...but, at the old age of 26, I could care less about
photos, autographs, trinkets, etc. Except tee-shirts, love those. I always
need clothing, anyway. HAHA!
>3. The band might be technical wizards (tight as a gnat's chuff)
> and seeing them playing together is a transcendental experience.
No, their DAT player is the technical wizard, hee hee!
>This IMO does NOT apply. The machines let TD realise the music they
>hear in their heads. I personally think that hearing them play
>100% live would be disappointing.
I'd like to see/hear them attempt it though. Unless Jerome and Edgar are
simply forgetting to play their lines after they've composed them,
sequenced, recorded, mixed, etc, and then 'What?! Forgot how that one
goes!'
> If you want to see some great
>musical performers, go and see Ozric Tentacles.
I missed the Ozrics last time they played Los Angeles. Next time (if?) for
sure!
Just to hear 'Dots Thots' and 'White Rhino Tea' alone!!!!!!!
>4. They put on a good multi-media show (lights, projections, lasers,
> dry ice, etc)
I loved being 'fogged to death' at Los Angeles's Wiltern Theater in 1992.
1988's San Diego gig was kickass, though. And we sat close, only seven rows
back, I think. I was the only guy headbanging to 'Logos...'
>5. The PA system lets you hear the music LOUD.
That's right!!!
>I'm not a fan of music being so loud your ears are affected for
>days after.
I am. I love the ringing in my ears for a whole day after seeing Rush
perform. I listen to music EXTRA loud on my headphones to simulate that
effect. HUH? WHAT'D YOU SAY? SPEAK UP!
It mushes up the balance of individual instruments
Only Rush seems to have a problem wih a bad mix for some reason. TD's music
is pre-recorded, so it already sounds fine, so long as they don;t turn it
up to '11'
>6. You get to hear new interpretations of well-known pieces.
Too few and far between...
> Well, yes, they had new twists on old ideas. Personally speaking,
>I prefer note-perfect renditions of album tracks, but it's also
>nice to hear a re-work.
However, if a band CAN re-create something LIVE note-for-note, they also
have the power to alter material LIVE which is much more interesting. If TD
were suddenly able to throw in (program them, hell!) some cool tempo
changes and play different lines or ideas, suddenly, their fans would
probably be overjoyed and impressed. Instead you get this:
>7. You get to see artists jamming and creating something new in
> real-time.
> No chance ! Every last microsecond was pre-mapped.
Yep!!!! Hee hee
> It's a social event where you get to meet members of the opposite
>sex.
>ahahahahahahahahahahahahahahahahahahaha.
DOUBLE hahahahahahahahahahahaha
>Grant Middleton
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 3:09
pm
Subject: Re: OFFTOPIC: Star Trek Auction?
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Really-From: 'Dave Lane'
>Ack! Cough! Star Trek!? Ack! SPitooey! Babylon 5....Ack!! Wait, they
>made a film about people who watch Star Trek and B5 religiously. Wasn't
>little Robby Carradine in it?
Uh... Wavelength?
--Dave
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 3:26
pm
Subject: Re: THE KEEP Discography (all 3 + Fantasy Merchants)
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Really-From: 'Dave Lane'
Steven Feldman wrote:
> (One question: the person quoted below who listed the
> particulars from the Blue Moon boot says that there was
> a booklet in the CD that had pics of Michael Mann & Edgar
> Froese on the set of film. I don't recall my copy of the
> CD having any such pictures.)
This is true of my copy.
--Dave
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 3:53
am
Subject: Best Songs For...
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Really-From: 'Elias Granillo, Jr.'
BEST SONGS FOR----
WASHING YOUR ASS TO: Stratosfear
NOT PAYING YOUR TELEPHONE BILL TO: Network 23
SHAVING TO: Scrap Yard
PULLING WEEDS TO: Monolight (Yellow Part)
WATCHING ASIA CARRERA MOVIES TO: (hey, turn off the music and watch! HAHA)
WISHING EDGAR DIDN'T LOOK SO MUCH LIKE A VIKING TO: Ultima Thule, Pt. 1
WISHING JEROME DIDN'T LOOK SO MUCH LIKE ROSEANNE TO: Le Parc
TAKING A DUMP TO: Exit
WISHING LINDA PLAYED MANDOLIN TO: The Hunt (by Goblin, hee hee)
BREAKING UP WITH YO' HO' TO: Alien Goodbye
WISHING KLAUS SCHULZE WOULD FALL INTO A Vulcano AND STOP RELEA- SING
MULTI-DISC BOX SETS AND MAKING A NICE LIVING OFF DISCI- PLES, er, FANS
PROCREATING TO: Creation
TAKING TYLENOL P.M. TO: Journey Through A Burning Brain
WATCHING LINDA EVANS AND YANNI SHMOOZE IT UP IN TINSELTOWN: Body
Corporate
Additions welcome!!!
egards, E-Man
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 4:34
pm
Subject: RE: TD live video 1997
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Really-From: 'Plumer, Scott'
>I have two videos from TD for sale.
>I have the livevideo recordings from Sheperd Bush 1996 and the
>live video from Bonn(Germany)1997.
>These are full concerts: 120 minutes and in digital sound and
vision
>quality.
Any chance we could get NTSC copies on this side of the pond?
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 6:06
pm
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: Sean Montgomery
> Hey, that's more than five! Just kidding dude...I can call ya dude
> right?
>
> Dano
How come I get this mental picture of Senn Penn from 'Fast Times at
Ridgemount High' when I read this? Gnarly, man!
Sean Montgomery 3D ANIMATOR
http://www.topix.com/~sean
'A paranoiac is someone
in possession of the facts'
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 7:23
pm
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: Jim & Alicia
Enigma.... I saw that movie too (Exit to Eden)
I much rather prefer Green Desert :)
Replies
Name/Email
Yahoo! ID
Date
Size
8503
Re: Best TD while having sex (WITH GIRLS!!)
Michael Fox
Fri
11/7/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 8:25
pm
Subject: Re: Yet Another TDI Release
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: 'Elias Granillo, Jr.'
>
> Another compilation (hoorays or groans?) rears its jewel case and cheesy
> photo-collage cover, this time from the shores of TDI itself:
>
> BIFROST:
>
> The tracklist:
>
> 1. Eyewitness News 5:11
> 2. Story of the Brave 5:17
> 3. Largo 4:12
> 4. Body Corporate 3:40
> 5. Turning Off The Wheel 6:11
> Widow Maker Suite: (6-8)
> 6. Back To The Race 2:15
> 7. Racing Montage 3:40
> 8. Widow Maker/Widow
> Race 3:24
> 9. Alien Goodbye 3:07
> 10. The Blue Bridge (live) 3:47
> 11. Shy People 5:04
> 12. Funky Atlanta 4:00
> 13. The Conspiracy 5:54
> 14. Galley Slave's
> Horizon (Edit) 3:36
>
> Alas, this too will have a limited run of 150 copies!
>
> You-Know-Who!
I heard it was called 'The Beard Of Heimdall' instead of Bifrost.
Dano
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 8:28
pm
Subject: Re: OFFTOPIC: Star Trek Auction?
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: 'Dave Lane'
>
> >Ack! Cough! Star Trek!? Ack! SPitooey! Babylon 5....Ack!! Wait, they
> >made a film about people who watch Star Trek and B5 religiously. Wasn't
> >little Robby Carradine in it?
> Uh... Wavelength?
>
> --Dave
Heh, keeeeep guessing heh heh.
Dano
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 8:38
pm
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
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> ------------------------------------------------------------------------------
> Really-From: Sean Montgomery
>
> > Hey, that's more than five! Just kidding dude...I can call ya dude
> > right?
> >
> > Dano
>
> How come I get this mental picture of Senn Penn from 'Fast Times at
> Ridgemount High' when I read this? Gnarly, man!
>
I'll take that as a compliment. Heh heh heh. And while I'm here: 'If
you're here and I'm here....doesn't that make it....OUR time?' heh heh
heh.
Gnarrrrrly!
Dan Spicoli
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 7:49
pm
Subject: The KEEP S/T, Ambient Monkeys
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Really-From: Tdune
Can anyone who is going to any of the upcoming TD shows pick me up a copy of
The Keep and Ambient Monkeys. Please contact me off the list if anyone is
willing to do it to discuss how to send payment.
I am taking the chance that Dream Mixes II that will be released early next
year will be the same as the one being sold at the shows but I can not afford
to spend any more money at this time.
Thanks in advance
Marcelo G.
Replies
Name/Email
Yahoo! ID
Date
Size
8499
London Concert (plus Re: The KEEP S/T, Ambient Mo
Dr. Alan Stocker
Fri
11/7/1997
4 KB
8526
Re: London Concert
dn3
Sun
11/9/1997
3 KB
8553
Re: London Concert
Paul Nagle
Sun
11/9/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 8:20
pm
Subject: RE: Yet Another TDI Release
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Really-From: 'Plumer, Scott'
>I heard it was called 'The Beard Of Heimdall' instead of
Bifrost.
So I guess Ed is a Norse warrior, eh? Maybe Jerome's real name
is Jeromengandr.
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 6, 1997 8:44
pm
Subject: Re: Best Songs For...
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Really-From: TangerineC
I got one!
GUYS WHO MAKE LISTS LIKE THIS AND CRAP A LOT: Movements of a Visionary
In a message dated 97-11-06 14:33:00 EST, you write:
<< BEST SONGS FOR----
WASHING YOUR ASS TO: Stratosfear
NOT PAYING YOUR TELEPHONE BILL TO: Network 23
SHAVING TO: Scrap Yard
PULLING WEEDS TO: Monolight (Yellow Part)
WATCHING ASIA CARRERA MOVIES TO: (hey, turn off the music and watch! HAHA)
WISHING EDGAR DIDN'T LOOK SO MUCH LIKE A VIKING TO: Ultima Thule, Pt. 1
WISHING JEROME DIDN'T LOOK SO MUCH LIKE ROSEANNE TO: Le Parc
TAKING A DUMP TO: Exit
WISHING LINDA PLAYED MANDOLIN TO: The Hunt (by Goblin, hee hee)
BREAKING UP WITH YO' HO' TO: Alien Goodbye
WISHING KLAUS SCHULZE WOULD FALL INTO A Vulcano AND STOP RELEA- SING
MULTI-DISC BOX SETS AND MAKING A NICE LIVING OFF DISCI- PLES, er, FANS
PROCREATING TO: Creation
TAKING TYLENOL P.M. TO: Journey Through A Burning Brain
WATCHING LINDA EVANS AND YANNI SHMOOZE IT UP IN TINSELTOWN: Body
Corporate
Additions welcome!!!
egards, E-Man
>>
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Best TD for Boffing
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Really-From: Steven Feldman
I'm no fan of Klaus Schulze, for the most part, and yet, the long
first track (30 mins), 'Nowhere--Now Here,' off the BODY LOVE II album
(the one with the nudie cover), is really good for the horizontal hula.
And yes, I suppose 'Green Desert' would be really good, too. In fact,
the end portion of that track would be good for the afterglow. ;)
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: BIFROST, My Eye! :( ;)
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Really-From: Steven Feldman
>Subject: Yet Another TDI Release
>From: tadream@c... (tadream mailing list)
>Date: Thu, 6 Nov 1997 10:25:49 -0800
>Really-From: 'Elias Granillo, Jr.'
>
>Another compilation (hoorays or groans?) rears its jewel case and cheesy
>photo-collage cover, this time from the shores of TDI itself:
>
>BIFROST:
This *has* to be a joke, because too many of the tracks are stinkers
that should not have been committed to vinyl in the first place, let
alone CD.
>The tracklist:
>
>2. Story of the Brave 5:17
Okay, here's *one* good one.
>4. Body Corporate 3:40
>5. Turning Off The Wheel 6:11
Hard to find two worse TD tracks.
>Widow Maker Suite: (6-8)
>6. Back To The Race 2:15
>7. Racing Montage 3:40
>8. Widow Maker/Widow
> Race 3:24
What the heck?
>10. The Blue Bridge (live) 3:47
Hee hee hee. This *has* to be a joke: 'The Blue Bridge' is what
destroys the momentum of 'Backstreet Hero' before going into 'Hamlet.'
>13. The Conspiracy 5:54
Okay, one *more* good one.
>Alas, this too will have a limited run of 150 copies!
Strictly for the completist only. This would be the worst TD comp
since ORANGES DON'T DANCE.
-- Steven Feldman
Replies
Name/Email
Yahoo! ID
Date
Size
8484
Re: BIFROST, My Eye! :( ;)
Greg Heil
Fri
11/7/1997
4 KB
8487
220V Track order (Re: BIFROST, My Eye!)
Dave Brewer
Fri
11/7/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 12:57
am
Subject: Re: BIFROST, My Eye! :( ;)
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Really-From: 'Greg Heil'
> Really-From: Steven Feldman
>
>
> >Subject: Yet Another TDI Release
> >From: tadream@c... (tadream mailing list)
> >Date: Thu, 6 Nov 1997 10:25:49 -0800
> >Really-From: 'Elias Granillo, Jr.'
> >
> >Another compilation (hoorays or groans?) rears its jewel case and cheesy
> >photo-collage cover, this time from the shores of TDI itself:
> >
> >BIFROST:
>
> This *has* to be a joke, because too many of the tracks are stinkers
> that should not have been committed to vinyl in the first place, let
> alone CD.
>
> >The tracklist:
> >
> >2. Story of the Brave 5:17
>
> Okay, here's *one* good one.
>
> >4. Body Corporate 3:40
> >5. Turning Off The Wheel 6:11
>
> Hard to find two worse TD tracks.
>
> >Widow Maker Suite: (6-8)
> >6. Back To The Race 2:15
> >7. Racing Montage 3:40
> >8. Widow Maker/Widow
> > Race 3:24
>
> What the heck?
>
> >10. The Blue Bridge (live) 3:47
>
> Hee hee hee. This *has* to be a joke: 'The Blue Bridge' is what
> destroys the momentum of 'Backstreet Hero' before going into 'Hamlet.'
>
> >13. The Conspiracy 5:54
>
> Okay, one *more* good one.
>
> >Alas, this too will have a limited run of 150 copies!
>
> Strictly for the completist only. This would be the worst TD comp
> since ORANGES DON'T DANCE.
>
> -- Steven Feldman
Please don't tell me TD is going the rooute of Yanni and his million and
one complilations!
Greg
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 12:59
am
Subject: Re: TD Musicanship
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Really-From: Dave Brewer
> Quoted From: 'Elias Granillo, Jr.'
>
> Actually, I myself am somewhere in that zone between self-taught and
> technically-proficient (which I'm not very).
Me too. I took one piano class, which I breezed thru, and am self-taught
on the drums. (I heard that Jerome and Paul are both self-taught on
percussion as well) We should jam sometime! :-)
> Actually, that's what we're ALL bagging on Zlatko about; we miss Edgar's
> human, tasteful playing, such as David Gilmour vs. Yngwie Malmsteen (ugh!
> to the latter, I don't care how good he is)
I don't think Zlatko was ever as bad as Ingvay or Yingwee or however you
say his name. But at the same time, I think he's been getting more
tasteful as the years go by.
[...]
> I agree! I was playing with another keyboardist and bassist and drummer in
> a garage, once, the year after high school. The bassist was heavily into
[...]
I hear ya, dude!
>
> As you have read, not simply technical skills do a fine musician make, is
> what I say!
Hear, hear!
> I still emphasize, however, that the nuances that Johannes and Haslinger
> each brought with them hasn't been matched, and things haven't been
> as interesting to the degree, since, when they were around.!
I think I agree with you on that. But nobody better say it's only because
they had training! :-) They also had much practical experience before
joining the group.
Dave Beeeeeeeeeeee!
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 1:33
am
Subject: Orange Nightmare!
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Really-From: Dave Brewer
Here's a new release from Virgin I've heard about:
A new album by Orange Nightmare (a collaboration between Chris Franke,
Peter Baumann, Johannes Schmoelling and Paul Haslinger; and featuring
Steve Jolliffe, Steve Schroyder, Connie Schnitzler, Klaus Krueger, Klaus
Schulze and Ralf Wadephul).
This quartet of master electronic musicians have joined together to
compose a double CD with 6 tracks (each featuring one of the special
guests listed above) topping around 2.5 hours in total length. Don't call
it a comeback or a reunion, but a new EM force to be reckoned with! This
will be an *un*limited edition, cuz it's that friggin' good! ;-)
Track listing and album title forthcoming from someone with a better
imagination! ;-)
Dave (don't throw anything at me, please!) Brewer :-)
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 1:42
am
Subject: 220V Track order (Re: BIFROST, My Eye!)
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Really-From: Dave Brewer
> Quoted From: Steven Feldman
>
>[...]
> >10. The Blue Bridge (live) 3:47
>
> Hee hee hee. This *has* to be a joke: 'The Blue Bridge' is what
> destroys the momentum of 'Backstreet Hero' before going into 'Hamlet.'
>
Yeah, I know what you mean. I don't know why they changed the track order
around when they were putting 220 Volt together. IIRC, during the 92
show Blue Bridge was in the middle of the first set, Backstreet Hero was
toward the end of the second set, and Hamlet was an encore. :-/
Dayv Bru'r
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 5:12
pm
Subject: Best Songs For:
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Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
--
>Really-From: TangerineC
>I got one!
>GUYS WHO MAKE LISTS LIKE THIS AND CRAP A LOT: Movements of a Visionary
Oh, you love it!!!! I'm glad I inspired you to add at least one entry!!!!!!
E-Man
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 5:37
pm
Subject: Orange Nightmare: QUADRAX!!!!!
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Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 7:04
am
Subject: Re: Best Songs For...
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: 'Elias Granillo, Jr.'
>
> BEST SONGS FOR----
>
> WASHING YOUR ASS TO: Stratosfear
> NOT PAYING YOUR TELEPHONE BILL TO: Network 23
> SHAVING TO: Scrap Yard
> PULLING WEEDS TO: Monolight (Yellow Part)
> WATCHING ASIA CARRERA MOVIES TO: (hey, turn off the music and watch! HAHA)
> WISHING EDGAR DIDN'T LOOK SO MUCH LIKE A VIKING TO: Ultima Thule, Pt. 1
> WISHING JEROME DIDN'T LOOK SO MUCH LIKE ROSEANNE TO: Le Parc
> TAKING A DUMP TO: Exit
> WISHING LINDA PLAYED MANDOLIN TO: The Hunt (by Goblin, hee hee)
> BREAKING UP WITH YO' HO' TO: Alien Goodbye
> WISHING KLAUS SCHULZE WOULD FALL INTO A Vulcano AND STOP RELEA- SING
> MULTI-DISC BOX SETS AND MAKING A NICE LIVING OFF DISCI- PLES, er, FANS
> PROCREATING TO: Creation
> TAKING TYLENOL P.M. TO: Journey Through A Burning Brain
> WATCHING LINDA EVANS AND YANNI SHMOOZE IT UP IN TINSELTOWN: Body
> Corporate
>
> Additions welcome!!!
>
> egards, E-Man
Here's more!!
IMAGINING EDGAR AND JEROME HAVING HOT BUTT SEX TO: TangRam
GOING TO A CONVENTION FULL OF NEW AGE ITEMS TO: Rubycon
WISHING YOU COULD HAVE HOT PHONE SEX WITH A GIRL TO: The Call
WATCHING AN AMAZING MAGICIAN ON THE BEACH TO: Coppercoast
HAVING NIGHTMARES ABOUT MARATHON MAN TO: The Jogger
WATCHING KLAUS COUNT HIS MONEY BECAUSE YOU FANS BOUGHT ANOTHER CD OF HIS
TO: Silver Scale
SEEING EDDIE GRANT ROCK DOWN TO ELECTRIC AVENUE AND CONVERT TO: Jamaican
Monk
KNOWING JESUS IS WATCHING EVERYTHING YOU DO TO: Lamb With Radar Eyes
That should do for now,
Dano
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 7:27
am
Subject: Official TD Playlist & Times
This might be very redundant, but this is the Official Playlist as listedon the Tangerine Dream webpage for the second part of the European TourAs listed below, encores vary from venue to venue!Greg...Part 1: Vintage Set#009;#009;released on#009;#009;#009;00:00#009;Waterborne05:45#009;Bridge 1#009;#009;06:20#009;Betrayal (Extract)#009;Sorcerer#009;#009;09:16#009;Diamond Diary (Extract)#009;Thief#009;11:58#009;Bridge 2#009;#009;#009;14:34#009;Sundance Kid#009;220 Volt Live#009;18:53#009;Bridge 3#009;#009;#009;#009;20:37#009;Silver Scale#009;Tangents Box Set CD 5#009;#009;28:00#009;Bridge 4#009;#009;#009;Mixes#009;29:30#009;Warsaw in the sun#009;Poland#009;#009;33:33#009;Bridge 5#009;#009;34:26#009;Exit#009;Exit#009;38:27#009;Bridge 6#009;#009;#009;39:06#009;Stratosfear 1995#009;Tyranny of Beauty#009;45:57#009;Bridge 7#009;#009;#009;47:14#009;Dolphin Dance#009;Underwater Sunlight#009;#009;52:12#009;Bridge 8#009;#009;#009;53:10#009;Logos 88#009;Three Phase Video#009;#009;#009;#009;58:44#009;Bridge 9#009;59:40#009;Streethawk/Le Parc#009;Le Parc62:35#009;Bridge 10#009;#009;63:30#009;The blue Bridge#009;220 Volt Live#009;#009;67:23#009;End Set 1Part 2: Modern Set#009;#009;released on#009;00:00 Flashflood#009;Oasis Soundtrack#009;#009;#009;06:53#009;Bridge 1#009;#009;07:50#009;220 Volt#009;220 Volt Live#009;14:45#009;Bridge 2#009;#009;16:07#009;Firetongues#009;Turn of the tides#009;22:30#009;Bridge 3#009;#009;23:18#009;Girls on Broadway#009;Rockoon#009;27:55#009;Bridge 4#009;#009;28:26#009;Little blond in the park (The Thai Dub)#009;Dream Mixes#009;35:37#009;Bridge 5#009;#009;36:06#009;Rising haul in silence#009;Goblins Club#009;43:30#009;Bridge 6#009;#009;43:55#009;Lamb with radar eyes#009;Goblins Club#009;50:47#009;Bridge 7#009;#009;51:37#009;Touchwood (The Forest Mix)#009;Dream Mixes#009;58:28#009;Bridge 8#009;#009;59:17#009;Towards the evening star#009;Goblins Club#009;65:34#009;End Set 2#009;#009;Encores (played in different orders at different venues):#009;#009;#009;Legend/Dallas Fort Worth (Legend Soundtrack & Goblins Club Australian Import)#009;#009;#009;The girl on the stairs/Thief Yang (limited Tour 97 Maxi, Shepherds Bush limited Maxi)#009;#009;#009;Hamlet (220Volt Live)#009;#009;#009;Catwalk (Dress up Mix) (Dream Mixes)#009;#009;#009;Dallas Fort Worth (Goblins Club Australia)#009;#009;#009;Purple Haze (220Volt Live and Dreamtime Maxi)#009;#009;#009;
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Re: Official TD Playlist & Times
CMOSLover
Fri
11/7/1997
3 KB
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Re: Official TD Playlist & Times
Lars R. Jones
Fri
11/7/1997
2 KB
8502
Re: Official TD Playlist & Times
Greg Heil
Fri
11/7/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 7:45
am
Subject: Re: OFFTOPIC: Star Trek Auction?
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Really-From: Robert Grabowsky
>>Ack! Cough! Star Trek!? Ack! SPitooey! Babylon 5....Ack!! Wait, they
>>made a film about people who watch Star Trek and B5 religiously. Wasn't
>>little Robby Carradine in it?
Try 'Revenge of the Nerds'
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 5:06
pm
Subject: CD's for trade
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Really-From: lawry@h... (Lawry Simm)
Howdy dreamers,
I've got a few TD CD's I no longer require.
Alpha Centauri
Electronic Meditation
Zeit
Green Desert
and Atem : CTANG1 - CTANG5 Jive releases with coloured
geometric covers.
Poland - Jive CHIP22 (3 track version)
Tyranny of Beauty - AMP (can't remember the number) with Quasar.
If anyone is interested, please contact me off-list.
Cheers,
Lawry
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 11:38
am
Subject: Re: Official TD Playlist & Times
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Really-From: CMOSLover
tadream mailing list wrote:
> Part 2: Modern Set released on
>
> 00:00 Flashflood Oasis Soundtrack
> 06:53 Bridge 1
> 07:50 220 Volt 220 Volt Live
> 14:45 Bridge 2
> 16:07 Firetongues Turn of the tides
> 22:30 Bridge 3
> 23:18 Girls on Broadway Rockoon
> 27:55 Bridge 4
> 28:26 Little blond in the park (The Thai Dub) Dream Mixes
> 35:37 Bridge 5
> 36:06 Rising haul in silence Goblins Club
> 43:30 Bridge 6
> 43:55 Lamb with radar eyes Goblins Club
> 50:47 Bridge 7
> 51:37 Touchwood (The Forest Mix) Dream Mixes
> 58:28 Bridge 8
> 59:17 Towards the evening star Goblins Club
> 65:34 End Set 2
ie The same as the 'Tornado' album, except that there's an extra track
at the beginng which is the drum solo start
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 11:40
am
Subject: Happiness is a guitar called Hamlet.
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Really-From: G.N.P.Sutton@s...
Went to Shepherds Bush last night. Excellent bar one thing - No
guitar solo from Edgar. Eagerly awaited the Hamlet solo but it
never came. Intead we got Zlatco bashing out a perverted Purple
Haze. If edgar is retiring, isn't it about time Jerome started
practising Hamlet. Regs, Nigels (Hamlet fan)
(ps, two things, 15 quid for a CD - I'll wait til Feb I think)
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: Meridianen von Zymbiola
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Really-From: scooter@m... (John Von Pey)
Hello All,
can anyone on this list give me some information on the TD album
'Die Meridianen von Zymbiola'
Thanks
Tadream on,
John
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London concert (one more thing)
Dr. Alan Stocker
Fri
11/7/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 12:41
pm
Subject: Re: Official TD Playlist & Times
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Really-From: 'Lars R. Jones' <105411.3107@c...>
I looked at this list last night on the web page but I think it is the Euro
(eg continental) play list since it doesn't jive at all with concert
reports but is the same as listed on A'dam Eve... I dont think they have
updated the list yet!
lars
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 12:33
pm
Subject: London concert report
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Really-From: sypower@o...
OK folks, a quick bulletin from the London concert:
It was another stormer Same set as Manchester except for an extra encore
(Purple Haze) The Empire appeared to be full, or very nearly full, and the
crowd was definitely more racous than Manchester The Keep and Ambient
Monkeys were sold out, as were the t-shirts, but I got a bootleg t-shirt
from
outside that was better than the official ones.
At half time I was chatting to an Irish guy sitting just behind me and found
out that he was Mark Prendergast (of 'Tangents' and 'Dream Roots Collection'
essay fame) He had some amusing stories of how he gets phoned up by ultra-
hardcore TD fans complaining over factual errors or mis-captioned
photographs
I made a tape of the whole concert This means that I have complete tapes of
both
the London and Manchester shows Here's the problem, though: I'm out of the
office
for the whole of next week at least, and unless I can swing a temporary
e-mail
address at the company where I'm based, I won't be contactable via e-mail
Potential
traders will have to get in touch via phone on (+44) (0) 181 953 6154 (don't
be put off by 'Andrew Lunt'
on the answer machine - he's my landlord) PLEASE do not post any messages
to me at this account until further notice as it's shared and they'll just
clog up the mailbox
Sorry that this e-mail has no full stops but the last one I sent had them
all changed
to those firkin quoted-printable =2E things: How do I stop that from
happening?
Glynn
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 12:59
pm
Subject: London Concert (plus Re: The KEEP S/T, Ambient Monkeys)
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Really-From: 'Dr. Alan Stocker'
>Really-From: Tdune
>
>
>
>Can anyone who is going to any of the upcoming TD shows pick me up a copy of
>The Keep and Ambient Monkeys. Please contact me off the list if anyone is
>willing to do it to discuss how to send payment.
>
You must be joking, the bloody things were sold out last night - i'd been
to the cash machine as well. Ho hum...
Anyway the concert...
For those who have been to the Shepherd's Bush Empire, I was in the gods on
level 2. A long way from the stage, but which did afford a good view of the
what the band were up to. After previous posts I kep a close eye on Edgar's
hands and IMO I think some of you have done him a considerable injustice.
He certainly played the solo on Dolphin dance and on some of the other tracks
There were a few mis-placed notes (either timing or note itself) at other
parts so I would guess Jerome was playing at least something as well (I'm not
implying that we would be more prone to this I'm just stating a case).
Anyway, with that out of the way, what was the set(s) like. Well overall I
enjoyed the concert - its the first time I've managed to see them in 11 years
there's been some changes (like where's Chris gone 8-|). The set list was
similar (if not identical) to those already discussed here. Highlights of the
first set were Stratosphere 96 (97) and Beach Theme (Scene). In the second
set, well the last two tracks kicked-arse and seemed to be popular and
I certainly enjoyed them.
Due to the vagaries of Midland Mainline Railways I had to leave the venue
at 10.30 thereby missing all of the encores and as it happened nearly missing
the last train from London anyway.
Just one passing comment, Edagr looked very tired at the end of the second
set - I am sure he is looking forward to his retirement.
Alan
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Re: London Concert
dn3
Sun
11/9/1997
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Re: London Concert
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Sun
11/9/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 1:02
pm
Subject: London concert (one more thing)
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Really-From: 'Dr. Alan Stocker'
Sorry,
just had to add one more comment - Emil is a brilliant addition to the band,
he adds a lot of enthusiasm and flair - a genuine performer as well as an
excellent percusionist (even if he did lose the timing on a couple of
occasions)
Alan
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 2:22
pm
Subject: Re: Orange Nightmare: QUADRAX!!!!!
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Really-From: Vic Rek
OK guys,
I've seen this humor all week. Let's not beat it to death!
>The quartet calls itself Quadrax, and this is their eponymous debut!
Also, thanks to all the list members for providing their concert reviews.
It really gave me a good feel for what I am missing. Thanks!
Vic - with a sense of humor most of the time ;-)
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 7:03
pm
Subject: Re: Official TD Playlist & Times
I looked at this list last night on the web page but I think it is the Euro(eg continental) play list since it doesn't jive at all with concertreports but is the same as listed on A'dam Eve... I dont think they haveupdated the list yet!lars----------Sorrie Lars.. but the updated link to a 'slightly' changed playlistfor the second half of the Euro tour brought me to that page..hmmm...I'll check this out again!Greg...
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 2:35
pm
Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: Michael Fox
At 12:23 PM 11/6/97 -0700, you wrote:
I saw that movie too (Exit to Eden)
You poor thing! I made it through the first 15 min and hung it up. Such crap!
Mike
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 9:34
pm
Subject: WAV files
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Really-From: FredYargui@a...
Hello everybodreamers,
I need to know how is coded the header of a wav-file, particulary where is
stored the length of the sample.
Another (related) question: mp3 compressor is a good tool to compress wav
into wav mpeg layer3 format or even mp3 format. Win95's sndrec32 may load &
save as mpeg layer3 format, but only wav files, not mp3. Is there a tool who
can convert mp3 in mpeg layer 3 wav files, or directly in standard wav files?
I think the two formats mpeg layer3 wav and mp3 only differs by the header
that exists in the wav file. Am I right?
What software handle mpeg layer 3 formats? cubase audio? wavelab? soundforge?
Many thanks to anyone who can help me!
Fred
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 9:34
pm
Subject: Subject: Re: Best TD while having sex (WITH GIRLS!!)
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Really-From: FredYargui@a...
Hi, TaDreaming People,
> Anyway, I totally agree with the choice of Hyperborea
So do I, and if I may introduce a couple of orgasmic tracks:
'Zeit' from Johannes Schmoelling (Wuivend Riet)
'Dreams' from Klaus Schulze (same album name)
I think these 3 titles are made upon a same feeling / groove / er...mood /
structure / mm... well that's it.
Cheers,
fReD
PS:
> Well, my fave TD is.....um.......well, it's Enigma's first CD. Sorry.
Did you notice that Enigma1 has his source in '666' (vangelis+aphrodite's
child)?
Dis you notice that FSOL's ISDN features TOMITA's samples ('snakes hips'
contains sample from Debussy revisited by Tomita)?
Are samples copyrighted, eh?
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 8, 1996 9:36
pm
Subject: Re: TD live video 1997
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Really-From: 'van hove'
----------
> Van: tadream mailing list
> Aan: tadream@c...
> Onderwerp: TD live video 1997
> Datum: donderdag 6 november 1997 11:58
>
>
----------------------------------------------------------------------------
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> To remove yourself from this list, send a message to majordomo@c...
that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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>
----------------------------------------------------------------------------
--
> Really-From: scooter@m... (John Von Pey)
>
>
> Hello,
>
> -=> Quoting tadream@c... to John von Pey <=-
>
> ta> Hi Folks,
>
> ta> I have two videos from TD for sale.
> ta> I have the livevideo recordings from Sheperd Bush 1996 and the
> ta> live video from Bonn(Germany)1997.
> ta> These are full concerts: 120 minutes and in digital sound and vision
> ta> quality.
> ta> The price for these limited items are 15 GBP each, this includes
> ta> post and package, aithin the next 5 days delieverd at your adress in
> ta> Europe.
> ta> If you are interested, send cash money to
>
> I am interested in the Sheperd Bush 1996 concert. But I've got a few
> questions.
> 1. Are this fantapes (stupid question, I suppose yes)
> 2. Is there a cover around the tape or is it 'just' a tape in a blank
box
> 3. Can I pay by Eurocheque, if yes, on which name can I write it?
>
> Tadream on,
> John
> Dear John,
It is a fantape, there is a nice cover and you can pay in Guilders, by
eurocheque,
39 NLG.
You receivethe tapes within the n,ext 10 days
Best Wishes
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 10:39
pm
Subject: What do Eli (E-Man) and John Tesh have in common??
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Really-From: DJS
Heh heh, sorry Eli...I have to tell them. Well, in the late eighties Eli
and I went to a few e-music concerts. One of those concerts happened to
be Yanni/Patrick O Hearn/and David Van Teigham. I believe it was 1988,
same year we saw the Optical Race tour. Anyway, yes....I
confess....before Yanni met Linda and she turned him into a squishy new
age pianist he was quite an amazing electronic musician (see first 2
albums only....& Optimistique). Well, that night at the Wiltern Theater,
we opened the program and discovered John Tesh was playing with Yanni's
band (of course this was before either of them were sell outs). Since we
had John's Tour De France albums (hey...they ARE pretty good...once
again...NOT what he is playing now but rather what was used for the TDF
bicycle races) we were pretty excited to see the man on keys. Anyway,
mid-way during the Yanni set they break into a track on John's album, A
Thousand Summers. Heh, all I remember hearing is Eli drowning out every
man, woman, and nerd in the theater by saying
'Yeeeeeeaaaaaaahhhhhhhhh!!!!!' Heh, well.....little did Eli know...John
would release a sequel to Tour De France called The Early Years...and lo
and behold...a live track from the 88 concert at the Wiltern Theater was
on the release. And what do you know...it was A Thousand Summers! Heh
heh, When the song begins on the CD you hear the audience cheer...and
then it comes....'Yeeeeeaaaaaahhhhhhhhhhh!!!!!' Yeeehahahahahaaa! There
you have it, undisputable evidence that Eli WAS at a Tesh live
performance!! Heh heh...er.....hey I was there to see Patrick O
Hearn...I swear!! Yeehahahahahahaha!!! Anyway, had to share....now how
about it. What are some of your best concert stories. I know all of you
have them. Let's hear them!
Dano
Replies
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Yahoo! ID
Date
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8513
Re: What do Eli (E-Man) and John Tesh have in com
Vic Rek
Sat
11/8/1997
3 KB
8524
Re: What do Eli (E-Man) and John Tesh have in com
Michael Fox
Sat
11/8/1997
3 KB
8548
Re: What do Eli (E-Man) and John Tesh have in com
matt knudson
Sun
11/9/1997
3 KB
8549
Re: What do Eli (E-Man) and John Tesh have in com
DJS
Sun
11/9/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 10:41
pm
Subject: Hilarious/Disturbing Concert Stories
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Really-From: DJS
DJS wrote:
>
> Heh heh, sorry Eli...I have to tell them. Well, in the late eighties Eli
> and I went to a few e-music concerts. One of those concerts happened to
> be Yanni/Patrick O Hearn/and David Van Teigham. I believe it was 1988,
> same year we saw the Optical Race tour. Anyway, yes....I
> confess....before Yanni met Linda and she turned him into a squishy new
> age pianist he was quite an amazing electronic musician (see first 2
> albums only....& Optimistique). Well, that night at the Wiltern Theater,
> we opened the program and discovered John Tesh was playing with Yanni's
> band (of course this was before either of them were sell outs). Since we
> had John's Tour De France albums (hey...they ARE pretty good...once
> again...NOT what he is playing now but rather what was used for the TDF
> bicycle races) we were pretty excited to see the man on keys. Anyway,
> mid-way during the Yanni set they break into a track on John's album, A
> Thousand Summers. Heh, all I remember hearing is Eli drowning out every
> man, woman, and nerd in the theater by saying
> 'Yeeeeeeaaaaaaahhhhhhhhh!!!!!' Heh, well.....little did Eli know...John
> would release a sequel to Tour De France called The Early Years...and lo
> and behold...a live track from the 88 concert at the Wiltern Theater was
> on the release. And what do you know...it was A Thousand Summers! Heh
> heh, When the song begins on the CD you hear the audience cheer...and
> then it comes....'Yeeeeeaaaaaahhhhhhhhhhh!!!!!' Yeeehahahahahaaa! There
> you have it, undisputable evidence that Eli WAS at a Tesh live
> performance!! Heh heh...er.....hey I was there to see Patrick O
> Hearn...I swear!! Yeehahahahahahaha!!! Anyway, had to share....now how
> about it. What are some of your best concert stories. I know all of you
> have them. Let's hear them!
>
> Dano
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 11:22
pm
Subject: Re : Orange Nightmare
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Really-From: FredYargui@a...
A new album by Orange Nightmare (a collaboration between Chris Franke,
Peter Baumann, Johannes Schmoelling and Paul Haslinger; and featuring
Steve Jolliffe, Steve Schroyder, Connie Schnitzler, Klaus Krueger, Klaus
Schulze and Ralf Wadephul).
Disc one
01 - Chasing the dream (Baumann) Trance Anharmonic Version 4:36
02 - Edgar is still alive (Schmoelling) Wuivend Toete Version 4:56
03 - Eclectic Leader Becomes Electrified (Alone) Leader (Franke) 3:00
04 - Band Without Rules / Primitive Leader (Haslinger) 15:34
05 - Lost Friend (Joliffe) Pathetic Version 9:33
06 - You have to pay (Krueger) Revenge version 3:17
07 - I always wanted to be a musician, Edgar (Krueger) 4:25
Disc two
08 - A momentary lapse of inspiration (Schulze) 76:59
(Extract from dark side of the moog, vol 37)
Disc three
09 - Constellation (Schnitzler) Acid Jazz Version 30:30
10 - Noise Gate (Radephul) Clean Version 5:34
11 - Origin of supernatural group reminiscence (Schroyder) 15:55
Disc four
12 - Goodbye Linda (Franke, Baumann, Schmoelling, Haslinger, Jolliffe,
Schnitzler, Krueger, Schulze, Wadephul - Guest: Popol Vuh) 48:12
This is a very special box set, available on pretty good stores and by
internet at the following address:
http://storenet.edg/OrangNightm/food/liquid/extra/bonus/cd/purchase/box.html
(c) private jokes @ tadream list ++ fredY#5&63=zz
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Re: Orange Nightmare
FredYargui@a...
Sat
11/8/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 11:33
pm
Subject: Tad,Quadrax,Oasis and YOU
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Really-From: KRAUSENECKS
TaDREAMERS,
Having not voiced in for a bit, Here I am. My comments are on the past few
zany things you cats have been discussing.
First: Thanks to all the posters for their discussions of the England shows. I
have never seen TD and may soon have to move if Edgar is telling the truth. I
really admire Jerome and his work , and am among the new gen fans. Although I
grew up with Thief and Poland, I listen to GOBLINS, TYRANNY, and the like much
much more. Hell last nite Aqua put me to bed.
Second: Quadrax?? There is so much TD merchandise and 'LIMITED' releases going
on I'm totally lost. Jokes I'm sure are humorous if they are pointed out as
such, there is sometimes so much I can't sort em out.
Third: Oasis.I've just shelled out an additional 17.00 buck for the domestic
release with the added track CHIA MAROON. I love the added tune more than the
rest of the album. I do however like TD's packaging better. I found the gold
imprinting a real classy touch. As for the rest of the album, most enjoyable
and definately a return to the 80's TD. Ambient, mellow with a little groove to
hook on to.Most pleasant.
Now that my comments are done- impress me with some TD
detective work. Your assignment: decipher my ANTARKIS cd track listing.I have a
cdr with the listing in GERMAN. If anyone has the listing in english please let
me know.
CHA CHA CHA CHIA-maroon-PET
Chris
np- Drive in VOL 1
KLAUSMEISTER
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 11:34
pm
Subject: tapes for the brick?
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Really-From: 'Lars R. Jones' <105411.3107@c...>
Anyone want to trade a new, still-sealed copy of The Brick (with poster
coupon) for some tapes? (the brick from you, the tapes from me)
if so, e-mail me off list. Same deal applies to Haslinger's Lightwave and
coma virus stuff...
If anyone has some tapes from the UK tour and wants to deal, please contact
me as well :-)
thanks
lars
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 12:26
am
Subject: RE: Re : Orange Nightmare
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Really-From: KRAUSENECKS
Now I am laughing very hard!!!!
=+)
chris
----------
From: tadream mailing list
Sent: Friday, November 07, 1997 6:22 PM
To: tadream@c...
Subject: Re : Orange Nightmare
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Really-From: FredYargui@a...
A new album by Orange Nightmare (a collaboration between Chris Franke,
Peter Baumann, Johannes Schmoelling and Paul Haslinger; and featuring
Steve Jolliffe, Steve Schroyder, Connie Schnitzler, Klaus Krueger, Klaus
Schulze and Ralf Wadephul).
Disc one
01 - Chasing the dream (Baumann) Trance Anharmonic Version 4:36
02 - Edgar is still alive (Schmoelling) Wuivend Toete Version 4:56
03 - Eclectic Leader Becomes Electrified (Alone) Leader (Franke) 3:00
04 - Band Without Rules / Primitive Leader (Haslinger) 15:34
05 - Lost Friend (Joliffe) Pathetic Version 9:33
06 - You have to pay (Krueger) Revenge version 3:17
07 - I always wanted to be a musician, Edgar (Krueger) 4:25
Disc two
08 - A momentary lapse of inspiration (Schulze) 76:59
(Extract from dark side of the moog, vol 37)
Disc three
09 - Constellation (Schnitzler) Acid Jazz Version 30:30
10 - Noise Gate (Radephul) Clean Version 5:34
11 - Origin of supernatural group reminiscence (Schroyder) 15:55
Disc four
12 - Goodbye Linda (Franke, Baumann, Schmoelling, Haslinger, Jolliffe,
Schnitzler, Krueger, Schulze, Wadephul - Guest: Popol Vuh) 48:12
This is a very special box set, available on pretty good stores and by
internet at the following address:
http://storenet.edg/OrangNightm/food/liquid/extra/bonus/cd/purchase/box.html
(c) private jokes @ tadream list ++ fredY#5&63=zz
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 2:52
am
Subject: Re: What do Eli (E-Man) and John Tesh have in common??
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Really-From: Vic Rek
>Really-From: DJS
>[...]...Yeehahahahahahaha!!! Anyway, had to share....now how
>about it. What are some of your best concert stories. I know all of you
>have them. Let's hear them!
Too many to tell, and some I dare not publish on the net, but who in the
hell was yelling 'EDGAR! ALL RIGHT EDGAR, YEAH!, EDGAR ,EDGAR, ETC...' at
the Santa Monica Civic, California on the 1977 Tour? I have it on tape. I
bet it was somebody on this list? ;-) It sounded like the beginning of a Led
Zeppelin concert (or maybe even Rainbow)!!!
OK, I confess. I was kicked out of the Frank Zappa concert at the same
venue mentioned above in 1982 (I think) for being too rowdy. I just can't
believe it these days, heh heh. At the same show, my friend started making
out with the female usher. It was crazy. We show her our tickets, then I
turn around and they're in a lip lock.
Good ole Zappa, may his soul rest in peace.
Vic
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 4:11
pm
Subject: Babe
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Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
--
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 4:18
pm
Subject: Audio Trade
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Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 5:30
pm
Subject: ***MORE***Best Songs For...
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Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
--
To remove yourself from this list, send a message to majordomo@c...
that
says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
>> Really-From: 'Elias Granillo, Jr.'
>
>> BEST SONGS FOR----
>
>> WASHING YOUR ASS TO: Stratosfear
>> NOT PAYING YOUR TELEPHONE BILL TO: Network 23
>> SHAVING TO: Scrap Yard
>> PULLING WEEDS TO: Monolight (Yellow Part)
>> WATCHING ASIA CARRERA MOVIES TO: (hey, turn off the music and watch!
HAHA)
>> WISHING EDGAR DIDN'T LOOK SO MUCH LIKE A VIKING TO: Ultima Thule, Pt. 1
>> WISHING JEROME DIDN'T LOOK SO MUCH LIKE ROSEANNE TO: Le Parc
>> TAKING A DUMP TO: Exit
>> WISHING LINDA PLAYED MANDOLIN TO: The Hunt (by Goblin, hee hee)
>> BREAKING UP WITH YO' HO' TO: Alien Goodbye
>> WISHING KLAUS SCHULZE WOULD FALL INTO A Vulcano AND STOP RELEASING
MULTI-DISC BOX SETS AND MAKING A NICE LIVING OFF DISCI- PLES, er,
FANS
>> PROCREATING TO: Creation
>> TAKING TYLENOL P.M. TO: Journey Through A Burning Brain
>> WATCHING LINDA EVANS AND YANNI SHMOOZE IT UP IN TINSELTOWN: Body
Corporate
>
>> Additions welcome!!!
>
>> Regards, E-Man
>Here's more!!
>IMAGINING EDGAR AND JEROME HAVING HOT BUTT SEX TO: TangRam
>GOING TO A CONVENTION FULL OF NEW AGE ITEMS TO: Rubycon
>WISHING YOU COULD HAVE HOT PHONE SEX WITH A GIRL TO: The Call
>WATCHING AN AMAZING MAGICIAN ON THE BEACH TO: Coppercoast
>HAVING NIGHTMARES ABOUT MARATHON MAN TO: The Jogger
>WATCHING KLAUS COUNT HIS MONEY BECAUSE YOU FANS BOUGHT >ANOTHER CD OF HIS
TO: Silver Scale
>SEEING EDDIE GRANT ROCK DOWN TO ELECTRIC AVENUE AND CONVERT >TO: Jamaican
Monk
>KNOWING JESUS IS WATCHING EVERYTHING YOU DO TO: Lamb With Radar >Eyes
Fasten your seatbelts!!!!
BEING LOST IN SAN FRANCISCO OR SOME OTHER GAYTOPIA: Midnight In Tool-a
DITCHING YOUR BABE AT THE ALTAR FOR THAT HOT-LOOKING BARMAID: Bride In Cold
Tears
EATING A BOLOGNA SANDWICH TO: Bois De Bologne
HAVING COLON CANCER AND DIARRHEA TO: Red Shift (sorry, Mark)
BEING LOST FAR FROM THE BORDER OF THE MARSH FROM YOU-KNOW-WHERE AFTER
DROPPING ACID AND HEARING Swamp Voices
LUKE PERRY PONDERS HIS POST-BEVERLY HILLS 90210 CAREER: Dylan's Future
DON'T Touchwood OR YOU'LL GO BLIND AND GROW HAIR ON YOUR PALMS
YOU WERE ONE HEARTLESS BASTARD IN HIGH SCHOOL MAKING THAT
Penguin Reference ABOUT THAT CHICK WITH THE BIG SHNOZZ AND
THEN YOU SEE HER AT YOUR TEN-YEAR REUNION AND SHE'S NOT
JUST J. GEILS' Centerfold
*applause* Thank you, thank you, everybody...
E-Man
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Re: ***MORE***Best Songs For...
Elias Granillo, Jr.
Sat
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5 KB
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 5:43
am
Subject: Audio Trade
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Really-From: 'Lars R. Jones' <105411.3107@c...>
>I still have my vinyl copy of Electronic Meditation with a coffee ring and
>roach-nibbled corner! Trade you?
>E-Man
-- sorry, all I've got to trade for this are 12th generation copies of
those 2 Linda Spa porno tapes -- but I know you've already got them.
wet dreams
L-man
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Re: Audio Trade
Michael Fox
Sat
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2 KB
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 5:44
pm
Subject: Thanx 4 The {Concert} Memories
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>Really-From: Vic Rek
>>Really-From: DJS
>>[...]...Yeehahahahahahaha!!! Anyway, had to share....now how
>>about it. What are some of your best concert stories. I know all of you
>>have them. Let's hear them!
>Too many to tell, and some I dare not publish on the net, but who in the
>hell was yelling 'EDGAR! ALL RIGHT EDGAR, YEAH!, EDGAR ,EDGAR, >ETC...'
at
>the Santa Monica Civic, California on the 1977 Tour? I have it on tape.
I
>bet it was somebody on this list? ;-) It sounded like the beginning of a
Led
>Zeppelin concert (or maybe even Rainbow)!!!
Hey, man, how old are you? HAHA did you get to see Hawkwind while Lemmy was
still in the band? Do you remember The Nice? hee hee
>OK, I confess. I was kicked out of the Frank Zappa concert at the same
>venue mentioned above in 1982 (I think) for being too rowdy. I just can't
>believe it these days, heh heh. At the same show, my friend started
making
>out with the female usher. It was crazy. We show her our tickets, then I
>turn around and they're in a lip lock.
>Good ole Zappa, may his soul rest in peace.
>Vic
Dan and I were stuck in serious traffic on the way to the Rockoon show in
Los Angeles in '92 (FIVE years ago! when are TD gonna get their asses over
here?).
We're looking at all the sportscars and making faces at all the Donald
Trumps and George Hamiltons behind the wheels of their Jaguars...looking at
the friggin' smokestacks...we FINALLY get to the Wiltern Theater 20min.
past start time (I think it was 8pm). The ticketguy takes a painstakingly
long time to take our stubs and rip them in half...we F I N A L L Y get to
our seats (TD were late that night) and WHOOSH! the concert begins! *whew*
I was bullshitting with a friend of mine after opening act Mr. Big at the
Rush *Presto Tour* concert (GWForum, Inglewood) and I don't even notice
it's 8:27 (showtime at 8:30) WHAM the lights go out and I'm running back up
(had 8th row seat with my buddy Steve) and Geddy Lee's silhouetted form
comes on stage while my dumb ass is looking for Steve and crawling on rows
of seats occupied moments before by asses and asses of concertgoers now on
their feet....too bad 'Time' didn't literally 'Stand Still' that time! HAHA
Regards,
E-Man
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Mon
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5 KB
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 6:32
pm
Subject: TRADE
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Really-From: 'Elias Granillo, Jr.'
at 10:13pm Lars wrote:
<-- sorry, all I've got to trade for this are 12th generation copies of
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 1:42
pm
Subject: RE: ***MORE***Best Songs For...
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Really-From: KRAUSENECKS
Late lonely nite huh EMAN??
CHRIS
np contamination/goblin
----------
From: tadream mailing list
Sent: Saturday, November 08, 1997 12:30 PM
To: tadream@c...
Subject: ***MORE***Best Songs For...
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
--
To remove yourself from this list, send a message to majordomo@c...
that
says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
>> Really-From: 'Elias Granillo, Jr.'
>
>> BEST SONGS FOR----
>
>> WASHING YOUR ASS TO: Stratosfear
>> NOT PAYING YOUR TELEPHONE BILL TO: Network 23
>> SHAVING TO: Scrap Yard
>> PULLING WEEDS TO: Monolight (Yellow Part)
>> WATCHING ASIA CARRERA MOVIES TO: (hey, turn off the music and watch!
HAHA)
>> WISHING EDGAR DIDN'T LOOK SO MUCH LIKE A VIKING TO: Ultima Thule, Pt. 1
>> WISHING JEROME DIDN'T LOOK SO MUCH LIKE ROSEANNE TO: Le Parc
>> TAKING A DUMP TO: Exit
>> WISHING LINDA PLAYED MANDOLIN TO: The Hunt (by Goblin, hee hee)
>> BREAKING UP WITH YO' HO' TO: Alien Goodbye
>> WISHING KLAUS SCHULZE WOULD FALL INTO A Vulcano AND STOP RELEASING
MULTI-DISC BOX SETS AND MAKING A NICE LIVING OFF DISCI- PLES, er,
FANS
>> PROCREATING TO: Creation
>> TAKING TYLENOL P.M. TO: Journey Through A Burning Brain
>> WATCHING LINDA EVANS AND YANNI SHMOOZE IT UP IN TINSELTOWN: Body
Corporate
>
>> Additions welcome!!!
>
>> Regards, E-Man
>Here's more!!
>IMAGINING EDGAR AND JEROME HAVING HOT BUTT SEX TO: TangRam
>GOING TO A CONVENTION FULL OF NEW AGE ITEMS TO: Rubycon
>WISHING YOU COULD HAVE HOT PHONE SEX WITH A GIRL TO: The Call
>WATCHING AN AMAZING MAGICIAN ON THE BEACH TO: Coppercoast
>HAVING NIGHTMARES ABOUT MARATHON MAN TO: The Jogger
>WATCHING KLAUS COUNT HIS MONEY BECAUSE YOU FANS BOUGHT >ANOTHER CD OF HIS
TO: Silver Scale
>SEEING EDDIE GRANT ROCK DOWN TO ELECTRIC AVENUE AND CONVERT >TO: Jamaican
Monk
>KNOWING JESUS IS WATCHING EVERYTHING YOU DO TO: Lamb With Radar >Eyes
Fasten your seatbelts!!!!
BEING LOST IN SAN FRANCISCO OR SOME OTHER GAYTOPIA: Midnight In Tool-a
DITCHING YOUR BABE AT THE ALTAR FOR THAT HOT-LOOKING BARMAID: Bride In Cold
Tears
EATING A BOLOGNA SANDWICH TO: Bois De Bologne
HAVING COLON CANCER AND DIARRHEA TO: Red Shift (sorry, Mark)
BEING LOST FAR FROM THE BORDER OF THE MARSH FROM YOU-KNOW-WHERE AFTER
DROPPING ACID AND HEARING Swamp Voices
LUKE PERRY PONDERS HIS POST-BEVERLY HILLS 90210 CAREER: Dylan's Future
DON'T Touchwood OR YOU'LL GO BLIND AND GROW HAIR ON YOUR PALMS
YOU WERE ONE HEARTLESS BASTARD IN HIGH SCHOOL MAKING THAT
Penguin Reference ABOUT THAT CHICK WITH THE BIG SHNOZZ AND
THEN YOU SEE HER AT YOUR TEN-YEAR REUNION AND SHE'S NOT
JUST J. GEILS' Centerfold
*applause* Thank you, thank you, everybody...
E-Man
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 3:59
pm
Subject: Sherperd's Bush
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------------------------------------------------------------------------------
Really-From: 'Colin Neal'
Hi,
I'm new to this list, (so HI everyone - nice to meet you) and would like to
give my brief impressions of the first Tangerine Dream concert that I've ever
been to. The one last Thursday in London.
My friends and I got there about 4:30 and no one else had started queuing so
we decided to stay and wait. Consequently, we got front row centre stage,
standing by the barrier! It was excellent. I thought the music was excellent,
apart from some tracks didn't get going as well as they could have (drums kept
stopping and starting instead of breaking out into a definite rhythm). We were
a bit disappointed by the interval that the band hadn't spoken, but the pay
off came right at the end when Edgar picked up the microphone and said 'Thank
you. We have really enjoyed our gigs in the UK.' Top bloke - I hope he doesn't
retire.
I didn't like the fact that it ended with Purple Haze. I preferred the first
encore to be the ending (names escape me, sorry). Could someone please tell me
what the first track of the second set was called, as I loved it!
Getting to the front meant turning down every few minutes and watching all the
merchandise gradually disappear. Nevermind. I did want a T-shirt though. I got
2 posters and the CD single. The crowd warmed up about 3/4s of the way in. I
usually like to enjoy myself at concerts and started clapping to the rhythm
when Streethawk started, but only my friends joined in so we stopped. Good
audience though at the end.
I'm looking forward to learning more about TD - I only have a selection of
their albums (Green Desert is still my favourite) and would like to get into
them a lot more, so bear with me! I'm a huge Jean Michel Jarre fan and have
seen him 7 times this year, and went to Moscow where he played in front of 3.5
million people - me at the front again!).
As far as TD's future goes, I hope that they add some new electronic artists
(not literally) to the band to introduce some new blood. Their new stuff is
okay, but it's all a pre-set piano sound. Come on guys get the old analogue
instruments out!
Anyway, nice to meet you all.
Colin.
-------------------------------------------------------
Colin Neal B.Sc.
32, Kerris Way, Lower Earley, Reading. Berkshire.
RG6 5UW. England.
Email : Colin_Neal@m...
-------------------------------------------------------
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 2:56
pm
Subject: Cyclone
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Really-From: 'Brian M. Frick'
Hey, all you listers.
I was wondering if anyone would be willing to *gasp* sell *urgh* his copy of
Cyclone for $12 or so.
Heaven forbid anyone wanting to sell that...
Actually, I've been looking for it for a while, and I can't seem to find it at
all. If anyone WOULD sell it to me, please email me privately.
Sincerely,
--
Brian Frick
Homepage: http://www.westol.com/~frickblj/index.html
Equinoxe: http://www.westol.com/~frickblj/jarrefanclub/index.html
'Don't work for my happiness, my brothers -- show me yours -- show
me that it is possible -- show me your achievement -- and the
knowledge will give me the courage for mine.'
- Ayn Rand, The Fountainhead
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Andrew J. Rozsa
Sun
11/9/1997
3 KB
19444
Re: Cyclone
Chris Richards
Sun
11/28/1999
1 KB
19579
Cyclone
colin_anderson@xxxxx.xxx
Sun
12/5/1999
2 KB
23179
Re: Cyclone
Chris Richards
Thu
7/6/2000
3 KB
23180
Re: Cyclone
Brian Stewart
Thu
7/6/2000
2 KB
30152
Re: Cyclone
John Marchington
Sat
11/17/2001
3 KB
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Cyclone and Rising Runner (the meaning!) Re: [tad
Gustavo Jobim
Sat
11/17/2001
4 KB
30175
Re: Cyclone
rubyconist@y...
Mon
11/19/2001
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Re: Cyclone
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Sat
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From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 4:39
pm
Subject: re: offtopic: Star Trek
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Really-From: Sturminatr@a...
>Really-From: DJS
>Ack! Cough! Star Trek!? Ack! SPitooey! Babylon 5....Ack!! Wait, they
>made a film about people who watch Star Trek and B5 religiously. Wasn't
>little Robby Carradine in it?
Then I guess getting you the 'Captain Janeway Blowup Doll' for the holidays
wasn't such a good idea, eh? ;)
Make it so,
B. Kirby
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Tue
11/11/1997
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From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 1:48
pm
Subject: Re: What do Eli (E-Man) and John Tesh have in common??
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------------------------------------------------------------------------------
Really-From: Michael Fox
At 02:39 PM 11/7/97 -0800, you wrote:
>would release a sequel to Tour De France called The Early Years...and lo
>and behold...a live track from the 88 concert at the Wiltern Theater was
>on the release. And what do you know...it was A Thousand Summers! Heh
>heh, When the song begins on the CD you hear the audience cheer...and
>then it comes....'Yeeeeeaaaaaahhhhhhhhhhh!!!!!' Yeeehahahahahaaa!
I've got this! After I read the post I popped it on--hee hee heeeeee! Geez,
Eli, can you autograph the cover for me?
Mike (still cracking up--This would make a great little Windows sound
event--boot up Windows and 'YEEEEEEAAAAAAAAAAAAAAHHHHHHHHH!!!!')
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 9:09
pm
Subject: ANTARKIS LISTING
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Really-From: KRAUSENECKS
Impress me with some TD detective work. Your assignment: decipher my ANTARKIS
cd track listing.I have a cdr with the listing in GERMAN. If anyone has the
listing in english please let me know. And on another note, personally I prefer
the SEVEN OF NINE blowup doll.
CHA CHA CHA CHIA-maroon-PET
Chris
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From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 9:41
pm
Subject: Re: London Concert
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Really-From: dn3
On Fri, 7 Nov 1997 12:59:14 +0000 tadream mailing list
wrote:
> ------------------------------------------------------------------------------
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> ------------------------------------------------------------------------------
> Really-From: 'Dr. Alan Stocker'
>
> After previous posts I kep a close eye on Edgar's
> hands and IMO I think some of you have done him a considerable injustice.
> He certainly played the solo on Dolphin dance and on some of the other tracks
> There were a few mis-placed notes (either timing or note itself) at other
> parts so I would guess Jerome was playing at least something as well (I'm not
> implying that we would be more prone to this I'm just stating a case).
I've seen Edgar playing (or I thought I saw him playing,
from level 2) the lead sections on 'Warsaw in the Sun' and
a few other pieces. And I noticed the wrong/mistimed notes
too.
Dennis
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 5:27
am
Subject: Wanted - complete recordings from UK tour
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Really-From: 'W.W. Bessels'
Hi tadreamers,
Now that the UK tour has come to an end, after only a couple of dates, I'm
searching for people who have recordings from this tour.
I prefer to have complete and digital recordings, but 'best sound analog' is
also fine for me !!
If you think you have something, please mail me OFF-LIST and we can work
something (trading, swapping) out (like with my superior sounding A'dam
recording from last April, digital, complete and far better quality than
A'dam Eve).
I will 'hear' from you !!!
Cheeeeeeeers, Wouter.
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 8:04
pm
Subject: RB audio kit
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Really-From: 'Lars R. Jones' <105411.3107@c...>
I was just listening to a great tape of the Risky Business Audio Kit...
Chris Franke has some interesting things to say about what they call their
music. He says something like 'we used to call it `electronic music' or
`spherical music' but we've developed so many textures that one term can
not adequately describe it.'
I also think there is some unreleased TD material here and a slightly
different version of LOART; guess I'll have to listen again!
;-)
lars
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 1:49
pm
Subject: Re: Audio Trade
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Really-From: Michael Fox
At 08:18 AM 11/8/97 -0800, you wrote:
>I still have my vinyl copy of Electronic Meditation with a coffee ring and
>roach-nibbled corner!
Eli,
Whatever happened to the roach?
Mike
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 1:50
pm
Subject: Re: Audio Trade
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Really-From: Michael Fox
At 12:43 AM 11/8/97 -0500, you wrote:
>-- sorry, all I've got to trade for this are 12th generation copies of
>those 2 Linda Spa porno tapes -- but I know you've already got them.
>
>wet dreams
>L-man
MAN! You got 'Sax-maniac' AND '220V Blow Job'??????
M-man
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 1:49
pm
Subject: Re: Babe
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Really-From: Michael Fox
At 08:11 AM 11/8/97 -0800, you wrote:
Eli wrote:
>only if you don't think Dana Delaney's a babe, I guess. I don't mind some
>films with excessive nudity, as long as the nudes aren't excessively
>ugly!!!! HAHAHAHAHA
>
>what's your idea of a babe? Shelley Duvall?
Olive Oyl??? PTUH PTUH! And it soitenly ain't Rosie O'Donnell!
I don't mind nudity as long as there is a plot! Try 'Damage' (the
scrumcious Julliette Binoch) for fireworks!
Mike
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 7:34
pm
Subject: Re: offtopic: Star Trek
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
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> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: Sturminatr@a...
>
> >Really-From: DJS
>
> >Ack! Cough! Star Trek!? Ack! SPitooey! Babylon 5....Ack!! Wait, they
> >made a film about people who watch Star Trek and B5 religiously. Wasn't
> >little Robby Carradine in it?
>
> Then I guess getting you the 'Captain Janeway Blowup Doll' for the holidays
> wasn't such a good idea, eh? ;)
>
> Make it so,
> B. Kirby
Actually, if you gave me the colonel version of her when she starred in
Remo Williams the Adventure Begins I might be into that...but seeing as
you don't have that...er....uh...just send me the blow up Majel Barret
doll. I'm a kinky guy you know. If you don't have one of those, send me
the Edgar Froese dress-up Norseman outfit that includes two nordic axes,
a thick parka, three legs of meat, two rounds of waxed cheese, a horned
helmet and a copy of Antarktis with the limited edition single, To
Valhalla nnd Back. Thanks dude...much appreciated.
Dano
Dano
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 1:10
am
Subject: Re: Cyclone
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Really-From: 'Andrew J. Rozsa'
At 09:56 AM 11/8/1997 -0500, Brian wrote:
[...]
>I was wondering if anyone would be willing to *gasp* sell *urgh*
his copy of
>Cyclone for $12 or so.
Ahem...no. However, I conducted a campaign of finding it, too.
for a friend. The Net failed me, but I found it a 'Crow's Nest'
in Chicago, when I visited there.
Ask one of the fellows who live there (Michael Jean, for
instance) to get it for you. It costs around 12 bucks.
It nobody volunteers, let me know, and I will ask one of my
friends from there to get you one.
Andrew
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 2:54
am
Subject: Running Man -> Catch Me if You Can
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Really-From: Vic Rek
Can anyone supply me with a VHS NTSC tape of the movie 'Night of the Running
Man'? Hey Dano, are you listening?
Also,
I have a sealed 'Catch Me if You Can' CD - USA version. I would like to
trade for the UK version if it has significantly different artwork. Can
someone get this CD for me or explain the artwork (CD graphics also) in detail?
One more thing.. I am looking for a Yugoslavian TD LP. Does anybody have
one available to trade - title makes no difference.
Thank you,
Vic
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From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 10:53
pm
Subject: Re: Drum Solo
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Really-From: dn3
On Sat, 08 Nov 1997 15:21:43 -0700 (MST) tadream mailing
list wrote:
> ------------------------------------------------------------------------------
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> ------------------------------------------------------------------------------
> Really-From: Dave Brewer
>
> The drum solo
> was a nice surprise, I was expecting something more 80's-ish, but got
> something more mystical. I like how Emil got the crowd into it partway
> through.
I thought the drum solo at the Shepherd's Bush was even
better, more melodic and musical in structure. I liked the
chime sounds they played over it too.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 10:06
pm
Subject: Re: Oops ! (was : time square track in concert)
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Really-From: dn3
On Thu, 06 Nov 1997 12:03:34 +0000 (GMT) tadream mailing
list wrote:
> ------------------------------------------------------------------------------
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> ------------------------------------------------------------------------------
> Really-From: Grant Middleton
>
>
> > no, it wasn't 'Mobocaster', but 'Time Square' (last track on this CD).
> >
> > armin
>
> Oops ! You're right. Still, there is a definite similarity in feel
> between Mobocaster and Time Square, wouldn't you agree ?
I don't really think there is. Mobocaster is a remix of
'The Twilight Brigade' from Turn of the Tides, while I
haven't figured out if there's an 'original' version to
Time Square. I certainly like that piece, though, and it
was an excellent conclusion to their live set.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 9:51
pm
Subject: Re: ANTARKIS LISTING
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Really-From: Dave Brewer
> Quoted From: KRAUSENECKS
>
>
> Impress me with some TD detective work. Your assignment: decipher my
>ANTARKIS cd track listing.I have a cdr with the listing in GERMAN. If
>anyone has the listing in english please let me know.
Okay, if you mean what the actual tracks are, not the translations of the
German titles given them by the 'producers' of the CD, I can give it a
shot from memory. I got a file from someone's post a while back about the
Berlin 87 concert, including the tracklisting, but I don't have it with
me today. The actual names of the tracks (from often faulty memory) are:
Caspian Sea (Livemiles Pt 2A)
Dolphin Smile
Civilized Illusions
Betrayal/Diamond Diary
Love on a Real Train
Canyon Voices
Zen Garden
Scuba Scuba/Untitled
Piano Solo
Dolphin Dance
Betrayal
Diamond Diary
Love on a Real Train
All but the last three are from the Berlin 87 show. And the last three
are from the Bristol 90 show. Why they tacked those on at the end, I'll
never know. Still, I like this disc! BTW, if you don't have the CD 20th
Century Serenades, I suggest you seek it out, since it has the rest of
the Berlin 87 performance.
Now if you wanted translations of the German titles ('borrowed' from Popol
Vuh titles, IIRC) then I'm sorry I typed all the preceding crap, and
you'll have to wait for someone who knows the language. :-)
>And on another note,
>personally I prefer the SEVEN OF NINE blowup doll.
>
RRRRRROOW!! You like that machine love, don't you! ;-) You will be
assimilated!
Dave Brewer
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 10:22
pm
Subject: The Keep/Ambient Monkeys
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Really-From: dn3
On Wed, 05 Nov 97 21:50:34 EST tadream mailing list
wrote:
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> ------------------------------------------------------------------------------
> Really-From: Steven Feldman
referring to the official 1997 release, sold at the UK
concerts)
> *Composed by E. Froese
> **Composed by E.Froese and J.Scmoelling
> ***Composed by Froese, Schmoelling, Franke
> ****Composed by Thomas Tallis 1505-1585, Arr. by E.Froese
I have the impression that TD have committed a bit of
mis-crediting with the UK tour releases, The Keep and
Ambient Monkeys. 'Heritage Survival' on The Keep appears in
the first set of the 1982 Logos concert (the track which
Morgan named 'Orange Part', for those who have Logos-Set
One'). It is _correctly_ credited to Froese, Franke and
Schmoelling. There are other parts on The Keep, though,
which are taken from the same 'Logos' material, but
credited to Edgar only ('Reflect' and 'Equus' according to
Morgan's nomenclature, I don't remember how the tracks are
titled on The Keep).
Similarly, on Ambient Monkeys, the section called 'The
Seventh Propeller of Silence' is quasi-identical to 'Astral
Voyager' (Froese/Franke), but credited to Edgar and Jerome.
The last track, 'Myopia World' is by no means new either;
it's something off Optical Race, either 'Turning off the
Wheel' or 'The Midnight Trail' (both Froese/Haslinger).
Again, the sleeve credits on Ambient Monkeys claim that it
is a Froese/Froese work. Strikes me as interesting and a
bit fishy...
Dennis
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 8, 1997 10:21
pm
Subject: Tournado & Oasis
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Really-From: Dave Brewer
Well, I finally got them from Horizon music yesterday. Right off, I've
got to say I like both of them.
Even though there is very little new music presented, I think Tournado is
a very good live album. It seems to capture the feel of being at the
concert. 220 Volt Live didn't do that for me. I like most of the new
material on 220V, but the way it was mixed left something to be desired.
To me it sounded thin, and more like a studio album. And the sound level
fluctuations in some of the parts (especially 220 Volt) was quite annoying.
It sounded better at the show than on the CD. And where's the crowd??
When listening to the CD at lower levels like I do for studying, it
sounds like some faint static starts the CD. I remember the crowd roaring
when Edgar stepped out for Hamlet, but you can't hardly hear the crowd's
response on the CD. That's what's cool about Tournado, that place had a
very good crowd! And they were mixed so you could hear them. The drum solo
was a nice surprise, I was expecting something more 80's-ish, but got
something more mystical. I like how Emil got the crowd into it partway
through.
Oasis seems pretty good as well, tho I've only listened once all the way
thru so far. I like Flashflood and Waterbourne the best, and I can hear
some nods to classic TD throughout the album. I hear some really neat
sounds being used, and the overall sound quality is rich.
Despite all these good things, one bad thing has to be mentioned. When I
got home and saw the package, I picked it up and heard some tinkling
noises, like little pieces of a demolished vase. Sure enough, the Oasis
jewel case was shattered on one side, and part of the spine part of the
rear card was ripped off. Man, I was a little pissed! Luckily, I had a
spare case lying around, and the CD wasn't damaged. Surprisingly,
Tournado was in one piece. You'd think the postal service would take more
care, with all the money we pay for postage! :-(
Dave B.
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 3:42
pm
Subject: Lonely? Only you!!!
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 3:45
pm
Subject: Looking For Mr. GoodCyclone
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Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
--
If it's the CD (obviously, haha) you want, I should be able to pick it up
at Best Buy for you (if they still have it, you know how they move dozens
of the Tangs' cds every day!!!)
E-Man
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 3:48
pm
Subject: Roach!
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Really-From: 'Elias Granillo, Jr.'
I still have my vinyl copy of Electronic Meditation with a coffee ring
and
<>roach-nibbled corner!
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 3:48
am
Subject: D:Solo Week 22 - Nov. 10, 1997
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Really-From: Vic Rek
This week we would like to hear comments on:
Edgar Froese - Pinnacles
------------------------
Please make subject heading 'D:Pinnacles' when replying.
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 3:51
pm
Subject: Autograph
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Really-From: 'Elias Granillo, Jr.'
would release a sequel to Tour De France called The Early Years...and lo
<>and behold...a live track from the 88 concert at the Wiltern Theater was
<>on the release. And what do you know...it was A Thousand Summers! Heh
<>heh, When the song begins on the CD you hear the audience cheer...and
<>then it comes....'Yeeeeeaaaaaahhhhhhhhhhh!!!!!' Yeeehahahahahaaa!
I<'ve got this! After I read the post I popped it on--hee hee heeeeee!
Geez,
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 3:54
pm
Subject: *ahem*
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 4:07
pm
Subject: Foreign TD for Vic Rek
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
it was part of some
Columbia House deal. I'll let it go for $15,000 pesos. Caramba! You're
making out like a bandido!
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 5:21
am
Subject: so Dream Mixes 2 is, in fact, a remix album?
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Really-From: Gabe Yedid
Dennis, are we to infer from your comment about 'Mobocaster' being
'Twilight Brigade' in disguise, that the rest of _DM2_ is really remixes of
recent stuff, just under new titles? (with the obvious case omitted)
So this brings to 4 the number of past TD pieces appearing in new guises:
Impressions of Sorcerer <--> Graffiti Street
Convention of the 24 <--> Order of the Ginger G(u)ild
and now:
Mobocaster <--> Twilight Brigade
Loved By The Sun/Unicorn Theme <--> Time Square
???
np: Jehan Alain--complete organ works vol. 1 ( :) )
Gabe
real email addresses: gabe@c...
gyedid@p...
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 5:49
pm
Subject: Re: What do Eli (E-Man) and John Tesh have in common??
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Really-From: rmknudson@j... (matt knudson)
On Sat, 08 Nov 1997 13:48:25 tadream@c... (tadream mailing list)
writes:
>------------------------------------------------------------------------------
>To remove yourself from this list, send a message to
>majordomo@c... that
>says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
>message body. You MUST do this from the address you subscribed with.
>The List owner does not read this list. Complaining here is useless.
>------------------------------------------------------------------------------
>Really-From: Michael Fox
>
>
>At 02:39 PM 11/7/97 -0800, you wrote:
>>would release a sequel to Tour De France called The Early Years...and
>lo
>>and behold...a live track from the 88 concert at the Wiltern Theater
>was
>>on the release. And what do you know...it was A Thousand Summers! Heh
>>heh, When the song begins on the CD you hear the audience cheer...and
>>then it comes....'Yeeeeeaaaaaahhhhhhhhhhh!!!!!' Yeeehahahahahaaa!
>
>I've got this! After I read the post I popped it on--hee hee heeeeee!
>Geez,
>Eli, can you autograph the cover for me?
>
>Mike (still cracking up--This would make a great little Windows sound
>event--boot up Windows and 'YEEEEEEAAAAAAAAAAAAAAHHHHHHHHH!!!!')
>
>
I was there on the 2nd night at the 88 Wiltern Theater concert, Optical
Race Tour.
Incredible evening!
- Matt
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 8:13
am
Subject: Re: What do Eli (E-Man) and John Tesh have in common??
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Michael Fox
>
> At 02:39 PM 11/7/97 -0800, you wrote:
> >would release a sequel to Tour De France called The Early Years...and lo
> >and behold...a live track from the 88 concert at the Wiltern Theater was
> >on the release. And what do you know...it was A Thousand Summers! Heh
> >heh, When the song begins on the CD you hear the audience cheer...and
> >then it comes....'Yeeeeeaaaaaahhhhhhhhhhh!!!!!' Yeeehahahahahaaa!
>
> I've got this! After I read the post I popped it on--hee hee heeeeee! Geez,
> Eli, can you autograph the cover for me?
>
> Mike (still cracking up--This would make a great little Windows sound
> event--boot up Windows and 'YEEEEEEAAAAAAAAAAAAAAHHHHHHHHH!!!!')
Heh heh heh. I still crack up when I hear it too. If you knew Eli you'd
appreciate it more..but if you've been following his humor...you have a
small dose of what he's capable of heh heh.
Dano
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 8:19
am
Subject: Re: Audio Trade & roaches
------------------------------------------------------------------------------
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Michael Fox
>
> At 08:18 AM 11/8/97 -0800, you wrote:
>
> >I still have my vinyl copy of Electronic Meditation with a coffee ring and
> >roach-nibbled corner!
>
> Eli,
>
> Whatever happened to the roach?
>
> Mike
You all think he's lying yeeeeehahahahahahahah!!! It's true. In Palm
Springs we have GIANT roaches and they DO eat ANYTHING and THEY FLY! No
joke! I saw the LP when I visited him last...and
man....wheeeewwwwwy...it was a hungry roach!! Hahahahaa!
Dano
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 8:29
am
Subject: Re: Autograph
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------------------------------------------------------------------------------
Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: 'Elias Granillo, Jr.'
>
>
>
> <>would release a sequel to Tour De France called The Early Years...and lo
> <>and behold...a live track from the 88 concert at the Wiltern Theater was
> <>on the release. And what do you know...it was A Thousand Summers! Heh
> <>heh, When the song begins on the CD you hear the audience cheer...and
> <>then it comes....'Yeeeeeaaaaaahhhhhhhhhhh!!!!!' Yeeehahahahahaaa!
>
> I<'ve got this! After I read the post I popped it on--hee hee heeeeee!
> Geez,
>
> Absolutely, mon friend! I'll see you at the Fates Warning gig at the Whisky
> and sign it!!!!!
>
>
> No, dude, an even better sound bite would be Dan farting!!!!! yeehahahaha
>
> E-Man
Heh, naw....nothing beats the ol' hispanic nacho Doritos Salsa Verde gas
passing. Heh heh. We'll sample one of yours Eli when I come down to
record the Goblin tribute tune. Yeeehahahaha!!
Dano
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 8:36
am
Subject: Re: Running Man -> Catch Me if You Can
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
> Really-From: Vic Rek
>
> Can anyone supply me with a VHS NTSC tape of the movie 'Night of the Running
> Man'? Hey Dano, are you listening?
>
Well, when we put out the CD for some reason we got a promo copy of the
VHS tape. I'll find it and send it to ya. Anyone notice that in the
NOTRM insert there's a blow up dummy falling over the side of the
bridge? John thought it would be funny to put that in there. It was heh
heh.
Dano
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 4:25
pm
Subject: Re: London Concert
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Paul Nagle
On Sat, 8 Nov 1997 21:41:09 +0000 (GMT), tadream@c... (tadream
mailing list) wrote:
>> After previous posts I kep a close eye on Edgar's
>> hands and IMO I think some of you have done him a considerable injustice.
>> He certainly played the solo on Dolphin dance and on some of the other tracks
The injustice was done to any who expected him to play live - ie.
physically manipulate an instrument throughout the performance in a
way which affected the sound you heard.
If he did some stuff for you at London that's great. All I can say is
that at Leeds he mimed most (if not all) of the time or his keyboard
has interpretive functions beyond anything I've ever heard of. All *I*
personally hoped for was the occasional solo, bridge section or weird
noise bit. I wasn't asking the earth.
As I've said, I still enjoyed it because I knew what to expect. It's
all down to what you call live performance. This was 'Edgar appears
live', certainly not 'Edgar appears alive'.
Just think how bad this would be though if every band did it? How
easily a devoted audience accepts a prepared performance, perhaps
because they somehow get confused with the power of the technology.
If I went to see the LSO and they played their latest CD accompanied
by a triangle player, would I clap? Can anyone imagine Rick Wakeman or
Vangelis sitting at a MiniMoog and miming throughout a entire gig? If
you want to hear some live Electronic Music, check out Ian Boddy's
many gigs. It IS possible to play very complex (or layered) stuff and
have a far higher proportion of it live than TD choose to do. But it
takes a little hard work.
So my point? Treat a TD gig as saluting the remaining TD hero and have
a good time. Don't look for Edgar to prove he's a musician anymore -
he probably feels he has nothing to prove to anyone.
8-)
Paul
--------------------------------------------------------------------------------\
------------------
www.softroom.demon.co.uk
--------------------------------------------------------------------------------\
------------------
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 11:22
am
Subject: FTP Help
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: FredYargui@a...
Hello, everybody
I receive the tadream list mail with the digest only; recently, I found out
that I didn't receive #91 nor #95. I looked for the ftp site where the
digests are stored, but my provider says it does not exist; can anyone send
me the correct address of the site?
e-mail privately, please, so that I'm sure to receive it!
Thanks and read you soon
Fred
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 5:34
pm
Subject: D: The River
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Boneheads1@a...
I've been listening to a wonderful CD called 'The River' from Riley Roden
(who is on this list).
The music is extra-sensuous. The River is a beautiful experience of deep,
peaceful/funky grooves. There is an undercurrent of deceptive simplicity
throughout. The technique seems to be more concerned with being faithful to
its inspiration than with trying to prove something. In this way it reminds
me of Edgar Froese.
I have listened to The River several times. That's because I just keep
putting it back on. I enjoy it more and more with every listen. Thank you
Riley. Your music is unique, and that's hard to find.
Tim Scallon
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 6:14
pm
Subject: Re: Geez!
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: feldon@p...
Forgive me if I am not responding to the tadream mailing list. 40 messages
a day is just too much. I think it's great, but I'm really only reading
messages with 'so-and-so CONCERT summary' and 'TIMESQUARE reaction', etc, etc.
I got my chequebook here, anyone want to buy TimesSquare (Dream Mixes II),
Ambient Monkeys, and Oasis CD for a guy stuck on this side of that big pond
we call the Atlantic?
Morgan
feldon@p...
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 9, 1997 9:22
pm
Subject: RE: London Concert
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Daniel McLaughlin
unsubscribe tadream
-----Original Message-----
From: tadream mailing list [SMTP:tadream@c...]
Sent: Sunday, November 09, 1997 9:25 AM
To: tadream@c...
Subject: Re: London Concert
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Paul Nagle
On Sat, 8 Nov 1997 21:41:09 +0000 (GMT), tadream@c... (tadream
mailing list) wrote:
>> After previous posts I kep a close eye on Edgar's
>> hands and IMO I think some of you have done him a considerable injustice.
>> He certainly played the solo on Dolphin dance and on some of the other tracks
The injustice was done to any who expected him to play live - ie.
physically manipulate an instrument throughout the performance in a
way which affected the sound you heard.
If he did some stuff for you at London that's great. All I can say is
that at Leeds he mimed most (if not all) of the time or his keyboard
has interpretive functions beyond anything I've ever heard of. All *I*
personally hoped for was the occasional solo, bridge section or weird
noise bit. I wasn't asking the earth.
As I've said, I still enjoyed it because I knew what to expect. It's
all down to what you call live performance. This was 'Edgar appears
live', certainly not 'Edgar appears alive'.
Just think how bad this would be though if every band did it? How
easily a devoted audience accepts a prepared performance, perhaps
because they somehow get confused with the power of the technology.
If I went to see the LSO and they played their latest CD accompanied
by a triangle player, would I clap? Can anyone imagine Rick Wakeman or
Vangelis sitting at a MiniMoog and miming throughout a entire gig? If
you want to hear some live Electronic Music, check out Ian Boddy's
many gigs. It IS possible to play very complex (or layered) stuff and
have a far higher proportion of it live than TD choose to do. But it
takes a little hard work.
So my point? Treat a TD gig as saluting the remaining TD hero and have
a good time. Don't look for Edgar to prove he's a musician anymore -
he probably feels he has nothing to prove to anyone.
8-)
Paul
--------------------------------------------------------------------------------\
------------------
www.softroom.demon.co.uk
--------------------------------------------------------------------------------\
------------------
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 3:59
pm
Subject: Concert Throw outs!
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'Colin Neal'
Hi,
Did any of you at Shepherd's Bush grab Emil and Edgar's sweaty towels at the
end of the concert? I just missed Emil's one - don't know what I would have
done if I *had* got it though!
Colin.
-------------------------------------------------------
Colin Neal B.Sc.
32, Kerris Way, Lower Earley, Reading. Berkshire.
RG6 5UW. England.
Email : Colin_Neal@m...
-------------------------------------------------------
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Signal to Noise Ratio
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Steven Feldman
The irrelevant postings to this list now actually outnumber the
relevant ones. This has to stop before the folks with important things
to say sign off in disgust.
Where's David Datta when you need him?
-- Steven Feldman
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Greg Heil
Mon
11/10/1997
6 KB
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Re: Signal to Noise Ratio
DJS
Mon
11/10/1997
3 KB
8629
Re: Signal to Noise Ratio
dn3
Wed
11/12/1997
4 KB
8566
Re: Signal to Noise Ratio
DJS
Mon
11/10/1997
4 KB
8567
Re: Signal to Noise Ratio
Jens Peschke
Mon
11/10/1997
3 KB
8586
Re: Signal to Noise Ratio
DJS
Mon
11/10/1997
4 KB
8589
Re: Signal to Noise Ratio
Michael Fox
Mon
11/10/1997
3 KB
8637
Re: Signal to Noise Ratio
Plumer, Scott
Wed
11/12/1997
3 KB
8659
Re: Signal to Noise Ratio
DJS
Thu
11/13/1997
5 KB
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 1:54
am
Subject: I'm new to the list...
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Lpspins@a...
Hello everybody! Just wanted to say that TD is one of my fav bands. I think
that 'Zeit' is their best record and look forward to hearing more from the
band. Lets see, I think I only have about 15 Lp's by TD and am always on the
look-out for stuff I don't have yet. I encourage those of you reading this to
contact me if you want to. I listen to ALL kinds of music [ have 6,000 Lp's ]
so there's plenty to talk about! Changing directions, does anybody have any
Michael Rother Lp's they want to sell to me? I think his stuff is also
superb. That's it! Take care all...John
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 2:57
pm
Subject: The Relevance Of Banality
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
< The irrelevant postings to this list now actually outnumber the
Okay, Steve, just ask and you'll receive:
We'll limit the number of IRrelevant to Relevant posts to a ratio of 20:1.
Cheerio-ee-o,
E-Man
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 5:02
am
Subject: Re: D: The River
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
> Really-From: Boneheads1@a...
>
> I've been listening to a wonderful CD called 'The River' from Riley Roden
> (who is on this list).
Heh, I think I remember this Riley guy....I won't share what I remember
though heh heh.
>
> The music is extra-sensuous. The River is a beautiful experience of deep,
> peaceful/funky grooves.
In other words.....it's hardcore new age right?
There is an undercurrent of deceptive simplicity
> throughout.
What does 'deceptive simplicity' mean anyway?
The technique seems to be more concerned with being faithful to
> its inspiration than with trying to prove something. In this way it reminds
> me of Edgar Froese.
Ahh....you mention Edgar to somehow plug Riley's CD and make it
pertinent to the NL. Heh heh heh. Kinda like if I said Rush's Marathon
tune has beautiful flowing analog bass keyboard in the background which
reminds me of Edgar's wife, Monique and her amazing pictures.
>
> I have listened to The River several times. That's because I just keep
> putting it back on.
You mean to listen to a CD several times you have to put it back on over
and over? heh heh.
I enjoy it more and more with every listen. Thank you
> Riley. Your music is unique, and that's hard to find.
>
> Tim Scallon
You are right about one thing...Riley's music IS unique heh...and so is
he.
Dano
(relax...he's just hackin on ya billy)
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 5:05
am
Subject: Re: Concert Throw outs!
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: 'Colin Neal'
>
> Hi,
>
> Did any of you at Shepherd's Bush grab Emil and Edgar's sweaty towels at the
> end of the concert? I just missed Emil's one - don't know what I would have
> done if I *had* got it though!
>
> Colin.
>
> -------------------------------------------------------
>
> Colin Neal B.Sc.
>
> 32, Kerris Way, Lower Earley, Reading. Berkshire.
> RG6 5UW. England.
> Email : Colin_Neal@m...
>
> -------------------------------------------------------
you mean you would actually want a sweaty towel from Edgar??? What would
you do with it, sleep with it covering your face and inhaling Edgars
sweaty aroma while playing your skin flute?
Yeahahahaha!! Just kiddin dude...but what WOULD you do with it???
Dan
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 4:27
am
Subject: Re: Signal to Noise Ratio
----------> From: tadream mailing list > To: tadream@cs.uwp.edu> Subject: Signal to Noise Ratio> Date: Sunday, November 09, 1997 5:57 PM> Really-From: Steven Feldman > > > The irrelevant postings to this list now actually outnumber the> relevant ones. This has to stop before the folks with important things> to say sign off in disgust.> Where's David Datta when you need him?> > -- Steven Feldman I don't want to make enemies or anything, but I kinda agree with Steve here thatthere's been quite a bunch of *odd* postings to this list. I know this is just another one of those posts, but I'm usually quiet and just lurk among thelist. If you all want to talk about yer love life (or lack), Star Trek, and what particular acts you use TD music for, well, maybe I'll go hop on the emotionless Kraftwerk list! heeheeI would like to thank all those whom posted reviews of TD's concerts andalbums! That's the great thing about this list! Reviews from REAL fans!Greg...
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 5:06
am
Subject: Re: Signal to Noise Ratio
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
tadream mailing list wrote:
>
>
> Really-From: Steven Feldman
>
> The irrelevant postings to this list now actually outnumber the
> relevant ones. This has to stop before the folks with important things
> to say sign off in disgust.
> Where's David Datta when you need him?
>
> -- Steven Feldman
Uh oh...here comes the tight ass, Mr feldman. Lighten up dude. i notice
you haven't had much to say lately anyway.
Dan
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 6:35
am
Subject: Re: Signal to Noise Ratio
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
tadream mailing list wrote:
>
> ----------
> > From: tadream mailing list
> > To: tadream@c...
> > Subject: Signal to Noise Ratio
> > Date: Sunday, November 09, 1997 5:57 PM
>
> > Really-From: Steven Feldman
> >
> >
> > The irrelevant postings to this list now actually outnumber the
> > relevant ones. This has to stop before the folks with important
> things
> > to say sign off in disgust.
> > Where's David Datta when you need him?
> >
> > -- Steven Feldman
>
>
> I don't want to make enemies or anything, but I kinda agree with Steve
> here that
> there's been quite a bunch of *odd* postings to this list. I know this
> is just
> another one of those posts, but I'm usually quiet and just lurk among
> the
> list. If you all want to talk about yer love life (or lack), Star
> Trek, and what
> particular acts you use TD music for, well, maybe I'll go hop on the
> emotionless Kraftwerk list!
> heehee
> I would like to thank all those whom posted reviews of TD's concerts
> and
> albums! That's the great thing about this list! Reviews from REAL
> fans!
>
> Greg...
Hey Greg...the 'lack of humor' newslist is being founded by myself at
this time. Please feel free to subscribe.
Dano
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 6:52
am
Subject: Re: Signal to Noise Ratio
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------------------------------------------------------------------------------
Really-From: 'Jens Peschke'
> Really-From: DJS
[Greg seconded Steves opinion]
>
> Hey Greg...the 'lack of humor' newslist is being founded by myself at
> this time. Please feel free to subscribe.
Dano, does this mean that you finally shut up ?
To be perfectly honest I like some *funny* postings from time to time,
but *now* it´s getting boring. I´ve deleted all the last recent messages
from our *two coolest guys* without reading them, no need to say that.
Maybe I´ve not enough humour.
Thanks to all who had reviewed the UK concerts and the new CD´s.
This is the kinda stuff I wanna read. The reviews sound really tasty, IMO
:-)
I envy all of you who were there and hope to see TD again before Edgar will
leave.
I´m looking forward to Danos -ing reply ;-)
Jens
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 7, 1997 5:20
pm
Subject: Details of Glasgow, Leeds and Birmingham concerts to follow...
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Really-From: 'Gibbons, Conrad'
Yo dudes,
Since I have returned this week from a pilgrimmige to 3 TD concerts,
work commitments have delayed me posting details of my successful trip
to the UK Tour. However, hopefully next week I will have time to share
some thoughts about the gigs with you all.
Until then,
Keep dreaming (Lars? I too have to admit that I have dreamt several
times about TD playing in our local village hall - now no longer used!!)
Conrad Gibbons
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 6:33
pm
Subject: Sorcerer
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Really-From: lawry@h... (Lawry Simm)
Hi,
If anyone has a UK copy of the SORCERER soundtrack on vinyl, please contact
me off-list. (I don't want it from you... just information).
Thanks,
Lawry
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 6:59
pm
Subject: TDI catalogue numbers
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Really-From: lawry@h... (Lawry Simm)
Hi all,
Who can tell me what TDI003 and TDI004 were? I know all the others, but not
these two.
Thanks,
Lawry
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 1:21
pm
Subject: Re: TDI catalogue numbers
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Really-From: Vic Rek
>Really-From: lawry@h... (Lawry Simm)
>Who can tell me what TDI003 and TDI004 were? I know all the others, but not
>these two.
TDI003 = Turn of the Tides
TDI004 = Rockoon
Vic
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 1:46
pm
Subject: Vermillion Sands
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Really-From: Vic Rek
Has anyone noticed that much of the Zoning 1987 soundtrack uses elements
from the hard to find 'Vermillion Sands' track. Good stuff!
Vic
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 9:02
pm
Subject: Re: TDI catalogue numbers
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Really-From: lawry@h... (Lawry Simm)
> Really-From: Vic Rek
>
>
>>Really-From: lawry@h... (Lawry Simm)
>
>>Who can tell me what TDI003 and TDI004 were? I know all the others, but not
>>these two.
>
> TDI003 = Turn of the Tides
> TDI004 = Rockoon
>
> Vic
Thanks for the info Vic. I take it these are TDI reissues in the same
way as Tyranny of Beauty. Are they picture disks also? Are they diffent
in any way from the previous releases?
Thanks,
Lawry
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 3:00
pm
Subject: Oh my gawd! PACIFIC BLUE
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Really-From: Michael A Jean
Yikes, I can't believe I waited six months for THIS!!!
I've never had the need to be critical of Chris Franke's output before
(though I realize many of you have), but this is AWFUL!!! I couldn't even
get through five minutes of it... I'm suprised there hasn't been a MAJOR
warning about this one...
Perhaps I'll learn to like it , if I can ever bring myself to touch it
again... Still in shock......
MJ
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Mon
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DJS
Mon
11/10/1997
4 KB
8604
Re: Oh my gawd! PACIFIC BLUE
Gaza Grand Master of Gazitsu
Tue
11/11/1997
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 2:58
am
Subject: Regarding Humorous Posts
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Really-From: 'Elias Granillo, Jr.'
<> Really-From: DJS
<[Greg seconded Steves opinion]
<>
<> Hey Greg...the 'lack of humor' newslist is being founded by myself at
<> this time. Please feel free to subscribe.
-ing reply ;-)
This isn't GoldTri. You're not going to get thwapped. Like I said, Dan and
I injected 10,000 cc of humor into this newsgroup to separate the men from
the zombies.
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 3:29
pm
Subject: RE: Thanx 4 The {Concert} Memories
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Really-From: 'Plumer, Scott'
I've seen TD three times, and have stories about all of them:
1986: The concert promoter in Cleveland used to have this 'club' where
you could pre-order tickets before the sale date and would get better
seats, all for about $80 a year. My friend's mom was in the club, and
was able to get us seats in the THIRD row at Cleveland's Music Hall.
Before the show, I bought a German flag to wave at the show, just
because I was a stupid teenager going gaga over my favorite band. At the
show, my buddy and I bought some stuff, then wandered around a bit,
trying to sneak backstage. We went down a corridor, but found it blocked
by a stack of equipment cases marked 'E. Froese,' 'C. Franke,' and 'P.
Haslinger.' Ed's cases also had stickers from some Western US tourist
destinations. 'These are _their_ cases!' we exclaimed to each other. As
we were reverentially touching that which Herr Froese hath touched, a
large German roadie accosted us: 'You leaves cases alone or I crush
you.' We went to our seats, the show started, and I was knocked out.
It's still the best concert I've ever seen, and I've seen a lot.
1988: My wife-to-be and I were working on an island in Lake Erie for the
summer. We both got the day of and the day after the concert off, and
were about to leave the island via the first ferry of the morning. A
fire broke out in one of the restaurants, and the ferries were all taken
to ferry fire trucks, leaving us stranded. A friend of mine had a marine
radio, so we called my father-in-law, who has a boat nearby on the
mainland. He came to get us, but all the docks were full. He had no
dinghy, so we had to _swim_ to his boat! Of course, our car was on the
island, and Cleveland was an hour and a half away. Some coaxing
convinced him to take us, by boat, to the city for the show. We redeemed
ourselves by trolling for fish along the way (turning a four-hour ride
into a six-hour ride) and catching quite a lot. The show was at the
Nautica, and open-air stage in the industrial area of Cleveland along
the Cuyahoga River. There was a dock nearby, where he let us off at
about 3 p.m., in plenty of time for the show. The show was good, and the
highlight was during 'House of the Rising Sun,' when a freighter went by
behind the stage.
1992: Not nearly as exciting. We waited for 90 min. in the cold for
autographs, only to be told they wouldn't be signing any. They did give
us autographed photos, though.
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 3:48
pm
Subject: Goodbye y'all
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Really-From: Grant Middleton
Hi folks,
Just dropping my last message into the Tadream mailbox. I've decided
to concentrate all my efforts on trying to find a replacement for
the TD I love - the Virgin years. My guess is that I'm most likely
to find that over in GoldTri.
Thanks to all the list members and administrators for the good work
and good vibes. Long may your mailbox flourish.
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
--------------------------------------------------------------------
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 4:12
pm
Subject: Re: Oh my gawd! PACIFIC BLUE
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Really-From: 'Jim Moore'
> Yikes, I can't believe I waited six months for THIS!!!
> I've never had the need to be critical of Chris Franke's output before
> (though I realize many of you have), but this is AWFUL!!! I couldn't
even
> get through five minutes of it... I'm suprised there hasn't been a MAJOR
> warning about this one...
I have to agree on this one. I kept waiting for a decent song to
come up, but one never did. I hate grunge... I guess you have
to be a Jeff Spicoli to appreciate this one... I wish he would
stop trying to be a musician of all styles, and focus on what he
does well...
In the same shipment, I received 'Perry Rhodan', which was a much
better album over all, but it also adds fuel to the argument: Franke
should stay away from lyrics. The way I see it, lyrics serve one of
two functions (or both if the writer is a clever one): they are present
for atonal purposes (best examples: Jon Anderson or Enya), or
the word choice is structured more for content and meaning (eg. Neil
Peart, Sting). Franke's lyrics provide neither...
- jimbo
'Book burnings in 1997... Did we learn nothing
from Footloose?' -- Paula Poundstone
'jimbo@v...' is Jim Moore, Atlanta, Georgia, USA
Home Page: http://www2.vivid.net/~jimbo
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 5:03
pm
Subject: RE: Signal to Noise Ratio & Pinnacles
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Really-From: 'Plumer, Scott'
>Uh oh...here comes the tight ass, Mr feldman. Lighten up dude.
i notice
>you haven't had much to say lately anyway.
Make that tight-asses. I'm getting pretty tired of these
14-year-old-boys'-locker-room attempts at humor. Humorous posts are
fine, but the key element in such posts is, surprisingly enough, HUMOR!
99 percent of the stuff the people in question have posted
hasn't been funny, it's been stupid, poorly thought-out and juvenile.
And I'm being polite. Ed & Co. are certainly good targets for parody,
especially considering their recent perfomances (or lack thereof) in the
UK. But one good message a day beats one hundred juvenile attempts at
humor. I'm done now.
Just so this post isn't a total waste:
I listened to both Pinnacles and Stuntman over the weekend. Both
are ab fab. It's amazing what a difference a couple years makes.
Stuntman seems a lot like a blend of the styles of FM and Tangram. Does
anyone else think so? Pinnacles seems like it coul have been outtakes
from the Hyperborea sessions. I'm not saying that's bad, though. I think
it shows how much influence Ed had over the band. I'd like to see a solo
album from the 1990's.
Scott
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DJS
Tue
11/11/1997
5 KB
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 5:59
pm
Subject: D: <:::::[]:::::'Kamikaze 1989':::::[]:::::>
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Really-From: PNaunton@a...
Kamikaze 1989 November 10, 1997
Edgar Froese
'Kamikaze 1989'
Published 1982
Purchased 1983
Virgin Records LP
V2255
Late again!!
I listened to this LP several times last week in preparation for
this commentary, but I just could not get my thoughts together to write
anything significant about it.
I have read a couple of not-particularly-distinguished posts about
this recording, and that still didn't get my creative energies in motion in
writing something about this OST.
But times change, and a simple thought came into my head this
morning, which I will attempt to relate, but, hopefully, not bother or bore
you all, too much.
There is a warm section in my heart reserved for this LP, although
(once again) I have never seen the film. For that matter I don't ever recall
seeing the NAME of the movie anywhere. Therefore, I have absolutely no visual
images to go with the music, and I pretty much have the take the music at
face value, which in itself is not necessarily a bad thing.
This is, for me, an 'Edgar Froese - A portrait of the Artist as a
young man' notebook. None of these compositions are full-blown, complete,
and finished works, but there is a continuity here which I find breathtaking.
Whether the following is true or not, I can see Edgar being involved in this
venture and going back to his musical roots to find themes and moods to fit
the tenor of the film. Instead of developing brand new compositions, he may
have researched his own catalog and found his own previously inspired
creations, to fit the scenario as appropriate. Once the theme was chosen the
piece was (probably/maybe/likely) fleshed out to fit the aspect of the drama
more suitably. I have absolutely no idea if this was actually the case, but
I like the feel of this theory, from my own aspect as a listener.
There is a certain palpability to this music, as a grouping, which
expands chronologically to fill a larger block of compositional time like
none of Edgar's other solo works. There are some very 'up to date'
(relatively) signatures and there are some very old ideas which have been
developed and/or redeveloped much more effectively that some of his more
recent 'Tangentized' tunes.
One, in listening to this recording, can more clearly come to grips
with Edgar's personal input into other Tangerins Dream compositions. It
more-or-less allows us, as listeners, to use a magnifying glass to see that
same artist within a flow of time. This, instead of only looking at the
musician/composer as an individual creative force. The individual aspect is
one which is easily seen with _any_ of Edgar's other solo releases.
Not to belabor the issue, but I was talking to a jazz musician,
friend of mine, the other day. We were listening to an old John Coltrane LP
and he abruptly says that Coltrane could tell a complete and finished story
with his playing. Coltrane was not a musician as much as a tale-spinner. He
had the capability to start a story from a point of absolute-zero and engage
the listener subtly, envelop the audience, lull them, develop the theme,
build the tension, pull their focus, switch off the audience's internal
dialog, and totally take command of the process of making, listening, and
creating music. Personally, when I listen to Coltrane for a long period of
time, I get exhausted.
There are elements of this magic with Edgar's playing also. Not to
say that Edgar is a John Coltrane type of musician, but there is a like
connection in the process of listener engagement. In making a comparison
between the music of Froese and that of, say, John Tesh, (I am perhaps
comparing apples and oranges here), but Froese's style is much more
introspective and revealing of the composer than that of Tesh. With Froese
one is tempted to say that the music is a _primary_ source of
_communication_, whereas Tesh is merely and primarily a performer.
Comments welcome.
Phil Naunton
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From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: Live recordings
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Really-From: scooter@m... (John Von Pey)
Hello all,
I've got some more information on the record 'Die Meridianen von Zymbiola'.
But also another question. Recently I got a record 'The dremas are known to
you'. The record itself looks exactly the same (blue label, no printed
information). When I recorded both into my computer I noticed a great
similarity in the graphic representation of the music. They both turn out
to contain exactly the same concert. I'm gonna listen to audio noises asap
to make a conclusion if it is even the same pressing.
But in the mean time, can anyone give me some more information on both?
Titel: Die Meridianen von Zymbiola
Text on front cover:
Die Meridianen von Zymbiola, Live in Seattle 1977
Limited numbered edition 50/40 copies
Text on back cover: (including typing errors)
This Tangerine Dream record is a special Graphic edition.
The first 10 copies are four colour prints
The next 40 copies are blue colour prints
Every edition is numbered by the designer.
The record has also a special matrix, stating
the numberes of the front picture and has the
coad - art two 1977 50/-.
This edition is striktly limeted to 50 copies
the pressing plates are distroyed.
The sound quality is perfectly - you love it!
Cover : A standard white cover with on both sides an attached sheet with:
Illustration: Front: A deserted world with sharp rocks pointing upwards.
Printed in blue.
Back: Top part of a large globe with a diamond shape
rising from it. Printed in red.
On each side of the record is a matrix code that has been removed by
scratching them away. The length of the scratched part is about the
same as the matrix code of the following record:
Titel: The dremas are known to you
Front cover: Tangerine Dream
The Dremas Are Known To You
1977
Live Kansas City
U.S.A. rape priority xxx666
PIGPRODUCTION 100 copies
Cover: A standard black cover with on the front an illustration.
A blueish male, right leg bent, left leg stretched in front, holding a
stick like object above his right shoulder .
There is a signature stating: moebius 74
The record has blue labels, no printed information.
Close to the label is the matrix code: TD - DA & TD - DB
These letters are not handwritten.
Tadream on,
John
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: Polish Postcards
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Really-From: scooter@m... (John Von Pey)
Hello all,
Here is the information about the Polish Postcards I found recently at
a record fair:
Polish postcards:
Each has a red rectangular stamp on the back. Size: 6 cm * 3 cm.
On the left there are two squares of 1,5 cm.
The top left square states: Biem
The lower left square states: 33 1/3 Rpm
The top right states: TYT.
The lower right states: WYK.
All this text is also stamped. It looks like one big stamp is used.
The top right rectangle also states the title of the song, in handwritten
black inkt.
The lower right rectangle also states Tangerine Dream in the same
handwritten black inkt.
The titles: the card pictures:
Wall Street - Gdansk, Renesansowa Wielka Zbrojownia (lasta 1601 - 1609)
Four pictures of Gdansk
Brandenburg gate GDYNIA, Dworzec PKP Hotel 'Gdynia', Ulica Zwirki i Wigury
Five pictures: three buildings, one ship in a dock, one harbour
Alexander square Bydgoszcz, Glowny Dworzec PKP
A building with the text bydgoszcz glowny on its front
Hitchhikers point Inowroclaw, Miasto (prawa w 1240 r.) i uzdrowisko
Three pictures, one of a church, one of an entrance, one of a garden.
Peacock island A white pink basket with flowers, stating: Serdeczne Zyczenia
Emperors Castle Bydgoszcz, Miejska Biblioteka Publiczna przy Starym Rynku 24
A picture of a large building
As you may notice, these are the first six songs from 'Destination Berlin'.
Can anyone tell me if this is a complete set, or should there be more?
Tadream on,
John
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 6:18
pm
Subject: RE: Signal to Noise Ratio & Pinnacles & what's next for Edgar
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Really-From: Gabe Yedid
On Mon, 10 Nov 1997, tadream mailing list wrote:
> Really-From: 'Plumer, Scott'
>
>
> >Uh oh...here comes the tight ass, Mr feldman. Lighten up dude.
> i notice
> >you haven't had much to say lately anyway.
>
> Make that tight-asses. I'm getting pretty tired of these
> 14-year-old-boys'-locker-room attempts at humor. Humorous posts are
> fine, but the key element in such posts is, surprisingly enough, HUMOR!
> 99 percent of the stuff the people in question have posted
> hasn't been funny, it's been stupid, poorly thought-out and juvenile.
> And I'm being polite. Ed & Co. are certainly good targets for parody,
> especially considering their recent perfomances (or lack thereof) in the
> UK. But one good message a day beats one hundred juvenile attempts at
> humor. I'm done now.
Add a #3. It's so nice to know there are people on the list less tactful
than I am ;). Mostly I have just been ignoring any post that comes bearing
the names of these boys in the header...
> Just so this post isn't a total waste:
> I listened to both Pinnacles and Stuntman over the weekend. Both
> are ab fab. It's amazing what a difference a couple years makes.
> Stuntman seems a lot like a blend of the styles of FM and Tangram. Does
> anyone else think so?
I personally think it's much closer to _Tangram_ and _Thief_ than to
_Force Majeure_...
> Pinnacles seems like it coul have been outtakes
> from the Hyperborea sessions. I'm not saying that's bad, though. I think
> it shows how much influence Ed had over the band. I'd like to see a solo
> album from the 1990's.
I think that _Pinnacles_ and _Hyperborea_ are very different in
character, and in overall concentration of timbres (they were also
recorded about 3 months apart, if memory serves). _Pinnacles_
has a good number of sounds that were used on both _White Eagle_ and
_Hyperborea_, but only here were they found in these concentrations and
combinations.
And it is the album that features what is, IMO, *THE FINEST* TD solo
composition of them all, 'Specific Gravity of Smile'. Definitely Edgar's
most enlightened moments in the studio, as far as I'm concerned.
As for a '90s solo album, we have _BtS_...there's certainly enough new
material to make up a whole album, but it has basically the same
sonic environment as current TD. And there's always _Zoning_, too...
if what you meant is a 1990s album that sounds like _Stuntman_ or
_Pinnacles_, um, keep hoping...
I wonder if Edgar's impending retirement means a complete cessation of
composing for him, or will we see post-TD solo Froese albums?
> Scott
>
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: Record fair
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Really-From: scooter@m... (John Von Pey)
Hello All,
If you had the opportunity to go to the record fair in Utrecht, but did
not go, get your baseball bat and slap yourself on your head heavily!
I did go, and it was like heaven for me. I found a lot of TD items, but
finally bought
Undulation
Thief 12' (Elektra promo)
Towards the evening star 12' (The Orb remix, clear green vinyl with glitters)
A set of 6 Polish Postcards
The dremas are known to you (Live in Kansas 1977)
Things I did not buy:
2 10' acetate discs (345 DM)
4 different tour programmes (25 to 45 DM)
about 30 promo's (12' and albums,European and Japanese) (25 DM to a lot)
the Oasis video ( 60 Guilders )
10 different 7' singles ( 5 DM to 25 DM)
Bicycle race in 2 different colours (45 DM Each)
Canyon dreams (vinyl) two different colours (50 DM each)
Why I didn't by them? Easy. I ran out of money.
But you surely did mis something!
Tadream on,
John
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 6:59
pm
Subject: Re: Oh my gawd! PACIFIC BLUE
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Michael A Jean
>
> Yikes, I can't believe I waited six months for THIS!!!
>
> I've never had the need to be critical of Chris Franke's output before
> (though I realize many of you have), but this is AWFUL!!! I couldn't even
> get through five minutes of it... I'm suprised there hasn't been a MAJOR
> warning about this one...
>
> Perhaps I'll learn to like it , if I can ever bring myself to touch it
> again... Still in shock......
>
> MJ
Tell me about it. SI sent us a promo...and man did it stink. The first
track was noneother than....gag choke.....a vocal...and a terrible one
at that.Even if you are into B5 you might really want to stay away from
this. The only use for this album is either a doorstop or to complete
some collection somewhere (yes Vic, I'll send you all thepromo's on this
baby hahaha). And MJ, you will NEVER get used to Pacific Blue...just try
buddy heh heh.
Dan
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 7:11
pm
Subject: Re: Signal to Noise Ratio
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Really-From: DJS
>
> Dano, does this mean that you finally shut up ?
ehhhh...not exactly dude.
>
> To be perfectly honest I like some *funny* postings from time to time,
> but *now* it´s getting boring. I´ve deleted all the last recent messages
> from our *two coolest guys*
Why thank you Jenners, Eli & I will always remember you.
without reading them, no need to say that.
> Maybe I´ve not enough humour.
Sometimes you need a little something different. How many times can you
read bland mail such as 'Oh what a great album Dream Mixes is!' or 'I
think Linda Spa is really pretty...gehehegeh'. I guess it's just too bad
if messages appear that you don't want to read. If you had a life off of
the computer perhaps you wouldn't mind so much. Just a suggestion. I
find that people who sit in front of the comp all day tend to get a
little too serious in newsgroups & such. I mean, how bad can your day
job actually be? You haven't reached bottom though. You should see the
Transformers newsgroup. They argue over if Brawn actually dies in the
movie and such...so there's hope dude! Anyway, let's get back to what
you love doing most jenners...let's talk TD. Let's be serious man! No
more jokes man! Just for you man!
Regards,
Dan
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 7:40
pm
Subject: RE: Pinnacles & what's next for Edgar
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Really-From: 'Plumer, Scott'
>if what you meant is a 1990s album that sounds like _Stuntman_
or
>_Pinnacles_, um, keep hoping...
>I wonder if Edgar's impending retirement means a complete
cessation of
>composing for him, or will we see post-TD solo Froese albums?
Well, call me crazy, but I always thought that solo albums were
supposed to be labors of love for the artists, not commercial ventures
(Phil Collins notwithstanding) so solo albums were more of a look into
the artist's heart & psyche. Thus, I thought Ed's solo albums were more
of an insight into what he thinks TD should be. Have I been breathing
too many exhaust fumes from my car or am I onto something?
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 2:59
pm
Subject: Re: ANTARKIS LISTING
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Really-From: Michael Fox
At 04:09 PM 11/8/97 -0500, you wrote:
And on another note, personally I prefer the SEVEN OF NINE blowup doll.
DO NOT attempt this using only your lung power as you will pass out from
the volume needed to fill the thing!
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 3:01
pm
Subject: Re: Signal to Noise Ratio
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Really-From: Michael Fox
Steven,
Note the last line from the disclaimer:
>The List owner does not read this list. Complaining here is useless.
>---------------------------------------------------------------------------
---
Sorry if some find the off topic stuff trouble. Some find mind-numbing,
extremely long posts about minutia or their own personal obessions a bit of
a waste also. I'm NOT starting a flame war, here. It's just the
ebb-and-flow of the list. Besides some irrelevance I've also read some
wonderful reviews of the recent concerts and the merchandise available. It
all goes around and this, too, will pass. IMHO, of course.
Mike
>Really-From: Steven Feldman
>
>
> The irrelevant postings to this list now actually outnumber the
>relevant ones. This has to stop before the folks with important things
>to say sign off in disgust.
> Where's David Datta when you need him?
>
> -- Steven Feldman
>
>
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 8:11
pm
Subject: Re: Record fair
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Really-From: 'Marcel Engels'
>Really-From: scooter@m... (John Von Pey)
>
>Hello All,
>
>If you had the opportunity to go to the record fair in Utrecht, but did
>not go, get your baseball bat and slap yourself on your head heavily!
>
>I did go, and it was like heaven for me. I found a lot of TD items, but
>finally bought
>
>The dremas are known to you (Live in Kansas 1977)
Hi John,
I also went to Utrecht Jaarbeurs. (I'm coming from IJmuiden).
I also saw The Dremas are known to you, but it was way too
expensive for me. I mean DM 175,-!!
Or did you get a special price from the german guy?
Maybe we could trade some music? ( do you also have CDR?)
Marcel
Music-page :http://www.pi.net/~m1engels/fsp.htm
Email :fsp@p...
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John Von Pey
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 8:52
pm
Subject: Re: Polish Postcards
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Really-From: Vic Rek
>Really-From: scooter@m... (John Von Pey)
>Hello all,
>Here is the information about the Polish Postcards I found recently at
>a record fair:
>
>Polish postcards:
>
>The titles: the card pictures:
>
>Wall Street - Gdansk, Renesansowa Wielka Zbrojownia (lasta 1601 - 1609)
> Four pictures of Gdansk
>Brandenburg gate GDYNIA, Dworzec PKP Hotel 'Gdynia', Ulica Zwirki i Wigury
> Five pictures: three buildings, one ship in a dock, one harbour
>Alexander square Bydgoszcz, Glowny Dworzec PKP
> A building with the text bydgoszcz glowny on its front
>Hitchhikers point Inowroclaw, Miasto (prawa w 1240 r.) i uzdrowisko
> Three pictures, one of a church, one of an entrance, one of a garden.
>Peacock island A white pink basket with flowers, stating: Serdeczne Zyczenia
>Emperors Castle Bydgoszcz, Miejska Biblioteka Publiczna przy Starym Rynku 24
> A picture of a large building
>
>As you may notice, these are the first six songs from 'Destination Berlin'.
>Can anyone tell me if this is a complete set, or should there be more?
>
There are more from 'Destination Berlin':
Down the Avus
Midnight in Bear City
The set contains about 20+ total, so there are many more of these from the
various late 80's albums.
I don't think they are the 'real' Polish postcards.
Also, each postcard is different. So you probably won't see the same track
on the same postcard.
Hope this helps!
Vic
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 9:33
pm
Subject: Re: Signal to Noise Ratio, Watch out Dano & E-Man ! ;-) (freaky smiley!!!)
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------------------------------------------------------------------------------
Really-From: 'Jens Peschke'
> Really-From: DJS
>
> > Dano, does this mean that you finally shut up ?
>
> ehhhh...not exactly dude.
(Imagine Krauthead Yense turning the AmeriDaniZed mode on bzzzz bzzz he he)
Hu hu hu. Did you thought I was meaning it seriously ???? Ha ha ha. Nope.
I´M JUST KIDDING. THIS WAS A JOKE. he he
> Why thank you Jenners, Eli & I will always remember you.
Huuuaaah - Don´t beat me. he he he I´m REALLY afraid now ;;;))))
BTW:Call me Yense. It roooollllss_ss_ss_s a bit better over the tongue.
wussshh.
bzzz bzz.
> > Maybe I´ve not enough humour.
I´M JUST KIDDING. THIS WAS A JOKE. he he
[stuff deleted] CHOMP! CHOMP! yam yam
> Anyway, let's get back to what you love doing most jenners...let's talk
TD.
> Let's be serious man! No more jokes man! Just for you man!
Yes. This is exactly what I was meaning, dude!
I really hate jokes, hate, hate, hate, he, he, he bzzzz bzzz
Krauthead_Yense_goes_into_his_cellar_for_laughing
No? he he he
(Imagine Krauthead Yense turning the AmeriDaniZed mode off.)
All the best for you :-|
Jens
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 10, 1997 10:35
pm
Subject: Re: Orange Nightmare: QUADRAX!!!!!
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------------------------------------------------------------------------------
Really-From: 'Francisco Salgado C.'
I love the super group's name, and the titles are a lot of fun.
Maybe I'll use those tiles myself ( if I ever compose anyrthing electronic).
---Francisco
> Really-From: 'Elias Granillo, Jr.'
>
>
>
>
> The quartet calls itself Quadrax, and this is their eponymous debut!
>
> DISC ONE: 1. Quadrattica 12:18
> 2. Deleria Around Cape Hope 7:47
> 3. (dichotymia I) 1:18
> 4. Kingdom Go 5:49
> 5. (dichotymia II) 2:06
> 6. Desperation Pt. 1 18:11
> 7. Chronytia 6:33
> 8. Desperation Pt. 2 22:58
>
> DISC TWO: 1. Aquator 9:54
> 2. New Canaan 8:22
> 3. (dichotymia III) 1:43
> 4. Crest Unifiq 15:48
> 5. Q-Intercept 3:50
> 6. (dichotymia IV) 1:38
> 7. Desperation Pt. 3 14:42
> 8. Black Sands 10:12
> 9. Falling (dichtymia V) 7:17
>
> There you have it!!!!! This album is everything we've been waiting for and
> more!!!!!!!!
>
> Regards,
>
> E-Man
>
>
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 3:59
pm
Subject: Re: I'm new to the list...
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------------------------------------------------------------------------------
Really-From: 'Jeffrey Au-Yeung'
----------
> From: tadream mailing list
> To: tadream@c...
> Subject: I'm new to the list...
> Date: 1997¦~11¤ë10¤é AM 09:54
>
>
----------------------------------------------------------------------------
--
> To remove yourself from this list, send a message to majordomo@c...
that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
>
----------------------------------------------------------------------------
--
> Really-From: Lpspins@a...
>
>
> does anybody have any
> Michael Rother Lp's they want to sell to me? I think his stuff is also
> superb. That's it! Take care all...John
Michael Rother's music is simple music at best. It's mostly short in
duration but beautiful. It has wide variation of moods to suit to
different times.
Although his late album Esperanza was not as good as the previous works,
and the extra tracks on the reissue of previous works were mostly mediocre
dance music, his work is still highly recommended.
Discography.
1976 Flammende Herzen
1977 Sterntaler
1979 Katzenmusik
1982 Fernwaerme
1983 Lust
1985 Suessherz und Tiefenschaerfe
1987 Traumreisen
1996 Esperanza
Compilations:
1985? Glanzlichter
199? Radio
Jeffrey
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Coming Soon...
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------------------------------------------------------------------------------
Really-From: goozer@a... (Hermes Guzman)
Greetings all!
Well, I've just returned from my London vacation, and have been both amused
and bemused by some of the discussions on the list. Especially as regards
the Limited Edition CD's; more specifically, the Keep. I don't have the
time or energy at the moment to engage in this lively debate; however, I
_will_ be presenting a new FAQ this weekend that should make some of you
very happy: THE KEEP FAQ! I will provide a brief history as well as a
direct comparison between the new limited CD, the Boot and the film music
itself, all cross referenced of course. This will take some time, so it may
not be done until Sunday. There, will __that_ make you happy, Steve? ; )
goozer
PS: The Keep Extended Version was actually originally (and only _once_,
AFAIK) broadcast on NBC in 1992. Had I known it would've been with the
_real_ ending, I would've taped it, both on my hi-fi stereo VCR _and_ my
casette deck! But since I had the laserdisc, I didn't bother...imagine the
feeling I had when the ending kept going...: (
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 1:22
am
Subject: meridianen Zy????
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Really-From: Michael A Jean
Perhaps it is another one of those Jim and Pablo discs....
MJ
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: THE KEEP Film & Soundtrack: Which is Rarer?
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Really-From: Steven Feldman
>Subject: Coming Soon...
>Date: Mon, 10 Nov 97 19:11:17 -0600 (CST)
>From: tadream@c... (tadream mailing list)
>Really-From: goozer@a... (Hermes Guzman)
>
>[. . .] I _will_ be presenting a new FAQ this weekend that should make
>some of you very happy: THE KEEP FAQ! I will provide a brief history as
>well as a direct comparison between the new limited CD, the Boot [. . .]
That's *boots*, Hermes. Don't forget the CD-R boot. ;)
>[. . .] and the film music itself, all cross referenced of course. This
>will take some time, so it may not be done until Sunday. There, will
>__that_ make you happy, Steve? ; )
Yup! Even more than being able to use 'Nowhere--Now Here' or 'Green
Desert' to enjoy a few hours with a ladyfriend! ;)
>PS: The Keep Extended Version was actually originally (and only _once_,
>AFAIK) broadcast on NBC in 1992. [. . .]
What does 'AFAIK' mean?
Well, it might have been broadcast only once on NBC in 1992, but *I*
saw it broadcast on a local UFO channel, although I seem to recall it was
part of a syndicated package of movies shopped to various local channels.
>[. . .] Had I known it would've been with the _real_ ending, I would've
>taped it, both on my hi-fi stereo VCR _and_ my casette deck! But since I
>had the laserdisc, I didn't bother...imagine the feeling I had when the
>ending kept going...: (
This might be 'the real ending,' but it apparently isn't the entire
version of the film, since--according to the late mega-TD collector,
Peter Grygorcewicz--there were at least 9 versions of the film made,
many of which showed up only theatrically and some only in Europe!
After reading the book, and watching the film again, Magda's comment
to Molasar/Rasolom near the end of all (?) available versions of the
film, 'It [the talisman] belongs to Glaeken Trismegistus, not Molasar,'
implies that there is still a *whole lot of stuff* missing from the
movie that we usually see when we watch THE KEEP. So, the joke is, the
actual film footage is now rarer than the TD soundtrack! Ouch! :( ;)
I have the end-portion music on tape. If it's not on the THE KEEP CD
that Edgar just released, I'm going to be pissed, since it's the most
intense music in the entire film!
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 3:27
am
Subject: Re: offtopic: Star Trek
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------------------------------------------------------------------------------
Really-From: Sturminatr@a...
>Really-From: DJS
>If you don't have one of those, send me the Edgar Froese dress-up Norseman
outfit >that includes two nordic axes, a thick parka, three legs of meat, two
rounds of >waxed cheese, a horned helmet and a copy of Antarktis with the
limited edition >single, To Valhalla nnd Back. Thanks dude...much
appreciated.
That's it? Yeah, I've got a couple of them lying around somewhere....
Mr. Data, inflation factor 10...engage,
B. Kirby
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 6:00
am
Subject: Streethawk 12' single up fer grabs..
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Really-From: DJS
If anyone is interested let me know and make an offer. I only have one.
The LP itself is in great shape. The cover is a c-6 because it was a cut
out. If no one replies Vic....I'll let you have it. I know you already
have it but this one you can take in the shower with you heh heh heh.
Regards,
Dan
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 5:29
am
Subject: Re: Signal to Noise Ratio, Watch out Dano & E-Man ! ;-) (freaky smiley!!!)
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
> Really-From: 'Jens Peschke'
>
> > Really-From: DJS
> >
> > > Dano, does this mean that you finally shut up ?
> >
> > ehhhh...not exactly dude.
>
> (Imagine Krauthead Yense turning the AmeriDaniZed mode on bzzzz bzzz he he)
>
> Hu hu hu. Did you thought I was meaning it seriously ???? Ha ha ha. Nope.
> I´M JUST KIDDING. THIS WAS A JOKE. he he
>
> > Why thank you Jenners, Eli & I will always remember you.
>
> Huuuaaah - Don´t beat me. he he he I´m REALLY afraid now ;;;))))
>
> BTW:Call me Yense. It roooollllss_ss_ss_s a bit better over the tongue.
> wussshh.
>
> bzzz bzz.
>
> > > Maybe I´ve not enough humour.
> I´M JUST KIDDING. THIS WAS A JOKE. he he
>
> [stuff deleted] CHOMP! CHOMP! yam yam
> > Anyway, let's get back to what you love doing most jenners...let's talk
> TD.
> > Let's be serious man! No more jokes man! Just for you man!
>
> Yes. This is exactly what I was meaning, dude!
> I really hate jokes, hate, hate, hate, he, he, he bzzzz bzzz
>
> Krauthead_Yense_goes_into_his_cellar_for_laughing
> No? he he he
> (Imagine Krauthead Yense turning the AmeriDaniZed mode off.)
>
> All the best for you :-|
>
> Jens
uh....is this German humor? Personally I find Kraftwerk's remix of the
Robots more hilarious.
Dan
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 5:49
am
Subject: Re: Signal to Noise Ratio & Pinnacles
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Really-From: DJS
> Really-From: 'Plumer, Scott'
>
>
> Make that tight-asses. I'm getting pretty tired of these
> 14-year-old-boys'-locker-room attempts at humor.
Just because you don't get the humor or are, as Eli put it, a zombie
doesn't mean that everyone on this list agrees. I've had numorous people
on this list compliment me on livening it up. There are about 3 of you
that really can't hang with a couple of witty guys coming in here and
changing things...actually making them more fun. IF YOU DON'T LIKE THE
HUMOR...DELETE THE MESSAGE BEFORE YOU EVEN READ IT. DUH! Why even
comment ?? Eli and I post serious posts and informative as well as
humorous ones. We don't care if you read it or frame it.
Humorous posts are
> fine, but the key element in such posts is, surprisingly enough, HUMOR!
humor is subjective, genius! Some people laugh at Jim Carrey...some
don't! Just because you and three other guys aren't laughing doesn't
mean the rest of the guys aren't.
> 99 percent of the stuff the people in question have posted
> hasn't been funny, it's been stupid, poorly thought-out and juvenile.
Once again, your opinion...subjective and pointless. Hardly juvenile,
perhaps over your head. As you said yourself, you are a strait face.
> And I'm being polite. Ed & Co. are certainly good targets for parody,
> especially considering their recent perfomances (or lack thereof) in the
> UK. But one good message a day beats one hundred juvenile attempts at
> humor.
I'm done now.
If that were only true.
>
> Just so this post isn't a total waste:
> I listened to both Pinnacles and Stuntman over the weekend. Both
> are ab fab. It's amazing what a difference a couple years makes.
> Stuntman seems a lot like a blend of the styles of FM and Tangram. Does
> anyone else think so? Pinnacles seems like it coul have been outtakes
> from the Hyperborea sessions. I'm not saying that's bad, though. I think
> it shows how much influence Ed had over the band. I'd like to see a solo
> album from the 1990's.
And wow, wasn't that informative and pertinent compared to the humor as
of late?? This is the kind of redundant opinion and information I think
most people on this list are tired of seeing....then again...maybe
not....right Jens, Gabe?
Just so this isn't a waste...
I really liked Monica Froese's cover to Rubycon. ;-]
>
> Scott
Dan
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 4:16
pm
Subject: The Dremas are known to you
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Really-From: lawry@h... (Lawry Simm)
You're asking the right bloke about The Dremas are known to you, as I bought
a copy a couple of months back and asked the same question of the list.
From what I could find out from some of our smashing chums, there was no gig
in Kansas City in 1977. This record is actually a re-issue of the other
well known boot Emerald Beyond. IIRC, that's from the Seattle gig (I'm
sure someone will correct me if I'm wrong).
Also, I paid 15 uk pounds for mine (about 38 DM I think) so 175 DM is
way over the top.
Hope this helps,
Lawry.
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4 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 6:47
am
Subject: Free TD Stuff To Give Away Part 2!!
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Really-From: DJS
Okay, it's time for the second quote contest for free TD goodies. I have
a TD Disky CD Picturedisc and Franke's PCH CD to give away and all you
have to do to get em both is be the first one to tell me what movies
these amazing quotes come from. Here comes the quotes:
1. 'Man, you better screw yer head on. Yer not just playin with your
life you're playin with mine.'
2. 'See, we plan ahead....that way we aren't doing anything right
now....Earl explained it to me.'
3. 'And YOU can count....on ME waiting for you in the parking lot!'
4. 'Someone's buckin for a promotion....probably that headerass
Hannerhann'.
5. (and now the throwaway) 'Prisoner transfer from cell block 1138'
There you have it. I'll be actually giving away some rare cool stuff in
the future but I'm gonna give away my extras this time. Good luck.
Regards,
Dano
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Re: Free TD Stuff To Give Away Part 2!!
KRAUSENECKS
Tue
11/11/1997
3 KB
8608
Re: Free TD Stuff To Give Away Part 2!!
DJS
Tue
11/11/1997
4 KB
8650
Re: Free TD Stuff To Give Away Part 2!!
DJS
Thu
11/13/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 10:27
am
Subject: Re: Oh my gawd! PACIFIC BLUE
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Really-From: Gaza Grand Master of Gazitsu
> Really-From: Michael A Jean
>
> Yikes, I can't believe I waited six months for THIS!!!
>
> I've never had the need to be critical of Chris Franke's output before
> (though I realize many of you have), but this is AWFUL!!! I couldn't even
> get through five minutes of it... I'm suprised there hasn't been a MAJOR
> warning about this one...
>
> Perhaps I'll learn to like it , if I can ever bring myself to touch it
> again... Still in shock......
Yeah I agree
I checked it the samples on the C.Franke web site and gave up on it
there and then. It sounded worse than Raven and thats BAD. cant believe
this crap when u listen to the likes of klemania and the London Concert
Gaza
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: Re: Record fair
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Really-From: scooter@m... (John Von Pey)
Hello Marcel,
-=> Quoting tadream@c... to John von Pey <=-
ta> Hi John,
ta> I also went to Utrecht Jaarbeurs. (I'm coming from IJmuiden).
ta> I also saw The Dremas are known to you, but it was way too
ta> expensive for me. I mean DM 175,-!!
ta> Or did you get a special price from the german guy?
No, but next to the german guy was a british one, he sold this record
for 15 pound :-)))
Tadream on,
John
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: Re: Polish Postcards
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Really-From: scooter@m... (John Von Pey)
Hello Vic,
-=> Quoting tadream@c... to John von Pey <=-
ta> There are more from 'Destination Berlin':
ta> Down the Avus
ta> Midnight in Bear City
ta> The set contains about 20+ total, so there are many more of these from
ta> the various late 80's albums.
ta> I don't think they are the 'real' Polish postcards.
ta> Also, each postcard is different. So you probably won't see the same
ta> track on the same postcard.
ta> Hope this helps!
Definitely! The person who sold these to me told me he could and would get
more. He'd call me first as soon as he got new ones.
Thanks for the information!
Tadream on,
John
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 1:45
pm
Subject: RE: Free TD Stuff To Give Away Part 2!!
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Really-From: KRAUSENECKS
1. 'Man, you better screw yer head on. Yer not just playin with your
life you're playin with mine.'DAWN OF THE DEAD
2. 'See, we plan ahead....that way we aren't doing anything right
now....Earl explained it to me.'RAISING ARIZONA
3. 'And YOU can count....on ME waiting for you in the parking lot!'THREE OCLOCK
HIGH
4. 'Someone's buckin for a promotion....probably that headerass
Hannerhann'.-dunno
5. (and now the throwaway) 'Prisoner transfer from cell block 1138'THX 1138
HOW'D I DO?
CHRISTOPHER
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 3:03
pm
Subject: RE: Free TD Stuff To Give Away Part 2!!
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Really-From: KRAUSENECKS
No wait,
1. Dawn Of the Dead
2.Tremors
3.Three O'clock High
4.Slapshot(?)
5.Thx -1138
Howd I do Dano?
Chris
----------
From: tadream mailing list
Sent: Tuesday, November 11, 1997 1:47 AM
To: tadream@c...
Subject: Free TD Stuff To Give Away Part 2!!
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Really-From: DJS
Okay, it's time for the second quote contest for free TD goodies. I have
a TD Disky CD Picturedisc and Franke's PCH CD to give away and all you
have to do to get em both is be the first one to tell me what movies
these amazing quotes come from. Here comes the quotes:
1. 'Man, you better screw yer head on. Yer not just playin with your
life you're playin with mine.'
2. 'See, we plan ahead....that way we aren't doing anything right
now....Earl explained it to me.'
3. 'And YOU can count....on ME waiting for you in the parking lot!'
4. 'Someone's buckin for a promotion....probably that headerass
Hannerhann'.
5. (and now the throwaway) 'Prisoner transfer from cell block 1138'
There you have it. I'll be actually giving away some rare cool stuff in
the future but I'm gonna give away my extras this time. Good luck.
Regards,
Dano
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 2:32
pm
Subject: PACIFIC BLUE: Torture!!!!
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Really-From: 'Elias Granillo, Jr.'
----------------------------------------------------------------------------
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--
>Really-From: Michael A Jean
>Yikes, I can't believe I waited six months for THIS!!!
>I've never had the need to be critical of Chris Franke's output before
>(though I realize many of you have), but this is AWFUL!!! I couldn't even
>get through five minutes of it... I'm suprised there hasn't been a MAJOR
>warning about this one...
>Perhaps I'll learn to like it , if I can ever bring myself to touch it
>again... Still in shock......
>MJ
Holy Cow!!! You poor guy!! Subjecting yourself like that to PACIFIC BLUE!
What torture! Somebody get this guy an ambulance! Hook up the IV! We need a
Type O Negative donor! On the double! Kickstart his heart!!!
I feel for you, dude! I would have never thought of buying that crapola,
especially after RAVEN. NotRM wasn't that bad, but nonetheless, it was
still just OK. I only listened to that once.
E-Man
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 2:27
pm
Subject: Tightasses: Vs. Jokers: Misunderstandings
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Really-From: 'Elias Granillo, Jr.'
>Really-From: 'Plumer, Scott'
<>Uh oh...here comes the tight ass, Mr Feldman. Lighten up dude.
i notice
<>you haven't had much to say lately anyway.
>Make that tight-asses. I'm getting pretty tired of these
>14-year-old-boys'-locker-room attempts at humor. Humorous posts are
>fine, but the key element in such posts is, surprisingly enough, HUMOR!
>99 percent of the stuff the people in question have posted
>hasn't been funny,
***C'mone bruthah! Get it together! You're not just playin' with your life,
you're playin' with mine!' (Ken Foree, DAWN OF THE DEAD)***
Hey, Gabriel Kaplan, 'welcome back, welcome back, welcome back!!!!' Cut us
some slack: turn that '9' upside down and make it a 96! Or is 69 too much
to ask?
>it's been stupid, poorly thought-out and juvenile.
>And I'm being polite.
*yawn*
Ed & Co. are certainly good targets for parody,
>especially considering their recent perfomances (or lack thereof) in the
>UK. But one good message a day beats one hundred juvenile attempts at
>humor. I'm done now.
>Really-From: Gabe Yedid
>On Mon, 10 Nov 1997, tadream mailing list wrote:
> Really-From: 'Plumer, Scott'
>
>
> <>Uh oh...here comes the tight ass, Mr feldman. Lighten up dude.
> i notice
> <>you haven't had much to say lately anyway.
>
> Make that tight-asses. I'm getting pretty tired of these
> 14-year-old-boys'-locker-room attempts at humor. Humorous posts are
> fine, but the key element in such posts is, surprisingly enough, HUMOR!
> 99 percent of the stuff the people in question have posted
> hasn't been funny, it's been stupid, poorly thought-out and juvenile.
> And I'm being polite. Ed & Co. are certainly good targets for parody,
> especially considering their recent perfomances (or lack thereof) in the
> UK. But one good message a day beats one hundred juvenile attempts at
> humor. I'm done now.
Add a #3. It's so nice to know there are people on the list less tactful
than I am ;). Mostly I have just been ignoring any post that comes bearing
the names of these boys in the header...
'boys,' he used the term, 'boys'--so are you inferring you're actually a
man? (Psst...dude, chicks like a guy with a sense of humor)
(Psst...Jens, I knew you were joking...SO WAS I!!!)
Let me transform myself momentarily into what you what are (and what Dano &
I once were)...*ahem*
'I really like 'Sphinx Lightning. I love the way it segues
from that long sequencer section and halts momentum
gradually, while introducing the next movement [or what-
ever] with that Middle Eastern-sounding twangy voice. The
composition literally transports to inner/outer worlds
whose shape and fabric is dictated by the very notes
(and intervals between them) that Edgar plays during
this track. I'm also deeply moved by his decision to play
no guitar on this track...'
*cough* Yeah, so, you guys, you really gotta shake the doo-doo outta your
Levi's
and take a walk on the wild side. This week, I want you to go to your
friendly neighborhood import CD shop (or pick up the phone and order with
your VISA/MC/) and purchase these releases for some smokin' diversions from
hardcore EMusic:
1. CAST Beyond Reality OR Angels & Demons (newest release)
2. THRESHOLD Extinct Instinct (you need some prog-metal)
3. DJAM KARET The Devouring
4. GOBLIN Hits, Outtakes & Rare Tracks (much unreleased material here)
5. SPOCK'S BEARD The Light OR Beware Of Darkness
Start with these, and you'll be a better man.
C Ya,
E-Man
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DJS
Wed
11/12/1997
4 KB
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Re: Tightasses: Vs. Jokers: Misunderstandings
Robert Grabowsky
Thu
11/13/1997
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From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 3:59
pm
Subject: Re: Michael Rother
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------------------------------------------------------------------------------
Really-From: 'Jeffrey Au-Yeung'
----------
> From: tadream mailing list
> To: tadream@c...
> Subject: I'm new to the list...
> Date: 1997¦~11¤ë10¤é AM 09:54
>
>
----------------------------------------------------------------------------
--
> To remove yourself from this list, send a message to majordomo@c...
that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
>
----------------------------------------------------------------------------
--
> Really-From: Lpspins@a...
>
> does anybody have any
> Michael Rother Lp's they want to sell to me? I think his stuff is also
> superb. That's it! Take care all...John
Dear John
I have 4 different Michael Rother's LPs. If you are interested, contact me
off list for details.
1976 Flammende Herzen
1977 Sterntaler
1979 Katzenmusik
1982 Fernwaerme
Jeffrey Au Yeung
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 4:55
pm
Subject: Re: Tightasses: Vs. Jokers: Misunderstandings
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Really-From: Gabe Yedid
Let me just say this Eli: I *never* want to visit the parallel universe
where Scott, Jens, and I are like what you and Dan are now.
Some of us like to keep our TD discussions a little highbrow. Deal with it.
If what you've been doing is the only way you know how, well, I think
that's kind of sad.
Chicks like guys with a sense of humour, that may be true. They also like
guys with a sense of maturity.
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 12:06
am
Subject: Dolphin Dance Live??
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Really-From: ashok prema
Elias Granillo Jnr wrote:
<>
I laughed so much at the picture this conjured up!
Actually, the lead played at the concert is pure mime!.....I saw them at
Nottingham, and at the Bush - and again the previous Bush Concert - when
it was Jerome who mimed...........the lead line is one which INVITES a
musician to adapt to his own style pitch bending in a different place to
give it that extra zap - I've emulated it many times - abd each time
differently - it is then so suprising that it comes across each time at the
concert as being IDENTICAL to the album - only possible if it came from DAT
or hard disc. Initially I was terribly disappointed that so little of the
concerts were actually live (the synth music that is not the drums or
guitar) - but the Bush concert was enjoyed more - becauseI had got over
that disappointment.......but it did make me think - how much of the 1991
or 1986 or 1982 concerts were actually live?? Certainly, Edgar, Chris,
Johannes Paul H. made considerably more effort to at least give the
impression that they WERE playing live - now they appear to have given up
much of this pretence! The other thing is that in the days when Franke had
his modular rack, the sequencer light moved along with the rhythm and would
stop and start with various sequences - so somewhere along the way, there
appeared to be a tie in between the music and the sequencer lights - could
have been a simple triggering device - or the sequences WERE being
played live and switched on and off by Franke. Also, pre -concert
doodlings indicate that the machines were rigged to play at least some of
the sequences during the Logos tour .
I think Ms Spa would have added to the music.
And Finally..........so the compilation is out - how many of those who
showed an interest are going to be true to their word and buy one?? Come on
guys .......don't procrastinate.......I've delivered the goods as
promised....do your bit!
Ash
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 2:14
pm
Subject: Re: D: <:::::[]:::::'Kamikaze 1989':::::[]:::::>
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------------------------------------------------------------------------------
Really-From: Michael Fox
At 12:59 PM 11/10/97 -0500, you wrote:
In making a comparison
>between the music of Froese and that of, say, John Tesh, (I am perhaps
>comparing apples and oranges here), but Froese's style is much more
>introspective and revealing of the composer than that of Tesh. With Froese
>one is tempted to say that the music is a _primary_ source of
>_communication_, whereas Tesh is merely and primarily a performer.
>
> Comments welcome.
>
>Phil Naunton
Ah! Phil!
Exactly how I feel about Froese also. While a lot of 'new' music seems to
be more an effort to display the talents (or lack of) of the performers TD
has always seemed to me to be about communicating a mood, or in tne ST's, a
story. I think thats why a lot of us drift into the music so deeply when
listening--or perhaps engaging--in the music of TD, as opposed to merely
'listening' to other stuff. It's hard to put TD on as 'background' music.
I've tried and my eggs are always burned.
Mike
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 7:14
pm
Subject: More new C. Franke
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Really-From: Michael A Jean
I just picked up TRANSFORMATION of MIND over lunch...
No review yet...Were we expecting this?
MJ
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 6:54
pm
Subject: More new TD releases for '98
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Really-From: Antonio Nunes
The electronic music newsletter 'Amazing Sounds' #40 mentions some other
new TD releases in addition to The Keep and TimeSquare. They are:
- The video 'Luminous Visions' by Yoichiro Kawaguchi (soundtrack by
Tangerine Dream). Official release: January 1998 (Sony Music Videos). A
soundtrack CD release is also planned.
- Other '98 releases: 'Red Night', 'Forbidden' and 'Red Heat'. Edgar and
Jemore Froese have composed the score for a experimental film about a
journey on the Transsiberian Railway from Moscow to Novosebirsk.
Does anyone have more info on these new releases? It seems that 1998 is
going to be a very expensive year for TD fans!
BTW, this same issue of 'Amazing Sounds' includes a review, CD by CD,
from Klaus Schulze's Jubilee Edition. I've been receiving this
newsletter via email, but it seems to be also available on the web at:
http://www.amazings.com/ingles.html
Antonio
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 7:33
pm
Subject: Go for Ashoks brilliant sampler !
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Really-From: 'Jens Peschke'
> Really-From: ashok prema
>
> And Finally..........so the compilation is out - how many of those who
> showed an interest are going to be true to their word and buy one?? Come
on
> guys .......don't procrastinate.......I've delivered the goods as
> promised....do your bit!
I´ve bought my copy at the Dutch KLEMdag a few weaks ago and
tell you what: If you´ve promised to buy one or not,
just go for it!
The sampler runs 69:05 and contains some of the most stunning British
EM acts of the 90s.
It includes 3 -let´s say- retro 70s acts:
AirSculpture, Redshift and Radio Massacre International.
If you love the style of TD in the 70s and don´t already know these acts
you can taste their music at a low price.
Wanna hear something like Ricochet part II ? Yes ?
Then you´ll love the 7:32 track 'Ether' by Redshift.
I´m not a huge Redshift but this track is a killer, btw.
´nuff said ?
Don´t ask why.Just send an e-mail to Ash saying how much copies to you
wanna have ;-)
Regards
Jens
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 11, 1997 9:12
pm
Subject: Re: More new C. Franke
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Really-From: 'Jim Moore'
> I just picked up TRANSFORMATION of MIND over lunch...
> No review yet...Were we expecting this?
It's been on the SI page for a while, but without a release
date...
It be very interested in a review, especially after what happened
with Pacific Blue...
- jimbo
'And always remember the last words of my grandfather,
who said, 'A truck!' ' --Emo Phillips
'jimbo@v...' is Jim Moore, Atlanta, Georgia, USA
Home Page: http://www2.vivid.net/~jimbo
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: AMBIENT M, KEEP, TIMESQUARE--not!
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Really-From: Steven Feldman
>Subject: Tightasses: Vs. Jokers: Misunderstandings
>From: tadream@c... (tadream mailing list)
>Date: Tue, 11 Nov 1997 06:27:33 -0800
>Really-From: 'Elias Granillo, Jr.'
>
>>Really-From: 'Plumer, Scott'
>
> <>Uh oh...here comes the tight ass, Mr Feldman. Lighten up dude.
Hey, you passed up a joke, there. You could have said, 'Loosen up
dude,' in reference to the 'tight ass' comment. Then you'd have us on
the run(s). X-0 (That was a dose of your own medicine: 'crappy' humor.)
> <>i notice you haven't had much to say lately anyway.
Outside of what I've said about AMBIENT MONKEYS, THE KEEP, and
TIMESQUARE, you mean? Oops, I forgot: you skip the relevant posts to
this list in favor of feedback on your two-man fanclub.
>>>Really-From: Gabe Yedid
>>>On Mon, 10 Nov 1997, tadream mailing list wrote:
>>
>>> Really-From: 'Plumer, Scott'
>>>
>>> <>Uh oh...here comes the tight ass, Mr feldman. Lighten up dude.
Nice to see you took advantage of using this charming phrase twice
in the same post.
>>> Make that tight-asses. I'm getting pretty tired of these
>>>14-year-old-boys'-locker-room attempts at humor. [. . .]
>>
>>Add a #3. It's so nice to know there are people on the list less tactful
>>than I am ;).
I guess you guys don't really know me that well. ;) When I referred
to what Dano and Eli had/have/might have to say as irrelevant, I have a
feeling neither of them really understood the enormity of my statement nor
the level of irrelevancy I was talking about. In other words, children
should be seen and not heard. Heh heh heh.
>>Mostly I have just been ignoring any post that comes bearing
>>the names of these boys in the header...
>
>'boys,' he used the term, 'boys'--so are you inferring you're actually a
>man? (Psst...dude, chicks like a guy with a sense of humor)
Yeah, well, I remember that in my neighborhood, there was a real
'funny guy' who actually went so far as to hang kotexes from the branches
of a tree in front of a bank--waiting for unsuspecting pulchritudinous
women to pass by, whereupon he would ask them if they'd like to help him
use these.
And as regards the gulf between boys and men, I don't think anyone
here really wants to hear my thoughts about what interest in electronic
music--as opposed to other types of music--implies about one's abilities
to interact with not only other people but the world at large.
>*cough* Yeah, so, you guys, you really gotta shake the doo-doo outta your
>Levi's and take a walk on the wild side. [. . .]
Been there, done that. I'm 39 years old. If I want to relive my
youth, I'll examine my conscience, not listen to you two 'wits' parade
your immaturity. Almost 7 years ago, I started a listserv list with the
express purpose of avoiding the sort of useless wastes of time your
posts generally are. It worked. The offending list gets about 70 posts
per day, most of which are infantile flames, whereas what was once my
list (I've since turned it over to others) gets about 12. It is self-
policed, and most people are greatful for it. (The list concerns
Japanese animation. Odd how people into 'cartoons' have more restraint
than folk into e-music.)
-- Steven Feldman
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8620
Re: AMBIENT M, KEEP, TIMESQUARE--not!
Steven Feldman
Wed
11/12/1997
8 KB
8623
Re: AMBIENT M, KEEP, TIMESQUARE--not!
DJS
Wed
11/12/1997
3 KB
8663
Re: AMBIENT M, KEEP, TIMESQUARE--not!
Robert Grabowsky
Thu
11/13/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 2:55
am
Subject: RE: AMBIENT M, KEEP, TIMESQUARE--not!
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Really-From: KRAUSENECKS
Hi gang,
ok- since I read EVERY thing on this list, TD or not I gotta voice my
-er-voice. This whole debate on juvinile humor has gotten way nutty. I am also
guilty of a silly comment every now and then, but one invited a -I
FELT-somewhat harsh response fom Mr.E-man. Now my comment'LATE LONELY NITE
>Subject: Tightasses: Vs. Jokers: Misunderstandings
>From: tadream@c... (tadream mailing list)
>Date: Tue, 11 Nov 1997 06:27:33 -0800
>Really-From: 'Elias Granillo, Jr.'
>
>>Really-From: 'Plumer, Scott'
>
> <>Uh oh...here comes the tight ass, Mr Feldman. Lighten up dude.
Hey, you passed up a joke, there. You could have said, 'Loosen up
dude,' in reference to the 'tight ass' comment. Then you'd have us on
the run(s). X-0 (That was a dose of your own medicine: 'crappy' humor.)
> <>i notice you haven't had much to say lately anyway.
Outside of what I've said about AMBIENT MONKEYS, THE KEEP, and
TIMESQUARE, you mean? Oops, I forgot: you skip the relevant posts to
this list in favor of feedback on your two-man fanclub.
>>>Really-From: Gabe Yedid
>>>On Mon, 10 Nov 1997, tadream mailing list wrote:
>>
>>> Really-From: 'Plumer, Scott'
>>>
>>> <>Uh oh...here comes the tight ass, Mr feldman. Lighten up dude.
Nice to see you took advantage of using this charming phrase twice
in the same post.
>>> Make that tight-asses. I'm getting pretty tired of these
>>>14-year-old-boys'-locker-room attempts at humor. [. . .]
>>
>>Add a #3. It's so nice to know there are people on the list less tactful
>>than I am ;).
I guess you guys don't really know me that well. ;) When I referred
to what Dano and Eli had/have/might have to say as irrelevant, I have a
feeling neither of them really understood the enormity of my statement nor
the level of irrelevancy I was talking about. In other words, children
should be seen and not heard. Heh heh heh.
>>Mostly I have just been ignoring any post that comes bearing
>>the names of these boys in the header...
>
>'boys,' he used the term, 'boys'--so are you inferring you're actually a
>man? (Psst...dude, chicks like a guy with a sense of humor)
Yeah, well, I remember that in my neighborhood, there was a real
'funny guy' who actually went so far as to hang kotexes from the branches
of a tree in front of a bank--waiting for unsuspecting pulchritudinous
women to pass by, whereupon he would ask them if they'd like to help him
use these.
And as regards the gulf between boys and men, I don't think anyone
here really wants to hear my thoughts about what interest in electronic
music--as opposed to other types of music--implies about one's abilities
to interact with not only other people but the world at large.
>*cough* Yeah, so, you guys, you really gotta shake the doo-doo outta your
>Levi's and take a walk on the wild side. [. . .]
Been there, done that. I'm 39 years old. If I want to relive my
youth, I'll examine my conscience, not listen to you two 'wits' parade
your immaturity. Almost 7 years ago, I started a listserv list with the
express purpose of avoiding the sort of useless wastes of time your
posts generally are. It worked. The offending list gets about 70 posts
per day, most of which are infantile flames, whereas what was once my
list (I've since turned it over to others) gets about 12. It is self-
policed, and most people are greatful for it. (The list concerns
Japanese animation. Odd how people into 'cartoons' have more restraint
than folk into e-music.)
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 4:54
pm
Subject: Regarding 'Juvenile Humor'
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
OK, guys, regarding the 'atrocious juvenile humor' inconsiderably committed
by myself and Dano, here's what I have to say:
TO: (individually)
KRAUSENECKS aka Chris: don't worry, man, I was joking around, too. 'Moron'
is a
term I use most liberally. I know you were joking around,
too. You seem like a cool guy. I'll suggest that Dano just GIVE
you those items. The parking lot (quote #3) one is a little tough,
eh?
GABE YEDID: DUDE...go take a valium. Get some bedrest. You're getting way
too
wrapped up in this. Sheesh (haha). As for your psychosis,...YOU
deal with it. And don't give ME advice on what chicks like (haha
the
funniest part of your post)--you don't know me, and you don't
the
honeys I've serviced. Just ask Dan, heh heh. And I'm NOT smug
about it, either.
SCOTT PLUMER: 'Ditto,' maybe? Actually, I really don't give a damn.
STEVE FELDMAN: OK, Steve, you've had your say. I'm not going to comment
much
on it. We can all post what we want. Look, if you see my name
or Dan's in the header, just point to DELETE and click. Don't
read the post if you don't want to. Nobody makes you read
anything; you read them because you WANT to. I personally
think you've enjoyed commenting on these matters. Dan and I
aren't going anywhere, nor are we offended that you guys have
been so affected by our posts. There isn't really anything more
to say about these matters, so, to Gabe, Scott, and yourself,
'Hasta la vista, babeeeeeeee....'
Sincerely,
E-Man
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Re: Regarding 'Juvenile Humor'
Ken Alexander
Wed
11/12/1997
2 KB
8662
Re: Regarding 'Juvenile Humor'
Robert Grabowsky
Thu
11/13/1997
3 KB
8633
Re: Regarding 'Juvenile Humor'
Marshall Wood
Wed
11/12/1997
3 KB
8664
Re: Regarding 'Juvenile Humor'
Robert Grabowsky
Thu
11/13/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 5:53
am
Subject: Re: Tightasses: Vs. Jokers: Misunderstandings
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Gabe Yedid
>
> Let me just say this Eli: I *never* want to visit the parallel universe
> where Scott, Jens, and I are like what you and Dan are now.
>
> Some of us like to keep our TD discussions a little highbrow. Deal with it.
> If what you've been doing is the only way you know how, well, I think
> that's kind of sad.
>
> Chicks like guys with a sense of humour, that may be true. They also like
> guys with a sense of maturity.
>
> Gabe
>
> real email addresses: gabe@c...
> gyedid@p...
Hey Gabe...I thought you didn't read our posts. Yeeehahahahaha!!!
Dano
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Robert Grabowsky
Thu
11/13/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 5:59
am
Subject: Re: AMBIENT M, KEEP, TIMESQUARE--not!
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Really-From: DJS
It worked. The offending list gets about 70 posts
> per day, most of which are infantile flames, whereas what was once my
> list (I've since turned it over to others) gets about 12. It is self-
> policed, and most people are greatful for it. (The list concerns
> Japanese animation. Odd how people into 'cartoons' have more restraint
> than folk into e-music.)
>
> -- Steven Feldman
Sorry Steve...I didn't realize you were such an old fart. My mistake.
By the way, I work with the largest Animation mail order store in the
nation...perhaps the world...and I've met thousands of anime fans...and
not ONE has been as much of a humorless sourpuss such as yourself...and
that's sad. I've seen people I'd rather associate with at furry cons
than such a person as yourself...and that's the saddest part.
Dano
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Robert Grabowsky
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 5:31
am
Subject: Re: Regarding 'Juvenile Humor'
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Really-From: Ken Alexander
That's it, I'm outta here. Somebody let me know if E-Man and Dano
ever get uns*bscribed.
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 7:37
pm
Subject: New releases
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Really-From: 'Elias Granillo, Jr.'
- Other '98 releases: 'Red Night',
ORGASMOTRON!
> 'Forbidden'
Never heard it. Was told it wasn't that great. But since it's from the
Schmoelling-era,
I know I'll be purchasing it!
>and 'Red Heat'.
ORGASMOTRON PLUS!!! Killer!!!
>Edgar and Jerome...have composed the score for a experimental film about a
>journey on the Transsiberian Railway from Moscow to Novosebirsk.
Sounds good. Maybe they'll 'experiment,' too, and we'll hear some good
results instead of ROCTIDES-TYRANNYCLUB Part XVIII.
>Does anyone have more info on these new releases? It seems that 1998 is
>going to be a very expensive year for TD fans!
>BTW, this same issue of 'Amazing Sounds' includes a review, CD by CD,
>from Klaus Schulze's Jubilee Edition. I've been receiving this
>newsletter via email, but it seems to be also available on the web at:
>http://www.amazings.com/ingles.html
>Antonio
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 7:43
pm
Subject: Regarding Juvenile Humor
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Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 5:31
pm
Subject: The funny postings
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------------------------------------------------------------------------------
Really-From: hkraft@c... (Hilmar Kraft)
>Sorry Steve...I didn't realize you were such an old fart. My mistake.
>By the way, I work with the largest Animation mail order store in the
>nation...perhaps the world...and I've met thousands of anime fans...and
>not ONE has been as much of a humorless sourpuss such as yourself...and
>that's sad. I've seen people I'd rather associate with at furry cons
>than such a person as yourself...and that's the saddest part.
>
>Dano
Well, Beavis, I think Steven has 100 times more humor than you do.
Strange, isn't it? The point is that humor is a very subjective
thing. Ok, so you and Butthead have obviously seen 'Wayne's World' and
'Bill and Ted's Excellent Adventure' a few too many times. And anybody
who has a different sense of humor must automatically be a sourpuss,
right? Actually, you are the one who is a sad sourpuss because you
didn't even get the humor of Jens (Yense) at all. You sad bastard, get
a life and lighten up, where is your sense of humor, man?
One thing you should keep in mind, though: This mailing list is a very
international forum, and not just full of Californians. There are very
big gaps in culture, and humor is a very important part of what
defines a culture. You have no right to call other people names
because they find other things more funny than your posts. I for one
actually didn't mind your postings and those of Butthead that much,
but the fact that you can't accept any criticism and immediately dish
out shows me that you two really don't have *any* sense of humor!
For example in my culture (Germany), laughing about oneself and making
fun of oneself is considered a very creative form of humor. Score for
Dano and E-Man in this category: 0.
I think it would be nice if you two realize that we are here mainly
for TD. If we want to read funny things, we can go on the usenet and
read anything from 'alt.humor' to 'alt.sick.perverted.jokes'
depending on taste. An occasional funny post is great (for example
Lars Jones has proven to be a master of *intelligent* humor). But to
read the 26th 'funny' tracklist, ha ha, of a 'new' TD album is really
beating an old joke to death, there is nothing funny about that
anymore, unless you live in California and didn't get the joke the
first 25 times around...
Hilmar
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Gabe Yedid
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Just say No
Sean Montgomery
Wed
11/12/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 6:40
pm
Subject: My 2 cents
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Really-From: lawry@h... (Lawry Simm)
Well, if there's going to be a tightass convention, count me in too.
Beavis and Butthead's humour is old hat now. Boring indeed. It's
a travesty that people feel they have to leave the list, not because
they've gone sour on TD, but because they're sick of juvenile comments.
Don't begin to think I haven't a sense of humour either, many things
make me laugh, but not this. I must admit to having smiled a few times
to some of your posts, but this relentless tirade is becoming tiresome.
How about taking a rest for a few days to give us all a break? :-)
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 12:35
pm
Subject: Re: Signal to Noise Ratio
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Really-From: dn3
On Sun, 09 Nov 1997 21:06:50 -0800 tadream mailing list
wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: DJS
>
>
> Uh oh...here comes the tight ass, Mr feldman. Lighten up dude. i notice
> you haven't had much to say lately anyway.
>
> Dan
Don't you reckon that the recent silence of formerly more
active members could have something to do with them getting
pi**ed of about having to go through the tedious procedure
of deleting tons of silly, meaningless messages every day
before they find something interesting - and then, they
know that when they send a reply (a) no-one will respond
because they're all busy deleting silly, meaningless
messages, or (b) it will get 'humorised' and the meaning
diluted by the comments of people who want to have fun on
the list through what seems to be making fun _of_ the list.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 12:39
pm
Subject: Re: so Dream Mixes 2 is, in fact, a remix album?
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Really-From: dn3
On Sun, 9 Nov 1997 00:21:51 -0500 (EST) tadream mailing
list wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: Gabe Yedid
>
>
> Dennis, are we to infer from your comment about 'Mobocaster' being
> 'Twilight Brigade' in disguise, that the rest of _DM2_ is really remixes of
> recent stuff, just under new titles? (with the obvious case omitted)
'Mobocaster' is definitely 'Twilight Brigade'. I don't know
whether the rest of Time Square is derived from other
compositions - some bits sound familiar, but the approach
seems to be quite subtle. I'll have to listen carefully
once I've got the time.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: The Dremas are known to you
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Really-From: scooter@m... (John Von Pey)
Hello Lawry,
-=> Quoting tadream@c... to John von Pey <=-
ta> You're asking the right bloke about The Dremas are known to you, as I
ta> bought a copy a couple of months back and asked the same question of
ta> the list.
ta> From what I could find out from some of our smashing chums, there was
ta> no gig in Kansas City in 1977. This record is actually a re-issue of
ta> the other well known boot Emerald Beyond. IIRC, that's from the
ta> Seattle gig (I'm sure someone will correct me if I'm wrong).
First, thanks for the information. But I've got new info to. Yesterday
I compared the recordings I made of The dremas are known to you and
Die Meridianen von Zymbiola. They are both exactly the same. And after
listening to the audience noises I even can say I'm sure they are the
same pressing! But Die meridianen von zymbiola states on the cover that
the concert was in Seattle. I now have to compare these recordings with
The Emerald Beyond it seems.....
ta> Also, I paid 15 uk pounds for mine (about 38 DM I think) so 175 DM is
ta> way over the top.
This makes you think about prices on record fairs don't you?
ta> Hope this helps,
It surely did.
Tadream on,
John
ta> -!- WtrGate+ v0.93.p2 sn 49
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 3:36
pm
Subject: Re: The funny postings
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Really-From: Gabe Yedid
On Wed, 12 Nov 1997, tadream mailing list wrote:
> Really-From: hkraft@c... (Hilmar Kraft)
>
>
> Well, Beavis, I think Steven has 100 times more humor than you do.
> Strange, isn't it? The point is that humor is a very subjective
> thing. Ok, so you and Butthead have obviously seen 'Wayne's World' and
Durn, Hilmar, ya beat me to the punch.
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 3:51
pm
Subject: Re: Regarding 'Juvenile Humor'
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Really-From: Marshall Wood
Ken Alexander said, just before waving goodbye:
>That's it, I'm outta here. Somebody let me know if E-Man and Dano
>ever get uns*bscribed.
Ditto. If I want to read that kind of crap all day, I'll go to
some AOL chat room. The only time I laughed was when one of those
guys recommended a Spock's Beard album.
Another humorless tightassed sourpuss,
MWood
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 4:30
pm
Subject: Re: Dolphin Dance Live??
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Really-From: TWeibre361@a...
In a message dated 97-11-11 14:24:11 EST, you write:
<< And Finally..........so the compilation is out - how many of those who
showed an interest are going to be true to their word and buy one?? Come on
guys .......don't procrastinate.......I've delivered the goods as
promised....do your bit!
>>
whats the details on this? thanks...tom w
np: bill nelson - the two~fold aspect of everything
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 3:59
pm
Subject: Flashpoint CD changes hand for GBP50
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Really-From: 'Jeffrey Au-Yeung'
Hello
For those who assemble archival material - The book 'The Complete
Introduction To Record Collecting', compiled by Record Collector, includes
an entry regarding Tangerine Dream. Pages 44-45 on CD albums mention that
TD's Flashpoint CD (Heavy Metal HMXCD 29 - note: should be HMI XD 29)
worths GBP50. On page 44 the text reads 'this soundtrack from the German
veterans was issued when CD sales were still low, and was soon deleted'. On
page 45 is a photo of Froese, Franke and Baumann in the studio with the
caption 'Tangerine Dream, whose 1985 'Flashpoint' CD album currently
changes hands for GBP50'.
The writer seems to presume that the high price was due to the fact that
'CD sales were low', not being aware of the situation where a large
proportion of the CDs are defective, as per 'Voices In The Dunes', so that
good copies are very scarce.
Jeffrey
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Re: Flashpoint CD changes hand for GBP50
Plumer, Scott
Wed
11/12/1997
3 KB
8658
Re: Flashpoint CD changes hand for GBP50
DJS
Thu
11/13/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 4:51
pm
Subject: Spock's Beard (Was: RE: Regarding 'Juvenile Humor' )
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Really-From: 'Plumer, Scott'
>some AOL chat room. The only time I laughed was when one of
those
>guys recommended a Spock's Beard album.
What's wrong with Spock's Beard? Check out their hompage at:
http://www.altura.com/jordanz/spocks_beard/
Scott
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 5:10
pm
Subject: RE: Signal to Noise Ratio
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Really-From: 'Plumer, Scott'
. . .
>> from the Hyperborea sessions. I'm not saying that's bad,
though. I think
>> it shows how much influence Ed had over the band. I'd like to
see a solo
>> album from the 1990's.
>And wow, wasn't that informative and pertinent compared to the
humor as
>of late?? This is the kind of redundant opinion and information
I think
>most people on this list are tired of seeing....then
again...maybe
>not....right Jens, Gabe?
Well, what the hell is the list for?!?!? If you'd bothered to
read the list, you'd notice that we've had an ongoing discussion for
over a year where we've discussed every TD (remember them?) album, then
started every solo album. This week the topic of discussion is
Pinnacles, so that's what _I_ was talking about. You might have
contributed by discussing whether you saw elements of Hyperborea in
Pinnacles or FM in Stuntman. Concurring with or refuting my opinion. I'm
sure the silent majority of this list is tired of seeing what songs we
should wipe our asses to. As for me, I'll wipe my ass with your
messages, since that's about how good the 'humor' on them is. Watch a
lot of 'Beavis & Butthead,' eh? Don't you need to get up early for
junior high? Or are you a drop-out?
Scott
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 5:27
pm
Subject: Burn, Heretic, Burn!
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Really-From: John Burek <72241.2313@c...>
E-man, about your comments:
>> We can all post what we want. Look, if you see my name
>>or Dan's in the header, just point to DELETE and click.
Don't
>>read the post if you don't want to. Nobody makes you
read
>>anything; you read them because you WANT to.
Well, y'know, you're wrong. One thing to keep in mind, which I'm sure
you're aware of: There are two versions of this list, the bounce version
and the digest version. Not all of us (such as yours truly) can keep up
with the bounce version dumping 30 messages a day into our email inboxes,
so we subscribe to digest mode and get all the tadream e-mails as one big
lump every day. Thing is, if we want to stay tadream subscribers, we don't
have a choice but to look at all the messages on digest to figure out which
ones are relevant, and which ones are shit.
I, myself, don't appreciate receiving a 68K
file every day filled with 65K of pathetic attempts at
crude/vulgar/homophobic humor and 3K of TD content. I subscribe to tadream,
not surprisingly, for the TD content, and sure don't mind tasteful,
relevant humor, but I have to say that the maturity level of a lot of the
posts I've seen lately is pretty close to, well, zero.
IMO: If I wanted to read this kind of kiddie crap, I'd subscribe to the
High-School-Locker-Room-Bullshit mailing list. Plenty of other list
members, I'm sure, have grown well beyond that stage of their lives. In
time, I suppose, you two will too. :-)
This list works (or used to work) because its members have traditionally
used a bit of discretion in their posts and tried (and usually succeeded)
in keeping the discussion out of the gutter. Not to speak for the
collective conscience of the list, but I would think we should all aspire
to at LEAST maintain minimal standards of discretion and some semblance of
good taste in our public lives.
Anyone else care to join the crusade for a better tadream? I'll be passing
out the lit torches and shotguns in a few minutes to anyone interested. :-p
--John 'I'm a Holier-Than-Thou Bastard and Proud of It' B.
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Re: Burn, Heretic, Burn!
Vincent Goudreault
Wed
11/12/1997
3 KB
8665
Re: Burn, Heretic, Burn!
Robert Grabowsky
Thu
11/13/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 5:33
pm
Subject: Administrivia: Complaints About this list.
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Really-From: datta@c... (David Datta)
I am saddened by the current state of this list. I would like to think
that the people on this list are of a higher class than the rest of the
internet lists and forums. Unfortunately, there are several people on
this list who seem to think idiotic behaviour and crass humour is fun.
It is also unfortunate that this behaviour is on-topic and about
Tangerine Dream. If I am to be held to my own standards, I won't censor
them. There has never before been a time in the last 7 years that I
have been running lists that I have wished that I set up rules to
specifically stop juvenile actions. I don't want to even try to define
such rules. I don't like even the idea of censorship.
At this point, I feel I have 3 options. 1. Maintain my non-censorship
stance and let things degenerate. 2. Change the rules and kick the
offending members off and filter all of their mails from the list.
3. Simply shut down the list and not deal with the question.
My inclination right this minute is option 3.
To several list members:
Please, please, please stop. Cool it. Please bring yourselves
out of the gutter and try and make this list what it once was,
a place for information and civil discussion. Consider
carefully what you are posting before you post it. Do you want
to be known as list destroyers or participants? There have
been several polite requests from other list members, please
take their advice.
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Date
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8642
Re: Administrivia: Complaints About this list.
Plumer, Scott
Wed
11/12/1997
2 KB
8651
Re: Administrivia: Complaints About this list.
feldon@p...
Thu
11/13/1997
6 KB
8666
Re: Administrivia: Complaints About this list.
TangerineC@a...
Thu
11/13/1997
2 KB
8679
Re: Administrivia: Complaints About this list.
Plumer, Scott
Thu
11/13/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 6:13
pm
Subject: Re: Burn, Heretic, Burn!
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Really-From: 'Vincent Goudreault'
Thank you John, for precisely expressing my feelings. My silence should
be interpreted as support to those who still consider this a forum to
discuss Tangerine Dream (and related artists), not for pre-pubescent
teen-agers and their lame conception of what humor is. Having been on this
list for quite some time, those young dude should understand that most
of us have 'been around' and that their childish attempts at humor have
all been done before, and that we are no longer amused.
C.B. Vincent Goudreault
online since early 93, TD fan since 77
first exposure: Stratosfear, fave albums: Rubycon/Ricochet
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 6:17
pm
Subject: Just say No
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Really-From: Sean Montgomery
> Well, Beavis, I think Steven has 100 times more humor than you do.
> Strange, isn't it? The point is that humor is a very subjective
> thing.
I'm glad that *someone* is willing to make a reasonable argument here. So
far, I have responded to the 'junk' postings the same way I respond to
Howard Stern: I pay no attention. I have thrown out about 90% of my
messages from the tadream list this week, on the basis of the subject
header alone. Soon, everyone will do this, and the armpit fart humour
will find an audience somewhere else.
Sean Montgomery 3D ANIMATOR
http://www.topix.com/~sean
'A paranoiac is someone
in possession of the facts'
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 6:44
pm
Subject: RE: Administrivia: Complaints About this list.
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Really-From: 'Plumer, Scott'
> Please, please, please stop. Cool it. Please bring
yourselves
Agreed. I'll leave it alone. I apologize for contributing to
fracas.
Scott
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 6:42
pm
Subject: RE: Flashpoint CD changes hand for GBP50
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Really-From: 'Plumer, Scott'
>worths GBP50. On page 44 the text reads 'this soundtrack from
the German
>veterans was issued when CD sales were still low, and was soon
deleted'. On
>page 45 is a photo of Froese, Franke and Baumann in the studio
with the
>caption 'Tangerine Dream, whose 1985 'Flashpoint' CD album
currently
>changes hands for GBP50'.
Yow! CDNow has 'em for about $13. US releases, I'm sure.
(So, am I going to the butt of brilliant riposte by E-Boy and
Dan-0 from this post?)
Scott
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 7:20
pm
Subject: transformation of mind
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Really-From: Michael A Jean
Short review:
The music is sweet and serene, similar to Celestine Prophecy but with less
world music elements. The disc is about 45 minutes long, with and
additional 50 minutes worth of multi-media material. Unfortunately every
track has Deepak talking about a lot of mumbo jumbo like 'Everyone has the
right to consider themselves the center of the cosmos (indian accent &
all). A welcome relief to Pacific Blue nonetheless....
MJ
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Re: transformation of mind
Jim Moore
Thu
11/13/1997
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 3:49
am
Subject: Dennis & Lawry
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Really-From: 'Elias Granillo, Jr.'
***Excerpts of responses from Dennis, Lawry & Hilmar
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 4:07
am
Subject: Hilmar
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Really-From: 'Elias Granillo, Jr.'
(Hilmar said)
>Well, Beavis[in reference to Dano] I think Steven has 100 times more humor
than you do. Strange, isn't it? The point is that humor is a very
subjective
You mean OBjective
>thing. Ok, so you and Butthead have obviously seen 'Wayne's World' and
>'Bill and Ted's Excellent Adventure' a few too many times.
Only once and twice, respectively.
>And anybody who has a different sense of humor must automatically be a
sourpuss, right? Actually, you are the one who is a sad sourpuss because
you
>didn't even get the humor of Jens (Yense) at all. You sad bastard, get
>a life and lighten up, where is your sense of humor, man?
You're talking to Dano at this point so far, but I'll comment: Jens is a
really funny guy, and yes, we DID get his joke. So you can sleep
comfortably at night, now.
>One thing you should keep in mind, though: This mailing list is a very
>international forum, and not just full of Californians. There are very
>big gaps in culture, and humor is a very important part of what
>defines a culture. You have no right to call other people names
>because they find other things more funny than your posts. I for one
>actually didn't mind your postings and those of Butthead that much,
>but the fact that you can't accept any criticism and immediately dish
>out shows me that you two really don't have *any* sense of humor!
You're still talking to Dano, but you referred to both of us in that last
statement.
#1: of course it's an international forum. How lame for you to think we
wouldn't know
that, especially with a band like Tangerine Dream.
#2: Of course there's not just Calif's here, but let me tell you something,
Hilmar: Calif
has become a virtually melting pot of cultures, and many Europeans,
Africans Asians and South Americans travel (or even move) to Calif.
I've known
many different individuals from these cultures, so I'm not the
ignoramus you
think I am. You probably think I'm Caucasian, don't you? Why don't
you do
some research on my surname...By the way, Dan is German.
>For example in my culture (Germany), laughing about oneself and making
>fun of oneself is considered a very creative form of humor. Score for
>Dano and E-Man in this category: 0.
How strange. That 'brand' of humor has run rampant here in the Western
United States for as long as I can remember. We make more jokes about
ourselves than others by a wide margin,a very wide one.
>I think it would be nice if you two realize that we are here mainly
>for TD. If we want to read funny things, we can go on the usenet and
>read anything from 'alt.humor' to 'alt.sick.perverted.jokes'
>depending on taste. An occasional funny post is great (for example
>Lars Jones has proven to be a master of *intelligent* humor). But to
>read the 26th 'funny' tracklist, ha ha, of a 'new' TD album is really
>beating an old joke to death, there is nothing funny about that
>anymore, unless you live in California and didn't get the joke the
>first 25 times around...
Haven't posted any 'new' albums/tracklists, for a bit, my friend.
E-Man
>Hilmar
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 8:18
am
Subject: Msg To Datta
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Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 8:56
pm
Subject: Tatort Tracks
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Really-From: FredYargui@a...
Hello, Tangerinies,
I need some information about the tatort tracks; this is what I know:
'Daydream', 'Moorland' feature in Miriam episode ('Daydream' is the main
title)
Wavelength 'Airshaft', 'Alley Walk' also feature in Miriam
'Das Madchen auf der Treppe' is another episode
'I Just want to rule my own life without you' is another tatort track.
Is this complete? Can anyone add information about this?
Jose Fernandez wrote once about 'Die Melodie Aus Dem Gleichnamigen Tatort'
What's the contents of this single?
Hope that helps any other...
Fred
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Thu
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3 KB
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Re: Tatort Tracks
Hilmar Kraft
Thu
11/13/1997
6 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 9:13
pm
Subject: Re: My 2 cents
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Really-From: 'Gerry Fox'
> Really-From: lawry@h... (Lawry Simm)
>
>
>
> Well, if there's going to be a tightass convention, count me in too.
> Beavis and Butthead's humour is old hat now. Boring indeed. It's
> a travesty that people feel they have to leave the list, not because
> they've gone sour on TD, but because they're sick of juvenile comments.
>
> Don't begin to think I haven't a sense of humour either, many things
> make me laugh, but not this. I must admit to having smiled a few times
> to some of your posts, but this relentless tirade is becoming tiresome.
>
> How about taking a rest for a few days to give us all a break? :-)
As a constant reader of the postings on this list and occassional
contributor I am in agreement with the above sentiments. I was sorry to see
someone leave the list due to the increaseingly vitriolic comments by a
couple of, shall we say, misfits?
But is that not what they want ?. They are employing what they think is
anarchic humour, and anarchy is designed to upset the status quo. I am
sure they are happy at what they have achieved.
I am not a sourpuss, I like humour just as much as the next person, and
there has been some fine, intelligent, relevant and subtle humour on this
list over the year or so that I have subscribed. I will continue to stay
with the list and the kids will get fed up and go away and annoy some other
group, and the rest of us will continue with enjoying and discussing TD.
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 9:10
pm
Subject: RE: Free TD Stuff To Give Away Part 2!!
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Really-From: KRAUSENECKS
3. 'And YOU can count....on ME waiting for you in the parking lot!'
BREAKFAST CLUB??
I NEED A HINT ON 4.-IM LOST ON THIS ONE!
CHRIS
----------
From: tadream mailing list
Sent: Tuesday, November 11, 1997 1:47 AM
To: tadream@c...
Subject: Free TD Stuff To Give Away Part 2!!
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Really-From: DJS
Okay, it's time for the second quote contest for free TD goodies. I have
a TD Disky CD Picturedisc and Franke's PCH CD to give away and all you
have to do to get em both is be the first one to tell me what movies
these amazing quotes come from. Here comes the quotes:
1. 'Man, you better screw yer head on. Yer not just playin with your
life you're playin with mine.'
2. 'See, we plan ahead....that way we aren't doing anything right
now....Earl explained it to me.'
3. 'And YOU can count....on ME waiting for you in the parking lot!'
4. 'Someone's buckin for a promotion....probably that headerass
Hannerhann'.
5. (and now the throwaway) 'Prisoner transfer from cell block 1138'
There you have it. I'll be actually giving away some rare cool stuff in
the future but I'm gonna give away my extras this time. Good luck.
Regards,
Dano
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 10:10
pm
Subject: Re: Administrivia: Complaints About this list.
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Really-From: feldon@p...
At 11:33 AM 11/12/97 -0600, you wrote:
>---------------------------------------------------------------------------
---
>To remove yourself from this list, send a message to majordomo@c...
that
>says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
>message body. You MUST do this from the address you subscribed with.
>The List owner does not read this list. Complaining here is useless.
>---------------------------------------------------------------------------
---
>Really-From: datta@c... (David Datta)
>
>
>I am saddened by the current state of this list. I would like to think
>that the people on this list are of a higher class than the rest of the
>internet lists and forums. Unfortunately, there are several people on
>this list who seem to think idiotic behaviour and crass humour is fun.
It never works this way, Mr. Datta. Unfortunately, some filtering is
necessary in every list, group, and organization.
>It is also unfortunate that this behaviour is on-topic and about
>Tangerine Dream. If I am to be held to my own standards, I won't censor
>them. There has never before been a time in the last 7 years that I
>have been running lists that I have wished that I set up rules to
>specifically stop juvenile actions. I don't want to even try to define
>such rules. I don't like even the idea of censorship.
There will always be someone who doesn't deserve to be part of a group. The
only right thing to do it to take them out swiftly after 2 warnings. Am I
sounding harsh? I am sorry if I am, but having put up with such garbage in
the past, solutions are limited.
>At this point, I feel I have 3 options. 1. Maintain my non-censorship
>stance and let things degenerate.
You don't leave graffiti on a wall when you hold a paint can in your hand
do you? Why let things degenerate on the TD list?
>2. Change the rules and kick the
>offending members off and filter all of their mails from the list.
>3. Simply shut down the list and not deal with the question.
>My inclination right this minute is option 3.
If you are seriously considering option #3, then we need a moderated list
and I am volunteering to run it. This would be unfortunte, since I think
you, Dave, are integral to making this whole thing work, but I'll do it if
I have to. We, the fans of Tangerine Dream will not choose or accept to be
without a list.
If you need a filter, (frankly, I think every organization needs an e-mail
filter), then I volunteer.
The software to run a mailing list is shareware and I've used such software
before. I will *make* time to run such a list. I am a firm believer in
'solving problems'. Now whatever connotation you want to read from that is
fine, but I take out the garbage and keep things operating smoothly. And,
yes, that may involve kicking people off the list.
In my job, if something doesn't fit, you take it out. You don't try to live
with it. Why force ourselves to cope with idiocy, when the 'remove' button
is so close and so easy. It's not censorship, it's not controlling
information, it's called problem solving.
Anyone here who has used IRC (Internet Relay Chat), knows that about 30% of
the people on IRC are complete scum who you would NEVER want to meet in
person. I operate 2 chat channels on IRC, and the list of people banned
from those channels it at 30 people and growing every day. I don't feel
guilt. I am happy, because the people who have fair, objective comments
about the topic feel comfortable staying, knowing that the troublemakers
will be removed.
The traffic on the tadream mailing list is unbelievable the last 2 weeks. I
have about 400 unread messages from the list. If a lot of this is off-topic
or off-color, then it's unfortunate, and I'm going to privately e-mail the
individual troublemakers.
Morgan Marks
feldon@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 10:42
pm
Subject: Re: Tatort Tracks
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Really-From: 'Jens Peschke'
> Really-From: FredYargui@a...
> Jose Fernandez wrote once about 'Die Melodie Aus Dem Gleichnamigen
Tatort'
> What's the contents of this single?
'Die Melodie aus dem gleichnamigen Tatort' (The melody from the 'scene of
crime' (Tatort) with the same title) is
'Das Maedchen auf der Treppe' (The girl on the stairs). That single
includes some of the tracks
you already mentioned (Flock, etc) too, IIRR.
Hope this helps
Scene_of_crime_watcher Jens
P.S.: Someone (what´s his face?) has asked about the music of the new
Schimanski (aka Goetz George) 'Tatort' (scene of crime)
series. I´ve watched the 1st film last sunday. Although the score has been
electronic it wasn´t made by TD.
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 12, 1997 11:58
pm
Subject: RE: transformation of mind
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Really-From: Jim Moore
> The music is sweet and serene, similar to Celestine Prophecy but with less
> world music elements. The disc is about 45 minutes long, with and
> additional 50 minutes worth of multi-media material. Unfortunately every
> track has Deepak talking about a lot of mumbo jumbo like 'Everyone has the
> right to consider themselves the center of the cosmos (indian accent &
> all). A welcome relief to Pacific Blue nonetheless....
How much talking? 10% 25% 50%?
- jimbo
'I object to all this sex on the television... I keep
falling off!' -- Graham Chapman
'jimbo@v...' is Jim Moore, Atlanta, Georgia
--------------> http://www.vivid.net/~jimbo/ <------------------------
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: D:KAMIKAZE 1989 & PINNACLES
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Really-From: Steven Feldman
Sigh, because of the all the ruckus, I wasn't able to rant a little
bit about KAMIKAZE 1989. I was surprised that someone didn't like like
'Airshaft' (WAVELENGTH)--and that is because I usually equate 'Airshaft'
to 'Krismopompas' (KAMIKAZE 1989) insofar as both seem to have dissonant
clanging sounds in a style similar to 'Testlab' (FIRESTARTER) yet more
ominous. Besides, I think the following album pairs hold up well:
o WAVELENGTH and KAMIKAZE 1989 (both from 1983)
o HYPERBOREA and PINNACLES (both from 1983)
o THE KEEP and THE PARK IS MINE (1983/4 and 1984)
Besides 'Krismopompas,' I think 'Vitamin C' is a really good track
off KAMIKAZE 1989, and then there's . . . 'Snake Bath'! I don't think
there are too many TD-related tracks better than this. I look at this
tune as sort of a laid-back version of 'Mothers of Rain' (OPTICAL RACE),
despite the fact that 'Berlin Summer Nights' (DESTINATION BERLIN), too,
is a laid-back version of 'Mothers of Rain.' I made a 'music video' on
Super-8 film for a film class using 'Snake Bath,' and the results were
quite pleasing.
PINNACLES was one of my all-time fave TD-related albums for a long
time . . . then, about ten years later, I found that the big riff that
constitutes the first ten minutes of the title track was a little too
pat if one listens closely to the melody of the sequencer in the fore-
ground. Then again, the opening track (I think it's 'Specific Gravity
of Smile')--with its duelling water droplet samplings and synth droplets
--is an amazing companion for the title track of Edgar's AQUA! Even
though I now like 'Sphinx Lightning' (HYPERBOREA) more than 'Pinnacles,'
'Pinnacles' is still a wonderful track--as long, propulsive and evocative
as 'Through Metamorphic Rocks' (FORCE MAJEURE) in some ways. I used to
use a tape of 'Ricochet Pt. II,' 'Madrigal Meridian,' 'Tangram Pt. II'
and 'Pinnacles' to lend to folks who thought TD was just a bunch of New
Age hooey or second-rate Pink Floyd casualties.
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
Replies
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Re: D:KAMIKAZE 1989 & PINNACLES
Gabe Yedid
Thu
11/13/1997
7 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 1:42
pm
Subject: FLASHPOINT CD
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Really-From: 'Elias Granillo, Jr.'
>>veterans was issued when CD sales were still low, and was soon
deleted'. On
>>page 45 is a photo of Froese, Franke and Baumann in the studio
with the
>>caption 'Tangerine Dream, whose 1985 'Flashpoint' CD album
currently
>>changes hands for GBP50'.
>Yow! CDNow has 'em for about $13. US releases, I'm sure.
The One Way Records edition of FLASHPOINT could be found in
stores belonging to the Best Buy music/stereo/comp. chain,a while
back,...for a mere $8.99 U.S. dollars. Sealed. That's where I pickep up my
copy. Haven't seen one for a while, though.
E-Man
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Re: FLASHPOINT CD
Elias Granillo, Jr.
Thu
11/13/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 2:21
pm
Subject: Regarding Tangerine Ambience
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Really-From: 'Elias Granillo, Jr.'
Does anyone have information on releases by Rey Project--responsible for
their cover of 'Force Majuere'--and Supersonic Project, who covered 'Mojave
Plan'--found on TANGERINE AMBIENCE? These artists really did a killer job
of revving up these two tunes and making them their own.
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 5:04
am
Subject: Re: Regarding 'JH'
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Really-From: PNaunton@a...
In a message dated 97-11-12 04:44:20 EST, you write:
<< Look, if you see my name
or Dan's in the header, just point to DELETE and click. >>
This is what I do. E-Mail is pretty much self regulating. If a
person gets responses - well and good - if not - they will eventually fade
away (posters will find that they are only sending mail to themselves) - a
kind of natural selection results.
It works - really - I've seen it time and again. Just go on about
your business.
P.S. - - Has anybody seen Tangerine Dream around here?
Phil Naunton
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:03
am
Subject: Re: Flashpoint CD changes hand for GBP50
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: 'Plumer, Scott'
>
> >worths GBP50. On page 44 the text reads 'this soundtrack from
> the German
> >veterans was issued when CD sales were still low, and was soon
> deleted'. On
> >page 45 is a photo of Froese, Franke and Baumann in the studio
> with the
> >caption 'Tangerine Dream, whose 1985 'Flashpoint' CD album
> currently
> >changes hands for GBP50'.
>
> Yow! CDNow has 'em for about $13. US releases, I'm sure.
>
> (So, am I going to the butt of brilliant riposte by E-Boy and
> Dan-0 from this post?)
>
> Scott
Er....huh??
We have Flashpoint at Super Collector for $16.99. Our number is
800-99-sci-fi if you need any.
Regards,
Dano
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:10
am
Subject: Re: Signal to Noise Ratio
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: dn3
>
> On Sun, 09 Nov 1997 21:06:50 -0800 tadream mailing list
> wrote:
> >
------------------------------------------------------------------------------
> > To remove yourself from this list, send a message to majordomo@c...
that
> > says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> > message body. You MUST do this from the address you subscribed with.
> > The List owner does not read this list. Complaining here is useless.
> >
------------------------------------------------------------------------------
> > Really-From: DJS
> >
> >
> > Uh oh...here comes the tight ass, Mr feldman. Lighten up dude. i notice
> > you haven't had much to say lately anyway.
> >
> > Dan
>
> Don't you reckon that the recent silence of formerly more
> active members could have something to do with them getting
> pi**ed of about having to go through the tedious procedure
> of deleting tons of silly, meaningless messages every day
> before they find something interesting - and then, they
> know that when they send a reply (a) no-one will respond
> because they're all busy deleting silly, meaningless
> messages, or (b) it will get 'humorised' and the meaning
> diluted by the comments of people who want to have fun on
> the list through what seems to be making fun _of_ the list.
>
> Dennis
Actually, as an active musician, illustrator, writer and CD producer I
am quite busy and haven't had time to respond to all of the redundant
moaning. I couldn't care less what you think about my comments or Eli's,
personally.
Dano
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:56
am
Subject: Re: Tightasses: Vs. Jokers: Misunderstandings
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------------------------------------------------------------------------------
Really-From: Robert Grabowsky
GO DANO!!!!!!!!
>Really-From: DJS
>
>Hey Gabe...I thought you didn't read our posts. Yeeehahahahaha!!!
>
>
>Dano
>
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:54
am
Subject: Return To Planet Earth
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Really-From: DJS
Well, no...I've not been quiet about all of this because I've been told
to shut up. I simply have a lot of work to do (running a publisher,
writing, illustrating and lettering books takes a lot of time and
work...not to mention producing CD's (one of which Eli and I are working
on for those e-music-prog rock freaks out there.) Anyway, let me
apologize to those out there who I had previously misunderstood. Jens,
you'd be one of them. I however have no regrets to the (I'm biting my
lip) 'people' that have jumped on Gabe's band wagon to lynch Eli and
myself for doing nothing more than sharing our views regarding Edgar and
his cronies of past, present and future. The humor will continue in
smaller doses out of respect for Dave and no one else. As long as it
relates to TD, the rest of you have nothing to say about it. My
suggestion is that if you have a gripe, email me personally & either
duke it out or be my buddy. The irony is that all of you who are
complaining about all of this garbage email...well....your responses are
what's cluttering the newslist, hence that's what the garbage actually
IS. Now, if you have something you want to say about this letter, be
smart and don't post it here on this list...after all...who wants to
read a bunch of garbage...right??
Regards,
Dano
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:53
am
Subject: Re: Regarding 'Juvenile Humor'
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------------------------------------------------------------------------------
Really-From: Robert Grabowsky
Are you a WIMP or what? You mean to tell us you can't handle a little humor?
Robert
>Really-From: Ken Alexander
>
>
>That's it, I'm outta here. Somebody let me know if E-Man and Dano
>ever get uns*bscribed.
>
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:58
am
Subject: Re: AMBIENT M, KEEP, TIMESQUARE--not!
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Really-From: Robert Grabowsky
MORE POINTS FOR DANO!!!!
DO I SEE A FOREST FIRE?
THE HIGHLANDER
>Really-From: DJS
>
>
>It worked. The offending list gets about 70 posts
>> per day, most of which are infantile flames, whereas what was once my
>> list (I've since turned it over to others) gets about 12. It is self-
>> policed, and most people are greatful for it. (The list concerns
>> Japanese animation. Odd how people into 'cartoons' have more restraint
>> than folk into e-music.)
>>
>> -- Steven Feldman
>
>
>Sorry Steve...I didn't realize you were such an old fart. My mistake.
>By the way, I work with the largest Animation mail order store in the
>nation...perhaps the world...and I've met thousands of anime fans...and
>not ONE has been as much of a humorless sourpuss such as yourself...and
>that's sad. I've seen people I'd rather associate with at furry cons
>than such a person as yourself...and that's the saddest part.
>
>Dano
>
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 7:08
am
Subject: Re: Regarding 'Juvenile Humor'
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Really-From: Robert Grabowsky
NICW COMEBACK ELI.
THE HIGHLANDER
>Really-From: 'Elias Granillo, Jr.'
>
>
>OK, guys, regarding the 'atrocious juvenile humor' inconsiderably committed
>by myself and Dano, here's what I have to say:
>
>TO: (individually)
>
>KRAUSENECKS aka Chris: don't worry, man, I was joking around, too. 'Moron'
>is a
> term I use most liberally. I know you were joking around,
>too. You seem like a cool guy. I'll suggest that Dano just GIVE
>you those items. The parking lot (quote #3) one is a little tough,
>eh?
>
>GABE YEDID: DUDE...go take a valium. Get some bedrest. You're getting way
>too
> wrapped up in this. Sheesh (haha). As for your psychosis,...YOU
> deal with it. And don't give ME advice on what chicks like (haha
>the
> funniest part of your post)--you don't know me, and you don't
>the
> honeys I've serviced. Just ask Dan, heh heh. And I'm NOT smug
> about it, either.
>
>SCOTT PLUMER: 'Ditto,' maybe? Actually, I really don't give a damn.
>
>STEVE FELDMAN: OK, Steve, you've had your say. I'm not going to comment
>much
> on it. We can all post what we want. Look, if you see my name
> or Dan's in the header, just point to DELETE and click. Don't
> read the post if you don't want to. Nobody makes you read
> anything; you read them because you WANT to. I personally
> think you've enjoyed commenting on these matters. Dan and I
> aren't going anywhere, nor are we offended that you guys have
> been so affected by our posts. There isn't really anything more
> to say about these matters, so, to Gabe, Scott, and yourself,
> 'Hasta la vista, babeeeeeeee....'
>
>
>
>Sincerely,
>
>E-Man
>
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 7:13
am
Subject: Re: Burn, Heretic, Burn!
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Really-From: Robert Grabowsky
Seeing as I work in a Hospital I will now begin passing out
the Valium, Thorizine, Lithium,Prozac and Zanax for those of you unable to
handle a little HUMOR.
You know there is more to life than Tangerine Dream.
THE HIGHLANDER
>Really-From: John Burek <72241.2313@c...>
>
>Anyone else care to join the crusade for a better tadream? I'll be passing
>out the lit torches and shotguns in a few minutes to anyone interested. :-p
>
>--John 'I'm a Holier-Than-Thou Bastard and Proud of It' B.
>
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 7:56
am
Subject: Re: Administrivia: Complaints About this list.
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Really-From: TangerineC@a...
O.k. since I've been doing a little filtering of my own of the TD list, I
have'nt read all the postings. What are the complaints about, and why such an
action to get rid of the TD list? Did someone threaten murder?
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 8:14
am
Subject: Pass-up the Lithium!
> Seeing as I work in a Hospital I will now begin passing out> the Valium, Thorizine, Lithium,Prozac and Zanax for those of you unable to> handle a little HUMOR.> You know there is more to life than Tangerine Dream.> > THE HIGHLANDER> Ha! Stay away from the Lithium my friends!Having tried Lithium Carbonate straght from the ceramicsroom from my college.. that stuff is NASTY! (I could've killed myself in one big dose which I think I came very close to) And I thought it would could be any better than what TD has done to help my depression--not a chance!... Although it does burn a cool blue flame.. =o)oh.. and if you wonder what it does, well.. it makes yourheart race and your muscles twitchy.. some chest painsas well. I guess it makes a person more energetic, but it's entirely artificial feeling. (didn't work for me I assume)Akk! I hate drugs.. even asprin.. don't want to go there again.Greg...
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 5:32
pm
Subject: Re: Tatort Tracks
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Really-From: hkraft@c... (Hilmar Kraft)
>Really-From: FredYargui@a...
>
>I need some information about the tatort tracks; this is what I know:
>'Daydream', 'Moorland' feature in Miriam episode ('Daydream' is the main
>title)
>Wavelength 'Airshaft', 'Alley Walk' also feature in Miriam
>'Das Madchen auf der Treppe' is another episode
>'I Just want to rule my own life without you' is another tatort track.
>Is this complete? Can anyone add information about this?
Here is all the info you ever wanted to know: :-)
1) 'Tatort' is a series that is procuced by different regional TV
stations in Germany, in which each station is responsible for 'their'
own episode, thus adding a regional flavor to the show with different
main characters. Every week, it is a different stations turn to show
'their' version. In that way, it is a very unique show since the
principal actors change all the time.
2) In the eighties, one of the stations called 'WDR' produced about 15
episodes with 'their' main character called 'Kommissar Schimanski'
played by Goetz George. While Tangerine Dream had already scored
another 'Tatort' episode in 1976 entitled 'Kassensturz', this time
around they scored 3 of these 15 Schimanski shows.
3) The first TD-scored Schimanski episode was called 'Das Maedchen Auf
Der Treppe', 1982. It featured 2 tracks already available on the album
'Exit' plus 4 tracks that were new, later released on 12'. These were
'Das Maedchen Auf Der Treppe', 'Katja', 'Flock' and 'Speed'. The
versions in the TV show were slightly different than the ones on the
12', for example 'Flock' was played slightly slower on the TV score
and had extra instruments and a longer intro that on vinyl. A 7' was
also produced that did not have 'Flock' and 'Speed'.
4) The second Schimanski Tatort with TD came a few months after in
1983 and was called 'Miriam'. It featured the tracks you listed,
'Daydream' and 'Moorland', plus music very similar to some tracks on
'Wavelength', I am not sure if it was Airshaft and Alley Walk or not,
but I can relisten to Wavelength to find out.
5) The third Schimanski Tatort came much later (1990 or 91) and was
entitled 'Bis zum Hals im Dreck' and featured a lot of unreleased
music (some 10 themes or so), most of which was incidental music, i.e.
not fully composed as in the earlier episodes, but just a collection
of short sounds, or simple melodies without much going on in the
background. It did feature the vocal track 'I Just Want To Live My Own
Life Without You' with Chi Coltrane and the Instrumental 'One Night In
Medina'. Obviously, the music was very different to the earlier two
episodes, as the personnel now included Jerome, Linda and the
harpsichord sample :-) as opposed to Froese/Franke/Schmoelling.
6) There exists another 'Tatort' episode entitled 'Heisser Schnee'
from 1984 that uses TD music, but apparently only material lifted from
Hyperborea and possibly other studio albums. This episode was not a
Schimanski, but featured Helmut Fischer. Therefore, reports that this
was also a production of WDR-TV (info in Klaus Beschorners discog) is
probably incorrect.
7) As Jens already posted, the new 'Schimanski' episodes from 1997
have just begun airing last week. No TD music so far.
>Jose Fernandez wrote once about 'Die Melodie Aus Dem Gleichnamigen Tatort'
>What's the contents of this single?
Jens already answered this: It simply means that this is stand for
'The melody from the Tatort show of the same name'. It is the text
that is printed on the cover of 'Das Maedchen Auf Der Treppe' to
inform buyers that the single contains music from the Tatort show with
this name, opposed to the single 'Daydream' which states it is 'music
from the Tatort show Miriam'.
Any more questions? :-)
Hilmar
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:04
pm
Subject: tatort single
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Really-From: Armin Theissen
>Jose Fernandez wrote once about 'Die Melodie Aus Dem Gleichnamigen Tatort'
>What's the contents of this single?
This means translated 'The melody from the same-titled `Tatort''
(or something like that - excuse my english) and does not mean a
title for the single but just an informing sentence on the cover
for the people out there who recognize the photo of hero
'Schimanski' on the cover and wonder what that is.
I only have the 'Das Maedchen auf der Treppe' single where it is
written on. Don't know about the other Tatort singles.
armin
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 11:14
am
Subject: Re: Burn, Heretic, Burn!, Astral Landscapes
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Really-From: TangerineC@a...
In a message dated 97-11-13 04:27:34 EST, you write:
<< Seeing as I work in a Hospital I will now begin passing out
the Valium, Thorizine, Lithium,Prozac and Zanax for those of you unable to
handle a little HUMOR. >>
O.k. Now I see what the complaining is about. First off, you work in a
hospital and cant even spell Xanax right? Let's start talking about TD.
There is a lot of new stuff to be talked about. That's what this list is for,
and i'm sick of deleting 15 letters a day because they have nothing to do
with TD.
I'll start a new topic. I tried this the other day and nobody responded. Has
anyone heard of Astral Landscapes by TD? It's a compilation that's out or
coming out, and I was wondering if anyone had any ideas of what was on it.
It's a 2 Cd comp.
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:57
pm
Subject: Re. The funny postings
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Really-From: hkraft@c... (Hilmar Kraft)
E-man,
to your posting I only want to remark two SHORT points:
>of course it's an international forum. How lame for you to think
>we wouldn't know that, especially with a band like Tangerine Dream.
Well, I have to think that (and still do) because that is the attitude
that showed in your and Dano's postings. I was criticising the fact
that you and Dano were unwilling to accept that there might be people
on this planet who don't find your personal style funny, yet still
have a very good sense of humor, only different from yours.
>You probably think I'm Caucasian, don't you? Why don't you
>do some research on my surname...By the way, Dan is German.
?????? What on earth led you to write that paragraph ???? I don't give
a damn whether you are caucasian, hispanic or a little green man from
the planet Zimbo. Where you are from has no impact on your ability or
in-ability to appreciate how others might feel about your posts.
Hilmar
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 1:45
pm
Subject: RE: FLASHPOINT CD
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Really-From: KRAUSENECKS
The One Way Records edition of FLASHPOINT could be found in
stores belonging to the Best Buy music/stereo/comp. chain,a while
back,...for a mere $8.99 U.S. dollars. Sealed. That's where I pickep up my
copy. Haven't seen one for a while, though.
E-Man
I got mine there as well, also a vinyl copy for .99 cents! A bargain I'm sure
chris
----------
From: tadream mailing list
Sent: Thursday, November 13, 1997 8:42 AM
To: tadream@c...
Subject: FLASHPOINT CD
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Really-From: 'Elias Granillo, Jr.'
>>veterans was issued when CD sales were still low, and was soon
deleted'. On
>>page 45 is a photo of Froese, Franke and Baumann in the studio
with the
>>caption 'Tangerine Dream, whose 1985 'Flashpoint' CD album
currently
>>changes hands for GBP50'.
>Yow! CDNow has 'em for about $13. US releases, I'm sure.
The One Way Records edition of FLASHPOINT could be found in
stores belonging to the Best Buy music/stereo/comp. chain,a while
back,...for a mere $8.99 U.S. dollars. Sealed. That's where I pickep up my
copy. Haven't seen one for a while, though.
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 2:03
pm
Subject: Flashpoint CD - don't confuse with re-issue
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Really-From: Vic Rek
The original Flashpoint CD post referred to the CD issued in the UK on the
Heavy Metal label in 1984. So let's not confuse this (or the price) with
the re-issue on the One Way Records label.
This CD is extremely rare since most were destoyed due to bad pressings (too
much acid in the ink I heard). There are probably just a handful of them
out there that are playable, and yes they now cost way more than 50 pounds.
Actually 50 pounds sounds like a bargain now ;-)
I would also conclude that this CD is probably one of the rarest if not the
rarest Tangerine Dream CD. If you are ever lucky enough to find one, make
sure it is playable, and then get ready to sign away your bank account.
Vic
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Re: Flashpoint CD - don't confuse with re-issue
Vic Rek
Fri
11/14/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 2:03
pm
Subject: RE: Astral Landscapes
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Really-From: Vic Rek
>I'll start a new topic. I tried this the other day and nobody responded. Has
>anyone heard of Astral Landscapes by TD? It's a compilation that's out or
>coming out, and I was wondering if anyone had any ideas of what was on it.
>It's a 2 Cd comp.
I'm curious too. Does anyone know where one can purchase this? What is the
country of origin of this release?
Vic
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8678
Re: Astral Landscapes
CMOSLover
Thu
11/13/1997
4 KB
8681
Re: Astral Landscapes
TangerineC@a...
Thu
11/13/1997
2 KB
8691
Re: Astral Landscapes
TangerineC@a...
Fri
11/14/1997
2 KB
13997
Astral Landscapes
Vic Rek
Thu
5/28/1998
2 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 2:58
pm
Subject: Not RE: Pass-up the Lithium!
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Really-From: 'Plumer, Scott'
>> Seeing as I work in a Hospital I will now begin passing out
>
I have a question, just out of curiousity: how come most
messages start with the address of the sender & the 'complaining here is
useless' but a few don't?
Scott
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Thu
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 10:02
pm
Subject: MIDI Files
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Really-From: lawry@h... (Lawry Simm)
First I'd like to congratulate whoever was responsible for the the
Choronzon midi file I picked up from Phil Meyer's page. Good job! :-)
I've finally got myself a pc at home, and I'm a keyboard player.
I can play loads and loads of TD tracks and fancy a crack at making
some midi files for a laugh. What I'm after is for someone to contact
me off list so that I can discuss software requirement etc for me
to be able to do this.
Thanks in advance,
Lawry
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16970
MIDI Files
Anil Sahal
Thu
6/24/1999
2 KB
16974
Re: MIDI Files
Keith Richie
Thu
6/24/1999
3 KB
16982
MIDI Files
W³odek
Thu
6/24/1999
1 KB
17005
Re: MIDI Files
Joel Mullen
Sat
6/26/1999
2 KB
17006
Re: MIDI Files
Joel Mullen
Sat
6/26/1999
1 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 10:09
pm
Subject: COMPILATION CD
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Really-From: ashok prema
Sorry to post this non TD info - but I'm getting e-mail offline which I
have little time at present to handle.
Th compilation is called 'Is There Anybody Out There' and contains 70
minutes of EXCLUSIVE tracks by :
Paul Lawler, Andy Pickford, RMI, Redshift, AirSculpture, John Dyson, Paul
Ward, Dave Wright, T-Bass(UK) and myself.
In the UK : send five pounds to A. Prema
308 Church Road
Northolt
Middx. UB5 5AP
In the States; Eurock (e-mail: apatters@t...)
and Progtron (e-mail: ranjit@n... )
stock this item.
In Europe: C & D Services, Neu Harmony, Cue Records(Germany) all stock it.
Hope this answers all the queries.
Sorry for the 'commercial' angle to this posting.
Ash
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 3:08
pm
Subject: Re: Astral Landscapes
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Really-From: CMOSLover
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Vic Rek
>
> >I'll start a new topic. I tried this the other day and nobody responded. Has
> >anyone heard of Astral Landscapes by TD? It's a compilation that's out or
> >coming out, and I was wondering if anyone had any ideas of what was on it.
> >It's a 2 Cd comp.
>
> I'm curious too. Does anyone know where one can purchase this? What
Just been round my local stores-no one has heard of if. Apart from a
load of Strawbs re-issuses the only 'usefull' thing I found was a
'tribute' album called 'The Ambience of TD Vol II' (or something close).
Basicaly a load of re-mixes of some of TD's 'old' stuff done by
anonymous people, and boasting that it is '100% analogue'-yipee!
Anyone else seen this?
CMOSLover.
Thought of the day: 'For it is better to be noticed and ridiculed than
never to be notaiced at all?'
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 3:42
pm
Subject: RE: Administrivia: Complaints About this list.
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Really-From: 'Plumer, Scott'
>>I am saddened by the current state of this list. I would like
to think
>>that the people on this list are of a higher class than the
rest of the
>>internet lists and forums. Unfortunately, there are several
people on
>>this list who seem to think idiotic behaviour and crass humour
is fun.
>It never works this way, Mr. Datta. Unfortunately, some
filtering is
>necessary in every list, group, and organization.
On the contrary, I think an unfiltered list is best. Who decides
what gets filtered, and how does he decide? My views on Dano & Eli's
comments notwithstanding, I still think the list is better for their
contributions. If we don't like what they say, then we should counter it
with our own opinions. If we think their humor is not funny, we should
come up with our own that _we_ think is funny. This includes me.
For the record, I think Dave should let things go on the way
they are. I don't want them kicked off the list, and I _really_ don't
want the discussion censored at all. If the discussion degenerates, a
gentle reminder as to what we're supposed to be talking about here might
be in order, but I'd leave it at that.
Can you tell I'm a member of the ACLU? :-)
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 3:53
pm
Subject: Heresy! (Towards the Evening Star remix)
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Really-From: 'Plumer, Scott'
I just played my vinyl copy of the Orb's remix of Towards the Evening
Star (Thanks Lars!) and, dare I say it, I think it's better than the
original! Of course, the remix doesn't sound much like the original. . .
Can anyone recommend some Orb stuff that's similar?
Scott
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Thu
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Re: Heresy! (Towards the Evening Star remix)
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 4:01
pm
Subject: Re: Astral Landscapes
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Really-From: TangerineC@a...
O.k. here is more info on these cd's from an ad in Goldmine. It says brand
new British release Astral Landscape. A 2 cd compilation. Due 9/22.
That's well over a month ago! I'm going to e-mail the company and ask them
what's up. If you would like to e-mail them too, the name of the company is
Music Machine. E-mail address is musimac@a... Happy hunting guys and
girls! Tom
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 4:19
pm
Subject: Re: Not RE: Pass-up the Lithium!
Really-From: 'Plumer, Scott' #009;>> Seeing as I work in a Hospital I will now begin passing out> #009;I have a question, just out of curiousity: how come mostmessages start with the address of the sender & the 'complaining here isuseless' but a few don't?#009;Scott----------I tend to delete everything above the text I am replying to.So that might be why it goes through without the warning.I keep the name and e-mail address of the person I replyto as well... I'll see if the same happens to this message.Greg H.
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 11:25
pm
Subject: Re: Heresy! (Towards the Evening Star remix)
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Really-From: lawry@h... (Lawry Simm)
I can recommend Orblivion and Orbus Terrarum. I have them both and find
them both very good. Whether they're much like the TtES remix, I
couldn't say. I know that they did a remix project (Auntie Aubreys
excursions ... or something) but I haven't managed to get hold of that
yet. Maybe someone can say whether it's any good?
Lawry
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 5:42
pm
Subject: Re: D:KAMIKAZE 1989 & PINNACLES
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Really-From: Gabe Yedid
On Wed, 12 Nov 1997, tadream mailing list wrote:
> Really-From: Steven Feldman
>
>
> Sigh, because of the all the ruckus, I wasn't able to rant a little
> bit about KAMIKAZE 1989. I was surprised that someone didn't like like
> 'Airshaft' (WAVELENGTH)--and that is because I usually equate 'Airshaft'
> to 'Krismopompas' (KAMIKAZE 1989) insofar as both seem to have dissonant
> clanging sounds in a style similar to 'Testlab' (FIRESTARTER) yet more
> ominous.
Personally I wouldn't compare 'Krismopompas' to 'Testlab'.
'Krismopompas' has always struck me as being more gritty and avant-garde,
'Testlab' as being more spherical, and almost New Age, but in a pleasant
kind of way; at some points it sounds almost like a slow part from a
Messiaen work. I would say that 'Krismo' is closer to _Logos_ in feel,
while 'Testlab' is more in the spirit of _Pinnacles_'s more meditative
moments. That light cymbal sound is almost suggestive of some kind of
um, 'Buddhist' ritual or something. (I love both tracks; haven't heard
_Wavelength_ yet)
> Besides, I think the following album pairs hold up well:
>
> o WAVELENGTH and KAMIKAZE 1989 (both from 1983)
> o HYPERBOREA and PINNACLES (both from 1983)
Curious, a lot of people here make this pairing, but these two albums
just strike me as being very different in character. _Pinnacles_ is
probably the apotheosis of Froese's tendency towards the use of metallic,
iridescent textures, which gives it a colour and shimmer that I just
don't find in _Hyperborea_ (except maybe on 'Cinnamon Road').
> o THE KEEP and THE PARK IS MINE (1983/4 and 1984)
_The Park Is Mine_ is very much more animated than _The Keep_, but with
the official release, this may not be so anymore...
> Besides 'Krismopompas,' I think 'Vitamin C' is a really good track
> off KAMIKAZE 1989, and then there's . . . 'Snake Bath'! I don't think
Agreed. The overall aesthetic of _Kamikaze_ is minimalist, as on _Ages_,
but here minimalist techniques and approaches are used competently and
cleverly. I wish 'Vitamin C' was about a minute longer, though ;). I've
also thought that 'Tower Block' was a pretty neat track; I love the
sequencer rhythm and that oh-so-ancient-sounding digipiano sample.
> there are too many TD-related tracks better than this. I look at this
> tune as sort of a laid-back version of 'Mothers of Rain' (OPTICAL RACE),
> despite the fact that 'Berlin Summer Nights' (DESTINATION BERLIN), too,
The feel is very different. 'Snake Bath' has a sneaky, creepy undertone
to it, whereas 'Mothers of Rain' is darkly romantic in the same way that
'Exit' is (all IMO, of course).
> PINNACLES was one of my all-time fave TD-related albums for a long
> time . . . then, about ten years later, I found that the big riff that
> constitutes the first ten minutes of the title track was a little too
> pat if one listens closely to the melody of the sequencer in the fore-
> ground. Then again, the opening track (I think it's 'Specific Gravity
> of Smile')--with its duelling water droplet samplings and synth droplets
> --is an amazing companion for the title track of Edgar's AQUA!
As I've said before, I think it's his finest oeuvre. I don't think he's
ever done anything before or after that quite rivals the dark, transparent
beauty of this piece. I was hooked instantly from the opening
pedal-point (yeah, I think it sounds organ-ish, maybe that's why I love
it so much ;)?). It's so incredible, the rest of the album is just that
much weaker by comparison.
Other high points for me include those warm, murmuring vocal samples on 'The
Light Cone' and the sequencer line from the second part of 'Pinnacles'.
> Even
> though I now like 'Sphinx Lightning' (HYPERBOREA) more than 'Pinnacles,'
> 'Pinnacles' is still a wonderful track--as long, propulsive and evocative
> as 'Through Metamorphic Rocks' (FORCE MAJEURE) in some ways. I used to
> use a tape of 'Ricochet Pt. II,' 'Madrigal Meridian,' 'Tangram Pt. II'
> and 'Pinnacles' to lend to folks who thought TD was just a bunch of New
> Age hooey or second-rate Pink Floyd casualties.
I've always thought the sequencer pattern that underlies the second part
of 'Pinnacles' was very evocative of the Ricochet era. I don't know
about putting 'Pinnacles' in that company, though, as the album is an
example, IMO, of just how different Froese could be from TD when left to
his own devices. It seems to simply be a part of his musical nature to
have a softer, less aggressive approach than when paired with the other
TD members. In fact, I would say that much of Edgar's career has been
defined by the apparent conflict between reconciling his rock past and
his 'mellower' approach evident in his solo music.
> Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 5:44
pm
Subject: Re: Heresy! (Towards the Evening Star remix)
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Really-From: Sean Montgomery
> I just played my vinyl copy of the Orb's remix of Towards the Evening
> Star (Thanks Lars!) and, dare I say it, I think it's better than the
> original! Of course, the remix doesn't sound much like the original. . .
> Can anyone recommend some Orb stuff that's similar?
The TtES remix is very much in line with material on 'Orblivion'. The
'Aunty Aubrey' Remix collection is instructional as well, in that I
thought many of the mixes were quite good ('Satellite Serenade' in
particular is quite nice), and thus I was expecting more from a TD/Orb
steel cage match. I had hoped they would find a way to incorporate at
least *some* of the original track, as many songs on the 'Aubrey'
collection do. I suspect that they jettisoned the entire original TtES
track and turned it into just another Orb song because they don't
care for TD's current direction. Whatever the case, I personally prefer
The Orb's earlier work, like 'Adventures Beyond the Ultraworld', which
emphasiszed melodies over swooshy noodling.
Sean Montgomery 3D ANIMATOR
http://www.topix.com/~sean
'A paranoiac is someone
in possession of the facts'
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:13
pm
Subject: Re: IRC
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Really-From: feldon@p...
At 10:22 PM 11/12/97 -0800, you wrote:
>You've got to be kidding! I've been on IRC...and I NEVER thought you'd
>be one to admit you are one of those complete idiots who actually thinks
>he has power because he is in control of a chat room. I have only one
>thing to say to you personally....stop using air smart people can use.
I am in control of 2 chatrooms on IRC. I operate 3 protection bots in each
channel and operate both with a group of friends who won't tolerate
garbage. This is the last e-mail of yours that I will respond to personally.
Morgan
feldon@p...
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20856
IRC
Felna Greymane
Sat
2/12/2000
1 KB
20857
Re: IRC
Carlo Ruggiero
Fri
2/11/2000
1 KB
21763
IRC
Gustavo Jobim
Fri
4/7/2000
2 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:26
pm
Subject: Re: Heresy! (Towards the Evening Star remix)
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Really-From: TWeibre361@a...
In a message dated 97-11-13 10:59:02 EST, you write:
<< Can anyone recommend some Orb stuff that's similar? >>
imo, there isnt too much thats similar since this is really one of his poorer
efforts...but, id recommend 'aunt aubrey's excursions' which is a two disc
set containing remixes he did of alot of other bands...
tom w
np: polygon window - quoth ep
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 6:42
pm
Subject: RE: Not RE: Pass-up the Lithium!
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Really-From: 'Plumer, Scott'
>>I have a question, just out of curiousity: how come most
> >>messages start with the address of the sender & the 'complaining
> here is
> >>useless' but a few don't?
>
>I tend to delete everything above the text I am replying to.
> >So that might be why it goes through without the warning.
> >I keep the name and e-mail address of the person I reply
> >to as well... I'll see if the same happens to this message.
>
No, Majordomo does it automatically somehow. I just wondered why
some messages don't get the header, but come from the list.
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 7:43
pm
Subject: Re: Flashpoint CD - don't confuse with re-issue
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Vic Rek
>
> The original Flashpoint CD post referred to the CD issued in the UK on the
> Heavy Metal label in 1984. So let's not confuse this (or the price) with
> the re-issue on the One Way Records label.
>
> This CD is extremely rare since most were destoyed due to bad pressings (too
> much acid in the ink I heard). There are probably just a handful of them
> out there that are playable, and yes they now cost way more than 50 pounds.
> Actually 50 pounds sounds like a bargain now ;-)
>
> I would also conclude that this CD is probably one of the rarest if not the
> rarest Tangerine Dream CD. If you are ever lucky enough to find one, make
> sure it is playable, and then get ready to sign away your bank account.
>
> Vic
Darn, I had one but I think I gave it to Bob Grabowsky, sorry Vic.
hehehehehe.
Dan
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 8:41
pm
Subject: deepak / Transformation
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Really-From: Michael A Jean
What % of the time does Deepak speak.... It is hard to say, maybe 30%...
I kept thinking about that thing on Saturday Night Live, Jack Handy's
'Thought of the Day' or whatever its called... It can be unobtrusive if
you can tune it out... I couldn't help but roll my eyes and grin a few
times... But again, compared to the rap-music on Pacific Blue... I
thought I found a minute on 'PB' that I liked, but then I changed my mind!
MJ
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 9:46
pm
Subject: Re: Astral Landscapes
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Really-From: TangerineC@a...
o.k. this is the answer I got from the company selling this Cd, obviously
it's delayed:
Subj: Re: Tangerine Dream
Date: 97-11-13 13:42:50 EST
From: Musimac
To: TangerineC
Sorry...the AL CD is not out yet, & we don't have a track listing at the
present time
Howie @mm
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 13, 1997 10:25
pm
Subject: Re : Kamikaze & Pinnacles
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Really-From: FredYargui@a...
Hello, Everybodreamers,
I would like to say some little things about these albums:
When I discovered them, I was beginning to make music myself with some synths
of my invention (no keyboard, just potentiometers!) or later with some
keyboards with little keys (yamaha synth and organ); then came the roland
sh101 synthi; to modify the timbres of the instruments, I used (as many!)
guitar pedals such as phasing, flanger and I remember making a loop with a 3
head tape recorder to have an echo chamber; also, drum programming was made
with sequential machines (dr110, boss) that you could plug to the sh101 to
synchronize the percu with the sequence. All this can seem extra terrestrial
with all the digital hardware we are using nowadays.
So, speaking of these albums refresh my memory, the memory of the end of the
analogue era. You can hear plenty of flanged tunes in kamikaze 1989. Most are
sequenced, but I remember that I first hated 'Intuition' that wasn't. So was
'Flying Kamikaze' that moreover frightened me by the lack of melody; 'The
31st. Floor' was special too because of the sensation of apocalypse
(=discovery) it gives, with this strange voice saying words (that I still
don't understand). The nine other tracks are sequenced, but I prefer 'Vitamin
C' and 'Snake bath' that someone also pointed out recently, but I wouldn't
like to forget 'Tower Block'' that sounds like some track of 'Ages'. It is
obvious that sound textures and sequences patterns have been re-used in
'Wavelength'.
I also remember having made a tape of these two EF albums to a friend that
told me 'having studied all the night, restless' : the music was (and still
is) energizing, but not like (bad) techno can be : it's a cool energy that
delivers this music, that can finally disappear (you are no longer aware of
hearing it) to make you concentrate upon your work. (Me and this friend of
mine were young students at this time.) We could use auto-reverse decks but
this music brings yourself into a mood that lets you work (and the music is
still in your head) even if the deck stops.
My favourite track from 'Pinnacles' is 'the light cone' because it is the
shortest one, the lightest (joke?) and the most melodic. But 'Specific
gravity of smile' is funny both by the name (I often ask myself how heavy is
a smile, or a feeling) and by the sparkling drops that rounds in the
sequence. 'Pinnacles' (at this time, I didn't know the word - even in french
- and I wondered if it wasn't a famous greek character!) is a superb
three-part piece that begins like an energic dance. Panoramic effects and
hyperborean sounds can be heared. The first part ends with this vocoder that
fades into another long sequence... and again, another lead instrument sings
upon different sequencers. Panoramic effects of distorted guitar deliver the
final sequences that end the album, with more sparkling drops, thanks to vcf
resonance. This track is a masterpiece.
Right back to 1997, thanks for the trip,
Greetings,
Fred
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Want to Censor This? *I* Certainly Would!
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Really-From: A Tightass
>Subject: RE: Administrivia: Complaints About this list.
>From: tadream@c... (tadream mailing list)
>Date: Thu, 13 Nov 1997 10:42:15 -0500
>Really-From: 'Plumer, Scott'
>
>[. . .] Unfortunately, some filtering is necessary in every list,
>group, and organization.
>
> On the contrary, I think an unfiltered list is best. Who decides
>what gets filtered, and how does he decide? [. . .]
God, but I hate this spineless, pass-the-buck argument! Why do you
think there's such a thing as judges, jails, and mental hospitals? They
are all made to do something about defective individuals for the better-
ment of the rest of the world. If you want to get really all-or-nothing
about it, you can yelp, 'Who are you to chose?' and accuse me of Nazism
for being self-righteous about some individuals being defective, but
tought shit. Some people don't deserve to be able to make decisions for
themselves. If someone showed gay male s & m porno to your grade school
daughter after school and said that liking pictures like that will make
one a better person, would you still self-righteously claim that such
persons exposing your daughter to such materials is perfectly alright
merely because the alternative is . . . horrors! . . . censorship?
I censor myself all the time. That's what acting civilized in a
civilized society is all about.
>[. . .] My views on Dano & Eli's comments notwithstanding, I still
>think the list is better for their contributions. [. . .]
Oh really? The only reason the guilty postings made by Dano and
Eli make 'the list better' is by elevating everything else that is
posted by comparison. It's like the situation where evil is necessary
because without it goodness would have no meaning.
> For the record, I think Dave should let things go on the way
>they are. I don't want them kicked off the list, and I _really_ don't
>want the discussion censored at all. [. . .]
> Can you tell I'm a member of the ACLU? :-)
What's the ACLU? Is that something like the PC (Politically Correct)
Police? ;)
>If the discussion degenerates, a gentle reminder as to what we're
>supposed to be talking about here might be in order, but I'd leave it at
>that.
As a painful but perhaps necessary object lesson to prove to folks
just how full-of-shit their fence-sitting self-righteous blather about
freedom of speech, censorship, and individual rights are, I'm going to
spew forth an ultra-mega-supremo-version of Dano and Eli's bile to put
things in a perspective that will be undeniable in its extreme. I am
doing this to demonstrate that censorship can be a good thing. I hope
that as a result of what I am about to say that I am not kicked off the
Internet and otherwise prosecuted for obscenity, but the following is a
demonstration of what should *not* be allowed to appear in print, on
audio, on TV, or the Internet (by the way, this sort of material is
posted on newsgroups like alt.tasteless.humor all day every day):
[Out of respect for people's sensibilities--and humanity as a whole--I
will allow everyone and/or anyone here to bail out now and not read any
more of the present post. If you are strong of stomach and able to see
that I am trying to proove a point, feel free to scroll down two screens
to the nasty stuff. For those who are subscribed to this list in the
digest version, the best I can do is leave two screens of blank space
after the offending material, as well.]
[Last time to bail out. Quit this file now!]
[Beginning of objectionable material:]
I want to share with everybody my feelings out Tangerine Dream's
new records: I'll tell ya, if I was a chick, I'd be rubbing my clit into
a frenzy over how sexy the music in OASIS is, but as it is, it makes me
wish that an ocean of hot cum could spew out of my cock like unto the
borders of an island oasis (real funny joke, geddit? ocean of cum and an
oasis)? By crickey, but I sure do love to make jokes that are about my
fave band. They make me feel real proud of my wit, sort of like the
time I raped an epileptic while she was having a fit and put a nickel
in her purse when I was done because she didn't complain that I came too
fast! Hee hee, har har, guffaw.
I really don't get why Edgar gets other guys to play guitar solos
for the band. I mean, if he's such a fag, why doesn't he just get
Mark Horney (look who just made a funny, ho ho ho!) and Zlatko and
Jerome to have a three-way daisy chain so that when he and Jerome have
hot butt sex, he can suck his load out of Jerome's butt after he's
done jizzing off in it.
I hope nobody gets upset about my commenting about Edgar sucking
his own cum out of Jerome's ass, because, seeing as everyone's entitled
to their own opinion and humor is relative, sexual practices like these
(it's called 'felching,' by the way), can be not only a real turn-on but
funny, too! I mean, suppose the other guy farts first and your load
shoots out all over your face before you can suck it out? Ick! Melts
in your mouth, not in your hand--or face, geddit? I think that is a
very funny joke, and if you don't, you don't have any sense of humor.
Lighten up. I enjoy making jokes like this and think that it expands
fans' perspectives on their favorite band. Oh, and I'm not a fag, by
the way. I only let fags blow me if I'm bored. I think they're scum,
and it makes me feel good to intimidate them into giving head to a
straight guy who hates them. Har har. Gee willikers, but that gives me
a real ego boost, sorta like when I predict that a certain TD album will
sell better than another because it's not New Age crap but the sort of
kick ass analogue (note the joke: ass analogue, wow! funny) wet dream
that makes me feel like making my labrador retriever lick my children's
genitals while my wife watches. . . .
Okay, anyone had enough? I sure have.
Now, I'll leave three screens blank so that people receiving the
list in digest mode don't have to read any of it.
[Conclusion of objectionable material]
[Don't read the stuff spaced apart above this line. It contains
objectionable material written to prove a point--the point being
that censorship can be a good thing.]
Replies
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Yahoo! ID
Date
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8705
Re: Want to Censor This? *I* Certainly Would!
Hilmar Kraft
Fri
11/14/1997
6 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 12:22
am
Subject: Tangerine Ambience II
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Really-From: 'K.E'
Well, somebody asked a few questions regarding the Tangerine Ambience
project and I happen to know something about the second record.
Tangerine Ambience II is a danish project. Three people was asked by
Hypnotic Records - a danish label - to do some coverversions of TD
pieces and I happen to be one of them.
We were all asked because we are devoted TD fans and musicians at the
same time and since Denmark isn`t that big everybody into TD knows each
other here.
I did two tracks together with a friend, Tony, and they are Stratosfear
and White Eagle. We did it entirely for the fun of it. It is actually
ment as a tribute to a band that has ment a lot to us over the years.
I have actually spoken to Edgar Froese about our coverversions. Do you
want to know what he said about it?
No, you don`t - that`s private... ;-)
About the '100% analogue' part I can only say; Hm...not my idea...we
live in 1997 with computers and so on, don`t we?
Why all the tracks has different artist names? Well, I don`t know but
that was something Hypnotic wanted. They mostly release techno and it
seems to be common to use different names in every mix.
Besides this Tangerine Ambience project we all do our own music and if
you are interested in hearing what I do e-mail me privately and I can
send you a demo.
I am doing some solowork under the name Timescape - see a review in the
english magazine Sequences #18 - and together with Tony we are at the
moment working on some music for an animated movie.
And hopefully we will release some music together last year - we are
gathering material.
About Rey; No, he has not done any records on his own yet, but like us
he is working on something that might surface sometime next year.
Kindly, Kent
Replies
Name/Email
Yahoo! ID
Date
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12947
Tangerine Ambience II
Elias Granillo, Jr.
Wed
4/15/1998
3 KB
12957
Re: Tangerine Ambience II
Lawry Simm
Wed
4/15/1998
3 KB
12961
Re: Tangerine Ambience II
Kees
Wed
4/15/1998
3 KB
12964
Re: Tangerine Ambience II
feldon@p...
Wed
4/15/1998
3 KB
12966
Re: Tangerine Ambience II
Sean Montgomery
Wed
4/15/1998
3 KB
13004
Re: Tangerine Ambience II
Flemming Larsen
Thu
4/16/1998
3 KB
13054
Re: Tangerine Ambience II
Lawry Simm
Thu
4/16/1998
3 KB
13516
Re: Tangerine Ambience II
K.E
Sun
5/3/1998
3 KB
13958
Tangerine Ambience II
Lawry Simm
Tue
5/26/1998
3 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 2:04
am
Subject: Zlatko's live action
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Really-From: DJS
I was wondering if anyone else noticed the fact that when Zlatko
performs live he does this cheeseball dance and slaps his guitar when TD
plays cues lacking guitar. Does anyone else agree that z-man should just
walk off stage instead of standing there like a goon and doing his
little 'I wish I had a riff to play' dance. After confirming that Zlatko
was indeed NOT Joe Satriani on stage during the Rockoon tour I also
noticed Edgar's fingering on the keyboards. They didn't match up at all
with the music. I know the whole 'DAT' concert point has been covered in
depth but I just had to bring up the question. Is TD worth seeing in
concert anymore when the keyboardists aren't playing and the guitar
solos are replaced by hiphop dances under a blue spotlight? I will still
go, however, just to knw I am in the room with the great Viking of
e-music.
Regards,
Dan
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Re: Zlatko's live action
Plumer, Scott
Fri
11/14/1997
3 KB
8711
Re: Zlatko's live action
PENFOLD
Fri
11/14/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 4:09
am
Subject: new td music--first impressions
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Really-From: 'Lars R. Jones' <105411.3107@c...>
just got some the new TD releases today and I wanted to share my first
impressions:
The Keep: wow! what a fantastic packaging job they did! fantastic music
too! this is going to score high on the Armin scale! Hermes, we're
eagerly awaiting your FAQ post! (no TDI catalog #)
Time Square
Awesome stuff as well. Td (jerome?) is definitely moving in a new
direction and I like it. This is some great stuff. lots of influences
here too folks. great artwork. (TDI009)
Ambient Monkeys (aka Where the wild things are ;-)
More intriguing artwork; this is some really interesting music. bits of
green desert, largo from TOB... all playing in the jungle. This stuff
really ain't bad at all. I remember alot of this jungle type stuff with
music mix (with lots of epsilon-like music) was played before the 86 gig
that I saw. I'm glad they have released this stuff. (TDI 011)
Thanks Edgar & Jerome; I'll be listening to this stuff for quite awhile. I
like your new direction so 'keep' it up! and please tour the US soon, OK?
lars
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Re: new td music--first impressions
Lars R. Jones
Fri
11/14/1997
7 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 5:36
pm
Subject: The Video Dream Mixes
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: rmknudson@j... (matt knudson)
I recently purchased this laserdisc from CDNOW, and aside from the
running time on their ad being wrong (advertised at 109 minutes, but it
is actually 59 minutes), it is quite good. Some of the videos look like
they were filmed with a home camcorder, but most are very high quality
and excellent footage of Edgar, Jerome, and Linda. For any of you out
there who have not seen this, I would be happy to make a VHS copy of it
for you (at no charge thus avoiding copyright infringements). Send me a
private reply for more details.
- Matt
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 5:15
pm
Subject: Re: Flashpoint CD - don't confuse with re-issue
------------------------------------------------------------------------------
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Really-From: rmknudson@j... (matt knudson)
On Thu, 13 Nov 1997 09:03:40 -0500 (EST) tadream@c... (tadream
mailing list) writes:
Really-From: Vic Rek
>The original Flashpoint CD post referred to the CD issued in the UK on
>the
>Heavy Metal label in 1984. So let's not confuse this (or the price)
>with
>the re-issue on the One Way Records label.
>
>This CD is extremely rare since most were destoyed due to bad
>pressings (too
>much acid in the ink I heard). There are probably just a handful of
>them
>out there that are playable, and yes they now cost way more than 50
>pounds.
>Actually 50 pounds sounds like a bargain now ;-)
>
>I would also conclude that this CD is probably one of the rarest if
>not the
>rarest Tangerine Dream CD. If you are ever lucky enough to find one,
>make
>sure it is playable, and then get ready to sign away your bank
>account.
>
>Vic
I have this CD on the Heavy Metal label and it is indeed playable. Is
it really worth as much as you guys are saying?
- Matt
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 4:46
am
Subject: Re: new td music--first impressions
------------------------------------------------------------------------------To remove yourself from this list, send a message to majordomo@cs.uwp.edu thatsays: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in themessage body. You MUST do this from the address you subscribed with.The List owner does not read this list. Complaining here is useless.------------------------------------------------------------------------------Really-From: 'Lars R. Jones' <105411.3107@compuserve.com>just got some the new TD releases today and I wanted to share my firstimpressions:The Keep: wow! what a fantastic packaging job they did! fantastic musictoo! this is going to score high on the Armin scale! Hermes, we'reeagerly awaiting your FAQ post! (no TDI catalog #) Time SquareAwesome stuff as well. Td (jerome?) is definitely moving in a newdirection and I like it. This is some great stuff. lots of influenceshere too folks. great artwork. (TDI009)Ambient Monkeys (aka Where the wild things are ;-)More intriguing artwork; this is some really interesting music. bits ofgreen desert, largo from TOB... all playing in the jungle. This stuffreally ain't bad at all. I remember alot of this jungle type stuff withmusic mix (with lots of epsilon-like music) was played before the 86 gigthat I saw. I'm glad they have released this stuff. (TDI 011)Thanks Edgar & Jerome; I'll be listening to this stuff for quite awhile. Ilike your new direction so 'keep' it up! and please tour the US soon, OK?lars----------Thanks Lars!I'm happy to hear some positive things about TD finally!I am eagerly awaiting these releases here stateside... and TD hasn't even begun to present a new studio album withtheir new line-up yet. My best guess is that thier probablyworking on that about now =o) What do you all think? Would their be a grand-finale before Edgar retires? What could this be.. something revolutionary?A new path for Jerome to follow? Or will he skip the mass attention and bring us another 'Seattle Years' type album?Greg H.
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 5:18
pm
Subject: Long Live Rek!!!
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>>Really-From: Vic Rek
>>The original Flashpoint CD post referred to the CD issued in the UK on
>>the
>>Heavy Metal label in 1984. So let's not confuse this (or the price)
>>with
>>the re-issue on the One Way Records label.
>>
>>This CD is extremely rare since most were destoyed due to bad
>>pressings (too
>>much acid in the ink I heard). There are probably just a handful of
>>them
>>out there that are playable, and yes they now cost way more than 50
>>pounds.
>>Actually 50 pounds sounds like a bargain now ;-)
>>
>>I would also conclude that this CD is probably one of the rarest if
>>not the
>>rarest Tangerine Dream CD. If you are ever lucky enough to find one,
>>make
>>sure it is playable, and then get ready to sign away your bank
>>account.
>
>>Vic
>I have this CD on the Heavy Metal label and it is indeed playable. Is
>it really worth as much as you guys are saying?
>- Matt
Probably not, if the same music is found on both releases! Vic, by the way,
traded in a kidney for his FLASHPOINT! You're a hero, Vic! Long Live
Rek!!!!
E-Man
P.S. Vic, has Dano got some goodies set aside for you!
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 4:31
pm
Subject: Re: Heresey! ....
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Really-From: lawry@h... (Lawry Simm)
> From Sean Montgomery...
Whan an ace quote! :-)
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 5:33
pm
Subject: Flashpoint cd
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Really-From: ashok prema
You wrote:
>I would also conclude that this CD is probably one of the rarest if
>not the
>rarest Tangerine Dream CD. If you are ever lucky enough to find one,
>make
>sure it is playable, and then get ready to sign away your bank
>account.
>
>Vic
I have this CD on the Heavy Metal label and it is indeed playable. Is
it really worth as much as you guys are saying?
- - Matt
It's probably not worth as much since the re-release obviously - but before
the re-release, these cd's were changing hands for between 80 - 120 UK
pounds.....I offloaded my own copy for around 60 Pounds even after
the-release .....obviously to a collector who wanted the 'Heavy Metal'
label version.
Collectors pay crazy money for items they want......this applies not only
to music but all other tangibles .......didn't the Japs pay 24 million
dollars for Van Gogh's 'Sunflowers' (and now they find it is almost
certainly a fake....ha! ha! ha!)
Ash
Ash
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 10:33
am
Subject: Marital Strife...
We've just managed to get hold of a Technics SL-MC410, a CD player that
holds 111 (that's one hundred and eleven, not a finger-slip) CDs. It's
been on order for months and I've been dreaming of having the whole of
my TD CD collection (50+) on-line with random play and everything...
And then on Monday the wife says 'Okay, we'll put the Classical stuff in
the first 30, joint discs (i.e. Pink Floyd, Chris Rea, Philip Glass,
etc.) in the next 40, leaving 20 each for you and I as our own
selections.' (For those that can count, the final space is a 'quick
play' slot).
Huh?!?!!
Seriously, if you're suffering from the 'how do I store 100's of CDs in
their jewel cases' problem, this is ideal. It displays the names and
titles of the discs on an LED, and apparently track titles as well on
CD-TEXT enabled discs. Plus you can define 5 'groups' of associated
discs - i.e. the Classical stuff are in Group A, Joint in B etc., and
cross-register them as well (i.e. Philip Glass is in both A and B). It's
a really neat piece of kit.
The resolution of the TD vs wife dilemma? Simple, I'm going to have to
save to buy a second player dedicated to my stuff...
NP: Chris Rea, Road to Hell/Texas
Next up? Haven't got a clue!
Cheers,
Kev
VCard
Holmes
Kev < kev@l...>
Senior Consultant
Lexington Software Associates
5, Tavistock Road
Fleet
Hampshire
GU13 8EH
UK
Work: +44 1252 774394
Fax: +44 1252 774395
Home: +44 1252 812035
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Fri
11/14/1997
5 KB
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Re: Marital Strife...
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Sun
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 11:00
am
Subject: Orb questions
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Really-From: 'neil vanlaten'
Greetings,
If you like the Orb's remix of TD, try locating Orb's remix of Rick
Wright's Runaway (promo UK CD5) song. There are two brilliant Orb
remixes on it as well as a William Orbit remix. Someone else mentioned
the Orb Remix compilation project DCD 'Aunt Aubrey's Excursion Beyond
the Call of Duty', be advised all the songs except four are recorded in
mono. All of the Orb studio albums are great (except Promme Fritz)
though they are more synth oriented than the drum n bass style of the
two aforementioned CD's. If you have any Orb related questions send them
off list.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 6:35
pm
Subject: Re: Want to Censor This? *I* Certainly Would!
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Really-From: hkraft@c... (Hilmar Kraft)
>As a painful but perhaps necessary object lesson to prove to folks
>just how full-of-shit their fence-sitting self-righteous blather about
>freedom of speech, censorship, and individual rights are, I'm going to
>spew forth an ultra-mega-supremo-version of Dano and Eli's bile to put
>things in a perspective that will be undeniable in its extreme.
No, my anonymous friend...you failed to make your point, quite the
opposite, actually, you have proven how dangerous censorship can be.
Let me explain.
The problem: your message was not 'undeniable in its extreme' for *all
cultures*. Different societies have different taboo themes. I can
understand that your sample was probably offensive to, for example,
many North Americans. But people in many European countries have a
totally different attitude towards sex, even in perverted forms(!),
they generally tolerate it. Then again, there are also big
differences, e.g. between the UK and Denmark in terms of how they deal
with the subject of sex.
While I would *prefer* not to read stuff like yours, it also failed to
shock me so far that I would call for censorship, even though this may
be hard for you to accept (which I understand).
The other way round: As a German, I have personally been very offended
by some posts on the internet that deal with Nazis, Jews or racism. I
hated these posts, but I had to realize that to someone else, they
were only harmless humor. It was my own moral standards that made
these posts 'dangerous' to me.
My point is: if a list gets censored, it takes on the moral standards
of the person doing so. But these moral standards are so different for
an international group, that it will be impossible to cover all bases.
We have people from Latin America, Asia, Eastern Europe here, can you
imagine what all would need to be censored? Questions of Religion,
Violence, Sex, Race, Humor(!), etc. are so different. And then still
someone may get offended.
Can you imagine how many people would get mad if they, for example,
get a 'North-American-White-Christian' version of the TD list? Would
you like to get a list moderated by, let's say, Chinese standards
(just to pick any country)?
I think the Internet is a wonderful thing in that it brings different
cultures together, closer than it was ever possible before. Yes, you
will be offended, but maybe you have to accept it as natural fact.
People are different, and the further away you get from home, the more
different they are. With the internet, these 'weird' people suddenly
are in your living room (or wherever you read this).
If you want to interact with other human beings (and you do, otherwise
you wouldn't post here) you also need to learn how to interact with
what are weirdos for you. You may ignore them at you own wish, but
please don't tell the rest of us that we all have to follow your
personal moral standards.
Finally: If one big day we really can all agree on only 1 thing that
is 'undeniable in its extreme' to all of us, then the human race will
have made one big step forward to understandig each other! I fear that
this day may be far away...
Hilmar
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 11:39
am
Subject: Re: Marital Strife...
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Really-From: CMOSLover
> holds 111 (that's one hundred and eleven, not a finger-slip) CDs. It's
Wow! You serious?
> Seriously, if you're suffering from the 'how do I store 100's of CDs in
> their jewel cases' problem, this is ideal. It displays the names and
Considering the expense (how much does a thing like that list proce
for?) I think I'll settle for the traditional rack system. Who knows it
may actually take less room than the player!
CMOSLover
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 6:46
pm
Subject: The Keep
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Really-From: lawry@h... (Lawry Simm)
Lars,
If you look closely at the CD, you'll find it should say TDI010. I think
it's on the disc only and not on the packaging. (Probably so that when
it's released properly, they'll have the same CD in new packaging which
will also have the TDI number on.)
Lawry
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Lawry Simm
Thu
11/20/1997
3 KB
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Re: The Keep
Plumer, Scott
Thu
11/20/1997
3 KB
8915
Re: The Keep
Michael Fox
Thu
11/20/1997
4 KB
9094
Re: The Keep
TangerineC@a...
Wed
11/26/1997
3 KB
9098
Re: The Keep
Plumer, Scott
Wed
11/26/1997
2 KB
9100
Re: The Keep
Plumer, Scott
Thu
11/27/1997
4 KB
9383
The Keep
Michael A Jean
Wed
12/10/1997
2 KB
9384
Re: The Keep
Craig Cordrey 01383 828182
Thu
12/11/1997
4 KB
9390
The Keep
AslanFan1@a...
Thu
12/11/1997
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 4:22
pm
Subject: RE: Zlatko's live action
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Really-From: 'Plumer, Scott'
>I was wondering if anyone else noticed the fact that when
Zlatko
>performs live he does this cheeseball dance and slaps his
guitar when TD
>plays cues lacking guitar. Does anyone else agree that z-man
should just
Well, he's gotta do something! :-) I saw Shadowfax a few years
ago, and their drummer, during a drumless part, pulled out a magazine
(Modern Drummer, I think) and started reading! I think it was more a
joke than anything.
>depth but I just had to bring up the question. Is TD worth
seeing in
>concert anymore when the keyboardists aren't playing and the
guitar
>solos are replaced by hiphop dances under a blue spotlight? I
will still
I'm wondering that myself. :-(
Scott
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 4:27
pm
Subject: RE: Long Live Rek!!!
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Really-From: 'Plumer, Scott'
>Probably not, if the same music is found on both releases! Vic,
by the way,
>traded in a kidney for his FLASHPOINT! You're a hero, Vic! Long
Live
>Rek!!!!
Hey, that was pretty funny, good job E-Man.
Scott
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 3:10
pm
Subject: Re: Marital Strife...
tadream mailing list wrote:
> ------------------------------------------------------------------------------
>
> To remove yourself from this list, send a message to
> majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> --------------------------------------------------------------------
> ---------
> Really-From: CMOSLover
>
> > holds 111 (that's one hundred and eleven, not a finger-slip) CDs.
> It's
> Wow! You serious?
Yep.
>
>
> > Seriously, if you're suffering from the 'how do I store 100's of CDs
> in
> > their jewel cases' problem, this is ideal. It displays the names and
>
> Considering the expense (how much does a thing like that list proce
> for?) I think I'll settle for the traditional rack system. Who knows
> it
> may actually take less room than the player!
That was our reaction when we heard about it originally, but a price tag
of just under 300GBP (say 500USD - but it's bound to be lower over
there), was far lower than we expected. Actually, that's about the same
cost as the previous CD deck and CD storage unit combined.
As for size, well, it's a standard width hi-fi component, with the same
depth as an LP deck. So roughly equivalent to about 100 jewel cases in
volume...
Kev
VCard
Holmes
Kev < kev@l...>
Senior Consultant
Lexington Software Associates
5, Tavistock Road
Fleet
Hampshire
GU13 8EH
UK
Work: +44 1252 774394
Fax: +44 1252 774395
Home: +44 1252 812035
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 7:03
pm
Subject: Re: Zlatko's live action
At 18:04 199711.13 -0800, you wrote:
>Really-From: DJS
>I was wondering if anyone else noticed the fact that when Zlatko
>performs live he does this cheeseball dance and slaps his guitar when TD
>plays cues lacking guitar. Does anyone else agree that z-man should just
>walk off stage instead of standing there like a goon and doing his
>little 'I wish I had a riff to play' dance.
I was wondering 'bout that as well. Linda looked 'better' on stage than
Zlatko because she was versed on keyboards as well as sax. Zlatko's sole
mastery of guitar sticks him out. I would retire to a chair just
off-platform or do *something* with some simple hand rhythm instrument
IMNSHO if I was in his place.
The 'patting the Axe' bit just isn't my style.....
my$0.02
'We throw each piece of equipment three times out of the third floor of our studio complex. If it's still functioning properly, we'll take it on the road. If not, we send it back to Tokyo!...' -- Edgar Froese (founder of Tangerine Dream), on the easy way they decide on which instruments to take on the road.
/^\
| pete
| penfold@a...
|
|
|
YA .semi.random.sig.quote
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 7:47
pm
Subject: Upcoming Edgar interview
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Really-From: 'Plumer, Scott'
I just got off the phone with the editor of Progression magazine. He
told me he's trying to set up an interview with Edgar and wanted to know
what to ask him. Here's what I suggested:
1. How much of what they play live is really live? (i.e., do they really
use DAT in concert)
2. Will he really hand the band over to Jerome soon?
3. What's the story with the Keep? (Why it took so long, why that ST,
etc.)
4. Why do they play exact duplicates of what's on the albums in concert?
If anyone has anything else to ask let me know and I'll pass it on.
Scott E. Plumer
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11/15/1997
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Fri
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 9:13
pm
Subject: Re: Upcoming Edgar interview
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Really-From: 'Vincent Goudreault'
On Nov 14, 2:47pm, tadream mailing list wrote:
> Subject: Upcoming Edgar interview
> Really-From: 'Plumer, Scott'
>
>
> I just got off the phone with the editor of Progression magazine. He
> told me he's trying to set up an interview with Edgar and wanted to know
> what to ask him. Here's what I suggested:
>
> 1. How much of what they play live is really live? (i.e., do they really
> use DAT in concert)
>
> 2. Will he really hand the band over to Jerome soon?
>
> 3. What's the story with the Keep? (Why it took so long, why that ST,
> etc.)
>
> 4. Why do they play exact duplicates of what's on the albums in concert?
>
> If anyone has anything else to ask let me know and I'll pass it on.
>
> Scott E. Plumer
Yeah, I'd like to know when they plan to tour North-America (way overdue by my
account...)
C.B. Vincent Goudreault
online since early 93, TD fan since 77
first exposure: Stratosfear, fave albums: Rubycon/Ricochet
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS TYPE
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Really-From: Steven Feldman
Well, I've played Edgar's cockeyed idea of what constitutes 'the
complete music material from' THE KEEP only once so far, but I can at
least say with certainty that a certain E.F. is full of shit. There is
more material from the film, 'The Keep,' on the Blue Moon boot than
there is on the CD with the number TDI010! :(
I compared the TDI010 CD with the BM boot and the LOGOS TYPE boot,
and can now cite the specific correspondences between the items. First,
to make matters a little clearer for those who don't have such data
close at hand, here are the track names and times for the music related
to the film known as 'The Keep' which appear on the official THE KEEP--
SPECIAL LIMITED EDITION, the Blue Moon boot, and the LOGOS TYPE boot:
+ - - - - - - - - - - - - - - - - - - +
º THE OFFICIAL THE KEEP CD FROM 1997: º
+ - - - - - - - - - - - - - - - - - - +
The Keep
Original Motion Picture Soundtrack
Produced by Edgar Froese
Total running time 60:06
1. Puer Natus est Nobis (Gloria theme)**** 3:09
2. Ancient Powerplant* 4:28
3. The Silver Seal** 3:07
4. Voices from a Common Land*** 4:06
5. Arx Allemand* 4:24
6. The Night in Romania* 3:15
7. Canzone** 2:51
8. Sign in the Dark* 4:19
9. Weird Village** 3:23
10. Love and Destiny** 3:31
11. The Challenger's Arrival* 4:32
12. Supernatural Accomplice* 4:07
13. Parallel Worlds** 4:29
14. Truth and Fiction* 2:52
15. Wardays Sunrise* 3:20
16. Heritage Survival*** 4:13
*Composed by E. Froese
**Composed by E.Froese and J.Scmoelling
***Composed by Froese, Schmoelling, Franke
****Composed by Thomas Tallis 1505-1585, Arr. by E.Froese
This soundtrack is the first and only authorized release of the complete
music material from the movie.
+ - - - - - - - - - - - - - - - - - - +
º THE BLUE MOON BOOTLEG CD FROM 1995: º
+ - - - - - - - - - - - - - - - - - - +
Tangerine Dream - The Keep
Blue Moon Records BM-12/BMCD12
Total running time: 66:40
1. Dinu Pass (3:07)
2. The Keep (Main Title) (4:05)
3. The Black Soldiers (5:14)
4. Deadly Silver Crosses (6:31)
5. Brothers In Death (8:07)
6. Evil Healing (3:51)
7. Glaeken's Quest (4:38)
8. The Evil From Within (4:47)
9. The Black Soldiers (1st Mix) (8:57)
10. Gloria (3:05)
11. Romanian Road (2:52)
12. Fisherman's Morning (3:20)
13. Sailing Mission (3:00)
14. The Keep 'Mid Theme' (Remix) (1:50)
15. The Keep 'End Theme' (Remix) (2:22)
+ - - - - - - - - - - - - - - - - - - - - - - - +
º THE LOGOS TYPE BOOT FROM 1997 (Berlin, 1992): º
+ - - - - - - - - - - - - - - - - - - - - - - - +
Tracks 3-7 contain music not on LOGOS that sounds similar to
that in the film known as 'The Keep.'
1. Track Three (5:09)
2. Track Four (2:37)
3. Track Five (3:57)
4. Track Six (4:18)
5. Track Seven (6:12)
Okay. Now let's get down to business. I'll comment and remark on
similarities between TDI010, the other two CDs, and film itself track-
by track, in sequential order.
1. Puer Natus est Nobis (Gloria theme) (3:09)
This track is pretty much the same as Blue Moon track 10, but it
has nice instrumentation in the background which makes it vastly
superior to the virtually a cappella version on the Blue Moon boot.
2. Ancient Powerplant (4:28)
This is Blue Moon track 12--one of the three tracks broadcast on
German radio--'Fisherman's Morning,' but this version is better. The
song itself appears nowhere in the film.
3. The Silver Seal (3:07)
This track, reminiscent of material on HYPERBOREA and of 'Love
Phantasy' off the FLASHPOINT soundtrack, contains music not in the film,
and not on the Blue Moon boot nor LOGOS TYPE.
4. Voices from a Common Land (4:06)
This is Blue Moon track 11--one of the three tracks broadcast on
German radio--'Romanian Road,' and seems to be identical to the version
on the BM boot. The song itself appears nowhere in the film.
5. Arx Allemand (4:24)
This is a jaunty, neo-classical tune that sounds somewhat like a
combination of the styles of Tomita and Walter/Wendy Carlos, and brings
to mind what a funkified version of 'Hobo March' (a/k/a 'Ode to Granny
A' off Edgar's AGES album). This tune does not appear in the film, the
Blue Moon boot, nor LOGOS TYPE.
6. The Night in Romania (3:15)
Finally! A tune that is not a cover of a classical composition
that actually appears in the film! This music comes from the climax
where Dr. Cuza yells to Molasar, 'So . . . you prove yourself to *me*!'
This music also appears on LOGOS TYPE as Track Six. It is not on the
Blue Moon boot.
7. Canzone (2:51)
This tune also appears in the film. It comes from the sequence
wherein Dr. Cuza walks out of the sub-basement of the keep and past the
silver crosses in the walls which light up as he passes them. It is not
on the Blue Moon boot nor LOGOS TYPE.
8. Sign in the Dark (4:19)
This track corresponds to LOGOS TYPE Track 5. This music, although
quite Keep-esque, does not appear in the film nor on the Blue Moon boot.
9. Weird Village (3:23)
This track is reminiscent of an early track on the WAVELENGTH
soundtrack. I'm not sure which track. This tune does not appear in the
film nor the Blue Moon boot nor LOGOS TYPE.
10. Love and Destiny (3:31)
This track is reminiscent of material on the DESTINATION BERLIN
soundtrack, even though DB is from 1989 and THE KEEP is from 1983! It
did not appear in the film, on the Blue Moon boot, nor on LOGOS TYPE.
11. The Challenger's Arrival (4:32)
This track is very similar to Blue Moon track 6, Evil Healing. At
the 3 minute mark, however, this 'official' version diverges. The Blue
Moon boot version is better IMHO because it is spookier. This tune does
not appear in the film nor on LOGOS TYPE as far as I know, and yet, since
most of what is on the Blue Moon boot is indeed in the film, I am not
sure of this.
12. Supernatural Accomplice (4:07)
This track starts off sounding like a track of the WAVELENGTH
soundtrack, then has a portion of the beginning of 'Cloudburst Flight'
(from FORCE MAJEURE), then is similar to Blue Moon track 4, 'Deadly
Silver Crosses,' but the contents of the tune are in a different order
so that the backwards-air sound at the end of 'Deadly Silver Crosses'
appears towards the beginning of 'Supernatural Accomplice' (this track).
This version of the song does not appear in the film per se: it is a
variant. It is not on LOGOS TYPE at all.
13. Parallel Worlds (4:29)
This music does not appear in the film, nor the Blue Moon boot, nor
on LOGOS TYPE. It is unique and unlike anything else TD has done. I
have all four of Johannes Schmoelling's albums, and it my guess that
this track is 100% Johannes' doing since I don't hear any Froese
influence whatsoever.
14. Truth and Fiction (2:52)
This track, which does not appear in the film nor on LOGOS TYPE,
has sounds at the end that are similar to those found on track 12 (which,
in turn, corresponds to Blue Moon Track 4, 'Deadly Silver Crosses').
Otherwise, this track is all-new (to *me*, at least).
15. Wardays Sunrise (3:20)
This track, which does not appear in the film nor the Blue Moon boot
nor LOGOS TYPE, features a guitar lead similar to that on track 11 ('The
Challenger's Arrival').
16. Heritage Survival (4:13)
This track, which does not appear in the film nor the Blue Moon
boot, is basically LOGOS TYPE Track Three with guitar added, but it
fades out, leaving the impression that, like 'Silver Scale,' it is an
excerpt from a longer piece. This is great, majestic tune, similar to
the ending of 'Logos Pt. II,' but more upbeat. It is more of less the
high point of the LOGOS TYPE boot.
So, there you have it. There are only three and a half tracks that
appear in the film (track 12, 'Supernatural Accomplice,' being the half).
One of the three tracks broadcast on German radio, 'Sailing Mission,' is
nowhere to be found. The long variant of 'Moorland' in the film which
clocks in at about seven minutes is not be found. Ditto the seven-minute
ending that appears on the UHF-only syndicated TV broadcasts of the film.
Actually, not even the end tune from the *regular* cut of the film is on
the TDI010 CD!
For those who like the film more than TD per se, a better bet than
TDI010 would be the Blue Moon boot and tracks 3-7 on LOGOS TYPE (and
especially the first 35 minutes of TD's 1982 Croydon concert).
o LOGOS TYPE Track 3 = TDI010 Track 16 ('Heritage Survival')
o LOGOS TYPE Track 5 = TDI010 Track 8 ('Sign in the Dark')
o LOGOS TYPE Track 6 = TDI010 Track 6 ('The Night in Romania')
It's not too late for us to get a more for-real THE KEEP soundtrack:
maybe the *non*-Special Edition version will be more like the Blue Moon
boot and actually feature a lot of music from the film! ;) Hey, and
there's even the remote possibility that one of us will actually find a
copy of the original 1984 issue of THE KEEP and we'll be able to find
out if that version had as little music from the film as TDI010 does.
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
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Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS
Gabe Yedid
Sat
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Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS
Hermes Guzman
Sun
11/16/1997
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 14, 1997 11:58
pm
Subject: Re: Upcoming Edgar interview
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Really-From: DJS
> Really-From: 'Plumer, Scott'
>
> I just got off the phone with the editor of Progression magazine. He
> told me he's trying to set up an interview with Edgar and wanted to know
> what to ask him. Here's what I suggested:
>
> 1. How much of what they play live is really live? (i.e., do they really
> use DAT in concert)
>
> 2. Will he really hand the band over to Jerome soon?
>
> 3. What's the story with the Keep? (Why it took so long, why that ST,
> etc.)
>
> 4. Why do they play exact duplicates of what's on the albums in concert?
>
> If anyone has anything else to ask let me know and I'll pass it on.
>
> Scott E. Plumer
Good luck getting a straight answer from Edgar. Every interview I've
read from him I have to read it 13 times before I finally understand
what the heck he was saying. If he'd just speak using a normal dialect
and refrain from trying to sound so darn prolific and mysterious in his
conversations.
Dan
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From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 4:09
am
Subject: Observations by A Pole
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Really-From: Vic Rek
Quite an interesting week?
There have probably been more than a few on this list that have taken notice.
Well, here are a few of my observations (in brief summary):
o Phil N. still continues to amaze me with his thorough reviews. I hope
that the readers benefit from this. Keep up the good work!
o Dano continues to amaze me with his unrelentless humor, heh heh. BTW,
Captain Dan is a good man! He's a man of good word. Stay tuned...
o Eli has to still try. Yes, a few good jokes put out to the list, but he
needs to learn restraint. So Eli will you respond to this? You just have
to since it's a post on the list (and your name's in it).
o Yes, my enthusiasm for TD has led me to give up my kidney for a
Flashpoint CD (original of course), but with all this stress and such a
chemical society, I may someday trade it back for a liver.
o Mr. Feldman (identified as a tight ass) continues his unrelentless
pursuit of 'The Keep' encyclopedia. Sure he was tight (ass) last week, he
was waiting for that Keep CD that has been guiding him since 1984. Keep up
the good work, and don't forget about the Keep CD-R boot that contains even
more music.
o And Mr. Hilmar continues to make very profound and even smart comments
about the actions of some controversial contributors. Keep it up, and don't
forget about those samplers you own me.
o And A Tightass responds with some supposedly obscene
material that was supposed to make us hide our daughters. Good try, but no
success. Go try somewhere else.
o And the rest of these lurkers that want to learn something about TD, hang
on, information is always in the queue, but you must be prepared to deal
with the opinions of the list.
o And me, Vic Rek, enjoying my 15 seconds of fame. Even though I didn't ask
for it. Ya right!
Have a great weekend!
Vic
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 4:21
am
Subject: RE: Upcoming EF I'view in Progression
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 5:15
am
Subject: Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS TYPE
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------------------------------------------------------------------------------
Really-From: Gabe Yedid
Well, Steve, we were told that there would be a lot of music on the
'official' release that was not in the movie. I guess we just didn't
expect *most* of it to not be in the movie. ;)
It may not be a good representative ST album, but is it good as 'lost
period TD', do you think? If you like what's on it, does it make a huge
difference? (playing devil's advocate here). Maybe this is Edgar's
vision of what HE wanted the soundtrack to be. Would this music have
suited the film better than what was ultimately used as the ST material?
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 4:48
am
Subject: RE: EF I'view
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 5:27
am
Subject: RE: Free TD Stuff To Give Away Part 2!! (Little TD Content)
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------------------------------------------------------------------------------
Really-From: Sturminatr@a...
>Really-From: DJS
>5. (and now the throwaway) 'Prisoner transfer from cell block 1138'
Don't know if the stuff has been given away as of yet, but since a few posts
have incorrectly identified this puppy, I have to give a hint to those
interested. Namely, the line right before it:
'Where are you taking this...thing?'
Address your thanks to,
B. Kirby
PS - TD Content - After finally listening to my own Horizon Music TD CD
order, I have to say how impressed I was with Oasis. Was that a semblance of
a sequencer rhythm I heard on there? The rest, unfortunately, was not Oasis.
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 5:54
am
Subject: Which album have you listened to most in your life?
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------------------------------------------------------------------------------
Really-From: martyn@i... (Capel Martyn)
Mine in 'Low', by David Bowie.
I worked out the other days that I've listened to it over 1500 times.
I know, I need a life ;-)
Replies
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Re: Which album have you listened to most in your
Greg Heil
Sat
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Re: Which album have you listened to most in your
PENFOLD
Sat
11/15/1997
3 KB
8729
Re: Which album have you listened to most in your
DJS
Sat
11/15/1997
4 KB
8730
Re: Which album have you listened to most in your
DJS
Sat
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3 KB
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Re: Which album have you listened to most in your
Greg Heil
Sat
11/15/1997
6 KB
8743
Re: Which album have you listened to most in your
Antonio Nunes
Mon
11/17/1997
3 KB
8806
Re: Which album have you listened to most in your
Stephen A. Yensen
Tue
11/18/1997
2 KB
8814
Re: Which album have you listened to most in your
PhilPDX@a...
Tue
11/18/1997
2 KB
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Re: Which album have you listened to most in your
Luntow11@a...
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11/20/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 6:14
am
Subject: Re: Which album have you listened to most in your life?
Hmm..I'd have to say it's a toss-up betweenKraftwerks's 'Trans-Europe Express'and..Mannheim Steamroller's 'A Fresh Aire Christmas'P.S.I need more of a life!Greg H.
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 6:45
am
Subject: RE: 'Pole-r' observations
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
responds with some supposedly obscene
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 3:59
pm
Subject: Offer of Risky Business pirate VCD
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------------------------------------------------------------------------------
Really-From: 'Jeffrey Au-Yeung'
Hello
I have a few copies of the Risky Business pirate double VCD I will offer
for swap only. It is a double VCD with titles and synopsis in both Chinese
and English language on both the front and back covers. It can be watched
on the computer with software having movie function such as Xing MPEG
player. I would appreciate offer of bootleg / CD releases from exotic
countries such as Italy, Spain, Brazil etc. Please contact me off list and
let me know your offer. Thanks.
Jeffrey
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 4:48
pm
Subject: Re: Upcoming Edgar interview
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------------------------------------------------------------------------------
Really-From: Paul Nagle
On Fri, 14 Nov 1997 15:58:54 -0800, tadream@c... (tadream
mailing list) wrote:
>Good luck getting a straight answer from Edgar. Every interview I've
>read from him I have to read it 13 times before I finally understand
For amusement you can keep track of the phrase 'musical integrity'
which he used a lot when I interviewed him once. If he admits to
miming in the light of this phrase I'll be fascinated how he explains
it.
N.B. The miming is unlikely to be to DAT since the MIDI rack modules
are harder to trigger from DAT and they flashed away like flashing
things at Leeds....my mate's theory was that they paid someone
offstage to send MIDI triggers in time to the music and that this
person was therefore hardest working 'musician' in the place.....
Paul
Beware - shameless plug!
P.S. Anyone in the Lancs area of good old Blighty should pop into my
gig tonight at the UCL Preston Arts Centre. There will be a DAT but it
is for recording the proceedings....
--------------------------------------------------------------------------------\
------------------
www.softroom.demon.co.uk
--------------------------------------------------------------------------------\
------------------
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 2:51
pm
Subject: Tatort
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Really-From: FredYargui@a...
Hi & many thanks to everyone that wrote a mail (on the list or privately)
with Tatort information!
Greetings,
Fred
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 4:39
pm
Subject: Re: Which album have you listened to most in your life?
_Exit_ by TD (my first TD album as a matter of fact)
I have a girlfriend, does this still mean I don't have a life?
'We throw each piece of equipment three times out of the third floor of our studio complex. If it's still functioning properly, we'll take it on the road. If not, we send it back to Tokyo!...' -- Edgar Froese (founder of Tangerine Dream), on the easy way they decide on which instruments to take on the road.
/^\
| pete
| penfold@a...
|
|
|
YA .semi.random.sig.quote
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 6:57
pm
Subject: Re: EF I'view
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Really-From: DJS
tadream mailing list wrote:
>
>
> Really-From: 'Elias Granillo, Jr.'
>
>
>
> You mean like that one interview in the Argentinan EM mag where he preceded
> each of his answers to the interviewer's questions with: 'I am Edgar
> Froese, now I speak! Listen!!!'
>
> FAAAAR OUUUT! Words of wisdom from the Teutonic Titan, father of Jerome
> (Son of Thunder), wife of Monica (Sister of Hera), and brother of Klaus
> (Lord Of Drones)!!!!
>
> E-Man
Heh, I do remember in an interview that Edgar said that if any of TD's
albums could be considered new age it would be Phaedra. He also said
(this was in 1988) that in his own subjective opinion 'they had moved so
far along that he would no way consider themselves to be a new age band'
What Edgar was actually saying was 'I, the great Norseman of Mount
Valhalla, have nothing to do with new age...except for those few albums
in the early seventies that were blips and bleeps...yes my sons...these
were new age albums...but nothing after that! TD does not play new age!
Linda Spa's sax has nothing to do with new age! That was just a trial
phase. Now walk with me to the anvil whilst I forge Mjolnir for my son
of Thunder.' Basically, Turn Of The Tides was, IMO, the greatest venture
to become on with Yanni and John Tesh. Imagine, Edgar & friends live at
the Acropolis!
Dano
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 7:05
pm
Subject: Re: Which album have you listened to most in your life?
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: martyn@i... (Capel Martyn)
>
> Mine in 'Low', by David Bowie.
>
> I worked out the other days that I've listened to it over 1500 times.
>
> I know, I need a life ;-)
Has to either be Transformers the Movie (the score, not the vocal
she-ite) but since I haven't had that long enough...I guess it'd be ALL
of Mark Shreeve's albums (minus Redshift of course)...which are
currently on hiatus because I need a breather from it...shooooweeee. Out
comes the Goblin and Rush! Eli, stop influencing me dammit!
Dano
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 7:07
pm
Subject: Re: Which album have you listened to most in your life?
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Really-From: DJS
tadream mailing list wrote:
>
> Hmm..
>
> I'd have to say it's a toss-up between
>
> Kraftwerks's 'Trans-Europe Express'
>
> and..
>
> Mannheim Steamroller's 'A Fresh Aire Christmas'
>
> P.S.
>
> I need more of a life!
>
> Greg H.
Heh, I wonder if anyone listens to TD the most. Hahahaha!
Dano
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 6:19
pm
Subject: Re: Which album have you listened to most in your life?
----------> From: tadream mailing list > To: tadream@cs.uwp.edu> Subject: Re: Which album have you listened to most in your life?> Date: Saturday, November 15, 1997 12:07 PM> > ------------------------------------------------------------------------------> To remove yourself from this list, send a message to majordomo@cs.uwp.edu that> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the> message body. You MUST do this from the address you subscribed with.> The List owner does not read this list. Complaining here is useless.> ------------------------------------------------------------------------------> Really-From: DJS > > > tadream mailing list wrote:> > > > Hmm..> > > > I'd have to say it's a toss-up between> > > > Kraftwerks's 'Trans-Europe Express'> > > > and..> > > > Mannheim Steamroller's 'A Fresh Aire Christmas'> > > > P.S.> > > > I need more of a life!> > > > Greg H.> > Heh, I wonder if anyone listens to TD the most. Hahahaha!> > > Danowell Dano, TD albums are more fullfilling so a person can take lower dosesof it.. and like many of us, we have large collections of TD and switch fromone to the next. I'd say Tangram for me, comes into a close 3rd place asmost listened to, and that's two (about) 24 minute tracks!
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 8:01
pm
Subject: Edgar interview question: answered
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Really-From: Tom Coppens
Hi everyone,
>>
3. What do you think of the 'retro' movement you're arguably responsible
for?
>>
When I met TD after the concert in Brussels this year, Jason Hopkins, Paul
Hanson and myself chatted with Edgar for some twenty minutes and we asked
him what he thought of the retro movement. As Jason will also tell you his
answer was (accompanied by a very expressive face): 'What !!???'. Edgar was
quite surprised about it and really had no idea so many people were doing
something like that. So we first had to explain it. He said he didn't mind
them making music like that, but that he himself had no reason or urge
-musically- to do something like that again. It was his past, no reason why
he should go BACK instead of FORWARD. He was also a bit tired of people
always droning on about the late seventies and how they would like TD to
return to that style of music. If people didn't like the recent output then
they simply shouldn't buy the CDs anymore he said.
That's it.
Wave ~~~
Tom
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: Which album have you listened to most in y
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------------------------------------------------------------------------------
Really-From: Steven Feldman
>Re: Which album have you listened to most in your life?
>Date: Sat, 15 Nov 1997 11:07:23 -0800
>From: tadream@c... (tadream mailing list)
>Organization: Rakinik Intertype
>Really-From: DJS
[Re the question of what album a collective we have listened to more
than any other, two people responded, and then Dano said:]
>Heh, I wonder if anyone listens to TD the most. Hahahaha!
Errr, maybe second place.
1) DIAMOND DOGS by David Bowie
2) LE PARC by Tangerine Dream
2) LODGER by David Bowie
2) MUSIC INSPIRED BY BATTLESTAR GALACTICA by Giorgio Moroder (because
of Side Two, which is the 15-minute track, 'Evolution')
2) ON LAND by Brian Eno
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Suggestions for Scott's Edgar Interview
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Really-From: Steven Feldman
>Subject: Upcoming Edgar interview
>From: tadream@c... (tadream mailing list)
>Date: Fri, 14 Nov 1997 14:47:02 -0500
>Really-From: 'Plumer, Scott'
>
>I just got off the phone with the editor of Progression magazine. He
>told me he's
>[1] trying to set up an interview with Edgar and
>[2] wanted to know what to ask him. [. . .]
It seems to me that #1 is dependent on #2. ;) In other words:
ask him too many uncomfortable questions--like, say, the extent of the
Milli Vanilli factor during live shows re where he places his fingers
over the keys--and you might be shit out of luck. (no smiley)
>Here's what I suggested:
>
>1. How much of what they play live is really live? (i.e., do they really
>use DAT in concert)
Don't expect honesty if this question is dignified with an answer
at all.
>2. Will he really hand the band over to Jerome soon?
I think in the case of TIMESQUARE: DREAM MIXES II he already has,
and in the case of AMBIENT MONKEYS he *should* have. ;)
>3. What's the story with the Keep? (Why it took so long, why that ST,
>etc.)
IMHO, better questions re this music would be:
o Why is so little of the actual music from the film on the CD--
especially since the claim, 'This soundtrack is the first and only
authorized release of the complete music material from the movie,' is
listed on the outside of the CD? There are only two tracks from the
film on the CD, whereas there are eight on the bootleg!!!
o Neither version of the film's highly-memorable end-theme is on the
CD (there is an alternate longer ending to the film that contains
seven minutes more of music which are more dynamic and invigorating
than any other music in the entire film). Why aren't these there?
o Why isn't the seven minute variant of 'Moorland'--which plays during
the footage where the Scott Glenn character pilots a boat to Romania--
on the CD?
o Are the tracks which were selected for the soundtrack's original
1984 release (tell Edgar that at least 3 list subscribers have seen
a copy of this so-called non-existent record) the same as those
selected for the recent release?
o What is the story with the 3 tracks played over German radio:
1) 'Fisherman's Morning' a/k/a 'Ancient Powerplant'
2) 'Romanian Road' a/k/a 'Voices from a Common Land'
3) 'Sailing Mission' . . .
only two of which appear on the official CD and none of which appear
in the film itself?
o Will any more music from THE KEEP appear on the 25-CD Set?
>4. Why do they play exact duplicates of what's on the albums in concert?
Good question.
>If anyone has anything else to ask let me know and I'll pass it on.
Since the FORBIDDEN, RED HEAT, and RED NIGHTS are being released,
and there's reportedly 60 hours of material from STREETHAWK, what are
the chances of a multi-CD set of STREETHAWK material?
Did Edgar really have any compositional credit on TIMESQUARE?
>Scott E. Plumer
-- Steven Feldman
-------------------------------------------------------------------------
'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 4:04
am
Subject: Re: Marital Strife...
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Really-From: sbm@p... (Steve McCready)
On Fri, 14 Nov 1997 10:33:33 +0000, Kev wrote:
>We've just managed to get hold of a Technics SL-MC410, a CD player that
>holds 111 (that's one hundred and eleven, not a finger-slip) CDs. It's
>been on order for months and I've been dreaming of having the whole of
>my TD CD collection (50+) on-line with random play and everything...
When my old 5-disc player died a couple months back, I was rather
happy - it finally gave me an excuse to pick up one of the 200-disc
changers that Sony puts out.
>And then on Monday the wife says 'Okay, we'll put the Classical stuff in
>the first 30, joint discs (i.e. Pink Floyd, Chris Rea, Philip Glass,
>etc.) in the next 40, leaving 20 each for you and I as our own
>selections.' (For those that can count, the final space is a 'quick
>play' slot).
D'oh! Fortunately, my girlfriend only has about 20 CDs, so there was
plenty of room for the 50+ TD CDs and plenty more stuff. The group
feature is nice (though the Sony doesn't let you 'cross-register'..)
>The resolution of the TD vs wife dilemma? Simple, I'm going to have to
>save to buy a second player dedicated to my stuff...
Unfortunately, I still have around 125 CDs that didn't fit, so I need
a second. I just don't have room for it, unforutnately ... it's a bit
on the TALL side... =( oh well!
-Steve
sbm@p...
Sacramento, CA
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: THE KEEP: More Grist for the Mill
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Really-From: Steven Feldman
Below is exactly what is on TD's website:
| +++ 15/Aug/97 +++
|
|[. . .] What the fans will hear on the soundtrack CD is most of the
|material known from the picture plus some of those tracks which have not
|been used within the movie due to director's decision.
'[M]ost of the material known from the picture'?!? What the #$%^@~
does *that* mean?!?!
-- Steven Feldman
-------------------------------------------------------------------------
'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 15, 1997 11:15
pm
Subject: Streethawk Material?
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Really-From: Vic Rek
>[...]and there's reportedly 60 hours of material from STREETHAWK, what are
>the chances of a multi-CD set of STREETHAWK material?
Pretty good. I already have it :-)
Vic
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 2:38
am
Subject: Re: Movements of a Visionary
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Really-From: AOutland@a...
In a message dated 97-11-03 04:27:07 EST, you write:
<< >
Also in the early 70s I remember watching a really corny documentary
about
two surfers travelling the world in search of the perfect wave...
>>
Steve: could this film be titled 'Endless Summer'? I saw the movie but had no
idea I was listening to TD music (not knowing the group at all at that time).
All I remember was the usual Surfin' Safari -like driving rock sound that
usually accompanied surfing movies. It was good though. Not much chance of
finding that movie at the local video store I suppose! Dell
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 4:51
pm
Subject: Re: Which album have you listened to most in y
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Really-From: Paul Nagle
On Sat, 15 Nov 97 15:09:55 EST, tadream@c... (tadream mailing
list) wrote:
I'm catching up with some more recent output but my all-time heaviest
listens are still:
1) Jardin Au Fou by Roedelius
2) Full Circle by Colin Towns
3) Stratosfear by TD
Paul
--------------------------------------------------------------------------------\
------------------
www.softroom.demon.co.uk
--------------------------------------------------------------------------------\
------------------
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 5:33
am
Subject: How many times...
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Really-From: 'Elias Granillo, Jr.'
Really-From: DJS
tadream mailing list wrote:
>
>
----------------------------------------------------------------------------
--
> To remove yourself from this list, send a message to majordomo@c...
that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> The List owner does not read this list. Complaining here is useless.
>
----------------------------------------------------------------------------
--
>> Really-From: martyn@i... (Capel Martyn)
>>
>> Mine in 'Low', by David Bowie.
>>
>> I worked out the other days that I've listened to it over 1500 times.
>>
>> I know, I need a life ;-)
>Has to either be Transformers the Movie (the score, not the vocal
>she-ite) but since I haven't had that long enough...I guess it'd be ALL
>of Mark Shreeve's albums (minus Redshift of course)...which are
>currently on hiatus because I need a breather from it...shooooweeee. Out
>comes the Goblin and Rush! Eli, stop influencing me dammit!
>Dano
Don't forget you love Magellan, too! Heh heh
You're all the better for it, Dan, heh heh. First there was (too
embarrassed to mention the band(s), so I won't, ha ha); then the Tangs
commanded my aural focus; and so has Mark Shreeve (ASSASSIN through
NOCTURNE) and Goblin (anything!); also, Rush (SIGNALS/GRACE UNDER
PRESSURE--many, many times' plus, all their other albums, lost count long
ago).
As of most recently, Eternity X's THE EDGE has spun many, many times in my
CD player. If you could burn out the grooves in a cd like on an el-pee,...
I bought OASIS, which is great. But I finally (slap me) got around to
getting JMJ's OXYGENE 7-13, and this one's definitely gonna unseat
OASIS--it has everything I like: melodies, bass, great analog sounds,
bitchin' sequences, another typically lame cover (ha ha)...
E-Man
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 11:24
am
Subject: RE: Upcoming Edgar interview
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Really-From: Michael Richard
Hello there!
> If anyone has anything else to ask let me know and I'll pass it on.
No one tought to that?
- Will TD tour on North America soon?
- Will they add more suff than Stratosfear and Betrayal from the
Baumann/Froese/Franke years?
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 4:48
pm
Subject: TDlive Baltimore 1992
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Really-From: Mak0shark@a...
Does anyone have video or audio from TD's live performance at Johns Hopkins
Shriver Hall (Baltimore, MD, USA) on Oct. 15, 1992? Please e-mail me back
at:
Mak0shark@a...
Thanks,
Stephen
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 4:48
pm
Subject: Re: Which album have you listened to most in your life?
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Really-From: Antonio Nunes
Probably one of these:
Mike Oldfield - Tubular Bells (the very first 'exquisite' music I liked
when I was a teenager in the 70's, I still enjoy this album).
Tangerine Dream - Tangram (the first complete TD album I heard, taped by
a friend. I only bought the album a few years later, but that tape was
played again and again... )
Jean Michel Jarre - Equinoxe (the first CD I bought, and my favourite
J.M.Jarre album)
Antonio
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 5:29
pm
Subject: Re: I dreamed a dream / what can it mean?
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Really-From: AOutland@a...
In a message dated 97-11-05 07:25:48 EST, you write:
<<
I'm just left with this image of Edgar 'nailed' to a crucifix which is
being raised by a crowd below; the scene is lit only by bright white
spotlights focused on Edgar's figure
I dreamed a dream and Edgar was playing Christ, so what can it mean?
>>
My goodness,Lars, you certainly do have detailed dreams! I've had a few
TD dreams myself and thought perhaps I was getting too spaced out on this
group so I'm glad to see I'm not the only one and maybe I'm normal ( or as
normal as this group here gets :-) LOL, that's a joke guys!). Anyway, I'm no
psychoanalyst, but I've read a book or two, plus the pages of this site so it
seems to me the above section of your dream is fairly literal. In the days
when electronic music was new and mostly improvisational on instruments
actually created or at least improved by Mr Froese, he was GOD. I even saw
somebody say that here some time back. The crucifix is the stage, the bright
spotlight is on the performer, the crowd is the fans come to see the show.
But his own fans are crucifying him. Just continue to read what is printed on
this site to hear the whining and complaints of where Mr Froese is going with
his music. Sure, you're all entitled to your opinions IMHO, but some of the
out and out attacks have to make a true fan (read fanatic) a little
uncomfortable. Dell
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 6:35
pm
Subject: Re: Edgar interview question: answered
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Really-From: DJS
It was his past, no reason why
> he should go BACK instead of FORWARD. He was also a bit tired of people
> always droning on about the late seventies and how they would like TD to
> return to that style of music. If people didn't like the recent output then
> they simply shouldn't buy the CDs anymore he said.
>
> That's it.
>
> Wave ~~~
>
> Tom
Words of wisdom from the legendary axe hurler himself! I wish I could
have seen that 'expressive face' he had. Somewhere between needing a
dose of Metamucil or a spoonful of Mylanta? What is is with Eddie that
makes him dislike the past and the fact that it pleases people. One
thing is for sure, when Eli & I do a gig we sure won't tell people that
if they don't like our music they shouldn't buy our CD's. That's like
telling your child that if they don't like their dinner they don't have
to eat it. Yeah, no kidding Edgar.
Dan the happy man
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 7:46
pm
Subject: TD Soundtrack Answers (The Keep, etc)
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Really-From: DJS
Why is so little of the actual music from the film on the CD--
> especially since the claim, 'This soundtrack is the first and only
> authorized release of the complete music material from the movie,' is
> listed on the outside of the CD? There are only two tracks from the
> film on the CD, whereas there are eight on the bootleg!!!
> o Neither version of the film's highly-memorable end-theme is on the
> CD (there is an alternate longer ending to the film that contains
> seven minutes more of music which are more dynamic and invigorating
> than any other music in the entire film). Why aren't these there?
> o Why isn't the seven minute variant of 'Moorland'--which plays during
> the footage where the Scott Glenn character pilots a boat to Romania--
> on the CD?
> o Are the tracks which were selected for the soundtrack's original
> 1984 release (tell Edgar that at least 3 list subscribers have seen
> a copy of this so-called non-existent record) the same as those
> selected for the recent release?
> o What is the story with the 3 tracks played over German radio:
> 1) 'Fisherman's Morning' a/k/a 'Ancient Powerplant'
> 2) 'Romanian Road' a/k/a 'Voices from a Common Land'
> 3) 'Sailing Mission' . . .
> only two of which appear on the official CD and none of which appear
> in the film itself?
> o Will any more music from THE KEEP appear on the 25-CD Set?
>
> >4. Why do they play exact duplicates of what's on the albums in concert?
>
> Good question.
>
> >If anyone has anything else to ask let me know and I'll pass it on.
>
> Since the FORBIDDEN, RED HEAT, and RED NIGHTS are being released,
> and there's reportedly 60 hours of material from STREETHAWK, what are
> the chances of a multi-CD set of STREETHAWK material?
> Did Edgar really have any compositional credit on TIMESQUARE?
>
> >Scott E. Plumer
>
Unfortunately, in the soundtrack realm we have what is know as reuse
fees. This basically means that if you want over 30 minutes of music you
might have to pay a lot more. I don't mean only a few thousand more...a
LOT more. This is why some of your favorite OST's might only have 30
minutes of score when over 70 exists. Why put out an OST (original
soundtrack) that's 60 minutes long when you can do it for half as much
and make just as much money? The soundtrack business is not as cheap or
easy as you might think. Sometimes rights for every single track are
split up between several people. Someone might just have gotten lucky
and bought the rights for an extremely cheap price but won't resell them
at a low cost..thus the track is omitted and forgotten. There is a good
question that even I have a foggy answer for. Why is it that they
release music NOT contained in the film on the OST but leave music IN
the film unreleased. A perfect example of this would be Near Dark.
Anyone notice Caleb's Blues is NOT in the movie and in the movie the
main title is NOT on the OST? Why is this? There are a few people we can
blame for this but which one? Could be TD but doubtful. They have NO say
over what gets put on an OST if they sell the rights with the movie
(which is usually the way it goes whether they like it or not) such as
in the Silva Screen releases. Anyway, WHY isn't the awesome end title on
this new Keep CD that has been put out? From what I have heard from Cd
producers is that rights to the music have been split up...therefore I
don't think Edgar has the rights to put certain tracks from the Keep out
(or he's a complete idiot and just didn't like that track so he left it
off). I personally don't know what the hell TD's problem is if they have
all rights to The Keep and just decide not to put it all out. I can say
that the company I work for endeavors to release ALL tracks to a score,
no matter how 'unmixed' or 'unsequenced' it might be. That is how an OST
should be released. Other than reuse fees or licensing disputes, there
is NO real reason a score shouldn't be released in it's completeness.
Unfortunately, I know how the deals get made in the OST industry and
it's a shame that it takes so long. This is what eventually leads to
people getting fed up and producing bootlegs. Uh oh, another thread.
Regards,
Dan the happy dude
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 7:04
pm
Subject: D: _)(_ 'Tournado' _)(_
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Really-From: PNaunton@a...
'Tournado' November 16, 1997
Tangerine Dream
'Tournado'
Published 1997
Purchased 1997
TDI International
TDI1008CD
I was not in much of an 'all fired' hurry to order this one over
the NET, at inflated 'sellers market'prices. But I may have been mistaken
about its value.
Messages on this list seemed a bit on the COOL side, so I decided
to wait until I happened to see it in the flesh before I snapped it up.
Finally found it at Border's For Books, just outside of Chicago for $9.99.
Had to sit on it at work for a few hours. Then I got a chance to put it on a
Mark Levinson CD Transport, Processor, Pre-Amp, Amp, B&W Matrix 802 system,
and rattle the store windows late on last Friday night.
Now, I am definitely Old School Tangerine Dream. I love that early
stuff more than words can express. 'Rubicon', 'Phaedra', 'Force Majeure' and
all that ground breaking stuff sends me into Seventh Heaven, and rightly so.
(Smug little bastard!)
I wasn't expecting much but retread tunes on this 'Tournado'
recording, but actually I was (and am) blown away by the sound, musicianship,
and liveness of this package. The dovetailing of the tunes in this
performance is nothing short of miraculous. I love it. The actual
performance must have been God-like in its execution. If the liner notes are
to be believed, this was recorded in real time with no overdubs or editing,
which makes it even more spectacular.
I am hard pressed to find anything to complain about with this CD.
OK, that little 'YES' chorus segment at the end of 'Touchwood' does burn me
a little. I really hate that crap. Aside from that ten second stretch,
however, I think this is the finest music that TD has put out in sometime.
It is much more consistent than 'Goblins' Club' or any of their recent
studio work. The 'Live' aspect of 'Tournado' easily surpasses '220 Volt -
Live'.
There is an energy running through this recording which I cannot
describe very well, but it takes me on an unparalleled journey through much
of the current and recent history of the group in a very delightful way. The
itinerary is well thought out, the bridges are well executed, and the solo
musicianship is virtually flawless. Even the Midi-Programming is about as
live sounding as anything else they have done. If I didn't know better I
would say that this all sounds like live keyboard playing. There is none of
that computer driven artificiality which I have heard numerous times on some
of the fan tapes.
I am not saying that this is everybody's cup-a-tea, such is
definitely not the case from what I remember reading, but I give it a
personal, unqualified, rave review. Of course that may be because I haven't
purchased any TD this year yet. Maybe it's only like a good meal after
fasting for a few days. Perhaps even a recording of Edgar dropping his
guitar on the stage would have sounded good, especially after this long
without an addition to my TD collection.
Phil Naunton
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS TYPE
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------------------------------------------------------------------------------
Really-From: goozer@a... (Hermes Guzman)
Greetings all!
The Keep FAQ will be posted tonight; I'm in the final editing process right
now. And BTW, though it has a few errors, nice job on your comparison...but
you are not a Jedi yet!;)
goozer
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: RE: Upcoming EF I'view in Progression
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Really-From: goozer@a... (Hermes Guzman)
Greetings all!
>Really-From: 'Elias Granillo, Jr.'
>
><2. Will he really hand the band over to Jerome soon?
>1. Why did you backslide/renege on terminating Tangerine Dream back in
>1988/89?
> Or were those rumors without foundation? Were you not asked this
>question
> backstage at the 1988 Philadelphia gig after the show?
Because Paul left the band and Jerome wasn't ready to take it over by
himself, that's why. He wasn't going to end the band, just retire from it
with Paul and Jerome at the helm. Sure, he could've ended it anyway
(derisive, smartalec snickering from certain of our group can be heard
now), but instead opted to wait a little longer. He hasn't 'reneged' on
anything. There are two constants in creation; one of them is that _things
change_. Geez, some of you people out there really need to lighten up a
bit! ;)
goozer
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 8:41
pm
Subject: Re: Goodbye y'all
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Really-From: AOutland@a...
Wish you wouldn't go, Grant. As a fairly new person to this site, I was
looking forward to intelligent discussions about TD (not what music to have
sex with a blow up doll) and your comments were some of the best. I have even
printed your essay about 'Stuntman' to better understand that album which I
happen to like a great deal. I sure will miss you. Dell
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 8:22
pm
Subject: RE: Free TD Stuff /MOST LISTENED TO ALBUMS
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Really-From: KRAUSENECKS
HI.
I SAID SO BEFORE
STAR WARS STAR WARS STAR WARS STAR WARS!!!!!
MY MOST LISTENED TO ALBUMS:
1. ESCAPE FROM NY-J.CARPENTER/HOWARTH
2. THIEF-TD
3. THE BURNING-WAKEMAN
4. FOXES-G. MORODER( LOVE THE BATTLESTAR ALBUM TOO!)
5. ZOMBIE(-BOOT) F. FRIZZI
----------
From: tadream mailing list
Sent: Saturday, November 15, 1997 12:27 AM
To: tadream@c...
Subject: RE: Free TD Stuff To Give Away Part 2!! (Little TD Content)
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Really-From: Sturminatr@a...
>Really-From: DJS
>5. (and now the throwaway) 'Prisoner transfer from cell block 1138'
Don't know if the stuff has been given away as of yet, but since a few posts
have incorrectly identified this puppy, I have to give a hint to those
interested. Namely, the line right before it:
'Where are you taking this...thing?'
Address your thanks to,
B. Kirby
PS - TD Content - After finally listening to my own Horizon Music TD CD
order, I have to say how impressed I was with Oasis. Was that a semblance of
a sequencer rhythm I heard on there? The rest, unfortunately, was not Oasis.
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re ENDLESS SUMMER: Never Say Never
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Really-From: Steven Feldman
>Subject: Re: Movements of a Visionary
>From: tadream@c... (tadream mailing list)
>Date: Sat, 15 Nov 1997 21:38:36 -0500 (EST)
>Really-From: AOutland@a...
>
>[. . .] 'Endless Summer'? I saw the movie but had no idea I was
>listening to TD music (not knowing the group at all at that time).
>[. . .] Not much chance of finding that movie at the local video store
>I suppose! Dell
I saw a used copy of this video for $6 at a record shop last month.
[But then, I'm the guy who claims to have seen THE KEEP, copies of the
STRATOSFEAR LP with the title only on a sticker and not on the album,
and UFOs in New Mexico in 1979--so you takes yer chances! ;)]
I *did* see THE ENDLESS SUMMER video for $6, though, for *sure*.
-- Steven Feldman
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'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: The TD Gospel According to Grant Middleton
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Really-From: Steven Feldman
>Subject: Re: Goodbye y'all
>From: tadream@c... (tadream mailing list)
>Date: Sun, 16 Nov 1997 15:41:11 -0500 (EST)
>Really-From: AOutland@a...
>
> Wish you wouldn't go, Grant. As a fairly new person to this site,
>I was looking forward to intelligent discussions about TD [. . .] and
>comments were some of the best. [. . .] I sure will miss you. Dell
Oh good, now I have an excuse to forward this juicy posting to the
GoldTri list that Grant wrote recently re TD. Enjoy everybody! :)
(Please note that since Grant is no longer subscribed to the tadream
list, that comments to him re the forwarded message below should be
sent either GoldTri or Grant himself.)
-- Steven Feldman
+ + + + + + +
Date: Thu, 13 Nov 1997 10:21:26 +0000 (GMT)
From: Grant Middleton
Subject: [goldtri] A tinge of Tangerine ?
To: GoldTri Mailing List
Message-Id: <5926211013111997/A12107/SULLY/11BB6A951800*@M...>
Sender: owner-goldtri@a...
Reply-To: goldtri@a...
Hi folks,
I was wondering about the attitude (which seems highly prevalent at
the moment) towards Tangerine Dream which credits them with just about
every progress in electronic music since 1970.
Now, don't get me wrong. I know I'm stepping on a potential land-mine
by bringing this up on GoldTri (arguably even more so on Tadream).
But I think it's worth giving credit where credit's due and looking
elsewhere when it's not.
In the '70s, TD were the masters of the genre, without a doubt. They
had the most gear and were constantly involved with instrument
manufacturers, making sure that new equipment was viable in a musical
context. Chris Franke developed the metronomic, trance-inducing
sequencer sound. Peter Baumann was very skilled at making abstract
sounds. Edgar Froese made sure at all times that the _musical_ ideas
were never forgotten in the rush to make something new and shiny.
Are these, in fact, the three corners of a space-music triangle ?
Rhythm, Composition, Abstraction.
I don't think it was a conscious decision on their parts - the
chemistry just appeared because it sounded right to them.
So these three guys created a unique sound. But it had its roots
in many other places.
Rock was one; Edgar formed TD to be essentially a covers band, banging
out a strange German blend of Hendrix, the Stones and The Doors.
Classical music; Chris Franke had a classical upbringing and was
also very interested in the modern classical composers like
Stockhaussen, Cage and Ligeti.
Pure electronics; Baumann was skilled in electronic engineering
and also had a fondness for early electronic experiments like
the Theremin, tone generators, echo units, Leslie cabinets, etc.
One of the strongest influences was Pink Floyd. You only have to
listen to early Floyd recordings like Saucerful of Secrets or Meddle
to hear the prototype space-rock. Guitars used as tone generators,
echo units being 'played' in real-time, liberal use of any studio
equipment to make noises weirder than had ever been heard before.
Underpinning this psychedelic chaos was a primal drumbeat and solid
chord sequences and melodies.
Rhythm, Composition, Abstraction.
Now let's look forward in time. By the end of the 1970's, people knew
the word 'synthesizer'. It conjured up images of large black boxes,
littered with knobs, 'capable of making any sound imaginable'. (Yeah,
right. Capable of making any weird electronic sound imaginable.) But
how much of this was due to Tangerine Dream ? How much, instead, was
due to Jean Michel Jarre, Brian Eno, Kraftwerk, Vangelis, Keith
Emerson ? It wasn't only TD who used synths, and they were not the
most publically visible users of the equipment.
During the 1980's synths dropped dramatically in price, and it became
the equivalent of the cheap 'copy' guitar. Punks with synths ! Electro
pop was the order of the day, typified by such bands as the Human
League and Depeche Mode. There was no mystique left.
In the 1990's, another phenomenon happened - dance. Young people the
world over were having a second summer of love. The LSD of the '60s
had been replaced by the MDMA of the '90s. The distorted guitar had
been replaced by a Roland TB-303 Bassline sequencer. The pounding
tom-toms of the hippy drummer had been replaced by a MIDI computer
sequencer. But one thing was missing; Where did the melody go ?
Where did all these compositional niceties go ? The kids didn't need
it - in fact they actively avoided it.
Rhythm, Abstraction.
The sound of rave is the sound of the moment. A metronomic beat
tunes in to your brain and _makes_ you want to dance. Electronic
abstract sounds are the icing on the cake; Baroque splashes of
colour which dance around the stereo field like shimmering fractal
images. A composition carefully built up, nurtured, had no place in
the minds of the dancers - long-term attention now meant following a
snare-drum roll building up over the course of 8 bars.
This is what Edgar Froese hates about the public face of electronic
music in the 1990's - there is no subtlety in composition. So long
as the beat goes on and there's plenty ear-candy to latch onto,
a composition in the classical sense has as much relevance as
following the storyline of a movie while you're E'd up (none, so
I've been told - never touch the stuff).
For the same reason that Edgar would be horrified by rave music,
the ravers would be horrified by the music of Tangerine Dream
from the '70s. Yes, they introduced the sequencer, yes, they
had a feel for cool sounds, but they also sound so damn
MUSICAL ! Force Majeure is one of my fave TD albums, but it
must seem interesting to a raver only when seen in its historical
context. It's a bit like a Steve Martin fan looking back at a
Charlie Chaplin slapstick comedy. The roots are there if you look
hard enough - it can be _appreciated_, but how many times do you
really laugh your ass off ?
Rave came out of hip-hop and disco. It owes more to Giorgio Moroder
than TD.
The flip-side of rave is ambient-house (for want of a better term).
This is typefied by large, cavernous soundscapes, subtle details
to tickle your ears and again, this complete absence of melody or
composition. Even in their most abstract moments, you knew that TD
would 'come out the other side' and create something of beauty,
something frightening, something rockin', whatever. Ambient-house
pieces start, happen, then finish. No flux, just a continuum of
sound so that you don't feel too lonely on your way down from
the ecstasy of a rave.
Look to New Age, not TD, for the roots.
The real legacy of TD can be seen in those artists who are providing
the three elements of rhythm, abstraction and composition. If any
are missing, then the spirit of TD is missing.
Who's got it ?
Redshift
T-Bass
Mind~Flux
Paul Nagle
Jean Michel Jarre
Node
Mark Shreeve
Ozric Tentacles
Andy Pickford
Who hasn't ?
Elemental
RMI
All the above is, of course, my opinion, not necessarily that of every
GoldTri member. :)
Grant
--------------------------------------------------------------------
Grant Middleton, Senior Software Engineer, Marconi Simulation, UK
Phone: +44 (0)1383 - 828027 Fax: +44 (0)1383 - 824227
E-Mail: grant.middleton@g...
Web Site: http://www.geocities.com/SunsetStrip/Studio/9240/
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 1:03
am
Subject: the Keep (1984)
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Really-From: Michael A Jean
Steve,
I think you were wondering if the 1984 VHS release of the Keep contained
any different music than the later public release of the video. I have a
copy of the 1984 version and nothing appears to be unusual about it...
(ie. no long ending)...
MJ
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 1:00
am
Subject: streethawk
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Really-From: Michael A Jean
60 Hours? There were only 13 episodes!!!
MJ
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: THE KEEP FAQ (LARGE POST)
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Really-From: goozer@a... (Hermes Guzman)
Greetings all!
Well, here it is! I hope you have more fun reading it than I did compiling
it (let's just say that I'm all 'Keeped' out!) But first a few points:
-Please use Courier (or any true monospaced font) to properly view the FAQ
-Please set your window to 80 for the same reason
-I did _not_ use the Keep CD-R for two reasons: I wanted to do a comparison that
the majority would find useful (i.e: there were 2200 copies of the 'officially'
pressed boot vs. about 40 for the CD-R), and...I can't find my tape copy of the
CD-R! IIRC, the music contained on it is essentially the same, with just a few
more bits (although I confess it has been _quite_ some time since I listened to
the tape...) and in poorer sound quality. If I ever find my tape again, or if I
finally break down and aquire the CD-R, I _MAY_ add that info to this FAQ.
-The following sources were used in compiling this FAQ: The Keep laserdisc, The
Keep TDI limited edition CD, The Keep boot CD, the Logotypes CD-R, the Logos
CD, the Rubycon CD, the Daydream/Moorland single, the White Eagle CD, as well
as various articles, interviews and personal conversations (special thanks to
Edgar and Mark S.) where needed
One more note; I have endeavoured to maintain an objective viewpoint
regarding this subject, as I do with all my FAQ's. But on a personal level,
this is a subject that strikes close to my heart, as I am indeed one of
those 'fortunate' ones to have spotted the mythical Keep LP when it
originally appeared. At least that what my mind has told me all these
years, plus all of the other anecdotal 'evidence' I've accumulated. But
until someone finally comes forward and presents a real, honest-to-goodness
copy of the thing, I have to admit I may be wrong. And for crying out loud,
Steve; please, please, _PLEASE_ give it a rest! I think Mulder and Scully
have a few questions they would like to ask you...;)
And now, let's get on with it!
++++++++++++++++++++
THE KEEP FAQ
++++++++++++++++++++
No other film score the band has done has evoked quite the passion - or
controversy - as this one. The story of the original 'release' of the score
is a far better horror/suspense/mystery tale than the film itself! I won't
waste any time discussing the film itself; it really isn't all that good
(murky, passionless, poorly edited), especially when you realize what it
could have been. But the score, on the other hand...
Coming off the very successful collaboration with Michael Mann on his
previous film _Thief_, TD was asked to do the score to Mr. Mann's
adaptation of the horror novel, _The Keep_. Tangerine Dream's score for the
film makes you feel what the film should have been; dark, eerie, tense. It
establishes the right mood and atmosphere for the viewer (and, although
wasted, for the film as well.) The music in this film doesn't serve as a
counterpoint to the action, it instead acts as an extension of the scene; a
true, 'traditional' underscore, if you will. Unfortunately, the score
cannot carry the film itself. However, I feel that it _can_ stand on it's
own merits.
There are a few interesting notes and anecdotes about this project that
some may find interesting, although a little of it is common knowledge.
This was the second film the band scored for director Michael Mann, with
whom they had a very good working relationship. He was often cited by Edgar
as one of his favorite people to work with, and had the band not already
committed to score _Streethawk_, they would have instead scored _Miami
Vice_, at Mr. Mann's original invitation. The band actually visited the
location set during the shooting of the film, which was not the usual way
of doing things for them. Mr. Mann also wanted to TD to adapt a theme from
Eno's _Life in the Bush of Ghosts_ for the 'Release' scene (see below),
which they declined to do, but they _did_ adapt a piece of a popular UK
children's christmas TV special: 'Theme from the Snowman' by Howard Blake!
This was used as the film's end theme, and is also the reason that it
hasn't seen release, as they do not own the rights to publish it (although
a another variant can be heard as 'Logos Part D'.) A few parts of the
original music composed for the film ended up being replaced by themes
found on the _Logos_ and _Logotypes_ CD's, for the usual directorial
reasons; some of these themes are to found on _The Keep_ limited edition
CD. And of course the most interesting fact is the tale of the original
release of the soundtrack...
As with all TD soundtracks (indeed, almost any film soundtrack), the music
contained on the album was different than the actual film score in many
ways. Several of the cues were remixed or adapted into new compositions,
and some of the film's most important cues were left out. This was
partially due to the fact that some of them could be found on _Logos_, so
it was decided not to duplicate material. At the time, TD were contracted
to Virgin, and without a US distributor. This is where things start to go a
little fuzzy. The film studio, Paramount, had a distribution deal with MCA
Records. So MCA entered into negotiations with Virgin to not only release
the soundtrack, but other TD albums as well. At some point _after_ the
initial albums were pressed, but _before_ they were to be shipped, the deal
fell through. It has never been fully revealed as to why this happened. In
any case, an initial shipment of the albums were delivered to various
distributors, a consequently retailers, around the US. As there was already
a recall order, any copies that made it out were pulled from the shelves,
probably the same day. It is unknown whether any Virgin copies were
likewise released. Again, I worked for the retailer that stocked the album
in the first place, so I _know_ that it was actually _in stock_ at one
time. As to whether or not anyone purchased one, I cannot say. But if
indeed it was out there, then _someone_ must have bought one, and this
person (or persons) is a elusive as the album itself!
Now for a few comments about the score as used in the film. There is a
grand total of 67:26 of music in the film. This can be broken down into 12
separate themes (plus one short 'sting'.) Four of the themes are used
multiple times, forming 'suites', as it were. I've titled them so as to
help everyone place them in the film (at least those who have seen it.)
They are as follows, beginning with the 'suites':
The Keep Theme-
(1) Dinu Pass (4:41)
(2) The Crosses (2:30)
(3) Black Soldiers (1:25)
(4) Glaeken's 'Death' (1:58)
Glaeken's Theme-
(1) Awakening (3:21)
(2) Love Theme (4:11)
Molasar's Theme-
(1) Stiener's Remains (:45)
(2) 'I Will Be Free!' (:25)
(3) Incarnation (2:35)
(4) The Evil Within (3:40)
Cuza's Theme-
(1) Reunion (3:13)
(2) Renewed Purpose I (3:05)
(3) Renewed Purpose II (:55)
(4) Revelation (3:05)
Stormbringer (Main Titles) (4:19)
Release (7:20)
Generator (:14)
Manifestation (Gloria Theme) (2:58)
Descent Into Madness (3:44)
Betrayal (1:00)
The Talisman (4:56)
Final Conflict (3:25)
The Price (End Titles) (5:01)
I'll now provide a chart which lists the film cues in order of appearance
and the corresponding tracks from the two Keep CD's:
MOVIE CUES: THE KEEP BOOT: THE KEEP TDI:
Stormbringer The Keep N/A
(Main Titles) (Main Title)
The Keep Theme Glaken's Quest N/A
(Dinu Pass)
The Keep Theme Glaken's Quest/ Supernatural Accomplice<2>
(The Crosses) Deadly Silver Crosses<1>
Release Brothers in Death N/A
Glaeken's Theme The Keep 'Mid Theme' N/A
(Awakening)
The Keep Theme Glaken's Quest N/A
(Black Soldiers)
Molasar's Theme N/A N/A
(Stiener's Remains)
Molasar's Theme N/A N/A
('I Will Be Free!')
Cuza's Theme N/A The Night in Romania
(Reunion)
Generator N/A Supernatural Accomplice<3>
Manifestation Gloria<4> Puer Natus Est Nobis
(Gloria) (Gloria Theme)<4>
Cuza's Theme N/A The Night in Romania
(Renewed Purpose I)
Cuza's Theme N/A The Night in Romania
(Renewed Purpose II)
Glaeken's Theme The Keep 'Mid Theme' N/A
(Love Theme)
Molasar's Theme N/A N/A
(Incarnation)Ý
Descent Into Madness N/A N/A
Betrayal Evil Healing<5> The Challenger's Arrival<6>
The Keep Theme Glaken's Quest N/A
(Glaeken's Death)
Molasar's Theme N/A Supernatural Accomplice<3>
(The Evil Within)
The Talisman N/A Canzone
Cuza's Theme N/A The Night in Romania
(Revelation)
Final Conflict ÝÝ N/A N/A
The Price The Keep 'End Theme' N/A
(End Titles)
KEY:
Contains 'Logos Red Part' with a choir pad overdub
Adapted into 'Moorland'
'Logos Part 2a'
Ý 1st 1:00 unreleased/Logos Part 2a mixed with 'Rubycon Part 2' intro
_Logotypes_ 'Renewed Purpose'
Actually 'Rubycon Part 2' intro mixed with 'White Eagle' intro sfx
Adapted into 'Sailing Mission' (only 2 note bass part & flanged sting here)
Adapted from 'Theme From the Snowman' by Howard Blake; also reworked into
'Logos Part 2d'
ÝÝ Only cue unreleased in any form; mostly sfx, not remarkable
<1> 'Glaken's Quest' mixed with mid-to-end of 'Deadly Silver Crosses'
<2> Last 2:38 of track is a remixed version of cue w/o percussion
<3> Just the opening processed bell sound, later used in 'Flying Kamikaze'
<4> Both are the same remixed version of film cue
<5> Small section in middle of 'Evil Healing' w/o percussion and sequences;
see also
<6> only 2 note bass part; see also
So, as you can see, if you want to hear the _complete_ score, it's
_technically_ not possible. But you can get almost all of it by loading
both _Keep_ CD's, _Logos_ and _Rubycon_. Or you can just make a tape of the
music from the movie and try to ignore the dialogue and sfx. Also, the boot
CD which has been purported to be the final album master, is in fact a
studio demo tape, which explains why there are _5_ versions of 'The Keep'
theme ('The Black Soldiers', 'Deadly Silver Crosses', 'Glaken's Quest',
'The Evil From Within' and 'The Black Soldiers [1st mix]') _2_ versions of
'Stormbringer' ('Dinu Pass' and 'The Keep [Main Title]') and _2_ versions
of 'Betrayal' ('Evil Healing' and 'Sailing Mission')! And most of these are
different than the actual film cues!
Finally, I'd like to provide a brief track commentary on the TDI _Keep_.
This really is a very nicely done package, and it provides a wealth of
material from the 2nd golden period of TD. The sound quality is great...
and revelatory. I was always curious about the tracks that were originally
broadcast on 'Schwingungen' to spite the labels intransigence in settling
the matter. There are flaws evident, especially in 'Fisherman's Morning'
and 'Sailing Mission', that I was never sure were due to FM noise, poor
quality taping by whomever, or actual master tape flaws. Now I know. They
were master tape flaws, which are still detectible, and speak to why Edgar
said he spent 6 weeks preparing the tapes! And with only 4 remixing
exeptions (AFAIK) which are all noted as 'modern', it's all original to the
period. I've made a few notes about some of this in the following:
'Puer Natis Est Nobis' (Gloria Theme) 3:09- This is a different version of the
film cue, and has a longer ending than on the boot; same tape flaw evident
'Ancient Powerplant' 4:28- This was also titled 'Fisherman's Morning', and it
too has an extended ending
'The Silver Seal' 3:07- Has a _Wavelength_ feel to it; probable alternate cue;
some clipping evident
'Voices From a Common Land' 4:07- This was also titled 'Romanian Road', also
with an extended ending
'Arx Allemand' 4:24- Nice baroque piece; some tape flaws
evident
'The Night In Romania' 3:16- Also known as 'Renewed Purpose' on _Logotypes_
'Canzone' 2:51- The first of the modern remixes; contains the operatic sample
from 'The Talisman'
'Sign in the Dark' 4:20- Also known as 'Desert Run' from _Logotypes_; probable
alternate cue
'Weird Village' 3:23- Contains a bit of 'Running Through the Hills'; probable
alternate cue; modern ending
'Love and Destiny' 3:31- Possible alternate cue; flaws in tape evident
'The Challenger's Arrival' 4:32- This was also titled 'Sailing Mission'; same
tape flaw evident
'Supernatural Accomplice' 4:08- Contains elements of 'Release' and 'The Keep
Theme (The Crosses)'
'Parallel Worlds' 4:30- Possible alternate cue; possible modern overdub added
'Truth and Fiction' 2:52- Probable alternate cue
'Wardays Sunrise' 3:21- Alternate version of 'The Challenger's Arrival'
'Heritage Survival' 4:14- Also known as 'Rush of Joy' from _Logotypes_; probable
alternate cue; remixed with addition modern material
++++++++++++++++++++
END OF KEEP FAQ
++++++++++++++++++++
Well, that about wraps this up. I hope this was informative and
interesting. But before I go...
FAQ CONTEST #2!
This is gonna be painful...especially if anyone knows this!;) Here goes:
'TD did have _one_ song featured in a Miami Vice episode; what song was it?'
To win, be the first person to correctly name the song. If you can also
name the episode, you need therapy! Also, please list your favorite live
release. The winner will receive a very interesting and rare prize!
Deadline for entries is Saturday, November 30. If there is no winner, I
probably should have picked an easier question! Certain members of this
list are excluded from winning (you know who you are!) to make it
challenging. No purchase necessary. All rebates to dealer. See store for
details. E Pluribus Unum. Good luck! 8P
goozer
PS: I'm too tired to proof this for a third time, so if any typos have
slipped through, I apologize.
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 1:05
am
Subject: Firestarter/Country music
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Really-From: Michael A Jean
I finally dug out the movie and listened to that segment mentioned last
month (where they were driving up the road to the farm). It is indeed the
most 'country' sounding segment I've heard to date... Mainly acoustic
guitar sounds....
MJ
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The Guy Who Didn't Write the
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Yet Another Different Ending to THE KEEP
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Really-From: Steven Feldman
>Subject: Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS TYPE
>Date: Sun, 16 Nov 97 13:43:16 -0600 (CST)
>From: tadream@c... (tadream mailing list)
>Really-From: goozer@a... (Hermes Guzman)
>
>The Keep FAQ will be posted tonight; I'm in the final editing process
>right now. [. . .]
Methinks you presume too much. What makes you think you're cut out
for the job? ;)
>[. . .] And BTW, though it has a few errors, nice job on your
comparison... [. . .]
Thanks.
>[. . .] but you are not a Jedi yet!;)
Okay, so what is it you know that I don't? I . . .
o am one of the few here who's actually seen the 1984 album
o am one of the few here who's read the book by F. Paul Wilson
o am one of the few who has the commercial release of the movie on tape
o am one of two here who has seen the syndicated-TV-only version of the
end of the film
o am one of three here (because of me) who has the syndicated-TV-only
version of the end of film on audio tape
o am one of the few here who has the Blue Moon boot and LOGOS TYPE and
THE KEEP--SPECIAL EDITION (so far, anyways)
o am one of the few here who can check for data on this movie in all
four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES, MYSTERIOUS
SEMBLANCE, and DIGITAL GOTHIC).
Okay, so I still have yet to hear the THE COMPLETE WORKS OF THE KEEP
CD-R. One can't have everything, can one?
Speaking of MYSTERIOUS SEMBLANCE . . . because of something Lars
said to me on the phone earlier today, I looked for info on THE KEEP in
THE DREAM LIVES ON!, and found the following (which, somehow, I don't
think is in your FAQ):
From 'THE DREAM LIVES ON!' by Alan Vincent Michaels, 1990,
'The Tangerine Dream Movie Soundtrack Reference' section, page 3:
Note that there are several different endings to THE KEEP.
In the videotape version, Scott Glenn is shown dying at the
end, and the end credits consist of red lettering over a black
background. The USA TV shows Glenn floating around, with the
end credit music from the videotape version. The woman re-
enters the Keep and finds Glenn alive. The end credits consist
of sky shots, wind noise, and white lettering superimposed over
the background. The Japanese or European release of the film
also has a different ending.
What really shocks me about the above is the USA TV version to which
Michaels refers is *not* the 'syndicated-TV-only' version that *I* saw!
It's different! This, of course, means that *this* version, too, has
different music. This, in turn, means that Scott should ask Edgar how
many endings there are since he had to supply music for the three or more
endings that we now know exist! X-0
-- Steven Feldman
-------------------------------------------------------------------------
'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOG
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Really-From: Steven Feldman
>Subject: Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS TYPE
>Date: Sat, 15 Nov 1997 00:15:03 -0500 (EST)
>From: tadream@c... (tadream mailing list)
>Really-From: Gabe Yedid
>
>It may not be a good representative ST album, but is it good as 'lost
>period TD', do you think? [. . .]
Well, it by definition is 'lost period TD' insofar as it is
previously-unreleased TD, but 'good'? Yeah, most of it is good as
opposed to awful, but good as opposed to great? It's too soon for me
to tell. I've only played it twice, so far.
>[. . .] If you like what's on it, does it make a huge difference?
>(playing devil's advocate here). [. . .]
Er, there are, after all, people on this very list who prefer, say,
OPTICAL RACE to THE PARK IS MINE, so likes don't have to do much with
anything. ;) And yes, it makes a difference.
>[. . .] Maybe this is Edgar's vision of what HE wanted the soundtrack
>to be. [. . .]
I find this untenable. Most of the film's better compositions are
not there, and what has taken their place is iffy material that in some
cases doesn't even rank with what's on WAVELENGTH or BEYOND THE STORM.
>[. . .] Would this music have suited the film better than what was
>ultimately used as the ST material?
No way, no how. Believe me: one listen will disabuse you of that
notion.
-- Steven Feldman
-------------------------------------------------------------------------
'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re the 1984 Video Release of THE KEEP
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Really-From: 'The Guy Who Didn't Write the THE KEEP FAQ'
>Subject: the Keep (1984)
>Date: Sun, 16 Nov 1997 19:03:15 -0600 (CST)
>From: tadream@c... (tadream mailing list)
>Really-From: Michael A Jean
>
>Steve,
>
>I think you were wondering if the 1984 VHS release of the Keep contained
>any different music than the later public release of the video. [. . .]
I don't think so. What's on the VHS release is the same as what's
on the cable version. I never thought that there had been different
releases of the video in the USA. The versions that are different are
those shown on network and syndicated American television as opposed to
pay cable of any sort (although showings on Ted Turner-owned stations
like TBS and TNT might invalidate this statement).
>[. . .] I have a copy of the 1984 version and nothing appears to be
>unusual about it... (ie. no long ending)...
Good to know. That's one more question out of the way. ;) :)
-- Steven Feldman
-------------------------------------------------------------------------
'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: That Squishy CD Hub in the THE KEEP Ltd. Ed. Box
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'The Guy Who Didn't Write the THE KEEP FAQ'
When I removed the CD from that squishy clearish blue center hub,
I noticed that there was residue on the outside of the center of the
CD, and that there was even more of this on the back of the booklet that
had been resting on it. Smelling this hub thingy, I noticed that the
odor was/is much like that of playdough. I--like most people--have had
playdough as a toy. I actually have a quantity of it right now that I
found and use to weight down a flimy light Conair telephone, so I am not
operating with a distant memory as to its properties. One of the things
playdough does is exude a sort of oil.
I cut a circle of white paper and placed it between the hub and the
booklet, and the next day, when I opened the CD box again, I saw a ring
on the paper where it had come in contact with the hub. Tonight, I will
be cutting a circular section out of an old used mylar comic bag and try
that out. It should work because mylar is archivally neutral and non-
porous.
It was Lars' idea for me to mention this on the list.
-- Steven Feldman
-------------------------------------------------------------------------
'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Associations Between TIMESQUARE Tracks & Other TD
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------------------------------------------------------------------------------
Really-From: Steven Feldman
I've only played TIMESQUARE twice, now, but some sounds and tunes
appeared to be familiar:
1.) MOBOCASTER
Twilight Brigade (TURN OF THE TIDES)
Dreamtime (220 VOLT LIVE)
2.) JUNGLE JACULA
Roaring of the Bliss (THE PRIVATE MUSIC OF TANGERINE DREAM)
3.) TOWARDS THE EVENING STAR
Towards the Evening Star (that was too easy, hee hee)
4.) DIGITAL SISTER
(nothing yet)
5.) PIXEL PIRATES
Dreamtime and Towards the Evening Star
6.) CULPA LEVIS
Iowa (THE CLUB DREAM MIXES)
7.) TIMESQUARE
Loved by the Sun (LEGEND)
Change of the Gods (THE DREAM MIXES)
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: Firestarter/Country music
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------------------------------------------------------------------------------
Really-From: 'The Guy Who Didn't Write the THE KEEP
FAQ'
>Subject: Firestarter/Country music
>Date: Sun, 16 Nov 1997 19:05:41 -0600 (CST)
>From: tadream@c... (tadream mailing list)
>Really-From: Michael A Jean
>
>I finally dug out the movie and listened to that segment mentioned last
>month (where they were driving up the road to the farm). It is indeed
>the most 'country' sounding segment I've heard to date... Mainly
>acoustic guitar sounds....
Told ya. :)
>MJ
-- Steven Feldman
-------------------------------------------------------------------------
'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:50
pm
Subject: Live In N.A.? Wishful Thinking...
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
If anyone has anything else to ask let me know and I'll pass it on.
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 2:21
am
Subject: 'The Keep' Long Ending
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Really-From: 'Elias Granillo, Jr.'
>Really-From: 'The Guy Who Didn't Write the THE KEEP FAQ'
>
>>Subject: the Keep (1984)
>>Date: Sun, 16 Nov 1997 19:03:15 -0600 (CST)
>>From: tadream@c... (tadream mailing list)
>>Really-From: Michael A Jean
>>
>>Steve,
>>
>>I think you were wondering if the 1984 VHS release of the Keep contained
>>any different music than the later public release of the video. [. . .]
> I don't think so. What's on the VHS release is the same as what's
>on the cable version. I never thought that there had been different
>releases of the video in the USA. The versions that are different are
>those shown on network and syndicated American television as opposed to
>pay cable of any sort (although showings on Ted Turner-owned stations
>like TBS and TNT might invalidate this statement).
>>[. . .] I have a copy of the 1984 version and nothing appears to be
>>unusual about it... (ie. no long ending)...
> Good to know. That's one more question out of the way. ;) :)
> -- Steven Feldman
Er, I forget *which* network aired 'The Keep' years back, but they did run
it with the 'long ending' that Dano referred to, (the alternate ending
which stayed truer to the novel, i.e. Scott Glenn's character lives), with
the nice, juicy long end title.
E-Man
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 2:36
am
Subject: D:Electronic Dreams/Solo 1974-1979
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------------------------------------------------------------------------------
Really-From: Vic Rek
Not much has been said of these two Edgar Froese compilation releases, but I
think some information needs to be posted.
First of all, these two releases are only available on LP, so maybe this is
a reason so few posted on this. If you take these two compilations and join
them together, they give a beautiful insight into Edgar's solo career. I am
so happy that this man made the effort to make solo records. There is not
one that I can say I don't enjoy. Yes, I can critique some of the tracks,
but in general his releases are top notch EM and consistent. And I can
never get enough of Edgar's mellotron during those early years.
Secondly, the compilations are misleading because they do contain somewhat
new music. Here are the tracks:
1. Panophelia
2. Upland
3. Maroubra Bay (backwards!)
4. Drunken Mozart in the Desert
5. IF 810
6. Tropic of Capricorn (excerpt and re-mix)
7. Epsilon in Malaysian Pale (excerpt)
8. PA 701 (re-mix)
9. Stuntman
10. OS 452 (re-mix)
11. Pizarro and Atahuallpa (re-mix)
12. NGC 891 (re-recorded)
It's quite interesting listening to Maroubra Bay. I'm not a fan of Edgar's
re-mixes, but OS 452 is good and different (but I prefer the original) and
we have a new look on NGC 891. Great music, even better when when it's
easily being played on a single CD-R!
Vic
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 2:38
am
Subject: RE: Froese I'view < Progression
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>>Really-From: 'Elias Granillo, Jr.'
>>
>><2. Will he really hand the band over to Jerome soon?
>>1. Why did you backslide/renege on terminating Tangerine Dream back in
>>1988/89?
>> Or were those rumors without foundation? Were you not asked this
>>question
>> backstage at the 1988 Philadelphia gig after the show?
>Because Paul left the band and Jerome wasn't ready to take it over by
>himself, that's why. He wasn't going to end the band, just retire from it
>with Paul and Jerome at the helm.
Yeah, then they could've stole David Bryan away from Bon Jovi and completed
the trio!!!! HAHAHAHAHA
> Sure, he could've ended it anyway
>(derisive, smartalec snickering from certain of our group can be heard
>now), but instead opted to wait a little longer. He hasn't 'reneged' on
>anything. There are two constants in creation; one of them is that _things
>change_. Geez, some of you people out there really need to lighten up a
>bit! ;)
>goozer
Hey, gooz, can't you see Scott and I are over here? This is 'Progger's
Corner'
HAHAHA I laughed aloud at this one! Your response *lighten up* is exactly
the same thing I told many people----and then they started hammering down
on Dano and myself! Actually, we just want this question to be asked of the
Blond Viking so we can read what he'll say. John Collinge is a fairly good
interviewer, he did an exquisite job interviewing Fish (a 10+ pager!). You
name yourself well, 'gooz'!!
You know, I would have felt a lot more comfy with Ed leaving the TD reins
to Jerome if Paul H. was still around...Shit, gooz, you think Ed would end
TD and skip all those soundtrack deals? Why do you think they did so many?
With up to five OST deals going at once (at one point in 'Tangstory'), you
know he was able to afford some nice b-day gifts for Jerome!! 'Here, my
son, have ANOTHER Trinity!!!' HAHAHAHA
'Would you like another LesPaul--or Fender--my son? Floyd Rose pickup or
Kahler pickup? Eddie Van Halen sent you another signed whammy bar today!!!'
Regards!!!
E-Man
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 2:36
am
Subject: D:Solo Week 23 - Nov. 17, 1997
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Really-From: Vic Rek
This week we would like to hear comments on:
Edgar Froese - Beyond the Storm
-------------------------------
Please make subject heading 'D:Beyond the Storm' when replying.
This is the last week for Froese as far as the D: thread is concerned. So
get in any late reviews/comments.
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: D:Electronic Dreams/Solo 1974-1979
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------------------------------------------------------------------------------
Really-From: Steven Feldman
>Subject: D:Electronic Dreams/Solo 1974-1979
>Date: Sun, 16 Nov 1997 21:36:16 -0500 (EST)
>From: tadream@c... (tadream mailing list)
>Really-From: Vic Rek
>
>[. . .] Here are the tracks:
[From ELECTRONIC DREAMS:]
>1. Panophelia
>2. Upland
>3. Maroubra Bay (backwards!)
I've said it twice and will say it a third time: this song works
equally well backwards, and is really cool.
{From SOLO 1974-1979:]
>4. Drunken Mozart in the Desert
>5. IF 810
>6. Tropic of Capricorn (excerpt and re-mix)
>7. Epsilon in Malaysian Pale (excerpt)
>8. PA 701 (re-mix)
>9. Stuntman
>10. OS 452 (re-mix)
Excellent!
>11. Pizarro and Atahuallpa (re-mix)
>12. NGC 891 (re-recorded)
Really good.
>It's quite interesting listening to Maroubra Bay. I'm not a fan of Edgar's
>re-mixes, but OS 452 is good and different (but I prefer the original)
>[. . .]
Feh. Not me!
>[. .. ] and we have a new look on NGC 891. [. . .]
Yes, it's as different as the version of 'Upland' on BEYOND THE
STORM!
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: Yet Another Different Ending to THE KEEP
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------------------------------------------------------------------------------
Really-From: goozer@a... (Hermes Guzman)
Greetings all!
>Really-From: Steven Feldman
>>Really-From: goozer@a... (Hermes Guzman)
>>
>>The Keep FAQ will be posted tonight; I'm in the final editing process
>>right now. [. . .]
>
> Methinks you presume too much. What makes you think you're cut out
>for the job? ;)
Hopefully this has now been answered! ;)
>>[. . .] And BTW, though it has a few errors, nice job on your
> comparison... [. . .]
>
> Thanks.
You're welcome!
>>[. . .] but you are not a Jedi yet!;)
>
> Okay, so what is it you know that I don't? I . . .
(...)
> o am one of two here who has seen the syndicated-TV-only version of the
> end of the film
Do not assume that only _two_ of us on the list have seen the US extended
ending version! I personally know of a few more than that!
> o am one of three here (because of me) who has the syndicated-TV-only
> version of the end of film on audio tape
See above...
(...)
> o am one of the few here who can check for data on this movie in all
> four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES, MYSTERIOUS
> SEMBLANCE, and DIGITAL GOTHIC).
None of which were really all that helpful, to be honest (though I don't
have _Mysterious Semblance_ yet) as I was more interested in the comparing
the score, and none of them really discuss it in any detail.
> Okay, so I still have yet to hear the THE COMPLETE WORKS OF THE KEEP
>CD-R. One can't have everything, can one?
Actually, yes you can...if you really try!;) And, no, I'm not interested
into staging a pissing contest with anyone...it would be a waste of my time
(as well as for most of you!) ;)
> Speaking of MYSTERIOUS SEMBLANCE . . . because of something Lars
>said to me on the phone earlier today, I looked for info on THE KEEP in
>THE DREAM LIVES ON!, and found the following (which, somehow, I don't
>think is in your FAQ):
>
>>From 'THE DREAM LIVES ON!' by Alan Vincent Michaels, 1990,
>'The Tangerine Dream Movie Soundtrack Reference' section, page 3:
>
> Note that there are several different endings to THE KEEP.
> In the videotape version, Scott Glenn is shown dying at the
> end, and the end credits consist of red lettering over a black
> background. The USA TV shows Glenn floating around, with the
> end credit music from the videotape version. The woman re-
> enters the Keep and finds Glenn alive. The end credits consist
> of sky shots, wind noise, and white lettering superimposed over
> the background. The Japanese or European release of the film
> also has a different ending.
>
> What really shocks me about the above is the USA TV version to which
>Michaels refers is *not* the 'syndicated-TV-only' version that *I* saw!
>It's different! This, of course, means that *this* version, too, has
>different music. This, in turn, means that Scott should ask Edgar how
>many endings there are since he had to supply music for the three or more
>endings that we now know exist! X-0
Again, my goal was to make the FAQ useful to as broad a segment of this
list as possible _without_ delving into film version minutae. There was a
lot of other purely film-related tidbits I could've included, but first and
foremost people want to know about the _score_! Look, _none_ of the
different versions contain any _new_ cues; the extension of the end theme
doesn't count as _new_, just _different_! Editing down the existing
full-length cue was most likely done during post-production without the
band's involvement. And, BTW, the US/NBC version Mr. Michaels describes is
the only other broadcast version, AFAIK! When was the last time you _saw_
the version you remember? I saw the NBC version just this past March on
videotape. My guess is that you've seen the same version (not the same
physical tape, of course), especially since I watched this original copy
tape at a certain well-known collectors' house in Boston...
Anything else I can clarify for anyone? Bueller...Bueller....
goozer
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:14
am
Subject: D: Beyond The Storm
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
Look, the consensus may be that BtS's version of 'Upland' stinks, but I
happen to like it a lot! It's updated, IMHO, with the snarling organ lead
and thumpthump drum programming. 'Shores of Guam' is a good one, and so's
'Carneol.' But the two all-time Edgar smoker's are 'Detroit Snackbar
Dreamer' and 'Drunken Mozart In The Desert,' both of which--voila!!--are
immediately accessible for listening on BtS.
Hasta lasagna, don't get any on ya!!!
E-Man
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11/17/1997
4 KB
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D: Beyond The Storm
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11/21/1997
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Re: D: Beyond The Storm
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Tue
11/18/1997
5 KB
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Re: D: Beyond The Storm
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11/19/1997
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11/21/1997
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Re: D: Beyond The Storm
AOutland@a...
Sun
11/23/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 6:18
am
Subject: Re: Live In N.A.? Wishful Thinking...
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Really-From: feldon@p...
At 08:50 AM 11/17/97 -0800, you wrote:
>Really-From: 'Elias Granillo, Jr.'
>
>
>
>
><> If anyone has anything else to ask let me know and I'll pass it on.
>
>
><- Will TD tour on North America soon?
>
>IMO, I really doubt it, since they don't have a major financial backer or
>label like Virgin Int'l, Private Music, Miramar, etc., to help them out.
>
><- Will they add more suff than Stratosfear and Betrayal from the
>
>IMO, more wishful thinking on the part of the fans, since Edgar
>more-often-than-not has to mention how TD pushes itself 'forward,' with no
>reason whatsoever to explore the past (save the few obvious classics they
>throw in to please the audience--that's why the Rockoon show was that much
>less interesting than the Optical Race show), whether musically or
>nostalgically. If Edgar would, at the very least, toss out 'Betrayal' and
>surprise us with perhaps excerpts from 'Monolight' or 'Ricochet,' the show
>would be that much better.
Why doesn't Edgar just compose something new, but yet as aesthethically
pleasing and with the same creative depth and skillful sequencing as some
of the older music?
Morgan
feldon@p...
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 7:31
am
Subject: Re: Yet Another Different Ending to THE KEEP
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: Steven Feldman
>
> >Subject: Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS TYPE
> >Date: Sun, 16 Nov 97 13:43:16 -0600 (CST)
> >From: tadream@c... (tadream mailing list)
> >Really-From: goozer@a... (Hermes Guzman)
>
> >[. . .] And BTW, though it has a few errors, nice job on your
> comparison... [. . .]
>
> Thanks.
>
> >[. . .] but you are not a Jedi yet!;)
>
> Okay, so what is it you know that I don't? I . . .
> o am one of the few here who's actually seen the 1984 album
> o am one of the few here who's read the book by F. Paul Wilson
> o am one of the few who has the commercial release of the movie on tape
> o am one of two here who has seen the syndicated-TV-only version of the
> end of the film
> o am one of three here (because of me) who has the syndicated-TV-only
> version of the end of film on audio tape
> o am one of the few here who has the Blue Moon boot and LOGOS TYPE and
> THE KEEP--SPECIAL EDITION (so far, anyways)
> o am one of the few here who can check for data on this movie in all
> four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES, MYSTERIOUS
> SEMBLANCE, and DIGITAL GOTHIC).
>
>
Heh, that you know of, of course. I have a friend who is a Keep fanatic
who owns every Keep movie version, every Keep OST (minus the new one as
yet), and every Keep book. He's a freak, such as yourself, and thanks to
me & a couple others he owns several items that even you don't have, mr
Keep. I'd mention them but in my business that could be bad business. I
still have yet to see this 'fabled Keep LP'. Anyone who has a copy could
get some neat stuff from me if they can give me a glimpse.
Dano
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Tue
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 7:20
am
Subject: Re: Streethawk Material?
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: Vic Rek
>
> >[...]and there's reportedly 60 hours of material from STREETHAWK, what are
> >the chances of a multi-CD set of STREETHAWK material?
>
> Pretty good. I already have it :-)
>
> Vic
Except that there's only about 12 hours of music heh, which VERY few of
us have. Keep your pants on everyone, we're looking into the possibility
of releasing a 5 cd set but at this time (aside from rights fun &
frustrations) we're not sure there are enough TD fans to make it
worthwhile. Perhaps a limited edition at a higher price?
Dano
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 6:44
am
Subject: Perry Rhodan for trade
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Really-From: Robert Grabowsky
I have an Extra copy of Chris Franke's Perry Rhodan:
Pax Terra, that I would like to trade.
I am looking for the the following CD's:
Ambient Monkees most any TD bootleg
Times Square
The Keep Special Edition
Klaus Schulze:
DSOM 2
DSOM 6
Interface
Aphrica LP
Or feel free to offer something. I have all the regular TD releases.
Please send your Trade Ideas to HGHLNDR@w...
Thanks,
Robert
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 8:03
am
Subject: Guestbook Fake
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Really-From: 'Greg Heil'
Anyone catch the 'fake' entry into the TD guestbook
as Edgar Frose slashing at Jean M. Jarre about his
compositions? I guess it really upset the TD
offices..
Had me fooled when I first read it.
Greg H.
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AOutland@a...
Tue
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 3:52
pm
Subject: Re: Yet Another Different Ending to THE KEEP
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Really-From: Paul Nagle
On Sun, 16 Nov 97 19:46:43 EST, tadream@c... (tadream mailing
list) wrote:
> o am one of the few here who's read the book by F. Paul Wilson
I loved the book. The film was OK. The Music Average. But the music
and the film did not work together. It was very irritating to have
apparently randomly-chosen sections of TD appearing totally out of
context in what should have been an atmospheric soundtrack.
My two cents, as they say in some foreign place....
8-)
Paul
--------------------------------------------------------------------------------\
------------------
www.softroom.demon.co.uk
--------------------------------------------------------------------------------\
------------------
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 16, 1997 5:33
am
Subject: Re: Upcoming Edgar interview
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Really-From: Stuart Park
> Date: Fri, 14 Nov 1997 16:13:12 -0500
> Subject: Re: Upcoming Edgar interview
>
> Really-From: 'Vincent Goudreault'
>
> On Nov 14, 2:47pm, tadream mailing list wrote:
> > Subject: Upcoming Edgar interview
> > Really-From: 'Plumer, Scott'
> >
> >
> > I just got off the phone with the editor of Progression magazine. He
> > told me he's trying to set up an interview with Edgar and wanted to know
> >
> Yeah, I'd like to know when they plan to tour North-America (way overdue by my
> account...)
I'd like to know if Edgar ever intends on touring Australia again..
a _lot_ more overdue than North-America. :)
Stuart Park
E-Mail: stuart @ banana.psd.com.au Melbourne, Australia
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 7:20
pm
Subject: Tournado cd
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Really-From: ashok prema
Phil Naunton wrote
<< I wasn't expecting much but retread tunes on this 'Tournado'
recording, but actually I was (and am) blown away by the sound, musicianship,
and liveness of this package. The dovetailing of the tunes in this
performance is nothing short of miraculous. I love it. The actual
performance must have been God-like in its execution. If the liner notes are
to be believed, this was recorded in real time with no overdubs or editing,
which makes it even more spectacular.:>>
Ha! Ha! Ha!... Edgar and Jerome didn't play any live music
either.........what's so spectacular about running stuff of a DAT or even
sequencer??
Yes, the music is good......Tournado is my most played album
currently.......and the show was good......but lets not have any
pretensions about the live content of the synth parts!!
Ash
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11/19/1997
4 KB
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Thu
11/20/1997
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Re: Tournado cd
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Thu
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 12:14
pm
Subject: TD books
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Really-From: dn3
> >
------------------------------------------------------------------------------
> > To remove yourself from this list, send a message to majordomo@c...
that
> > says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> > message body. You MUST do this from the address you subscribed with.
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> >
------------------------------------------------------------------------------
> > Really-From: Steven Feldman
> >
> > >Subject: Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS TYPE
> > >Date: Sun, 16 Nov 97 13:43:16 -0600 (CST)
> > >From: tadream@c... (tadream mailing list)
> > >Really-From: goozer@a... (Hermes Guzman)
> > o am one of the few here who can check for data on this movie in all
> > four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES, MYSTERIOUS
> > SEMBLANCE, and DIGITAL GOTHIC).
?????Where can you get these books from?
Dennis
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 12:47
pm
Subject: good job goozer
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Really-From: 'Lars R. Jones' <105411.3107@c...>
thanks to Goozer for the in-depth Keep FAQ! (and to Steven too for his
contributions to this discussion)
good job!
lars
(now if I could just find a copy of that damned video!)
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 1:54
pm
Subject: Re: The TD Gospel According to Grant Middleton
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Really-From: rmknudson@j... (matt knudson)
What is this GoldTri list you all are talking about?
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 1:08
pm
Subject: Re: TD books
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Really-From: Jens Peschke
tadream mailing list wrote:
> > > four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES, MYSTERIOUS
> > > SEMBLANCE, and DIGITAL GOTHIC).
>
> ?????Where can you get these books from?
>
> Dennis
VITD is out of print, IIRR.DG is very good, IMO. Sorry, no source since I´ve
got my
copy as a gift :-)
MS is from the American list member Scott.Plumer@t... and very good
too,
IMHO.
Hope this helps
Jens
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AOutland@a...
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 2:46
pm
Subject: RE: Suggestions for Scott's Edgar Interview
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Really-From: 'Plumer, Scott'
>>1. How much of what they play live is really live? (i.e., do
they really
>>use DAT in concert)
> Don't expect honesty if this question is dignified with an
answer
>at all.
In an interview from '86 he or Chris said about 60 percent of
their music came from pre-programming, and I wondered how that
percentage has changed. I wouldn't ask him 'Do you really just mime to a
tape?'
>>2. Will he really hand the band over to Jerome soon?
> I think in the case of TIMESQUARE: DREAM MIXES II he
already has,
>and in the case of AMBIENT MONKEYS he *should* have. ;)
Rumor has it that he'll retire and hand ALL control over to
Jerome.
>>3. What's the story with the Keep? (Why it took so long, why
that ST,
>>etc.)
> IMHO, better questions re this music would be:
> o Why is so little of the actual music from the film on the
CD--
> especially since the claim, 'This soundtrack is the first
and only
Now that I've listened to it, I'd ask that question as well. I'd
also like to know what happened to the other 45 min. of music they did
for Sorceror. . .
Scott
> 'Through official secrecy and ridicule, many citizens are led to
> believe
> that the Keep soundtrack from 1984 is nonsense. To hide the facts the
> record company
> has silenced its personnel.' --Admiral Steven H. Feldmankoetter, the
> 1st director of the KIA, quoted in THE NEW YORK TIMES, February 28,
> 1990.
>
>
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 2:58
pm
Subject: Ltd-edition Klaus Schulze/Ashra/Christopher Franke CD sets for sale!
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Really-From: Jonathan Miller
Hi everyone,
I have the following limited-edition CD sets for sale in absolutely perfect
condition, priced in UK pound sterling. Any interested parties should
contact me via the details below:
Klaus Schulze, 'Jubile Edition': a 25-CD set (!) of unreleased studio and
live recordings spanning the last 25 years, released this summer to
celebrate Schulze's 50th birthday, no less. I'm looking for offers in the
region of £325 for this one!
Klaus Schulze, 'Silver Edition': an autographed 1993 10-CD set of unlreased
mostly early 1990s studio and soundtrack recordings, although it also
includes 1975 and 1977 concert recordings. Offers in the region of £125.
Ash Ra Tempel, 'The Private Tapes': a 1996 6-CD set of unreleased 1970s and
1980s recordings by Manuel Gottsching and his groups Ash Ra Tempel and
Ashra. Offers around £100.
Christopher Franke, 5 limited-edition 'Babylon 5' 'episodic' CDs containing
music from the following single shows in its entire length: 'Severed
Dreams'; 'A Late Delivery From Avalon'; 'Walkabout'; 'Shadows Dancing' &
'Z'Ha'Dum'. £80 ono for the set.
Best wishes and continued success with your future projects,
jsm
Jonathan Scott Miller
jonathan@j...
MOBILE: +44 (0)410 264815
TEL: +44 (0)1582 563377
FAX: +44 (0)115 982 1205
'Snail Mail':
JONATHAN MILLER PRODUCTIONS
159 Westmorland Avenue
Leagrave
Luton
Bedfordshire
LU3 2PT
UK
==============================================
****** 'WORDS PAINT A THOUSAND PICTURES!' ******
==============================================
Best wishes and continued success with your future projects,
jsm
Jonathan Scott Miller
jonathan@j...
MOBILE: +44 (0)410 264815
TEL: +44 (0)1582 563377
FAX: +44 (0)115 982 1205
'Snail Mail':
JONATHAN MILLER PRODUCTIONS
159 Westmorland Avenue
Leagrave
Luton
Bedfordshire
LU3 2PT
UK
==============================================
****** 'WORDS PAINT A THOUSAND PICTURES!' ******
==============================================
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Ltd-edition Klaus Schulze/Ashra/Christopher Frank
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Ltd-edition Klaus Schulze/Ashra/Christopher Frank
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Ltd-edition Klaus Schulze/Ashra/Christopher Frank
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Re: Ltd-edition Klaus Schulze/Ashra/Christopher F
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 2:54
pm
Subject: D: _)(_ 'Tournado' _)(_
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Really-From: esanborn@B... (Erik Sanborn)
> Really-From: PNaunton@a...
(snip)
> I wasn't expecting much but retread tunes on this 'Tournado'
> recording, but actually I was (and am) blown away by the sound, musicianship,
> and liveness of this package. The dovetailing of the tunes in this
> performance is nothing short of miraculous. I love it.
I totally agree with you on the dovetailing of the tunes, but not with the
following comment.
> I am hard pressed to find anything to complain about with this CD.
> OK, that little 'YES' chorus segment at the end of 'Touchwood' does burn me
> a little. I really hate that crap.
Funny. I actually consider that bridge between Touchwood and Towards the
Evening Star to be one of the best of the album. I can understand that some
may find it a bit trite but I don't find the vocalizations objectionable.
To each his own, I guess.
> Aside from that ten second stretch,
> however, I think this is the finest music that TD has put out in sometime.
> It is much more consistent than 'Goblins' Club' or any of their recent
> studio work. The 'Live' aspect of 'Tournado' easily surpasses '220 Volt -
> Live'.
It's consistent with Goblin's Club, most definitely. However, my only gripe
with Tournado is the lack of differentiation from the studio versions of the
tracks. I really enjoy a live performance when it adds something new to a
studio track, or alters its perspective. The performances on Tournado are
incredibly well executed but they're not more interesting than the studio
versions to me. I agree with your comparison to 220 Volt Live but I still
yearn for the occasional 'shining moment' in a live performance, such as
when Edgar picks up his axe and gives the audience a wailing good solo!
(snip)
> Perhaps even a recording of Edgar dropping his guitar on the stage would
> have sounded good,
I'd go for that, too. :-)
Cheers,
Erik
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 3:08
pm
Subject: RE: _)(_ 'Tournado' _)(_
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Really-From: 'Plumer, Scott'
> There is an energy running through this recording
which I cannot
>describe very well, but it takes me on an unparalleled journey
through much
>of the current and recent history of the group in a very
delightful way. The
I got it over the weekend. I like it too.
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 3:11
pm
Subject: RE: Re ENDLESS SUMMER: Never Say Never
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Really-From: 'Plumer, Scott'
>copies of the
>STRATOSFEAR LP with the title only on a sticker and not on the
album,
I have a friend who has it! It's real!
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 3:04
pm
Subject: D: Beyond The Storm
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Really-From: esanborn@B... (Erik Sanborn)
>Really-From: 'Elias Granillo, Jr.'
>
>Look, the consensus may be that BtS's version of 'Upland' stinks, but I
>happen to like it a lot! It's updated, IMHO, with the snarling organ lead
>and thumpthump drum programming.
Snarling? Never thought of it as such. I don't like the BtS version of
Upland because the organ/synth line and the thumpy rhythm doesn't go
anywhere. Too much repetition, too little substance. To me, it seems like
a cheap add-on to the original track. I find it rather lame. Glad someone
likes it, though. :)
>'Shores of Guam' is a good one, and so's
>'Carneol.' But the two all-time Edgar smoker's are 'Detroit Snackbar
>Dreamer' and 'Drunken Mozart In The Desert,' both of which--voila!!--are
>immediately accessible for listening on BtS.
They're good, but the track that does it for me is Magic Lantern.
'Hi, my name is Edgar and this is my guitar.' ;^)
>Hasta lasagna, don't get any on ya!!!
>
>E-Man
Pasta man~ana,
Erik
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From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: Die meridianen part 3
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Really-From: scooter@m... (John Von Pey)
Hello all,
The saga continues....
Yesterday I listened to a copy of 'The emerald beyond'. And yes, it is the
same concert as registered on 'Die meridianen von Zymbiola' and on 'The
dremas are known to you'. The copy I heard was entitled 'Acoustic LSD', and
was a cd.
So now we've got four different titles, but all from one concert. But which?
The emerald beyond: Live in Detroit
Die meridianen von Zymbiola: Live in Seattle
The dremas are known to you: Live in Kansas
Acoustic LSD: Live in Seattle
And another question: Voices in the dunes say that 'The emerald beyond' is
release on two different colours vinyl: Red vinyl with a yellow(?) label,
and black vinyl with a blue label.
Now the interesting part: 'Die meridianen' and 'The dremas' are also
black vinyl with a blue label. Is there anyone one this list who can tell
me/us if there is a matrix code on the vinyl of 'The emerald', and what this
code is?
At the moment I have somehow suspect that 'The emerald' is also the same
pressing as 'Die meridianen' and 'The dremas'.
'The dremas are known to you' has the matrix code 'TD - DA' and 'TD - DB'
engraved in the vinyl.
I hope to hear something soon.
Tadream on,
John
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 1:46
pm
Subject: Re: Streethawk Material?
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------------------------------------------------------------------------------
Really-From: 'Jim Moore'
> Really-From: DJS
> Except that there's only about 12 hours of music heh, which VERY few of
> us have. Keep your pants on everyone, we're looking into the possibility
> of releasing a 5 cd set but at this time (aside from rights fun &
> frustrations) we're not sure there are enough TD fans to make it
> worthwhile. Perhaps a limited edition at a higher price?
Well, how many bought the Babylon 5 set?
- jimbo
'And always remember the last words of my grandfather,
who said, 'A truck!' ' --Emo Phillips
'jimbo@v...' is Jim Moore, Atlanta, Georgia, USA
Home Page: http://www2.vivid.net/~jimbo
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:04
pm
Subject: RE: Live In N.A.? Wishful Thinking...
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Really-From: 'Plumer, Scott'
><- Will TD tour on North America soon?
>IMO, I really doubt it, since they don't have a major financial
backer or
>label like Virgin Int'l, Private Music, Miramar, etc., to help
them out.
If Ed says no, why don't we collect money for a tour fund, like
they did with Marillion? (If you're not familiar with this, a group of
fans from the Marillion mailing list collected money from fans to bring
them to the US. They collected over $20000. That's twenty-thousand. They
were here in September.)
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:08
pm
Subject: RE: Live In N.A.? Wishful Thinking...
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------------------------------------------------------------------------------
Really-From: 'Plumer, Scott'
>Why doesn't Edgar just compose something new, but yet as
aesthethically
>pleasing and with the same creative depth and skillful
sequencing as some
>of the older music?
Maybe he feels he is. . .
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:10
pm
Subject: RE: TD books
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Really-From: 'Plumer, Scott'
>MYSTERIOUS
> SEMBLANCE,
>?????Where can you get these books from?
>Dennis
Well, if you send a UK tour t-shirt to me. . . :-)
Scott
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:08
pm
Subject: Re: Streethawk Material?
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Really-From: 'Vincent Goudreault'
On Nov 17, 8:46am, tadream mailing list wrote:
> Subject: Re: Streethawk Material?
> Really-From: 'Jim Moore'
>
>
> Well, how many bought the Babylon 5 set?
>
> - jimbo
I did. I received it 10 days ago but haven't had a chance to listen
to it yet.
C.B. Vincent Goudreault
online since early 93, TD fan since 77
first exposure: Stratosfear, fave albums: Rubycon/Ricochet
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:20
pm
Subject: KEEP Cue
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Really-From: 'Elias Granillo, Jr.'
Paul Nagle said:
>I loved the book. The film was OK. The Music Average. But the music
>and the film did not work together. It was very irritating to have
>apparently randomly-chosen sections of TD appearing totally out of
>context in what should have been an atmospheric soundtrack.
I disagree. The segment from 'Logos' accompanying the German soldiers (the
slo-mo wide angle particularly) investigating the keep: I can't think of
another piece of music I'd want in its place.
E-Man
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:30
pm
Subject: Re: Die meridianen part 3
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Really-From: dn3
On Mon, 17 Nov 97 14:14:25 +0100 tadream mailing list
wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: scooter@m... (John Von Pey)
>
>
> Hello all,
>
> The saga continues....
>
> Yesterday I listened to a copy of 'The emerald beyond'. And yes, it is the
> same concert as registered on 'Die meridianen von Zymbiola' and on 'The
> dremas are known to you'. The copy I heard was entitled 'Acoustic LSD', and
> was a cd.
>
> So now we've got four different titles, but all from one concert. But which?
>
> The emerald beyond: Live in Detroit
> Die meridianen von Zymbiola: Live in Seattle
> The dremas are known to you: Live in Kansas
> Acoustic LSD: Live in Seattle
I haven't heard 'Dremas' or 'Meridianen', but as far as I
know, 'The Emerald Beyond' and 'Acoustic LSD' are totally
identical. My CD, anyway, is titled 'Acoustic LSD - The
Emerald Beyond'. Mark Filipak (does anyone know where he is
and what he's doing at the moment?) supplied some
information on the concert this music is taken from, and
apparently, it was not in Seattle at all. As far as I
remember, it was a concert in the Ford Auditorium, Detroit,
in 1977. I think Mark gave me the precise date, but all I
remember is that it was during the Stratosfear tour, which
also 'Patrolling Space Borders' is taken from.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 1:39
am
Subject: Baumann's solo for sale
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Really-From: Richard Bilek
Just quick information:
Peter Baumann's CD Trans-Harmonic Nights is now on sale on:
http://mcs.nl/groove/
Enjoy!
Richard Bilek
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:41
pm
Subject: Re: D: _)(_ 'Tournado' _)(_
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Really-From: dn3
On Mon, 17 Nov 1997 09:54:48 -0500 tadream mailing list
wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: esanborn@B... (Erik Sanborn)
>
>
> > Really-From: PNaunton@a...
>
> (snip)
>
> > I wasn't expecting much but retread tunes on this 'Tournado'
> > recording, but actually I was (and am) blown away by the sound,
musicianship,
> > and liveness of this package. The dovetailing of the tunes in this
> > performance is nothing short of miraculous. I love it.
>
> I totally agree with you on the dovetailing of the tunes, but not with the
> following comment.
I hope you don't mind if I disagree then. I thought the
dovetailing of melodies was somewhat crude and abrupt
during the European tour (during which Tournado was
recorded), and a lot better executed at the Shepherd's Bush
concert that was part of the UK tour. The bridges they used
during the European tour mostly consisted of sustaining the
last chord of the song just played, with Emil brushing his
cymbals a little bit; then they played some fairly
heavy-handed (IMO) chords over a steady note, before the
sequencer part of the next song set in. The only exception
from that template which I could spot was the melodic
pattern just before 'Sundance Kid', which, being in the
first set, is not on Tournado, though. I'm not saying that
the UK bridges differed principally from those, but they
seemed somewhat more elaborate and fluent.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 4:47
pm
Subject: Re: TD books
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Really-From: dn3
On Mon, 17 Nov 1997 14:08:09 +0100 tadream mailing list
wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Jens Peschke
>
>
> tadream mailing list wrote:
>
> > > > four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES, MYSTERIOUS
> > > > SEMBLANCE, and DIGITAL GOTHIC).
> >
> > ?????Where can you get these books from?
> >
> > Dennis
>
> VITD is out of print, IIRR.DG is very good, IMO. Sorry, no source since I´ve
got my
> copy as a gift :-)
> MS is from the American list member Scott.Plumer@t... and very good
too,
> IMHO.
>
> Hope this helps
>
> Jens
>
Okay. So I've got Digital Gothic (I agree that it's good,
but Paul Stump tends to be a bit in-your-face with his
criticisms), I've ordered Mysterious Semblance (I didn't
realise it was called that) from Scott, and I won't get
hold of the other two, unless someone here knows where I
could still get them, or wants to offer them for
sale/trade...????
Dennis
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 5:47
pm
Subject: FW: Upcoming EF I'view in Progression
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------------------------------------------------------------------------------
Really-From: Helen Nemeth
Hello,
The following information is not much help when the person who subscribed
has left the company & his email account has been disabled. The mail is
now being forwarded to someone who does not want it.
Please remove khomes@p... from this list, or send me the address
of the list owner.
Thanks in advance
Helen
------------------------------------------------------------------------
------
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------------------------------------------------------------------------
------
[Helen] Helen Nemeth
Rational Software Corporation
Olivier House
18 Marine Parade
Brighton
BN2 1TL
Tel: +44 (0)1273 624814
Fax: +44 (0) 1273 624 364
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 7:37
pm
Subject: Re: Perry Rhodan for trade
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------------------------------------------------------------------------------
Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Robert Grabowsky
>
> I have an Extra copy of Chris Franke's Perry Rhodan:
> Pax Terra, that I would like to trade.
>
> I am looking for the the following CD's:
>
> Ambient Monkees most any TD bootleg
> Times Square
> The Keep Special Edition
>
> Klaus Schulze:
> DSOM 2
> DSOM 6
> Interface
> Aphrica LP
>
> Or feel free to offer something. I have all the regular TD releases.
>
> Please send your Trade Ideas to HGHLNDR@w...
>
> Thanks,
> Robert
Hey Rob ol buddy, how about I trade you an original sock that Adrian
Paul wore while he filmed his great battle scene with noneother than the
lead singer of the Fine Young Cannonballs! The sock is in excellent
condition and if you sniff hard enough you can still smell his feet. Heh
heh.
Dano
(PS, Conan tapes'll be sent out this week)
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 7:42
pm
Subject: Re: TD books
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: dn3
>
> > >
------------------------------------------------------------------------------
> > > To remove yourself from this list, send a message to majordomo@c...
that
> > > says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> > > message body. You MUST do this from the address you subscribed with.
> > > The List owner does not read this list. Complaining here is useless.
> > >
------------------------------------------------------------------------------
> > > Really-From: Steven Feldman
> > >
> > > >Subject: Re: THE KEEP--SPECIAL EDITION, Blue Moon & LOGOS TYPE
> > > >Date: Sun, 16 Nov 97 13:43:16 -0600 (CST)
> > > >From: tadream@c... (tadream mailing list)
> > > >Really-From: goozer@a... (Hermes Guzman)
> > > o am one of the few here who can check for data on this movie in all
> > > four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES, MYSTERIOUS
> > > SEMBLANCE, and DIGITAL GOTHIC).
>
> ?????Where can you get these books from?
>
> Dennis
We sell Digital Gothic for $25. Call SC at 1-800-99-sci-fi if you wanna
order it.
Dan the happy man
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 6:40
pm
Subject: Re: D: Beyond The Storm
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------------------------------------------------------------------------------
Really-From: Dave Brewer
> Quoted From: esanborn@B... (Erik Sanborn)
>
> >Quoted From: 'Elias Granillo, Jr.'
> >
> >Look, the consensus may be that BtS's version of 'Upland' stinks, but I
> >happen to like it a lot! It's updated, IMHO, with the snarling organ lead
> >and thumpthump drum programming.
>
>[...]
> To me, it seems like
> a cheap add-on to the original track. I find it rather lame. Glad someone
> likes it, though. :)
I agree, Erik. I always thought that Edgar turned Upland into a workout
song on BtS. (c'mon, kick those legs higher! let's see some sweat! :-) )
> >But the two all-time Edgar smoker's are 'Detroit Snackbar
> >Dreamer' and 'Drunken Mozart In The Desert,' both of which--voila!!--are
> >immediately accessible for listening on BtS.
Huhh?? DSD and DMitD are both immediately accessible for listening on
Stuntman also... (those two are my fave tracks on that album)
>
> They're good, but the track that does it for me is Magic Lantern.
> 'Hi, my name is Edgar and this is my guitar.' ;^)
That is a fine track indeed. I just wish he didn't use a 1-bar repeating
drum pattern and a fixed drum fill. (I could see him standing over the drum
machine with his finger hovering over the 'drum fill' button, waiting for
the right moments to punch it)
>
> >Hasta lasagna, don't get any on ya!!!
> >
> >E-Man
>
> Pasta man~ana,
>
> Erik
>
Damn, I'm getting hungry! :-)
Dave B.
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 7:52
pm
Subject: Re: Streethawk Material?
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: 'Jim Moore'
>
> > Really-From: DJS
> > Except that there's only about 12 hours of music heh, which VERY few of
> > us have. Keep your pants on everyone, we're looking into the possibility
> > of releasing a 5 cd set but at this time (aside from rights fun &
> > frustrations) we're not sure there are enough TD fans to make it
> > worthwhile. Perhaps a limited edition at a higher price?
>
> Well, how many bought the Babylon 5 set?
>
> - jimbo
>
B5 sells VERY well but that show has many many more fans than TD or
Street Hawk. I wish I could base how many B5 cd's we've sold to figure
profit margin for SH...but the fact is that most people buying the B5
OST are B5 fans...NOT Chris Franke Fans (hence the fact that Raven and
Perry Rhodan sold for dung). B5 is a merchandising empire now, proof is
the fact that we sell little B5 bubble buddies...and they sell! What is
a bubble buddy? Don't ask. ;-p
Dan the cool dude
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 7:08
pm
Subject: Re: Which album have you listened to most in your life?
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------------------------------------------------------------------------------
Really-From: 'Stephen A. Yensen'
Tapestry - by Carole King ...
Logos comes a close second.
TaDream on..
Steve.
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 10:34
pm
Subject: Re: TD books
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------------------------------------------------------------------------------
Really-From: 'Andrew J. Rozsa'
At 12:14 PM 11/17/1997 +0000, Dennis wrote:
>> > >Really-From: goozer@a... (Hermes Guzman)
>> > o am one of the few here who can check for data on this
movie in all
>> > four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES,
MYSTERIOUS
>> > SEMBLANCE, and DIGITAL GOTHIC).
>
>?????Where can you get these books from?
>
>Dennis
>
'Mysterious Semblance' was written by Scott Plumer, who replied
asking for a T-shirt in trade. He is serious.
Andrew
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 11:21
pm
Subject: TD Tour of N.A.
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>><- Will TD tour on North America soon?
>>IMO, I really doubt it, since they don't have a major financial
backer or
>>label like Virgin Int'l, Private Music, Miramar, etc., to help
them out.
>If Ed says no, why don't we collect money for a tour fund, like
>they did with Marillion? (If you're not familiar with this, a group of
>fans from the Marillion mailing list collected money from fans to bring
>them to the US. They collected over $20000. That's twenty-thousand. They
>were here in September.)
>Scott
If Tangerine Dream could promise us a good setlist, the return of Edgar's
extended guitar spotlight, and some other interesting quirks, it might be
worth it. Though I think Marillion fans are fanatics (I understand they're
worse than TD fans), they did manage to raise all that money (I didn't, I'm
not a fan of Hogarth-era Marillion). It might be something for fans to
consider. Another plus would be them bringing over a cool opening artist
with them, maybe someone from Ash's label or one of the other independent
EMusicians. Waitaminit, why not have an established American EMusic artist
open for them? They're not bound to contractual bullshit (yet), so they can
choose their own warm-up act, or not have one at all...
Feedback, anyone?
E-Man
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Re: TD Tour of N.A.
Hermes Guzman
Tue
11/18/1997
2 KB
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Re: TD Tour of N.A.
Hermes Guzman
Tue
11/18/1997
4 KB
8816
Re: TD Tour of N.A.
matt knudson
Tue
11/18/1997
3 KB
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Re: TD Tour of N.A.
DJS
Tue
11/18/1997
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Re: TD Tour of N.A.
DJS
Tue
11/18/1997
3 KB
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TD Tour of N.A.
Elias Granillo, Jr.
Wed
11/19/1997
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Re: TD Tour of N.A.
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Wed
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: TD Tour of N.A.
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Really-From: goozer@a... (Hermes Guzman)
Greetings all!
> >><- Will TD tour on North America soon?
Both Edgar and Jerome shared with me after the show in London that they
have tentative plans for a N.A. tour in '98. So of course I told them to
add Dallas to their itenerary, to which they agreed...assuming that things
work out for a tour, of course.
goozer
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 12:46
am
Subject: RE: TD Tour of N.A.
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Really-From: KRAUSENECKS
Hello all,
on the subject of a NA tour, i think that to hope to expect the Froeses to
submit to fan hopes would be a stretch indeed. Although nothing is impossible,
I think the chance of a 'private' tour/one off gig is remote.
I do belive that it could however be done on a smaller scale as many recent
'big'names tours have done, in more hall like settings. Here in Detroit,
Prince, Duran Duran, Yanni, Tesh and many others play the FOX theater . It is a
much more upscale setting with WWAAYYY better acoustic properties(and a few
bars :) ).
Anyway, I think the chances of TD playing here are better than JARRE or Schulze
anyway. Snootchie Bootchie!
Chris
np THEY LIVE
----------
From: tadream mailing list
Sent: Monday, November 17, 1997 7:07 PM
To: tadream@c...
Subject: Re: TD Tour of N.A.
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Really-From: goozer@a... (Hermes Guzman)
Greetings all!
> >><- Will TD tour on North America soon?
Both Edgar and Jerome shared with me after the show in London that they
have tentative plans for a N.A. tour in '98. So of course I told them to
add Dallas to their itenerary, to which they agreed...assuming that things
work out for a tour, of course.
goozer
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 2:27
am
Subject: Re: KEEP Cue
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Really-From: Steve Quinney
At 11:20 AM 11/17/97 , you wrote:
>---------------------------------------------------------------------------
---
>To remove yourself from this list, send a message to majordomo@c...
that
>says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
>message body. You MUST do this from the address you subscribed with.
>The List owner does not read this list. Complaining here is useless.
>---------------------------------------------------------------------------
---
>Really-From: 'Elias Granillo, Jr.'
>
>
>Paul Nagle said:
>
>>I loved the book. The film was OK. The Music Average. But the music
>>and the film did not work together. It was very irritating to have
>>apparently randomly-chosen sections of TD appearing totally out of
>>context in what should have been an atmospheric soundtrack.
>
>I disagree. The segment from 'Logos' accompanying the German soldiers (the
>slo-mo wide angle particularly) investigating the keep: I can't think of
>another piece of music I'd want in its place.
>
>
>E-Man
Bang on ! That particular sequence used in the movie and on the Logos album
is my absolute favorite TD piece, not the logos 88 version or even the live
versions. I was hoping to have this on the new re-release of the Keep. I
believe the version included in the movie is a little longer. I guess I'll
have to make a good dub from my copy of the movie I have.
Steve
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 2:32
am
Subject: Re: Guestbook Fake
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Really-From: AOutland@a...
In a message dated 97-11-17 03:11:16 EST, you write:
<< Anyone catch the 'fake' entry into the TD guestbook >>
Yes, Greg, I saw it too and got really excited thinking, WOW, Mr Froese
really does read this thing and interacts with his fans. What a downer to
read the disclaimer. Then the anger that someone would presume to do such a
thing. I sure hope that kind of idiocy doesn't continue. Dell
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 2:53
am
Subject: Re: TD books
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Really-From: AOutland@a...
In a message dated 97-11-17 07:24:58 EST, you write:
<< ?????Where can you get these books from?
Dennis
>>
Ditto the question. Dell
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 3:01
am
Subject: Re: Which album have you listened to most in your life?
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Really-From: PhilPDX@a...
I've been into emusic less time than rock, so most played would likely be:
Tales of Mystery and Imagination - Alan Parsons Project
Dark Side of the Moon - Pink Floyd
Most played TD is probably Tangram. Also, although it's hardly my favorite,
I play Optical Race a lot, because my wife is partial to that one.
Phil Derby
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 3:13
am
Subject: Re: Live In N.A.? Wishful Thinking...
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Really-From: AOutland@a...
In a message dated 97-11-17 11:04:24 EST, you write:
<< why don't we collect money for a tour fund, >>
This could work! First we'd need to find out how much the band charges
for each concert. Then we'd need to figure out how many cities the money
collected would cover. Then we'd need to pick out those cities with an eye to
being centrally located to the most fans. How many fans do you reckon are in
the US? If there are just 4,000 that would be a contribution of only $5.00
apiece, using your example of $20,000. Surely, there are more fans than that
even. I'm getting really stoked here! Dell
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 4:47
am
Subject: Re: TD Tour of N.A.
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Really-From: rmknudson@j... (matt knudson)
On Mon, 17 Nov 97 18:07:14 -0600 (CST) tadream@c... (tadream
mailing list) writes:
>Really-From: goozer@a... (Hermes Guzman)
>Greetings all!
>><- Will TD tour on North America soon?
>Both Edgar and Jerome shared with me after the show in London that
>they have tentative plans for a N.A. tour in '98. So of course I told
them
>to add Dallas to their itenerary, to which they agreed...assuming that
>things work out for a tour, of course.
>goozer
>
Why you are at it making tour suggestions to the boys, tell then to throw
a stop at SALT LAKE CITY into their agenda. They have never been here
and I am sure they would enjoy it!
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 6:32
am
Subject: RE: D: Beyond The Storm
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Really-From: 'Elias Granillo, Jr.'
>Really-From: Dave Brewer
>> Quoted From: esanborn@B... (Erik Sanborn)
>>
> >>Quoted From: 'Elias Granillo, Jr.'
> >>
> >>Look, the consensus may be that BtS's version of 'Upland' stinks, but I
> >>happen to like it a lot! It's updated, IMHO, with the snarling organ
lead
> >>and thumpthump drum programming.
>>
>>[...]
>> To me, it seems like
>> a cheap add-on to the original track. I find it rather lame. Glad
someone
>> likes it, though. :)
>I agree, Erik. I always thought that Edgar turned Upland into a workout
>song on BtS. (c'mon, kick those legs higher! let's see some sweat! :-) )
Heh heh, wrong track! You mean 'Moonlight on A Crawler Lane'! (what's with
these corny titles Ed comes up with? 'Dome of Yellow Turtles'...'Bobcats In
The Sun'...
hahaha) That tune--like, totally, dude!--has that Jane Fonda drum
programming down pat! 'Up, down! Do it again!!! Feel the burn!!!!'
> >But the two all-time Edgar smoker's are 'Detroit Snackbar
> >Dreamer' and 'Drunken Mozart In The Desert,' both of which--voila!!--are
> >immediately accessible for listening on BtS.
>Huhh?? DSD and DMitD are both immediately accessible for listening on
>Stuntman also... (those two are my fave tracks on that album)
>>
>> They're good, but the track that does it for me is Magic Lantern.
>> 'Hi, my name is Edgar and this is my guitar.' ;^)
>That is a fine track indeed. I just wish he didn't use a 1-bar repeating
>drum pattern and a fixed drum fill. (I could see him standing over the
drum
>machine with his finger hovering over the 'drum fill' button, waiting for
>the right moments to punch it)
Ah-ha!!!! THAT'S why you throw FORCE MAJUERE into the CD player instead,
and punch track 2! Boom! 'Cloudburst Flight'!! You've got Klaus Kreiger's
REAL drums and----next to 'M. Lantern' and the guitar-showcase on the
Brussels 1980 audio (CD's coming REAL soon! heh heh)----one of Edgar's
coolest hybrid Froese/Gilmour solos! Talk about 'Hi, my name ees Ed-gurr,
und dis ees my gee-tar!'
By the way, does anyone agree that, as far as 'Magic Lantern' goes,...the
newly-constructed backing tracks (yes, Dave, including that repetitive
drum-pattern) just don't fully 'mesh' (they sound like some TURN OF THE
TIDES outtake that was never used) with that guitar track, which was
obviously recorded, oh, I'd say, in the early-mid 80s and no later?!?!?!
E-Man
>
> >Hasta lasagna, don't get any on ya!!!
> >
> >E-Man
>
> Pasta man~ana,
>
> Erik
>
Damn, I'm getting hungry! :-)
Dave B.
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 6:42
am
Subject: Re: Tournado cd
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------------------------------------------------------------------------------
Really-From: PNaunton@a...
In a message dated 97-11-17 07:23:32 EST, ASH writes:
<< If the liner notes are to be believed, this was recorded in real time with
no overdubs or editing, which makes it even more spectacular.:>>
Ha! Ha! Ha!... Edgar and Jerome didn't play any live music
either.........what's so spectacular about running stuff of a DAT or even
sequencer??
Yes, the music is good......Tournado is my most played album
currently.......and the show was good......but lets not have any
pretensions about the live content of the synth parts!!
Ash >>
I guess I believe that there must be some humanity in the
production, and I may indeed be wrong about that. Is it possible that TD
could assemble the equipment on stage, hit the play button and go out for
dinner and a few drinks, then come back two hours later and pack up?
'Now, here they are. Give them a warm hand on their opening. [ ;-)
]
Tangerine Dream Unplugged.'
<<<<<>>>>>>
Phil Naunton
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 7:00
am
Subject: Re:(HUMOR) Perry Rhodan for trade
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------------------------------------------------------------------------------
Really-From: Robert Grabowsky
Dano,
If you can get me Tessa's or Amanda's panties you
got yourself a deal.
Robert
>Really-From: DJS
>
>
>Hey Rob ol buddy, how about I trade you an original sock that Adrian
>Paul wore while he filmed his great battle scene with noneother than the
>lead singer of the Fine Young Cannonballs! The sock is in excellent
>condition and if you sniff hard enough you can still smell his feet. Heh
>heh.
>
>Dano
>
>(PS, Conan tapes'll be sent out this week)
>
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 7:14
am
Subject: Transformation of Mind
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------------------------------------------------------------------------------
Really-From: Robert Grabowsky
Will the person who recently posted to the list about the Chris Franke
'Transformation of Mind'
please tell us how he got it ir where he got it from?
Thanks,
Robert
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Re: Transformation of Mind
Michael A Jean
Tue
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2 KB
8868
Re: Transformation of Mind
TWeibre361@a...
Thu
11/20/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 1:14
pm
Subject: Re: TD books
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Really-From: dn3
On Mon, 17 Nov 1997 16:34:27 -0600 tadream mailing list
wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: 'Andrew J. Rozsa'
>
>
> At 12:14 PM 11/17/1997 +0000, Dennis wrote:
>
> >> > >Really-From: goozer@a... (Hermes Guzman)
> >> > o am one of the few here who can check for data on this
> movie in all
> >> > four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES,
> MYSTERIOUS
> >> > SEMBLANCE, and DIGITAL GOTHIC).
> >
> >?????Where can you get these books from?
> >
> >Dennis
> >
>
> 'Mysterious Semblance' was written by Scott Plumer, who replied
> asking for a T-shirt in trade. He is serious.
>
> Andrew
Forgive me, Scott, but I didn't realise your book was
called 'Mysterious Semblance'. As I said, you'll have your
T-Shirt pretty soon...hope you are serious about the trade.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 1:34
pm
Subject: Does the list have a name?
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------------------------------------------------------------------------------
Really-From: 'Miguel Farah F.'
I've noted that our TD mailing list is called simply 'tadream'. I was
wondering, should we give it a name? (in the same way the Rush list is
called 'The National Midnight Star', the Genesis one is 'Paperlate',
etcetera). I think it would be a good idea.
(before you flame me: I've been subscribed only for six months, and I've
never seen this discussed in this period - I don't know if this was
discussed in the past)
I'd like to make some suggestions:
Electronic Meditation
Birth of Liquid E-mail
Big Sleep in Search of the Net
Thru Metamorphic Packets
Hyperborea
Alchemy of the Net
If this thread proves interesting, we might want to add suggestions to
this list for, say, two weeks, and then vote on the most popular name.
--
MIGUEL FARAH \ GCS/O d-(pu) s++:+>++: a26 C++ UL+>L++++
miguel@w... / P+ L>++ E--- W++ N+++ o+ K+++ w--(+) !O
mfarah@p... \ M- V-- PS+(-) PE++ Y+ PGP-(+) t++@ 5++
http://www.webhost.cl/~miguel / X- R tv(+) b+ DI+ D++ G++++ e+(*) h!>++
#include \ r-- y?
<*>
'Trust me - I know what I'm doing.'
- Sledge Hammer
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Re: Does the list have a name?
Jens Peschke
Tue
11/18/1997
3 KB
8824
A thought
Sean Montgomery
Tue
11/18/1997
3 KB
8853
Re: Does the list have a name?
dn3
Wed
11/19/1997
3 KB
8888
Re: Does the list have a name?
AOutland@a...
Thu
11/20/1997
2 KB
8897
Re: Does the list have a name?
Plumer, Scott
Thu
11/20/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 1:35
pm
Subject: Re: Does the list have a name?
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------------------------------------------------------------------------------
Really-From: Jens Peschke
tadream@c... wrote:
> Really-From: 'Miguel Farah F.'
>
> I'd like to make some suggestions:
>
> Electronic Meditation
> Birth of Liquid E-mail
> Big Sleep in Search of the Net
> Thru Metamorphic Packets
> Hyperborea
> Alchemy of the Net
>
What´s about RubyCOM or RicoNET ?
Jens
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Tue
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 5:26
pm
Subject: A thought
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------------------------------------------------------------------------------
Really-From: Sean Montgomery
Here's a question for Edgar:
He speaks frequently of the necessity of moving forward and not living in
the past. Why then does Tangerine Dream continue to do cover versions of
60s songs like Purple Haze and Eleanor Rigby?
Sean Montgomery 3D ANIMATOR
http://www.topix.com/~sean
'A paranoiac is someone
in possession of the facts'
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 5:45
pm
Subject: Map Reference
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Really-From: 'Elias Granillo, Jr.'
On Fri, 14 Nov 1997 10:47:49 -0500, Craig wrote:
>Well, everyone has flogged poor ol' RMI to death (I likes 'um!), so I'll
try
>and comment on another artist on your list.
>
>>Stephan Whitlan
>>
>>I have a couple of things by him; his solo release MAP REFERENCE and two
>>tracks on compilation CD (SURREALITY and SEQUENCES 17). Think Vangelis
>here,
>>with SOIL FESTIVITIES as being a rough reference point.
>Ok, that's all I needed to hear ... SF is one of my favorite CDs, so I
>figure these are worth a shot. The question, of course, is WHERE can
>the discs be purchased from?
EUROCK (Archie Patterson) in Oregon stocks MAP REFERENCE> I'd give you the
web address, but I don't have it handy. Do a search on 'Eurock Mail Order'
or something,...actually, someone else here in GoldTri should have that
info, or even Archie's phone number...Elana?
E-Man
>-Steve
>sbm@p...
>Sacramento, CA
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 7:30
pm
Subject: Re: TD Tour of N.A.
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: rmknudson@j... (matt knudson)
>
> On Mon, 17 Nov 97 18:07:14 -0600 (CST) tadream@c... (tadream
> mailing list) writes:
> >Really-From: goozer@a... (Hermes Guzman)
> >Greetings all!
> >><- Will TD tour on North America soon?
> >Both Edgar and Jerome shared with me after the show in London that
> >they have tentative plans for a N.A. tour in '98. So of course I told
> them
> >to add Dallas to their itenerary, to which they agreed...assuming that
> >things work out for a tour, of course.
> >goozer
> >
>
> Why you are at it making tour suggestions to the boys, tell then to throw
> a stop at SALT LAKE CITY into their agenda. They have never been here
> and I am sure they would enjoy it!
Maybe they'll do a special 'Mormon' show at the Mormon tabernacle. Hey,
they could do a special laser light show there like JMJ did in Houston.
Eh, well, maybe not. ;-]
Dan the placid pilgrim
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 7:25
pm
Subject: Re: TD Tour of N.A.
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ------------------------------------------------------------------------------
> Really-From: goozer@a... (Hermes Guzman)
>
> Greetings all!
>
> > >><- Will TD tour on North America soon?
>
> Both Edgar and Jerome shared with me after the show in London that they
> have tentative plans for a N.A. tour in '98. So of course I told them to
> add Dallas to their itenerary, to which they agreed...assuming that things
> work out for a tour, of course.
>
> goozer
Wow oozer...you must be real close with Edgar and Jerome for them to
talk to you. (snicker snicker).
Dano
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 5:09
pm
Subject: Famous last words
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Really-From: Klaus_Beschorner@b... (Klaus Beschorner)
Hello everybody and goodbye !
Being a TD fanatic and actually enjoying the comments from _some_
of you made me swallow a lot of the $%# on this list. The fun
started to deminish when general stupidity made this silly automatic
header necessary. And we all remember the waves of blurb that came
and went during the last year.
None of this was enough to drive me off this list, but now it's
happened. I read it in digest format through a BBS system.
In the almost 7 years of my membership, only about 5 times
a digest got rejected by this BBS' internet gateway for
excessive length, and I got charged an extra fee. Now I get only
about every third or fourth digest, and the bills keep
flowing. I can't take it any longer.
I will stay subscribed from my work account, but only for the
purpose of archiving the digests, certainly not read them
fully as I used to. So, if you want to get in touch with
me, public postings on tadream will 99% go unnoticed.
Before I go, three 'famous last words'
1) a good deal of questions concerning bootlegs can still be
answered by having a look into my 'bootleggographies',
still available from ftp://mirrors.aol.com/pub/music/
artists/t/tangerine.dream/mail-list/misc
2) quite a few of the rarities sought after can be obtained
from my swap list. Excellent swap offers at the moment
would be Cat Scan or Desert Train promo CDs, and all
the stuff available during the recent UK tour
3)
-klaus-
# Klaus Beschorner phone : +49-7033-45142 fax : +49-7033-45631
# Drosselweg 6 klaus_beschorner@b... (mail limit 16 kBytes!)
# D-71120 Grafenau klaus@i...
# Germany
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Re: Famous last words
Hermes Guzman
Wed
11/19/1997
2 KB
8844
Re: Famous last words
Hermes Guzman
Wed
11/19/1997
3 KB
8857
Re: Famous last words
Hilmar Kraft
Wed
11/19/1997
4 KB
8858
Re: Famous last words
PNaunton@a...
Wed
11/19/1997
3 KB
8869
Re: Famous last words
TangerineC@a...
Thu
11/20/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 1:53
am
Subject: Re: KEEP Cue
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Really-From: Paul Nagle
On Mon, 17 Nov 1997 08:20:00 -0800, tadream@c... (tadream
mailing list) wrote:
>I disagree. The segment from 'Logos' accompanying the German soldiers (the
>slo-mo wide angle particularly) investigating the keep: I can't think of
>another piece of music I'd want in its place.
That's cool. We all imagine things differently - that's the joy of
perception (and on a slightly different parallel is a reason I rarely
like vocals in a piece of music. OK, I didn't explain that well
but.....).
Just about anything from the non-sequenced sections of Rubycon would
work well in this context for me and even this would probably be too
instrusive.
Personally, I doubt that Edgar saw the shot and composed this music
especially for it....
I guess it's a philosophy thing about composing film music and what do
I know about that? Bugger all is what.....
8-)
Paul
--------------------------------------------------------------------------------\
------------------
www.softroom.demon.co.uk
--------------------------------------------------------------------------------\
------------------
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 7:14
pm
Subject: Re: Transformation of Mind
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Really-From: Michael A Jean
I picked it up at Crow's Nest in Chicago's Loop for 13.98.
They also had a copy of KS/Namlook/Laswell 'DSOTM 5' LTD Edition for
17.98.
Mike J.
Where oh where has the TD website gone?
Quote of the day: Keep Das Madchen in Timesquare with the Ambient Monkeys!
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 8:35
pm
Subject: Re: A thought
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------------------------------------------------------------------------------
Really-From: 'Jim Moore'
> Really-From: Sean Montgomery
> He speaks frequently of the necessity of moving forward and not living in
> the past. Why then does Tangerine Dream continue to do cover versions of
> 60s songs like Purple Haze and Eleanor Rigby?
Tangerine Dream's past, not the past in general...
'And always remember the last words of my grandfather,
who said, 'A truck!' ' --Emo Phillips
'jimbo@v...' is Jim Moore, Atlanta, Georgia, USA
Home Page: http://www2.vivid.net/~jimbo
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Forwarded Bile re THE KEEP (TDI010 Version)
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Really-From: Steven Feldman
Hey,
It's nice to know that Scott Plumer and I am not the only list
subscribers less than enthused about what snippets of THE KEEP Der
Norseman has deigned to let us mere mortals have on TDI010. X-0 ;)
I think the following forwarded message does a good job in saying
a few choice things about Edgar's latest botch job that I haven't
gotten around to saying myself:
-- Steven Feldman
+ + + + + + +
From: 'Douglas S. Halfen (bs cmsc)'
Message-Id: <199711170610.BAA17776@u...>
Subject: Soundtracks & Holy Grails
To: AR402004@B...
Date: Mon, 17 Nov 1997 01:10:35 -0500 (EST)
Steve,
If you don't mind, I'd like to have a little gripe (read: _bitch_) session, and
you at least would be a somewhat-amused party to this expelling of vile bile.
Here I go!
I am, to put the matter lightly, alarmed and horrified (read: sick-to-my-
stomach and disgusted) upon reading your evaluation of the now-infamous
'Special Edition' _The Keep_ soundtrack. To put the matter in a brighter
light, I am both intensely disappointed and struck so profoundly because what
I have been looking forward to for such a long time is seeming to yet again
dart away from me, back into the clouds that apparently sucked Molasar and
Glaeken to their (film-script) fates.
Now, I often ascribe to a message which Mr. Froese once paraphrased: if you do
not seek paradise, you will find it. I usually let things pass naturally, with
as little personal interference from myself as possible. I do not seek, and I
often find. _However_, one of my particular exceptions to this philosophy is
the music from _The Keep_. I was at a very impressionable age when I saw the
film (aged nine years, to be exact - nothing else appealed to my mom and myself
at the video store, the story thus begins...), and I was quite impressed with
the music - bowled over, in fact, almost embarrassed due to its sheer power. I
received an almost sinful level of pleasure as the German convoy wound its way
through the cloud-shrouded mountains, as the convoy passed through the eerie,
otherworldly village, as the priest knelt in his church and prayed, as the two
soldiers tore at the block with the silver cross and awoke something awesome
and terrible, as our hero passed through the Greek village and rode upon the
boat, as the colossal figure of smoke carried Eva along stone hallways to the
safety of her father's room, as Dr. Cuzar carried the 'talisman' through the
cyclopean caverns to the courtyard, as the doctor confronted his 'savior,' and,
finally, as the forces intrinsic to the story were destroyed in an overblown
finale of overblown finales.
Since then, I have sought (in vain) and awaited (apparently, presently, also in
vain) a release of the film's music that presented such memorable music in all
of the shining, pulsating glory with which it dominated its film. Thus, when I
read the words 'official' and 'complete' in relation to a release of the sound-
track, I sat here at this computer, opened a wide, satisfied grin, and said,
'YES!!!'
Now, I have to choke on a distinct, 'NO,' from the folks who are supposed to be
releasing an 'official' and 'complete' version of the film's soundtrack. If
this 'Special Edition' is the same (and I see no reason why the non-special
edition would be different - certainly, we are not instructed that such is the
case) as the regular release, then I have no recourse - logical, ethical,
rational, blah, blah, blahblah... - but to conclude that these folks are liars,
deceivers who say one thing, mean another thing, and keep the public in the
dark until it has shelled out a bunch of money for severely-mislabeled
products. For instance, if you buy a cleaning solution that says it will re-
move pen-ink stains, and then you wash something which is stained with
pen ink in that solution and, afterward, the stains remain, I believe you
would be mildly irked - peeved - even _pissed_ big-time! What has happened to
you? The wool has been pulled over your eyes! Ah, that feels so cheap . . .
Whether Mr. Froese feels one way or another regarding the soundtrack, I could
not possibly care less about those feelings. What _I_ want is the music from
_The Keep_, music which is both important to me as a source of inspiration and
enjoyable to me as a source of rich, nutritious entertainment. When a person
tells me that what I would be getting is, in fact, the music that I seek -
after all, 'complete' and 'official' would normally, sensibly constitute that
this _is_ the music which I seek - from the released soundtrack, and when I
find out that I am being duped and am being given a few broken pieces of what
I seek mixed in with assorted, wholly-unrelated stuff that I've never heard
before, I can promise you that I will be _angry_.
If the assorted, wholly-unrelated stuff were released on another disc, I would
almost certainly buy the disc, because I'd be genuinely curious to hear the
music on its own, in an honest, 'here-it-is' format.
Am I making sense? YES!
I've read that Edgar has said, 'If you don't like this stuff, then don't buy
it . . . no one's forcing you to buy it,' or something that effect. Oh, I
absolutely agree - I won't buy it. But when you tell us one thing, and what
you give us is _substantially_ different, you are, as we say, 'in the wrong' -
_CRIMINALLY_.
This 'special edition' release is not what we have been told it would be, and
it is not what we would expect it to be, and it is not, in any way, what we,
the fans, deserve for having followed the band so loyally for so long. This
'special edition' - and, presumably, the regular 'official' soundtrack - is
a sheep in wolf's clothing, passed on to unsuspecting consumers like pills
mixed with cheese to certain dogs for which I care. However, as the pills are
beneficial to the health and well-being of these dogs, I feel that my little
deception's moral consequences are outweighed by the good outcome of the act.
In the case of the soundtrack, the deception undermines Mr. Froese's
credibility as both an artist and a businessman - well, as far as honesty and
openness are concerned.
I am very understanding - and _what_ I understand is that there is a product,
released by one of my favorite artists, which makes a clear claim to be a
product which it is _not_; instead, the product is something else, concocted
for reasons that might be innocent but which, in execution, are absolutely
deceitful, discrediting, and untrustworthy.
I don't know why I can't listen to a mere 40-60 minutes' worth of music (that
is very dear to me) in a form that is both of a higher-quality than the film
provides and of a context removed from the film. What, might I ask, as a fan,
is preventing me from enjoying such simple things? I'd just like an explana-
tion - clear, simple, free of _bullshit_ and conjecture. Something like, 'Oh,
I don't give a damn about you people and what you want, and I'll use and abuse
you as long as you keep coming back to me.' Bad business practice, eh? Well,
if this 'official' and 'complete' soundtrack to _The Keep_ is Mr. Froese's idea
of business, then bad business is what he's all about, and I - as well as other
fans - am a disappointed, betrayed fool.
If his ancestor's ax is so important to him, he should place himself in my
position and the music from _The Keep_ in that ax's position - maybe then he'll
get a picture of how much this music means to me.
I'm done now. ;-)
- Doug
Replies
Name/Email
Yahoo! ID
Date
Size
8834
Re: Forwarded Bile re THE KEEP (TDI010 Version)
Gabe Yedid
Wed
11/19/1997
3 KB
8851
Re: Forwarded Bile re THE KEEP (TDI010 Version)
dn3
Wed
11/19/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Eurock's Various Contact Points
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------------------------------------------------------------------------------
Really-From: Steven Feldman
>Subject: Map Reference
>From: tadream@c... (tadream mailing list)
>Date: Tue, 18 Nov 1997 09:45:03 -0800
>Really-From: 'Elias Granillo, Jr.'
>
>EUROCK (Archie Patterson) in Oregon stocks MAP REFERENCE. I'd give you>
>the web address, but I don't have it handy. Do a search on 'Eurock Mail
>Order' or something,...actually, someone else here in GoldTri should
>have that info, or even Archie's phone number...Elana?
The following is from my huge post re the Nightcrawlers:
-- Steven Feldman
+ + + + + + +
Date: Wed, 29 Oct 97 20:30:45 EST
From: Steven Feldman
Subject: The Nightcrawlers: the Whole Story
To: Golden Triangle mailing list ,
Tangerine Dream Digest ,
Archie Patterson, EUROCK ,
[. . .]
TRAVELLING BACKWARDS (1997) 10, 2-CD Set Contains all 3 Nightcrawlers
albums: The Nightcrawlers, Spacewalk, and Shadows of Light. Pressed by
Manikin Records, Germany, and available from: Manikin Records, Postbox
450274, d-12172 Berlin Germany; http://www.manikin.de; manikinms@a...;
tel/fax: +49 30 7121540; and from Archie Patterson at EUROCK, POB 13718,
Portland, OR 97213; http://www.eurock.com; apatters@t...; tel/fax
503-2810247, as of 10/29/97. Pictures of this CD, along with full track
listing can be found at the website.
has seven 2-min sound samples.
From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 11:33
pm
Subject: Re: Forwarded Bile re THE KEEP (TDI010 Version)
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------------------------------------------------------------------------------
Really-From: Gabe Yedid
Steve, why don't you or Doug forward these comments to the band and even
try to ask why what got issued as the 'official complete soundtrack'
really isn't? However much we all might agree, it's not like we can try
to set the record straight. Being a soundtrack insider, Dano's theory is
the most plausible, but we'd all feel better hearing it from the horse's
mouth, right?
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: No Alternate Endings Mentioned in THE KEEP FAQ
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------------------------------------------------------------------------------
Really-From: Steven Feldman
>Subject: Re: Yet Another Different Ending to THE KEEP
>Date: Sun, 16 Nov 97 21:53:40 -0600 (CST)
>From: tadream@c... (tadream mailing list)
>Really-From: goozer@a... (Hermes Guzman)
>
>>Really-From: Steven Feldman
>>>Really-From: goozer@a... (Hermes Guzman)
>
>Do not assume that only _two_ of us on the list have seen the US
>extended ending version! I personally know of a few more than that!
Well, if any of these people have a recording of it other than an
Nth-generation copy off *my* tape (which was bad to begin with), it would
be much appreciated by everyone here if it was put on CD-R for wide
dissemination. It is, after all, the most kick-ass music in the entire
film, fer crissakes. Why hoard it like a hamster? Share the wealth!
>Again, my goal was to make the FAQ useful to as broad a segment of this
>list as possible _without_ delving into film version minutae. There was
>a lot of other purely film-related tidbits I could've included, but
>first and foremost people want to know about the _score_! [. . .]
Well, without telling anyone the correspondence between scenes in
the film and the various tracks on the bootlegs, the videotape, and the
TDI releases, no one understands your comparisons, anyways. What in the
heck are you talking about when you say 'cues'? Do you have a copy of
the shooting script? And where did you get those names for the cues?
Did you make them up? If so, thanks a real lot: that makes three sets
titles made up by fans (the CD-R, the Blue Moon boot, and your list of
'cues'), fer crissakes! :(
>[. . .] Look, _none_ of the different versions contain any _new_ cues;
[. . .]
'Cues' again. What in the hell are you talking about?
>[. . .] the extension of the end theme doesn't count as _new_, just
>_different_! Editing down the existing full-length cue was most likely
>done during post-production without the band's involvement. [. . .]
What drugs are you on? Seven minutes of a ten-minute piece of music
is missing--of which 4 1/2 minutes have no counterpart in the film, the
CD-R boot, the Blue Moon boot, the TDI CD, LOGOS, and LOGOS TYPES--and
you say its not 'new' but 'different'? By that reasoning, 'Silver Scale'
would not be new, but merely different than 'Church Theme' (from the
WAVELENGTH soundtack)!
>[. . .] And, BTW, the US/NBC version Mr. Michaels describes is the only
>other broadcast version, AFAIK! [. . .]
Well, you're wrong. I taped it off channel 64 in Providence, RI--
which is a non-cable UHF channel. And who cares whether *you* knew about
it or not? I'm not one of those people who has trouble figuring out that
a tree indeed fell if and when told that a tree fell in the forest yet no
one was there to hear it fall.
>[. . .] When was the last time you _saw_ the version you remember?
Four years ago. At the time, the only non-cable I watched was THE
X-FILES, STAR TREK: THE NEXT GENERATION, and STAR TREK: DEEP SPACE NINE.
In my neck of the woods, all three of these were only on UHF channels!
>[. . .] I saw the NBC version just this past March on videotape. [...]
And so . . . why didn't you include data from this version in your
Exaustive, All-encompassing FAQ? And don't give me that lame excuse
about it being 'a different instead of new cue' or somesuch.
And thanks a heck of lot for not tellig anyone here on this list
about your having seen a piece of footage from this film that the list
subscribers at large have never heard about. (Hell, with secrets like
that, I wouldn't be surprised if some of you secretive types actually
*have* a copy of the 1984 release of the album but are gloating quietly,
secure in your superiority and smugness that the rest of the world has
to suffer just to make you feel good.)
>[. . .] My guess is that you've seen the same version (not the same
>physical tape, of course) [. . .]
Well, Mr. KEEP FAQ, I've mentioned the scene I saw and gave the
running times for each portion of the music *on this list* two or three
times, so it's not like you haven't had the chance to compare the data,
fer crissakes. In the version I saw, Glaeken zaps Molasar two more times
and then carries his inert body down into the bowels of the keep, while
the music goes bugnuts for about 3 minutes straight.
>[. . .] especially since I watched this original copy tape at a certain
>well-known collectors' house in Boston...
Thanks ever-so-fucking-much for sharing! :( And who might this
Boston collector be? I live in Brookline. Lars lives in Belmont. Paul
Grygorcewicz lives in Chelsea. David Kuznick lives in Somerville (all
are on the outskirts of Boston--with Brookline being adjacent).
>Anything else I can clarify for anyone? [. . .]
Yeah, how is that you hold out on us with crucial data on rare
pieces of music from rare versions of the film, and then make lame
excuses ('cues') for why such isn't mentioned in the 'Official KEEP FAQ'?
Sounds like an Edgar manuever, to me--like the one he just made with the
TDI010 CD (no smiley). Not even mentioning that there are alternate
endings in the FAQ is a criminal omission, considering that the most
intense music in the entire film occurs only in a usually-missing piece
of footage!
I saw STRATOSFEAR with a sticker-only title in 1978.
I saw UFOS in new Mexico in 1978.
I saw the THE KEEP album in 1984.
I saw a UFO three months ago.
I really don't care if you believe any of the above. It won't
change the facts. I don't have to hear a tree fall to know it fell.
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
Replies
Name/Email
Yahoo! ID
Date
Size
8842
Re: No Alternate Endings Mentioned in THE KEEP FA
Hermes Guzman
Wed
11/19/1997
14 KB
8865
Re: No Alternate Endings Mentioned in THE KEEP FA
Michael Fox
Wed
11/19/1997
2 KB
8846
Re: No Alternate Endings Mentioned in THE KEEP FA
DJS
Wed
11/19/1997
3 KB
8923
Re: No Alternate Endings Mentioned in THE KEEP FA
Hermes Guzman
Fri
11/21/1997
3 KB
9453
Re: No Alternate Endings Mentioned in THE KEEP FA
feldon@p...
Mon
12/15/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 1:03
am
Subject: RE: D: Beyond The Storm
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Dave Brewer
> Quoted From: 'Elias Granillo, Jr.'
>
>
> >I agree, Erik. I always thought that Edgar turned Upland into a workout
> >song on BtS. (c'mon, kick those legs higher! let's see some sweat! :-) )
>
> Heh heh, wrong track! You mean 'Moonlight on A Crawler Lane'! (what's with
> these corny titles Ed comes up with? 'Dome of Yellow Turtles'...'Bobcats In
> The Sun'...
> hahaha) That tune--like, totally, dude!--has that Jane Fonda drum
> programming down pat! 'Up, down! Do it again!!! Feel the burn!!!!'
Well... If MoaCL is the one I'm thinking of, that one reminds me more
of Network 23 (I think just for the drum pattern; I think Network is
much much better than MoaCL), and doesn't seem nearly as good for
working out as Upland. But, to each their own. :-)
In fact, I think the Upland remix is better for working out than 'All
of a Dither' -- a track that was actually used for working out to! (in
Miracle Mile)
I think strange track titles are one of the best parts of TD's/Edgar's
music. 'Penguin Reference' indeed!
Dave Brewer
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: THE KEEP: Alt. Endings & the 1984 LP
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Steven Feldman
>Subject: Re: Yet Another Different Ending to THE KEEP
>Date: Sun, 16 Nov 1997 23:31:19 -0800
>From: tadream@c... (tadream mailing list)
>Organization: Rakinik Intertype
>Really-From: DJS
>
>> Really-From: Steven Feldman
>>
>> o am one of two here who has seen the syndicated-TV-only version of
>> the end of the film
>> o am one of three here (because of me) who has the syndicated-TV-only
>> version of the end of film on audio tape
>
>Heh, that you know of, of course. I have a friend who is a Keep fanatic
>who owns every Keep movie version, [. . .]
:( Nice to see that Hermes wasn't/isn't the only one holding out
on us here at the ol' tadream mailing list. So, Dano, feel like getting
together with this friend of yours and re-writing the THE KEEP FAQ (no
smiley; this is a serious question)?
By 'every Keep movie version,' how many do you mean, exactly? The
late Peter Grygorcewicz said that there were nine. Don't tell me that
this friend of yours has that many! (Hell, with stuff like that, who
needs the 1984 album?!?)
>[. . .] every Keep OST (minus the new one as yet), [. . .]
'Every' being two, in this case (the Blue Moon boot and the CD-R),
or do you mean the Fantasy Merchants thingee, too. ;)
>[. . .] and every Keep book. [. . .]
Now, *that's* interesting (to me, at least, since I read the first
book but that's all, so far).
>[. . .] He's a freak, such as yourself, [. . .]
Yep, that's me: Dr. Anton Arcane (SWAMP THING in-joke).
>[. . .] and thanks to me & a couple others he owns several items that
>even you don't have, mr Keep. [. . .]
Hey, it's not like I'm looking for presskits, stills, scripts, and
suchlike.
>[. . .] I'd mention them but in my business that could be bad business.
Now *there's* an intriguing statement. Here's a 'suggestion'--take
it or leave it: should any (or all) of these nine rare versions of the
THE KEEP movie find themselves on a CD-R or a DVD sometime, there would
be a lot of awfully appreciative people 'out there'--and I suspect that
more than a few of these might be inclined to demonstrate their appre-
ciation in concrete terms, if you get my drift.
>I still have yet to see this 'fabled Keep LP'. Anyone who has a copy
>could get some neat stuff from me if they can give me a glimpse.
Well, when I get one, I'll see to it that it finds its way onto a
CD-R with the 10-minute version of the ending. It won't come cheaply,
however, since I'll probably pay towards $500 for the sucker and will be
looking to recoup my losses--and my composure after having spent over
13 years telling people that this album is not a myth. But then, I'm
fair: if I pay only $75 for it, the CD-R will cost no more than your
run-of-the-mill CD boot. It all depends on what I end up paying for it.
I could of course find someone with the album who wants more than I'm
willing to pay, but after all the aggravation I've put up with, I really
would like to be the person who ultimately *owns* the myth that everyone
else will wind up only owning a copy of. (Don't worry: I'll post a GIF
of my holding it on the web.)
>Dano
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 7:59
am
Subject: TD tour fund
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Really-From: 'Stephen, Frank'
Scott plumer wrote:
If Ed says no, why don't we collect money for a tour fund, like
they did with Marillion? (If you're not familiar with this, a group of
fans from the Marillion mailing list collected money from fans to bring
them to the US. They collected over $20000. That's twenty-thousand. They
were here in September.)
Just a little more info here. The fund raised over $50,000 to bring the
band here. Contributions came in from all over the world. Also, anybody
who contributed more than $30.00 will receive a collectors item 2 disc set
of the Rochester show from start to finish that was performed on 8/31/97.
So, raising money for such a feat can be done.
Frank Stephen
Now playing:TD-Tournado
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Does this list have a name? Keep dreaming! :)
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Really-From: Steven Feldman
>Subject: Does the list have a name?
>From: tadream@c... (tadream mailing list)
>Date: Tue, 18 Nov 1997 10:34:52 -0300 (CDT)
>Really-From: 'Miguel Farah F.'
>
>I've noted that our TD mailing list is called simply 'tadream'. I was
>wondering, should we give it a name? (in the same way the Rush list is
>called 'The National Midnight Star', the Genesis one is 'Paperlate',
>etcetera). I think it would be a good idea.
Talking to Lars the other day, he convinced me that the perfect
name of a compilation bootleg (now, *there's* an idea: a bootleg that is
a compilation of *other* bootleg sources) that really *does* have music
*only* in the THE KEEP *film* that is not on RUBYCON or LOGOS (e.g. from
the videotape, TV broadcasts, the Blue Moon boot, the CD-R boot, and the
the three tracks on the TDI CD, maybe) would be . . . 'KEEP DREAMING'!
You gotta admit. That's pretty funny . . . and accurate. :)
-- Steven Feldman
-------------------------------------------------------------------------
'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Marillion Fund; KEEP Fund 6 Years Ago
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Really-From: Steven Feldman
>TD tour fund
>From: tadream@c... (tadream mailing list)
>Date: Tue, 18 Nov 97 20:26:00 PST
>Really-From: 'Stephen, Frank'
>
>Just a little more info here. The fund raised over $50,000 to bring the
>band here. Contributions came in from all over the world. Also, anybody
>who contributed more than $30.00 will receive a collectors item 2 disc set
>of the Rochester show from start to finish that was performed on 8/31/97.
> So, raising money for such a feat can be done.
Nice to know that Marillion fans have their act together more than
TD fans do: one of the first things I did when I subscribed to tadream
(almost 7 years ago) was suggest setting up a pool so I could get enough
money ($70) to place a large display ad for THE KEEP in GOLDMINE RECORD
COLLECTORS magazine. Only *one* list subscriber e-mailed to say that
he'd donate the dollar I requested. Pretty pathetic, eh?
(I've placed two ads in GOLDMINE for THE KEEP. As a result of the
first, I received mail from Kipp Kilpatrick of the IEMA. [International
Electronic Music Association] (and later, of Miramar fame) and a certain
Peter Grygorcewicz. The second ad offered my copy of David Bowie's THE
MAN WHO SOLD THE WORLD drag cover record (then worth about $400!). Then
I placed an ad in FANGORIA, and a guy said he had a sealed copy of THE
KEEP. I sent him the $30 he wanted for it, only to find out he had no
such thing: he had committed mail fraud and I sicced the postal service
on him . . . and wound up only getting $20 of the $30 back. I've placed
three ads for something that supposedly doesn't exist. Ha ha. I'm not
not laughing: that's crying in disguise.)
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Trying To Reach You !!
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Really-From: sillyputty1@y...
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Here is what you can expect. All faxed processing forms
with faxed checks will be given immediate attention.
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Make all checks, money orders, and cashier checks payable to Selective
Marketing.
If faxing your processing form and processing fee, fax to the following fax
number:
( 904 ) 778-4597.
If mailing your processing form and processing fee, mail to following address:
Selective Marketing
1291 A South Powerline Rd Suite #101
Pompano Beach, FL 33069
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: No Alternate Endings Mentioned in THE KEEP FAQ
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Really-From: goozer@a... (Hermes Guzman)
Greetings all!
It's obvious now that Steve 'Don Quixote' Feldman simply will not let it
go. I mean, I'm as rabid a fan as you'll find (4 of the 5 concerts I've
seen involved major travel/expense, not to mention my collection), but I
mean, come on! Am I missing something here, or is this too obvious: IT'S
JUST ONE SCORE!! Great as it is, it's not even integral to the band's
oevure! Sorry to have to do this, but...
>Really-From: Steven Feldman
>>Really-From: goozer@a... (Hermes Guzman)
>>>Really-From: Steven Feldman
>>>>Really-From: goozer@a... (Hermes Guzman)
>>
>>Do not assume that only _two_ of us on the list have seen the US
>>extended ending version! I personally know of a few more than that!
>
> Well, if any of these people have a recording of it other than an
>Nth-generation copy off *my* tape (which was bad to begin with), it would
>be much appreciated by everyone here if it was put on CD-R for wide
>dissemination. It is, after all, the most kick-ass music in the entire
>film, fer crissakes. Why hoard it like a hamster? Share the wealth!
Steve, I 'm sorry to be the one to break it to you, but the TD universe
does _NOT_ revolve around you! Or anyone on this list for that matter! What
an absolutely arrogant and stupid thing to write; 'Well, if any of these
people have a recording of it other than an Nth-generation copy off *my*
tape...'! Are you _really_ that full of yourself, or are you
just...well..._ignorant_! As to why _I_ personally haven't put the 'cue' on
CD-R for 'wider dissemination' (since I can only speak for myself): one,
I'm not thrilled with the quality; and two, _IT'S NOT AN ORIGINAL
COMPOSITION BY THE BAND_!! I guess you missed that part of the FAQ behind
the windmill there, huh?. Why havent _you_ done it, if you're so keen on
this 'cue'? Or even better, let's put it on a CD-R with 'Confrontation',
the 'Footloose' cover they did in _Streethawk_ and 'A Time For Heroes'!
(yes, I know 'C' isn't performed by them, but a lot of people I know wanted
it on the official CD release...)
>>Again, my goal was to make the FAQ useful to as broad a segment of this
>>list as possible _without_ delving into film version minutae. There was
>>a lot of other purely film-related tidbits I could've included, but
>>first and foremost people want to know about the _score_! [. . .]
>
> Well, without telling anyone the correspondence between scenes in
>the film and the various tracks on the bootlegs, the videotape, and the
>TDI releases, no one understands your comparisons, anyways. What in the
>heck are you talking about when you say 'cues'? Do you have a copy of
>the shooting script? And where did you get those names for the cues?
>Did you make them up? If so, thanks a real lot: that makes three sets
>titles made up by fans (the CD-R, the Blue Moon boot, and your list of
>'cues'), fer crissakes! :(
From the FAQ (with emphasis added **):
'Now for a few comments about the score as used in the film. There is a
grand total of 67:26 of music in the film. This can be broken down into 12
separate themes (plus one short 'sting'.) Four of the themes are used
multiple times, forming 'suites', as it were. **I've titled them so as to
help everyone place them in the film (at least those who have seen it.)
They are as follows, beginning with the 'suites'**:'
and..
'**I'll now provide a chart which lists the film cues in order of
appearance and the corresponding tracks from the two Keep CD's:**'
I guess some of us need a little more help in understanding the
descriptions. Knowing that this would be a large post, and since I didn't
want to send a 47k file to the list, I decided to be as brief as possible
in the titling the 'cues', while still indicating the emphasis of the
scenes in which they are used. Yes, those who haven't seen the film are out
of luck, _but_, those of us who _have_ should have _no_ difficulty
whatsoever in placing them, as this is not a very complex movie to begin
with! Only one example: can anyone here tell me what was 'Released' in the
film? And during that scene, what 'cue' was playing?
>>[. . .] Look, _none_ of the different versions contain any _new_ cues;
>[. . .]
> 'Cues' again. What in the hell are you talking about?
I'm not even gonna bother with this one...look it up.
>>[. . .] the extension of the end theme doesn't count as _new_, just
>>_different_! Editing down the existing full-length cue was most likely
>>done during post-production without the band's involvement. [. . .]
>
> What drugs are you on? Seven minutes of a ten-minute piece of music
>is missing--of which 4 1/2 minutes have no counterpart in the film, the
>CD-R boot, the Blue Moon boot, the TDI CD, LOGOS, and LOGOS TYPES--and
>you say its not 'new' but 'different'? By that reasoning, 'Silver Scale'
>would not be new, but merely different than 'Church Theme' (from the
>WAVELENGTH soundtack)!
Actually, since 'Church Theme', 'Silver Scale' and 'Horns of Doom' all come
from the same source, your point is...what, exactly? They are _all_ edits
taken from this one piece. Or do you not have any winter '80-'81 fantapes?
So, which of the three would you consider _new_? And furthermore on this
point, 17 _HOURS_ of _Rubycon_ is missing; does that have any relevance to
what is on the album? Or the missing 45 mins. of the _Sorcerer_ 'cues'?
Again, _most_ people in this solar system _haven't_ seen the extended
version(s), so I felt it unnecessary to go into any great detail about it.
I apologize to anyone out there who felt shortchanged in any way for not
being able to read about an additional 7+ minutes to 'The Price' 'cue'.
I'll consider adding it to any future revision of the FAQ.
>>[. . .] And, BTW, the US/NBC version Mr. Michaels describes is the only
>>other broadcast version, AFAIK! [. . .]
>
> Well, you're wrong. I taped it off channel 64 in Providence, RI--
>which is a non-cable UHF channel. And who cares whether *you* knew about
>it or not? I'm not one of those people who has trouble figuring out that
>a tree indeed fell if and when told that a tree fell in the forest yet no
>one was there to hear it fall.
Do you know what 'AFAIK' stands for? If you taped it from UHF, great. Did
anyone else out there see it UHF? That's great, too. I'll wager that most
of those who saw the extended version saw it on NBC. Which is actually
neither here nor there.
>>[. . .] When was the last time you _saw_ the version you remember?
> Four years ago.
>>[. . .] I saw the NBC version just this past March on videotape. [...]
> And so . . . why didn't you include data from this version in your
>Exaustive, All-encompassing FAQ? And don't give me that lame excuse
>about it being 'a different instead of new cue' or somesuch.
See above.
> And thanks a heck of lot for not tellig anyone here on this list
>about your having seen a piece of footage from this film that the list
>subscribers at large have never heard about. (Hell, with secrets like
>that, I wouldn't be surprised if some of you secretive types actually
>*have* a copy of the 1984 release of the album but are gloating quietly,
>secure in your superiority and smugness that the rest of the world has
>to suffer just to make you feel good.)
You _really_ have a persecution complex, don't you? If I _were_ 'superior
and smug', as you say, then I _would_ have mentioned those very facts to
rub it in, wouldn't I?
>>[. . .] My guess is that you've seen the same version (not the same
>>physical tape, of course) [. . .]
>
> Well, Mr. KEEP FAQ, I've mentioned the scene I saw and gave the
>running times for each portion of the music *on this list* two or three
>times, so it's not like you haven't had the chance to compare the data,
>fer crissakes. In the version I saw, Glaeken zaps Molasar two more times
>and then carries his inert body down into the bowels of the keep, while
>the music goes bugnuts for about 3 minutes straight.
Anyone else seen this version as described? The version I (and everyone
else I've discussed this with, who number in double-digits) saw was pretty
much as described in A.V. Michael's book (not to mention the actual book
'The Keep'). Instead of freeze framing on Eva at the end, it shows her
running back into the Keep, during which shots of Glaeken floating down
through a mist are depicted. She eventually makes her way down to the 'pit'
where Molasar was held and finds Glaeken, seemingly dead. He eventually
stirs, and we 'discover' that he has become mortal. The end. Yes, the music
is extended, with little bits of 'cues' from other parts of the film, and
it's all very cool. But it's ultimately not worth the grief you're putting
yourself through (now, one more time, class: can you say 'A Time For
Heroes'? Good!)
>>[. . .] especially since I watched this original copy tape at a certain
>>well-known collectors' house in Boston...
>
> Thanks ever-so-fucking-much for sharing! :( And who might this
>Boston collector be? I live in Brookline. Lars lives in Belmont. Paul
>Grygorcewicz lives in Chelsea. David Kuznick lives in Somerville (all
>are on the outskirts of Boston--with Brookline being adjacent).
The point of my statement was that you probably _both_ have the same
version on tape, since you live in the same area!
>>Anything else I can clarify for anyone? [. . .]
>
> Yeah, how is that you hold out on us with crucial data on rare
>pieces of music from rare versions of the film, and then make lame
>excuses ('cues') for why such isn't mentioned in the 'Official KEEP FAQ'?
>Sounds like an Edgar manuever, to me--like the one he just made with the
>TDI010 CD (no smiley). Not even mentioning that there are alternate
>endings in the FAQ is a criminal omission, considering that the most
>intense music in the entire film occurs only in a usually-missing piece
>of footage!
I'll say this just once more: I was only concerned with the _score_ and
_NOT_ how many different film versions there were, nor the extended end
theme that most haven't heard. To which I freely admit may have been a
mistake (as far as the 'cue' is concerned.) Now, had the 'cue' been in fact
_totally_ new, and not merely extended, I of course would have commented on
it. So, again, sorry for not discussing a really cool extended version of
a TD cover tune! As for the claim on the CD, have you ever stopped to
consider that it may reflect most of what the band _originally_ delivered
to Mr. Mann? Admittedly, it's a stretch, but you should know from your vast
store of information that it wouldn't be the only time that they had to
replace large chunks of a filmscore after the first delivery! Need I
mention 'Risky Business' or 'Canyon Dreams'? In any case, I'm not an
apologist for Edgar, or the band. I simply feel that it's generally wrong
to jump to conclusions, or to assume the worst about anything _without_
direct knowledge of all the relevant facts. I cannot, and will not, speak
to anything I don't know about, nor will I assume the negative about this.
Feel free to do otherwise.
> I saw STRATOSFEAR with a sticker-only title in 1978.
> I saw UFOS in new Mexico in 1978.
> I saw the THE KEEP album in 1984.
> I saw a UFO three months ago.
> I really don't care if you believe any of the above. It won't
>change the facts. I don't have to hear a tree fall to know it fell.
However, obsessing over said 'tree', instead of moving on to view the rest
of the forest that still stands, is very sad indeed. If you wish to
continue your myopic ranting over a mere score, please, go right ahead. But
would you look up for a moment and see that some of us may be tiring of
this tirade of yours, and wish that you would just move on. I know that I
am.
goozer (who is now more than ever 'Keeped' out!) 8P
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: Famous last words
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------------------------------------------------------------------------------
Really-From: goozer@a... (Hermes Guzman)
Sorry, everyone. That shouldn't have gone to the list!
goozer (who _thought_ he changed the addy!)
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: Famous last words
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------------------------------------------------------------------------------
Really-From: goozer@a... (Hermes Guzman)
Hey Klaus--
>Really-From: Klaus_Beschorner@b... (Klaus Beschorner)
>
>
>Hello everybody and goodbye !
What a pity, as your 'departure' diminishes this list greatly! :(
>Before I go, three 'famous last words'
>3) deleted, as it's no longer my business>
Well, some can't see beyond their egos to read anyway!
I'm sorry you weren't in London! It was really great! Especially the warm
greeting and hospitality of the band! Being invited in to see the
soundcheck was a real surprise and treat for me!
BTW, do you think you could make me a CD-R copy of the 'Complete Works of
The Keep' CD-R? I can't find my tape, and I guess it's about time for me to
get a good copy! You have the latest TDF list, but if you want to wait for
something new, I'll of course send it to you as soon as it's available. Let
me know...
Cheers!
goozer
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 5:50
am
Subject: Re: Trying To Reach You !!
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------------------------------------------------------------------------------
Really-From: rmknudson@j... (matt knudson)
What kind of a scam is this now! Keep this crap off the mail list!
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 9:37
am
Subject: Re: No Alternate Endings Mentioned in THE KEEP FAQ
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------------------------------------------------------------------------------
Really-From: DJS
TONS OF GARBAGE AND BOOKLOADS OF RUBBISH CUT...
> would you look up for a moment and see that some of us may be tiring of
> this tirade of yours, and wish that you would just move on. I know that I
> am.
>
> goozer (who is now more than ever 'Keeped' out!) 8P
ooze,
Where did you come from, why are you here and how much do I have to pay
you to leave and never come back? If S-dude likes the Keep...just accept
it. I'm amazed by how much you are being affected by this soundtrack.
Remember the end of Ferris Bueller? 'It's over...go home!'
Dan the dude
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 8:44
am
Subject: Suffer The Fanboys...
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Really-From: 'Elias Granillo, Jr.'
STEVEN FELDMAN SAID (IN RESPONSE TO 'EL GOOZO'):
< And thanks a heck of lot for not tellig anyone here on this list
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 9:01
am
Subject: Ego-Trippin'
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
>>3) > deleted, as it's no longer my business>
>Well, some can't see beyond their egos to read anyway!
Yeah, no kidding, Gooz! (heh heh *snicker*)
E-Man
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 9:44
am
Subject: $$ For Transients Or TD?
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Really-From: 'Elias Granillo, Jr.'
>Really-From: Steven Feldman
>>TD tour fund
>>From: tadream@c... (tadream mailing list)
>>Date: Tue, 18 Nov 97 20:26:00 PST
>>Really-From: 'Stephen, Frank'
>>
>>Just a little more info here. The fund raised over $50,000 to bring the
>>band here. Contributions came in from all over the world.
I don't know what flames I'm about to conjure, but if I were content to
contribute $30 or more to a bring-TD-to-this-side-of-the-pond pool, I'd
sooner stop myself and buy several homeless people lunch. Seeing Tangerine
Dream perform in the States again would be fine and dandy, but if they
don't, then they don't.
>>Also, anybody who contributed more than $30.00 will receive a collectors
item 2 >>disc set of the Rochester show from start to finish that was
performed on 8/31/97.
>>So, raising money for such a feat can be done.
> Nice to know that Marillion fans have their act together more than
>TD fans do:
No, Steve, they're wierdos. A little off-from-the-center. I'm not kidding.
(ha ha)
> one of the first things I did when I subscribed to tadream
>(almost 7 years ago) was suggest setting up a pool so I could get enough
>money ($70) to place a large display ad for THE KEEP in GOLDMINE RECORD
>COLLECTORS magazine. Only *one* list subscriber e-mailed to say that
>he'd donate the dollar I requested. Pretty pathetic, eh?
A dollar for what? To post an ad so you could reel in a copy of THE KEEP?
They more than likely didn't cuz they wanted THE KEEP for their own prized
possession (vinyl taxidermists, hahaha) and they knew you weren't going to
buy it and cut it up into seventy pieces and divvy them out, haha! Just
kidding, Steve, I'm sure you intended to dub everyone a copy...
E-Man
np Cast: *Angels and Demons*
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Re: $$ For Transients Or TD?
Steven Feldman
Thu
11/20/1997
3 KB
8898
Re: $$ For Transients Or TD?
Plumer, Scott
Thu
11/20/1997
2 KB
8903
Re: $$ For Transients Or TD?
CMOSLover
Thu
11/20/1997
3 KB
8904
Re: $$ For Transients Or TD?
Plumer, Scott
Thu
11/20/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 9:52
am
Subject: TD Tour of N.A.
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Really-From: 'Elias Granillo, Jr.'
>>
>> Why you are at it making tour suggestions to the boys, tell then to
throw
>> a stop at SALT LAKE CITY into their agenda. They have never been here
>> and I am sure they would enjoy it!
>Maybe they'll do a special 'Mormon' show at the Mormon tabernacle. Hey,
>they could do a special laser light show there like JMJ did in Houston.
>Eh, well, maybe not. ;-]
>Dan the placid pilgrim
Hey, dude, at least you know they'll make a stop just for us at the Wiltern
Theater in Los Angeles! They can dedicate the show to L. Ron Hubbard and
the Church of Science Fiction, er, Scientology. Maybe Chick Corea can be
the warm-up act!
HA HA HA HA
Or better yet, Edgar will let John Travolta and Kirstie Alley em-cee the
concert! HAHA
John Travolta: 'Okay, let's bow our heads for a moment and feel L. Ron's
astral presence reaching into our minds from the nether void...' (TD start
playing an abridged version of 'Astral Voyager'...)
E-Man
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 12:23
pm
Subject: Re: Forwarded Bile re THE KEEP (TDI010 Version)
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Really-From: dn3
Hello all,
there seems to be a wagonload of disappointment
around regarding the music contained on the 'official'
release of the Keep soundtrack. I must admit that I've
never seen the film and that I've never heard any of the
music TD composed for it - accordingly, I can understand
your emotional arousal and sympathise with it - but I can't
feel quite the same way about it as you do.
From an outsider's point of view, I think the CD is
actually really good and, on musical grounds, does not
deserve the rage waging against it on this list at the
moment. I bought The Keep, Time Square and Ambient Monkeys
at the concert, and The Keep is definitely the one I'm most
fond of. I can understand that some of you feel deceived by
being confronted with a soundtrack that isn't, but once all
this wears off a bit, I suggest we start talking about the
album on musical terms - which, after all, is what we
usually do.
Dennis
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 11:27
am
Subject: RE: Trying To Reach You !!
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------------------------------------------------------------------------------
Really-From: Michael Richard
Hi!
> What kind of a scam is this now! Keep this crap off the mail list!
And you know what? Look at this answer I received when I sent'em a
message to never post here again:
> :
> User is over the quota. You can try again later.
Fucking ads!
See ya!
:) Michael (:
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 12:33
pm
Subject: Re: Does the list have a name?
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Really-From: dn3
On Tue, 18 Nov 1997 10:34:52 -0300 (CDT) tadream mailing
list wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: 'Miguel Farah F.'
>
>
>
> I've noted that our TD mailing list is called simply 'tadream'. I was
> wondering, should we give it a name? (in the same way the Rush list is
> called 'The National Midnight Star', the Genesis one is 'Paperlate',
> etcetera). I think it would be a good idea.
How about the 'Goblins' Club' or a 'Mysterious Semblance at
the Strand of Nightmares'?
Dennis
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 12:37
pm
Subject: Re: Associations Between TIMESQUARE Tracks & Other TD
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Really-From: dn3
On Sun, 16 Nov 97 20:36:20 EST tadream mailing list
wrote:
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Steven Feldman
>
>
> I've only played TIMESQUARE twice, now, but some sounds and tunes
> appeared to be familiar:
>
> 1.) MOBOCASTER
> Twilight Brigade (TURN OF THE TIDES)
> Dreamtime (220 VOLT LIVE)
> 2.) JUNGLE JACULA
> Roaring of the Bliss (THE PRIVATE MUSIC OF TANGERINE DREAM)
> 3.) TOWARDS THE EVENING STAR
> Towards the Evening Star (that was too easy, hee hee)
> 4.) DIGITAL SISTER
> (nothing yet)
> 5.) PIXEL PIRATES
> Dreamtime and Towards the Evening Star
> 6.) CULPA LEVIS
> Iowa (THE CLUB DREAM MIXES)
> 7.) TIMESQUARE
> Loved by the Sun (LEGEND)
> Change of the Gods (THE DREAM MIXES)
The only addition I have to that (for the time being,
anyway) is that Digital Sister or Pixel Pirates (I don't
remember which one) is quite reminiscent of 'Lamb with
Radar Eyes'.
Dennis
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Re: Associations Between TIMESQUARE Tracks & Othe
Gabe Yedid
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 1:37
pm
Subject: Re: Trying To Reach You !!
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------------------------------------------------------------------------------
Really-From: 'Vincent Goudreault'
On Nov 19, 7:27am, tadream mailing list wrote:
> Subject: RE: Trying To Reach You !!
> Really-From: Michael Richard
>
>
> Hi!
>
> > What kind of a scam is this now! Keep this crap off the mail list!
>
> And you know what? Look at this answer I received when I sent'em a
> message to never post here again:
>
> > :
> > User is over the quota. You can try again later.
>
> Fucking ads!
>
> See ya!
>
> :) Michael (:
It may get more complicated than that: what if this address belongs to
someone who had NOTHING to do with this ad, and whose name was used by
somebody so that he would get victimized... If indeed this user is
over his quota, that means he already got spammed back up to his ears,
but perhaps he is not guilty of anything (except maybe getting in the
bad side of some clever prankster.)
If someone in Florida could check out this 'Selective Marketing' and
see if it exists, and if they are at the source of this $%@# ad, then
let's hit them. But if not, lets keep our weapons safely aimed away
from potential innocent victims...
C.B. Vincent Goudreault
online since early 93, TD fan since 77
first exposure: Stratosfear, fave albums: Rubycon/Ricochet
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 1:18
pm
Subject: looking for the HK guy.
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------------------------------------------------------------------------------
Really-From: Miguel Angel Esteban
Hi all and sorry fo this offtopic.
Recently a was forced to format my Harddisc so I lost all the data on it
;((((( a guy from Hong Kong sent me a mail some days before but I can't
answer him since I've lost his lettter.
Since he's in this list.
Could he resend me the mail? thanks.
Thanks and sorry again for this off topic.
Miguel.
Maec@a...
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 9:18
pm
Subject: Re: Famous last words
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Really-From: hkraft@c... (Hilmar Kraft)
>None of this was enough to drive me off this list, but now it's
>happened. I read it in digest format through a BBS system.
>In the almost 7 years of my membership, only about 5 times
>a digest got rejected by this BBS' internet gateway for
>excessive length, and I got charged an extra fee. Now I get only
>about every third or fourth digest, and the bills keep
>flowing. I can't take it any longer.
Oh Klaus, what the hell are you doing on such a crappy BBS system
anyway? It's the nineties, and if your system can't handle a 110KB
text file, don't you think it's time to change to nineties technology
such as an internet POP (e.g. germany.net: free of charge!).
Besides, what nonesense: first they reject your mail and then they
make you pay an extra fee for the non-delivered mail? I could
understand that you pay extra for getting large mails, but paying
extra for NOT getting them?
This technical point aside, I can perfectly understand your view that
you don't want to deal with the enormous amount of non-information
that is being posted here.
HOWEVER: you should think about this also: The Internet is growing
every day, millions and millions of 'newbies' are discovering it
daily. It is only natural, that there are more and more people who
also read this list and start posting on it. Traffic on the tadream
list *will grow*, no matter what!
Yes, we have to deal with the things you mentioned (silly headers,
dumb jokes etc.). But the *contents* is still in tadream, only covered
by lots of dirt and noise. Why give up this part of your hobby when it
is so easy to deal with this noise? All it takes is a good email
program and email service provider and you can filter and sort the
list and read the whole list very quickly without having to deal with
much crap.
I am very sad to see you go, Klaus, but I really think by leaving
tadream you are depriving yourself of a very nice side to your hobby
called TD, and only because you insist on driving your old bicycle on
a 4 lane highway and then get mad at all these cars there...
Hilmar
(posted and emailed)
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 3:57
pm
Subject: Re: Famous last words
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Really-From: PNaunton@a...
In a message dated 97-11-19 09:23:50 EST, you write:
<< I am very sad to see you go, Klaus, but I really think by leaving
tadream you are depriving yourself of a very nice side to your hobby
called TD, and only because you insist on driving your old bicycle on
a 4 lane highway and then get mad at all these cars there...
Hilmar
(posted and emailed)
>>
What's a clear headed person like this doing on the TaDream list?
Seems out of place somehow. ;-) ;-) ;-) ;-) ;-) ;-) ;-) ;-) ;-) ;-) ;-)
;-) ;-) ;-)
Phil N.
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 3:57
pm
Subject: Peter Baumann - where are you?
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------------------------------------------------------------------------------
Really-From: Vic Rek
Does anybody know what Peter Baumann is doing these days and how to get in
touch with him? Does he have an e-mail address or a website? Just curious :-)
Vic
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Dave Brewer
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 3:54
pm
Subject: Re: Associations Between TIMESQUARE Tracks & Other TD
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------------------------------------------------------------------------------
Really-From: Gabe Yedid
On Wed, 19 Nov 1997, tadream mailing list wrote:
> > Really-From: Steven Feldman
> >
> >
> > I've only played TIMESQUARE twice, now, but some sounds and tunes
> > appeared to be familiar:
> >
> > 1.) MOBOCASTER
> > Twilight Brigade (TURN OF THE TIDES)
> > Dreamtime (220 VOLT LIVE)
> > 2.) JUNGLE JACULA
> > Roaring of the Bliss (THE PRIVATE MUSIC OF TANGERINE DREAM)
So this makes, what, 3 mixes of this cut? There isn't any of 'Jungle
Journey' in this one, is there? (But God, what a title...has Jerome been
getting into William Burroughs of late?)
> > 3.) TOWARDS THE EVENING STAR
> > Towards the Evening Star (that was too easy, hee hee)
n-duh ;)
> > 4.) DIGITAL SISTER
> > (nothing yet)
> > 5.) PIXEL PIRATES
> > Dreamtime and Towards the Evening Star
> > 6.) CULPA LEVIS
> > Iowa (THE CLUB DREAM MIXES)
Uh, is it more developed than 'Iowa' was?
> > 7.) TIMESQUARE
> > Loved by the Sun (LEGEND)
> > Change of the Gods (THE DREAM MIXES)
> The only addition I have to that (for the time being,
> anyway) is that Digital Sister or Pixel Pirates (I don't
> remember which one) is quite reminiscent of 'Lamb with
> Radar Eyes'.
>
> Dennis
So it seems like Dream Mixes II *is* really Dream Mixes II, not an album
of all new tunes, unrelated to previous ones, being marketed under an
'eye-catching' name.
But...why the new titles...? Unlike the previous DM, these seem to be
'medley mixes' rather than re/de-constructions of single pieces...(except
'TtES' of course)
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 5:51
pm
Subject: Re: Peter Baumann - where are you?
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------------------------------------------------------------------------------
Really-From: Dave Brewer
> Quoted From: Vic Rek
>
> Does anybody know what Peter Baumann is doing these days and how to get in
> touch with him? Does he have an e-mail address or a website? Just curious
> :-)
The last thing I heard was he bowed out of the music business completely,
and is probably living a nice quiet private (no pun intended!) life
somewhere. I wonder if he still has any mellotrons, ARPs or whatever in his
basement (or wherever). If he does, I wonder if he still likes to jam on
them occasionally, or do they just collect dust?
Dave B.
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 7:02
pm
Subject: Re: (HUMOR) Perry Rhodan for trade
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------------------------------------------------------------------------------
Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
> The List owner does not read this list. Complaining here is useless.
> ------------------------------------------------------------------------------
> Really-From: Robert Grabowsky
>
> Dano,
> If you can get me Tessa's or Amanda's panties you
> got yourself a deal.
> Robert
>
> >Really-From: DJS
> >
> >
> >Hey Rob ol buddy, how about I trade you an original sock that Adrian
> >Paul wore while he filmed his great battle scene with noneother than the
> >lead singer of the Fine Young Cannonballs! The sock is in excellent
> >condition and if you sniff hard enough you can still smell his feet. Heh
> >heh.
> >
> >Dano
> >
> >(PS, Conan tapes'll be sent out this week)
> >
Sorry dude, those are already in the possession of Mr Elias himself. He
sleeps with them over his face at night...crotch side upon his nose of
course (I apologize to anyone who was disgusted by that last comment).
BTW, Chris Franke needs to smile more (just so we're still on topic).
Dano
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 7:05
pm
Subject: Re: TD Tour of N.A.
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------------------------------------------------------------------------------
Really-From: DJS
t at least you know they'll make a stop just for us at the Wiltern
> Theater in Los Angeles! They can dedicate the show to L. Ron Hubbard and
> the Church of Science Fiction, er, Scientology. Maybe Chick Corea can be
> the warm-up act!
> HA HA HA HA
> Or better yet, Edgar will let John Travolta and Kirstie Alley em-cee the
> concert! HAHA
> John Travolta: 'Okay, let's bow our heads for a moment and feel L. Ron's
> astral presence reaching into our minds from the nether void...' (TD start
> playing an abridged version of 'Astral Voyager'...)
>
> E-Man
Serously, who really WANTS to see TD anymore. I'd rather go buy the
dircector's cut to The Exterminator and watch it at home. At least I'd
get to see something new.
Dano
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 7:09
pm
Subject: Re: Tournado cd
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------------------------------------------------------------------------------
Really-From: DJS
t
> Really-From: PNaunton@a...
>
> In a message dated 97-11-17 07:23:32 EST, ASH writes:
>
> << If the liner notes are to be believed, this was recorded in real time with
> no overdubs or editing, which makes it even more spectacular.:>>
>
> Ha! Ha! Ha!... Edgar and Jerome didn't play any live music
> either.........what's so spectacular about running stuff of a DAT or even
> sequencer??
>
> Yes, the music is good......Tournado is my most played album
> currently.......and the show was good......but lets not have any
> pretensions about the live content of the synth parts!!
> Ash >>
>
> I guess I believe that there must be some humanity in the
> production, and I may indeed be wrong about that. Is it possible that TD
> could assemble the equipment on stage, hit the play button and go out for
> dinner and a few drinks, then come back two hours later and pack up?
>
> 'Now, here they are. Give them a warm hand on their opening. [ ;-)
HAHA! Eli have for years made jokes about how Steve Roach or Klaus would
put on a sequence and leave for a few hours, have some coffee & donuts
and come back to say 'oh good, my new album is finished'. This is why I
have slid into the prog rock zone (Mark Shreeve included). I want human
elements in my music. I want to hear humanity in the tunes. I can't
actually believe I'm saying this but I'm looking more forward to the
re-release of Buckner & Garcia's Pac Man Fever than I did to Tournado.
How sad is that??
Dan the dude
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 1:26
pm
Subject: Re: No Alternate Endings Mentioned in THE KEEP FAQ
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------------------------------------------------------------------------------
Really-From: Michael Fox
At 09:43 PM 11/18/97 -0600, goozer wrote:
But
>would you look up for a moment and see that some of us may be tiring of
>this tirade of yours, and wish that you would just move on. I know that I
>am.
AMEN!!
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 6:51
pm
Subject: RE: Tournado cd/ no TD content
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------------------------------------------------------------------------------
Really-From: KRAUSENECKS
Pac man remixes 2??? say it's so , my vinyl's soooooo worn out.
Chris
----------
From: tadream mailing list
Sent: Wednesday, November 19, 1997 2:09 PM
To: tadream@c...
Subject: Re: Tournado cd
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
t
> Really-From: PNaunton@a...
>
> In a message dated 97-11-17 07:23:32 EST, ASH writes:
>
> << If the liner notes are to be believed, this was recorded in real time with
> no overdubs or editing, which makes it even more spectacular.:>>
>
> Ha! Ha! Ha!... Edgar and Jerome didn't play any live music
> either.........what's so spectacular about running stuff of a DAT or even
> sequencer??
>
> Yes, the music is good......Tournado is my most played album
> currently.......and the show was good......but lets not have any
> pretensions about the live content of the synth parts!!
> Ash >>
>
> I guess I believe that there must be some humanity in the
> production, and I may indeed be wrong about that. Is it possible that TD
> could assemble the equipment on stage, hit the play button and go out for
> dinner and a few drinks, then come back two hours later and pack up?
>
> 'Now, here they are. Give them a warm hand on their opening. [ ;-)
HAHA! Eli have for years made jokes about how Steve Roach or Klaus would
put on a sequence and leave for a few hours, have some coffee & donuts
and come back to say 'oh good, my new album is finished'. This is why I
have slid into the prog rock zone (Mark Shreeve included). I want human
elements in my music. I want to hear humanity in the tunes. I can't
actually believe I'm saying this but I'm looking more forward to the
re-release of Buckner & Garcia's Pac Man Fever than I did to Tournado.
How sad is that??
Dan the dude
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Re: Tournado cd/ no TD content
DJS
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3 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 7:45
pm
Subject: Re: TD tour fund
At 20:26 199711.18 PST, you wrote:
>Really-From: 'Stephen, Frank'
>Scott plumer wrote:
> If Ed says no, why don't we collect money for a tour fund, like
>they did with Marillion? (If you're not familiar with this, a group of
>fans from the Marillion mailing list collected money from fans to bring
>them to the US. They collected over $20000. That's twenty-thousand. They
>were here in September.)
>
>Just a little more info here. The fund raised over $50,000 to bring the
>band here. Contributions came in from all over the world. Also, anybody
>who contributed more than $30.00 will receive a collectors item 2 disc set
>of the Rochester show from start to finish that was performed on 8/31/97.
> So, raising money for such a feat can be done.
I'd pitch in a few $ to such a fund, on the condition that they play at
Burning Man.
If a non-commercial event such as Burning Man can do it for 10+ years,
dedicated enough people can do some incredibly wonderful things. Besides,
it's probably the coolest and most unusual venue TD will ever see.
'We throw each piece of equipment three times out of the third floor of our studio complex. If it's still functioning properly, we'll take it on the road. If not, we send it back to Tokyo!...' -- Edgar Froese (founder of Tangerine Dream), on the easy way they decide on which instruments to take on the road.
/^\
| pete
| penfold@a...
|
|
|
YA .semi.random.sig.quote
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 9:23
pm
Subject: Re: Transformation of Mind
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Really-From: TWeibre361@a...
In a message dated 97-11-19 14:21:01 EST, you write:
<< They also had a copy of KS/Namlook/Laswell 'DSOTM 5' LTD Edition for >>
huh? what ltd edition? thanks, tom w
np: pigface - a new high in low
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 9:28
pm
Subject: Re: Famous last words
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Really-From: TangerineC@a...
Yes. It is a shame Klaus is leaving. But we are here to discuss TD music, and
although Klaus was perfect for information, there are others on this list who
are just as keen on the subject of TD as Klaus was. I'm not trying to start a
war here, it's just a fact. So even though it's sad to see him go, the TD
list will live on.
In a message dated 97-11-19 11:02:58 EST, you write:
<< I am very sad to see you go, Klaus, but I really think by leaving
tadream you are depriving yourself of a very nice side to your hobby
called TD, and only because you insist on driving your old bicycle on
a 4 lane highway and then get mad at all these cars there...
Hilmar >>
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Potshot at Steve Roach & Klaus Schulze
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Really-From: Steven Feldman
>Re: Tournado cd
>Date: Wed, 19 Nov 1997 11:09:04 -0800
>From: tadream@c... (tadream mailing list)
>Organization: Rakinik Intertype
>Really-From: DJS
>
>HAHA! Eli have for years made jokes about how Steve Roach or Klaus would
>put on a sequence and leave for a few hours, have some coffee & donuts
>and come back to say 'oh good, my new album is finished'. [. . .]
Ho! I've been saying the same thing about Kraftwerk since 1978!
-- Steven Feldman
+ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - +
| 'Absence of evidence is not evidence of absence' -- Albert Einstein |
+ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - +
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Thu
11/20/1997
4 KB
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Re: Potshot at Steve Roach & Klaus Schulze
Greg Heil
Thu
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 9:54
pm
Subject: Two Replies & A Reprimand
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Really-From: 'Douglas S. Halfen (bs cmsc)'
Sean,
IMHO, I don't think TD's cover versions of 'Purple Haze' and 'Eleanor Rigby'
would constitute Edgar's idea of 'living in the past.' A 'good' cover accomp-
lishes more than just an imitation of its original piece, and I'd have to say
that both of TD's rock covers accomplish either a tribute (which is always
nice, assuming you don't collect enough sap from it to drench a pile of 30
pancakes [yum!]) or a reinvention of their originals (though not to a jaw-
dropping extent). TD's twiddlings with Mussorgsky and Handel, however, are
less effective (though that's forever arguable, and I'm not ready to cast their
master copies onto the fire anytime soon ;-).
Regarding Edgar's comment, though, I'd have argue that one cannot live in the
present without direct connections to both the past and the future. If one
never looks back, then one loses a part of the self, and if one never looks
forward, then one never knows where one is going (and runs the risk of stagna-
tion, though this is not at all necessary). Edgar's comment seems a bit rash
and silly (read: half-baked) to me, but I think he is really saying, 'I'm not
going to stay here and retrace my steps for any lengthy period of time, since
there's still so much ground for me to cover and so much territory to explore!'
Edgar's said apparently-dumber things, so I believe that we have to give his
comments a degree of leeway, flexibility, and understanding.
(Of course, there are many areas which some of us feel that he and the band did
not explore fully, and we wish he'd have stayed in those places a little
longer, but at least we've got what we've got, for bettwe or worse, for richer
or poorer [I'll shut up now].)
-----
Gabe,
The comments of Steve and me are just being voiced here because we at least
have an audience to whom our complaints are more (even if just) than nonsense.
You're our captive audience, so please don't mind us if we tuck our gripes into
little corners. (Not much of a legacy, I know, but that's not the point! ;-)
Regarding voicing these complaints to Edgar & Co. - hey, if I'd seriously
thought that my complaints would be productive in at least eliciting some
information from the band concerning why-what's-is-not-what's-what (what?),
I'd have shipped a nice message off right after reading Steve's comments.
Unfortunately, I believe that such matters are too obvious to warrant any
questions and subsequent answers - obviously (ha-ha), if the band were inter-
ested in doing the right thing, they'd have done the right thing, since I'm
sure they at least know the difference between right and wrong. What they've
produced is a dirty cheat of a product, and you don't do something like that
without full awareness of its implications and consequences. :-(
(At least, I hope not - that could indicate demonic possession, alien mind
control, etc.)
But, since you mention making my complaints known, why not - what could they
hurt? (I'm just hoping the horse has a good excuse, and such an excuse would,
IMHonestO, be worthless given the conditions of this 'soundtrack' [maniacal
laughter] and its release.) Dano's theory is almost certainly _why_, I would
imagine, I'm not getting what I want, but we should have heard it from the
band way in advance (and _never_ following the release of the 'Special
Edition' - _no_ soundtrack shenanigans [including the Varese Sarabande version
of Dmitri Tiomkin's _The Fall of the Roman Empire_] have raised my ire or
deserved a black mark more than this fiasco).
-----
In advance, let me apologize for wasting the list's time with this reprimand.
I would have sent it to Goozer via private mail, but his own public rudeness
and insensitivity to Steve's concerns demand a terse, tart response.
Hermes, you are obviously a rabid, devoted fan, but please control yourself
when other folks are frustrated by some of your attempts (and claims) to be
helpful and informative regarding a subject (and my passion for _The Keep_
should be painfully obvious). Yes, it is 'JUST ONE SCORE!!' and it may not
even be 'integral to the band's oeuvre,' but it _is_ a big deal to at least
a few of us. Your defensiveness eroded much of what composure I believed that
you had, and your reponses to Steve (especially that hilarious bit about him
thinking he's the center of the TD universe) display a shallowness in under-
standing that should embarrass you, as well as a viciousness that is unwar-
ranted. (Especially since some of your responses are quite erroneous and
attack twisted segments of Steve's comments.)
Your tone, in particular, is to be criticized. Scholarliness requires object-
ivity and humility, neither of which are apparent in your most recent reply,
and if you had indeed wanted to be helpful, you've come off the path a good
distance. If you want to help, then giving in to one fan's incredulity and
honesty through your own anger and resentment is not a good answer. For
starters, go watch _Ghandi_.
- Doug Halfen
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: There are Two Audio Tapes with Diff. KEEP Endings! :)
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Really-From: Steven Feldman
>Subject: Re: No Alternate Endings Mentioned in THE KEEP FAQ
>Date: Tue, 18 Nov 97 21:43:38 -0600 (CST)
>From: tadream@c... (tadream mailing list)
>Really-From: goozer@a... (Hermes Guzman)
>
>It's obvious now that Steve 'Don Quixote' Feldman simply will not let it
>go. I mean, I'm as rabid a fan as you'll find (4 of the 5 concerts I've
>seen involved major travel/expense, not to mention my collection), but I
>mean, come on! [. . .]
Well, I've seen TD twice: once in 1986 and once in 1988. I thought
the '88 show bit so hard that I haven't seen them live since and don't
feel too deprived because of it.
>[. . .] Am I missing something here, or is this too obvious: IT'S
>JUST ONE SCORE!! [. . .]
Yeah, and 'Ultima Thule' is just one song. ;)
>>Really-From: Steven Feldman
>>>Really-From: goozer@a... (Hermes Guzman)
>>>>Really-From: Steven Feldman
>>>>>Really-From: goozer@a... (Hermes Guzman)
>>>
>>>Do not assume that only _two_ of us on the list have seen the US
>>>extended ending version! I personally know of a few more than that!
Oh, really? Later in the post I'm currently quoting, you yourself
demonstrate otherwise: that the version that you and all your friends saw
is *not* the same as what I saw!!!!!!!!!! Duh!!!!!!!!!!!
>> Well, if any of these people have a recording of it other than an
>>Nth-generation copy off *my* tape (which was bad to begin with), it would
>>be much appreciated by everyone here if it was put on CD-R for wide
>>dissemination. It is, after all, the most kick-ass music in the entire
>>film, fer crissakes. Why hoard it like a hamster? Share the wealth!
>
>Steve, I 'm sorry to be the one to break it to you, but the TD universe
>does _NOT_ revolve around you! [. . .]
This, I know, considering how certain people seem to delight in
witholding information and/or music from the subscribership at large.
'Voxel Ux' would be another example of this.
>[. . .] What an absolutely arrogant and stupid thing to write; 'Well,
>if any of these people have a recording of it other than an Nth-
>generation copy off *my* tape...'! [. . .]
If the version that you and your friends have was the same as the
version that *I* have, I'd agree with you, but since neither you nor
your friends have the same version, I stand by my statement; it is not
arrogance: until someone else comes up with a different i.e. better
recording of the version I have been circulating (and offered to put on
the web), it is not arrogance but the truth. Sorry.
>[. . .] As to why _I_ personally haven't put the 'cue' on CD-R for
>'wider dissemination' (since I can only speak for myself): one, I'm not
>thrilled with the quality; [. . .]
Hey, I'm not thrilled by the quality of the version *I've* got,
either--but it beats a blank. Mediocre sound is better than nothing. I
think people are spoiled these days, anyways: I've got bootleg tapes from
when I was a Bowie collector that are close to unlistenable, yet they are
a source of enjoyment--strained that it may be--in that they have great
versions of stuff unavailable otherwise.
>[. . .] and two, _IT'S NOT AN ORIGINAL COMPOSITION BY THE BAND_!! I
>guess you missed that part of the FAQ [. . .]
No, I didn't. So, 'Theme from the Snowman' is a cover. The part of
the song that I have been 'ranting' about that no one else seems to have
seen or heard (correct me if I'm wrong, Dano and/or Eli) has no counter-
part elsewhere in the film, nor on the TDI CD nor the Blue Moon boot nor
LOGOS TYPE nor LOGOS. In other words, remove the parts with elements of
'Theme from the Snowman,' and there is still a good four minutes of stuff
that has not been duplicated elsewhere.
>[. . .] even better, let's put it on a CD-R with 'Confrontation',
>the 'Footloose' cover they did in _Streethawk_ and 'A Time For Heroes'!
I haven't heard the 'Footloose' cover, but I like 'Confrontation'
and 'A Time for Heroes' more than 'House of the Rising Sun' and 'Eleanor
Rigby' (as performed by TD).
>(yes, I know 'C' isn't performed by them, but a lot of people I know
>wanted it on the official CD release...)
First of all, I don't think it's been proven conclusively that TD
did not record the song. They did not write or arrange it, granted--but
that doesn't preclude their having performed it. Besides, it's a good
song; it's not like its comparable to 'Flashpoint' by the Gems! ;)
>> And where did you get those names for the cues?
>From the FAQ (with emphasis added **):
>[. . .] Four of the themes are used multiple times, forming 'suites',
>as it were. **I've titled them so as to help everyone place them in the
>film (at least those who have seen it.) [. . .]**
>with the 'suites'**:'
Whoops. You got me there. I guess I got confused.
>[. . .] I decided to be as brief as possible in the titling the 'cues',
>while still indicating the emphasis of the scenes in which they are
>used. Yes, those who haven't seen the film are out of luck, [. . .]
So much for your FAQ being the user-friendly primer for greenhorns
that you thought it would be.
>[. . .] _but_, those of us who _have_ should have _no_ difficulty
>whatsoever in placing them, [. . .]
Well, I did. Try to be objective when you are trying to make
something clear to large groups of people.
>[. . .] as this is not a very complex movie to begin with! [. . .]
I guess that explains why most people don't understand it too well,
and film critics always say it makes no sense. X-0
>> What drugs are you on? Seven minutes of a ten-minute piece of music
>>is missing--of which 4 1/2 minutes have no counterpart in the film, the
>>CD-R boot, the Blue Moon boot, the TDI CD, LOGOS, and LOGOS TYPES--and
>>you say its not 'new' but 'different'? By that reasoning, 'Silver Scale'
>>would not be new, but merely different than 'Church Theme' (from the
>>WAVELENGTH soundtack)!
>
>Actually, since 'Church Theme', 'Silver Scale' and 'Horns of Doom' all come
>from the same source, your point is...what, exactly? [. . .]
Just because all three parts can constitute parts of a proverbial
elephant that a blind man is prodding doesn't mean that there can't be
parts that no blind man has yet prodded.
>[. . .] They are _all_ edits taken from this one piece. Or do you not
>have any winter '80-'81 fantapes?
I have no live tapes from 1980-1981 except for 'Staatsgrenge West.'
I don't have much live TD on tape or even on CD. I prefer to spend my
money on studio outtakes.
>[. . .] And furthermore on this point, 17 _HOURS_ of _Rubycon_ is
>missing; [. . .]
Huh?!? That's the first I've heard of it.
>[. . .] Or the missing 45 mins. of the _Sorcerer_ 'cues'?
And that's only the *second* time I've hard about *that*.
>Again, _most_ people in this solar system _haven't_ seen the extended
>version(s), so I felt it unnecessary to go into any great detail about it.
>I apologize to anyone out there who felt shortchanged in any way for not
>being able to read about an additional 7+ minutes to 'The Price' 'cue'.
>I'll consider adding it to any future revision of the FAQ.
I'd like to see the version you have and the version I have put on
a CD-R so that this music is *not* obscure any longer!!!
>You _really_ have a persecution complex, don't you? [. . .]
Only at those times when it's justified. I know for a fact that
there are collectors out there who purposely withold information and
music from other collectors.
>>>[. . .] My guess is that you've seen the same version (not the same
>>>physical tape, of course) [. . .]
>>
>>[. . .] In the version I saw, Glaeken zaps Molasar [three] more times
>>and then carries his inert body down into the bowels of the keep, while
>>the music goes bugnuts for about 3 minutes straight.
>
>Anyone else seen this version as described? The version I (and everyone
>else I've discussed this with, who number in double-digits) saw was pretty
>much as described in A.V. Michael's book (not to mention the actual book
>'The Keep'). Instead of freeze framing on Eva at the end, it shows her
>running back into the Keep, during which shots of Glaeken floating down
>through a mist are depicted. She eventually makes her way down to the 'pit'
>where Molasar was held and finds Glaeken, seemingly dead. He eventually
>stirs, and we 'discover' that he has become mortal. The end. [. . .]
Yeow!!!!!!! What you describe is *definitely not* what I saw. Now
I'm glad I started this argument, becuase, otherwise, I would never have
found out about this!
Also, I now know why you think I'm making a big deal out of nothing:
the version you saw probably doesn't have hyper-dynamic music that has no
counterpart elsewhere in TD's oeuvre.
>Yes, the music is extended, with little bits of 'cues' from other parts
>of the film, and it's all very cool. But it's ultimately not worth the
>grief you're putting yourself through [. . .]
Maybe the version *you* saw isn't too exciting, but the version *I*
saw most certainly is! When you get to hear it, let me know what you
think. Mark Filipak, who has my tape, should be returning it to me soon
and I'll see to it that you get a copy somehow.
>>>[. . .] especially since I watched this original copy tape at a certain
>>>well-known collectors' house in Boston...
>The point of my statement was that you probably _both_ have the same
>version on tape, since you live in the same area!
Nice try. You saw Glaeken floating in the air. I saw him zap ol'
Molasar three more times and then cradle him in his arms while he
carried him down into the keep.
>I'll say this just once more: I was only concerned with the _score_ and
>_NOT_ how many different film versions there were, nor the extended end
>theme that most haven't heard. To which I freely admit may have been a
>mistake (as far as the 'cue' is concerned.) Now, had the 'cue' been in fact
>_totally_ new, and not merely extended, I of course would have commented on
>it. [. . .]
I think it *is* totally new. That's why I am looking forwarding to
finding out what your reaction to it is once you hear it.
By the way, thank you for making it clear that there are fan tapes
of at least *two* different endings that subscribers to this list have!
*That*, to me, makes all the argumentation and fuming worthwhile. :)
-- Steven Feldman
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Re: There are Two Audio Tapes with Diff. KEEP End
Sean Montgomery
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11/19/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: SOBERNOST
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Really-From: Steven Feldman
Hi. Lars asked me to ask you all what the story on the Edgar track
from the 1983 movie SOBERNOST is. I just heard it for the first time
and was blown away. This (ten-minute!) track is so kick-ass that it
makes 'Silver Scale' sound like a track of DEADLY CARE! I'm serious.
So, does anyone know what the story is with this song?
-- Steven Feldman
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SOBERNOST
Elias Granillo, Jr.
Thu
11/20/1997
3 KB
8883
Re: SOBERNOST
Hermes Guzman
Thu
11/20/1997
3 KB
8933
Re: SOBERNOST
Hermes Guzman
Fri
11/21/1997
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: STREETHAWK Release(?)
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Really-From: Steven Feldman
>Subject: Suffer The Fanboys...
>From: tadream@c... (tadream mailing list)
>Date: Wed, 19 Nov 1997 00:44:20 -0800
>Really-From: 'Elias Granillo, Jr.'
>
>[. . .] As soon as the right people get a good-quality STREETHAWK
>(hopefully a double-disc) release going, then that'll be the day.
Huh? I don't get it. Who's got such a project in the works? Is
there someone at Silva Screen or Supercollector working on this???
-- Steven Feldman
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Re: STREETHAWK Release(?)
DJS
Thu
11/20/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Mark Filipak Rises Again
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Really-From: Steven Feldman
Howdy, Groovie Guys 'n' Gals,
I called Mark Filipak three times today . . . and the 3rd time, he
picked up the phone! It seems that he's sick with a bad cold or the flu
and was out of work today . . . so . . . he's got a new job, folks! :)
When I inquired about the status of the CD-Rs for the tape tree, he said
that he'd get to it in two or three days. Things--except for his cold--
are looking up for Mark and those folks who have been dangling on the
tape tree's branches. ;) :)
-- Steven Feldman
-------------------------------------------------------------------------
BTW, I loved that Admiral Feldmankoetter joke version of the sig below!
-------------------------------------------------------------------------
'Through official secrecy and ridicule, many citizens are led to believe
that unidentified flying objects are nonsense. To hide the facts the Air
Force has silenced it personnel.' --Admiral Roscoe H. Hillenkoetter, the
1st director of the CIA, quoted in THE NEW YORK TIMES, February 28, 1960.
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dn3
Tue
11/25/1997
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 11:51
pm
Subject: Baumann? He's living it up...
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Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 11:43
pm
Subject: Re: There are Two Audio Tapes with Diff. KEEP Endings! :)
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Really-From: Sean Montgomery
> This, I know, considering how certain people seem to delight in
> witholding information and/or music from the subscribership at large.
> 'Voxel Ux' would be another example of this.
Hey, wait a sec....do you mean the Voxel winners making copies of the
final 12 minute song? We don't have the final song yet!! At least, *I*
don't. Sigh.
Sean Montgomery 3D ANIMATOR
http://www.topix.com/~sean
'A paranoiac is someone
in possession of the facts'
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: $$ For Transients Or TD?
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Really-From: Steven Feldman
>$$ For Transients Or TD?
>From: tadream@c... (tadream mailing list)
>Date: Wed, 19 Nov 1997 01:44:19 -0800
>Really-From: 'Elias Granillo, Jr.'
>
>>Really-From: Steven Feldman
>
>> one of the first things I did when I subscribed to tadream
>>(almost 7 years ago) was suggest setting up a pool so I could get enough
>>money ($70) to place a large display ad for THE KEEP in GOLDMINE RECORD
>>COLLECTORS magazine. Only *one* list subscriber e-mailed to say that
>>he'd donate the dollar I requested. Pretty pathetic, eh?
>
>A dollar for what? To post an ad so you could reel in a copy of THE KEEP?
>They more than likely didn't cuz they wanted THE KEEP for their own prized
>possession (vinyl taxidermists, hahaha) and they knew you weren't going to
>buy it and cut it up into seventy pieces and divvy them out, haha! Just
>kidding, Steve, I'm sure you intended to dub everyone a copy...
I did intend to. And if I get the sucker cheap enough, I still
will. However, if I end up spending big bucks on it, the asking price
will reflect what I had to spend so I can recoup my losses.
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 12:18
am
Subject: '92 Concert: Fizzled Out
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Really-From: 'Elias Granillo, Jr.'
>Really-From: Steven Feldman
>>Really-From: goozer@a... (Hermes Guzman)
>>
>>It's obvious now that Steve 'Don Quixote' Feldman simply will not let it
>>go. I mean, I'm as rabid a fan as you'll find (4 of the 5 concerts I've
>>seen involved major travel/expense, not to mention my collection), but I
>>mean, come on! [. . .]
> Well, I've seen TD twice: once in 1986 and once in 1988. I thought
>the '88 show bit so hard that I haven't seen them live since and don't
>feel too deprived because of it.
Good thing you didn't go to a Rockoon show in '92, dude, you would've felt
ripped off! At least the '88 show still had some semblance of the 'trio'
feel to it, not to mention Paul Haslinger was still around--so you had
dual-guitar PLAYING instead of single-guitar SLAPPING--got that, Zlatko?
(okay, I'll ease up,...but watching Jerome doing those retro Eddie Van
Halen hammer-ons on stage made me wanna yell: 'Get back behind your
rig!!!!'). IMHO, the '88 show was good, but maybe I feel that way cuz I
missed the '86 gig at Irvine Meadows Amphitheater...
By the way, did I ever mention that Dano thought TD were a bunch of chicks
making this kind of music (after buying FIRESTARTER & LE PARC?)?
yehahahaahaaha
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 12:20
am
Subject: (HUMOR) Mementoes
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Really-From: 'Elias Granillo, Jr.'
>Sorry dude, those are already in the possession of Mr Elias himself. He
>sleeps with them over his face at night...crotch side upon his nose of
>course (I apologize to anyone who was disgusted by that last comment).
>BTW, Chris Franke needs to smile more (just so we're still on topic).
>Dano
Unless they're stained, then I shove that part under my tongue before I
pass out!
yehahhahaha yehahahaha
SORRY PEOPLE!
Just to stay on-topic:
Chris Franke needs an Oprah makeover!
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 12:25
am
Subject: SOBERNOST
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Really-From: 'Elias Granillo, Jr.'
< Hi. Lars asked me to ask you all what the story on the Edgar track
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 12:23
am
Subject: Don't Ask, Don't Tell
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Really-From: 'Elias Granillo, Jr.'
>>Really-From: 'Elias Granillo, Jr.'
>>
>>[. . .] As soon as the right people get a good-quality STREETHAWK
>>(hopefully a double-disc) release going, then that'll be the day.
> Huh? I don't get it. Who's got such a project in the works? Is
>there someone at Silva Screen or Supercollector working on this???
> -- Steven Feldman
PSSSST...hey, man. Let's do a new dance called the 'Clinton'...oooo yeah!
Don't ask! Don't Tell!!!
(heh heh)
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: SOBERNOST
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Really-From: goozer@a... (Hermes Guzman)
Greetings all!
>Really-From: Steven Feldman
>
> Hi. Lars asked me to ask you all what the story on the Edgar track
>from the 1983 movie SOBERNOST is. I just heard it for the first time
>and was blown away. This (ten-minute!) track is so kick-ass that it
>makes 'Silver Scale' sound like a track of DEADLY CARE! I'm serious.
> So, does anyone know what the story is with this song?
Yup. It's a very tasty bit from the TD winter '81/'82 european tour. The
name of the track comes from an onscreen title during a TV show that
featured Edgar playing this solo outdoors in '83! They are basically
identical. You can also hear a bit of it in the movie 'Risky Business';
it's what's playing when Joel is frantically replacing the furniture while
his parents are on the way home. Hope this helped!
goozer
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 2:57
am
Subject: SOBERNOST on CD-R + restraint
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Really-From: Vic Rek
>Really-From: 'Elias Granillo, Jr.'
>< Hi. Lars asked me to ask you all what the story on the Edgar track
>
>Now I ask you, Steven: friend, brother, pal, chum, compadre, kemo sabe..
>Wanna tape it for me? *grin*
>
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Normally one would respond directly to the author with such a comment or
request. But I've seen a few BIG egos on this list lately....
Anyway,
There is a CD-R out that contains this track - it is called Oranges from
France. But you must note that there are two different CD-Rs with the same
name. One contains a 8:19 minute track of Sobernost, while the other is a
great release of the 1975 concert in France.
Hey Eli - I'm getting tired of your humor - 3 or 4 joke posts a day is too
much (from you). I guess you didn't really HEAR the list last week did you?
This is not a chat line. Will you ever learn some restraint? If you are
going to post so much, then bring something to the table dude.
Vic :-|
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 3:01
am
Subject: Re: Which album have you listened to most in your life?
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Really-From: Luntow11@a...
unsubscribe
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 3:02
am
Subject: Re: Which album have you listened to most in your life?
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Really-From: Luntow11@a...
In a message dated 97-11-19 14:20:06 EST, you write:
<< majordomo@c... >>
someone please remove me from this fucking list!!!!!
luntow11@a...
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 3:09
am
Subject: Re: Potshot at Steve Roach & Klaus Schulze
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Really-From: 'Greg Heil'
> Ho! I've been saying the same thing about Kraftwerk since 1978!
>
> -- Steven Feldman
Oh man.. that hurt! I believe most of Kraftwerk (IMO) is technically
perfect
composition. I find so much in that music--hard to believe eh?
Greg H.
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 4:02
am
Subject: Re: Does the list have a name?
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Really-From: AOutland@a...
In a message dated 97-11-18 08:38:32 EST, you write:
<<
I've noted that our TD mailing list is called simply 'tadream'. I was
wondering, should we give it a name? >>
How about Tadream or not Tadream? LOL. Actually I like it the way it is.
Dell
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 4:27
am
Subject: Kraftwerk Vs. TD
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Really-From: 'Elias Granillo, Jr.'
Really-From: 'Greg Heil'
>> Ho! I've been saying the same thing about Kraftwerk since 1978!
>>
>> -- Steven Feldman
>Oh man.. that hurt! I believe most of Kraftwerk (IMO) is technically
>perfect
>composition. I find so much in that music--hard to believe eh?
>Greg H.
Correct. Their music IS technically impeccable. And by being so, it lacks
that inate quality of depth emoted by TD's music. THE MAN-MACHINE...came
out in 1979. But FORCE MAJUERE arrived that same year, and decimated it. I
shouldn't say that. Their music is very dissimilar, and Kraftwerk indeed
laid the groundwork for many industrial acts, including many found on the
Wax Trax label, though those acts generally molded the aggressive shape of
their musicks (I had to use that word!) off of SPK, Con(rad S.) and others.
Actually, Greg, I've nothing against Kraftwerk,...except when I read in
KEYBOARD years ago about their 'award' (from their native Germany, to boot)
for 'more than a decade of [contributions] to synthesizer [music]...' I
thought, 'well, I guess they deserve it. But the Tangs rightfully deserve
that award as well. I guess reading that blurb rubbed me the wrong way.
Peace...
E-Man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 4:36
am
Subject: 'V' + 666 = AntiChrist?
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Really-From: 'Elias Granillo, Jr.'
> I have been listening to 666 since about 1972. I have gone through 2
>vinyl copies and am now working on a CD copy. I still listen to it on a
>very regular basis and I guess I regard 666 as one of my all time top
>ten favorite albums. 'Aegian Sea' and 'Break' are super cuts, but I
>always listen to the whole album as it is a theme/story album.
>-Storck-
Man, that's a serious recommendation if I ever read one! Greg Walker
(Syn-Phonic) still carries that title, too, I think...so that's HEAVEN AND
HELL + 666 for the prog-rockers....how about SEE YOU LATER--any feedback on
that title?
Elias
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 4:41
am
Subject: Re: Live In N.A.? Wishful Thinking...
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Really-From: Lpspins@a...
I'n with you on this idea! The last time I saw TD live was in 1977! It was a
great experience to say the least. There is a record of the event called '
Encore '. Double Lp too! AND, very good sound to boot. Start with Side 4 - an
awesome version of 'Desert Dream' - all 17:30 of it. Just the best. Everytime
I play this record I go into euphoric-slowdown mode. 'Nuff said.
Layterr...John
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Re: Live In N.A.? Wishful Thinking...
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Thu
11/20/1997
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TWeibre361@a...
Sat
11/22/1997
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 6:48
am
Subject: MegaMail
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Really-From: WebGirlz@a...
Webmaster MegaMail is never sent unsolicited. Everyone receiving this
newsletter has either opted-in or has asked for information on services.
If you feel that you have received this in error, please accept our
apologies. Just reply and put the word REMOVE in the subject.
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 6:33
pm
Subject: Voxel Ux
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Really-From: hkraft@c... (Hilmar Kraft)
>> This, I know, considering how certain people seem to delight in
>>witholding information and/or music from the subscribership at large.
>>'Voxel Ux' would be another example of this.
>
No! To anyone who thinks that the 'Voxel Ux' winners 'seem to delight
in withholding information and/or music':
The Music: None of the 12 contestants in the game has the final track
'Voxel Ux', as TD only gave out *one single CD* as the prize (together
with the trip to the Easter Islands) and that was *damaged* in sending
it to the winner, and TD have not (yet?) sent a replacement, so
basically, Voxel Ux does not exist even once. What does exist, is the
contest entry tape, as of course we had to share our segments to
assemble the entire track. The quality is ridiculous (12 different
qualities).
The Information: Only two or three of us have even heard the entire
piece while we assembled it. The information about it has been posted
here last year and an article also appeared in 'Dream Collector'. Now,
if you have any further questions...why don't you ask them here?
In general, it always good to check your facts before making
accusations, especially when you direct them at a very specific group
of people.
Hilmar
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Hilmar Kraft
Fri
11/21/1997
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Voxel Ux
Paul Fellows
Wed
6/7/2000
2 KB
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Wed
6/7/2000
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Michael A Jean
Thu
6/8/2000
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 6:56
pm
Subject: Re: Kraftwerk and TD
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Really-From: hkraft@c... (Hilmar Kraft)
>Wax Trax label, though those acts generally
>molded the aggressive shape of their musicks
>(I had to use that word!) off of SPK, Con(rad S.)
>and others.
SPK - agressive? Tell me about it. The most dangerous concert I've
ever been to! SPK on a double bill with Chris And Cosey. Chicago,
Cabaret Metro, 1988. Frontman Graeme Revell, now doing mellow
hollywood music productions (another one?) was using a few oil barrels
as drums - yikes these things are loud!
Suddenly, he lifted one oil barrel over his head and made a gesture
for the audience to move - one second later he threw the damn thing
smack into the audience, luckily nobody got hit. Then he jumped down
from the stage with a gasoline-powered metal cutter and worked on the
barrel, the sparks flying left and right into people's faces. After he
was done, he pulled out a thick metal chain and let it circle over the
people's heads...lower and lower until we all had to get flat down on
the floor so we wouldn't get hit in the face.
That was about as bad as it got, but I wouldn't have been suprised if
he had pulled out a machine gun next...
Great concert, that! Glad I survived it, too. ;-)
Hilmar
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 1:48
pm
Subject: Edgar Smiling + Sampler
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Really-From: Vic Rek
Hey, for those that said Edgar never smiles or is grumpy when signing
autographs, well it looks like TD has published some photos to change your mind.
Look under the tour photos section of the TD web page and you'll have a good
laugh. There are three (yes 3!) photos of Edgar smiling and two of them are
while he is about to autograph some items. I just had to download these
images. I may need them someday ;-)
Also, there is a sampler out in the US titled 'Celestial Journey II'. This
is on the Rising Star label and has a track by TD and C. Franke. I don't
have the track listing or catalog number at the moment.
Vic
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 9:14
pm
Subject: RE: The Keep
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Really-From: lawry@h... (Lawry Simm)
How about this line of thought.
Whichever record company released the Keep originally (Virgin/MCA ???)
and then recalled them must have records of how many went out, and
how many came back. Agreed? Therefore, surely, they must have an idea
of how many actually escaped into the field.
Further to that, it's feasible that their records stretch to which individual
stores didn't return their full quota of albums.
This would then give a starting point to the areas involved for tracking
them down. Ever thought of getting a private investigator onto it? :-)
Just a thought. I don't really know much of the story other than what I've
gathered from the _extensive_ discussion ( :-) ) of the matter, and thought
I'd butt in.
From what I can gather, someone somewhere has it. The world's a big place
and we're all very very small. :-) Why doesn't someone try to narrow the
playing field?
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Plumer, Scott
Thu
11/20/1997
3 KB
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Re: The Keep
Michael Fox
Thu
11/20/1997
4 KB
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TangerineC@a...
Wed
11/26/1997
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Plumer, Scott
Wed
11/26/1997
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Plumer, Scott
Thu
11/27/1997
4 KB
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The Keep
Michael A Jean
Wed
12/10/1997
2 KB
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Craig Cordrey 01383 828182
Thu
12/11/1997
4 KB
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The Keep
AslanFan1@a...
Thu
12/11/1997
2 KB
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The Keep
neil vanlaten
Tue
1/6/1998
2 KB
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 2:36
pm
Subject: RE: Does the list have a name?
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Really-From: 'Plumer, Scott'
>> I've noted that our TD mailing list is called simply
'tadream'. I was
>> wondering, should we give it a name? (in the same way the
Rush list is
>> called 'The National Midnight Star', the Genesis one is
'Paperlate',
>> etcetera). I think it would be a good idea.
>How about the 'Goblins' Club' or a 'Mysterious Semblance at
>the Strand of Nightmares'?
How about 'Walkers on the Cold Bent Sidewalk?'
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 2:39
pm
Subject: RE: $$ For Transients Or TD?
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Really-From: 'Plumer, Scott'
>> Nice to know that Marillion fans have their act together
more than
>>TD fans do:
>No, Steve, they're wierdos. A little off-from-the-center. I'm
not kidding.
>(ha ha)
They're not weirdos, they're _Freaks_. :-)
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 3:19
pm
Subject: RE: TD books
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Really-From: 'Plumer, Scott'
Got it yesterday, and you're book & tapes are going in the mail today.
Thanks a lot.
Scott
> -----Original Message-----
> From: tadream@c... [SMTP:tadream@c...]
> Sent: Tuesday, November 18, 1997 8:14 AM
> To: tadream@c...
> Subject: Re: TD books
>
> ----------------------------------------------------------------------
> --------
> To remove yourself from this list, send a message to
> majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> message body. You MUST do this from the address you subscribed with.
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> ----------------------------------------------------------------------
> --------
> Really-From: dn3
>
>
>
> On Mon, 17 Nov 1997 16:34:27 -0600 tadream mailing list
> wrote:
> >
> ----------------------------------------------------------------------
> --------
> > To remove yourself from this list, send a message to
> majordomo@c... that
> > says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
> > message body. You MUST do this from the address you subscribed with.
> > The List owner does not read this list. Complaining here is useless.
> >
> ----------------------------------------------------------------------
> --------
> > Really-From: 'Andrew J. Rozsa'
> >
> >
> > At 12:14 PM 11/17/1997 +0000, Dennis wrote:
> >
> > >> > >Really-From: goozer@a... (Hermes Guzman)
> > >> > o am one of the few here who can check for data on this
> > movie in all
> > >> > four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES,
> > MYSTERIOUS
> > >> > SEMBLANCE, and DIGITAL GOTHIC).
> > >
> > >?????Where can you get these books from?
> > >
> > >Dennis
> > >
> >
> > 'Mysterious Semblance' was written by Scott Plumer, who replied
> > asking for a T-shirt in trade. He is serious.
> >
> > Andrew
>
> Forgive me, Scott, but I didn't realise your book was
> called 'Mysterious Semblance'. As I said, you'll have your
> T-Shirt pretty soon...hope you are serious about the trade.
>
> Dennis
>
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 3:21
pm
Subject: RE: Tournado cd
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Really-From: 'Plumer, Scott'
> I guess I believe that there must be some humanity in
the
>production, and I may indeed be wrong about that. Is it
possible that TD
>could assemble the equipment on stage, hit the play button and
go out for
>dinner and a few drinks, then come back two hours later and
pack up?
They did just that in Aachen in 1980. They left the stage,
allowing the sequencers to continue, then returned wearing gorilla
suits. I'm not making this up, just ask Armin, he was there.
Scott
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 3:23
pm
Subject: RE: TD books
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Really-From: 'Plumer, Scott'
><< ?????Where can you get these books from?
>
> Dennis
> >>
> Ditto the question. Dell
I think it's time for an update to the FAQ. 'Mysterious
Semblance' is available from me. Please e-mail me off-list for details.
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 3:27
pm
Subject: RE: Live In N.A.? Wishful Thinking...
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Really-From: 'Plumer, Scott'
><< why don't we collect money for a tour fund, >>
> This could work! First we'd need to find out how much the
band charges
>for each concert. Then we'd need to figure out how many cities
the money
Since I'm the one who brought it up, I'll contact the Marillion
folks and see how they did it. There was also an effort by fans of
Pendragon to get them here, but rather than money, fans contributed the
legwork: they researched venues, arranged transport, lodging, etc., but
so far it hasn't worked - Pendragon has not plans to tour the US soon. I
tried to get Cluster to play Cleveland last summer (Hey, they'd played
Boisie, why not Cleveland?) even booking a venue (across the street from
me), lodging (my house), and transport (my van) but for some reason they
bowed out.
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 3:29
pm
Subject: Re: $$ For Transients Or TD?
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Really-From: CMOSLover
tadream mailing list wrote:
> >No, Steve, they're wierdos. A little off-from-the-center. I'm
> not kidding.
> >(ha ha)
>
> They're not weirdos, they're _Freaks_. :-)
>
> Scott
Is this before or after Fish left? ;-)
CMOSLover
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 4:16
pm
Subject: RE: $$ For Transients Or TD?
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Really-From: 'Plumer, Scott'
>> >No, Steve, they're wierdos. A little
off-from-the-center. I'm
>> not kidding.
>> >(ha ha)
>>
>> They're not weirdos, they're _Freaks_. :-)
>>
>> Scott
> Is this before or after Fish left? ;-)
Still! Their mailing list is even called freaks-l.
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 4:15
pm
Subject: RE: The Keep
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Really-From: 'Plumer, Scott'
>Whichever record company released the Keep originally
(Virgin/MCA ???)
>and then recalled them must have records of how many went out,
and
>how many came back. Agreed? Therefore, surely, they must have
an idea
>of how many actually escaped into the field.
After this long (14 years) they may not have any records on it,
or they may be so buried that they don't want to dig them out.
>From what I can gather, someone somewhere has it. The world's
a big place
>and we're all very very small. :-) Why doesn't someone try
to narrow the
>playing field?
You'd think that, wouldn't you? But dig this: there are 388
people on this list worldwide, and no one has spoken up as owning a
copy. Perhaps what we should do is ALL of us call ALL the used record
stores in our area and ask for a copy. With that kind of coverage, I'm
we'd find a copy, if there was one out there. We could also slip notes
into the TD bins at our local stores saying 'If you have the Keep ST on
LP, or know someone who does, call me at . . .' Albums usually get
released in Europe before the US, so there's a better chance there are
some copies in Europe than in the US.
Scott
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 4:50
pm
Subject: Re: MegaMail
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Really-From: patricdonaghy@w... (Patric Donaghy)
remove
Patric Donaghy Printing Impressions
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 5:20
pm
Subject: Re: Paris Edge Desc.
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Really-From: BDuke25@a...
Could someone please give me a (brief would suffice) description of TD's
'Paris Edge' and '3 Tier Dream' cd's?
Thank you
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 5:50
pm
Subject: RE: Tournado cd
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Really-From: Sean Montgomery
> Is it possible that TD could assemble the equipment on stage, hit the
> play button and go out for dinner and a few drinks, then come back two
> hours later and pack up?
Well, I know that this is how the New Order song 'Blue Monday' was born.
The band love their alcohol, and used to fire up the sequencer and drum
machine for a while at the end of shows so they could slip backstage to
commence getting hammered. The result was a worldwide dance hit that
spawned a whole era of 12' single dance mixes.
Sean Montgomery 3D ANIMATOR
http://www.topix.com/~sean
'A paranoiac is someone
in possession of the facts'
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 6:02
pm
Subject: TRADE/SALES SOUNDTRACK FOR FANTASY
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Really-From: WSenfflebe@a...
Hello,
now I do like trade/sales CD Bootleg Soundtrack for fantasy of TD.
If interest, send a news to me.
bye
wolfgang
e-mail wsenfflebe@a...
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 7:09
pm
Subject: Re: Potshot at Steve Roach & Klaus Schulze
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
> To remove yourself from this list, send a message to majordomo@c... that
> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: 'Greg Heil'
>
> > Ho! I've been saying the same thing about Kraftwerk since 1978!
> >
> > -- Steven Feldman
>
> Oh man.. that hurt! I believe most of Kraftwerk (IMO) is technically
> perfect
> composition. I find so much in that music--hard to believe eh?
>
> Greg H.
I agree with Greg. Kraftwerk is much more composionally sound than Steve
Roach or, IMO, Klaus. Have you ever listened to Roach's Stormwarning for
an hour or more. I did once and I felt like going to the nearest
McDonalds and shooting everyone. Roach, with the single exception ofhis
album Empetus, starts to grate the hell out of me after ten minutes of
dedoedeodoedoeodeodeodoedeodoeodeodoeodoedoeodeodoededoeodoedoeodoedoeodeodoeode\
odoedoeodoedoeodoedoododededdedeededededededededede.
I have NEVER had that problem with Kraftwerk. If anything they make me
laugh while singing such hilarities such as 'boing boom chuk' or, 'we
are showroom dummies'. I'll take a group of five Dieter from Schprockets
anyday over the Californian tribal freak.
Dan, the soundtrack dude
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 7:33
pm
Subject: TD fan egos & trading
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Really-From: DJS
>
> >Now I ask you, Steven: friend, brother, pal, chum, compadre, kemo sabe..
> >Wanna tape it for me? *grin*
> >
> ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
> Normally one would respond directly to the author with such a comment or
> request. But I've seen a few BIG egos on this list lately....
>
> Anyway,
> There is a CD-R out that contains this track - it is called Oranges from
> France. But you must note that there are two different CD-Rs with the same
> name. One contains a 8:19 minute track of Sobernost, while the other is a
> great release of the 1975 concert in France.
>
> Hey Eli - I'm getting tired of your humor - 3 or 4 joke posts a day is too
> much (from you). I guess you didn't really HEAR the list last week did you?
> This is not a chat line. Will you ever learn some restraint? If you are
> going to post so much, then bring something to the table dude.
>
> Vic :-|
Personally, I'd never ask Eli to have restraint. You want him to explode
and make us all messy? Anyway...
Okay, we all have TD or musical goodies to trade and goodies that one
or the other doesn't have. Here is my opinion on the whole ego thing.
When I first joined the original TDIFC years back I met several T Dream
fans all over the place. Several of them helped me get things I would
NEVER have found on my own, some of them put thier noses up and kept
their precious rarities. It was out of their own hospitality that they
gave me copies of rare TD tracks or live shows, something which i never
even considered previously to even exist. Now, ten years later I have an
amazing collection of TD and Emusic items thanks to several people, some
of them even on this list. When someone asks me for an item, as long as
I have access to an extra one, I gladly send them one because were it
not for these cool people out there such as Mike Darnell, Dave Minton,
Vic Rek or Bob Grabowsky...I'd have a pretty sad collection. As the
years have passed I have been fortunate enough to work in the 'industry'
of music. Now I get lots of goodies and I can pay back all the guys who
helped me out. I don't charge money unless there is a fee involved for
me and I heartily share and TD items if it makes a fan slobber. I wish
everyone would have this ideal. It makes a lot of people happier and you
never know when they might be able to send you something beyond
amazement...perhaps it won't even be a TD item. Could be something more
amazing from something else you care more about. So, be cool and trade
without always expecting something in return. It will probably come
later. Just a few thoughts...
Dan the soundtrack dude
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 7:51
pm
Subject: Re: Tournado cd/ no TD content
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Really-From: DJS
ta-------------------------------------------------
> Really-From: KRAUSENECKS
>
> Pac man remixes 2??? say it's so , my vinyl's soooooo worn out.
> Chris
>
> ----------
It's very so. You can look at their website (do a search cuz I'm to lazy
to get the info heh). I think it will either be re-recorded or just
released on CD for the first time.
Dan the 'I played a bit too much Dragon's lair when I was young' dude
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 7:47
pm
Subject: Re: STREETHAWK Release(?)
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
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> says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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> ------------------------------------------------------------------------------
> Really-From: Steven Feldman
>
> >Subject: Suffer The Fanboys...
> >From: tadream@c... (tadream mailing list)
> >Date: Wed, 19 Nov 1997 00:44:20 -0800
> >Really-From: 'Elias Granillo, Jr.'
> >
> >[. . .] As soon as the right people get a good-quality STREETHAWK
> >(hopefully a double-disc) release going, then that'll be the day.
>
> Huh? I don't get it. Who's got such a project in the works? Is
> there someone at Silva Screen or Supercollector working on this???
>
> -- Steven Feldman
Silva Screen isn't involved at all...but I can say that we (STMGI) have
expressed some interest in the project. The producers at SuperTracks
really only care about what OST's will sell...so If I become convinced
that Street Hawk would rival or outsell such OST's a B5 or any of TD's
other OST's then I would gladly pursue it. I think limited edition
copies would be the most ideal. Currently we're closing a major deal to
produce a highly anticipated soundtrack (can't mention it yet here) so
that's consuming a lot of our time. I'll keep everyone here posted. Stay
Tuned..
Dan the 'I think Conner would kick Duncan's ass' man
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 7:35
pm
Subject: Re: TD fan egos & trading
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Really-From: Vic Rek
>Really-From: DJS
>
>Personally, I'd never ask Eli to have restraint. You want him to explode
>and make us all messy? Anyway...
He did! But he's all patched back up again and in working order... :-)
> [...] It was out of their own hospitality that they
>gave me copies of rare TD tracks or live shows, something which i never
>even considered previously to even exist. Now, ten years later I have an
>amazing collection of TD and Emusic items thanks to several people, some
>of them even on this list.[...]
<[...] Now I get lots of goodies and I can pay back all the guys who
>helped me out. I don't charge money unless there is a fee involved for
>me and I heartily share and TD items if it makes a fan slobber. I wish
>everyone would have this ideal. It makes a lot of people happier and you
>never know when they might be able to send you something beyond
>amazement...[...]
Well put Dano! If you think you have everything and have all the contacts
and close yourself off, you'll never know what may pass you by....
Vic
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 2:52
pm
Subject: RE: The Keep
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Really-From: Michael Fox
At 02:14 PM 11/20/97 GMT, you wrote:
>Whichever record company released the Keep originally (Virgin/MCA ???)
>and then recalled them must have records of how many went out, and
>how many came back. Agreed? Therefore, surely, they must have an idea
>of how many actually escaped into the field.
>
>Further to that, it's feasible that their records stretch to which individual
>stores didn't return their full quota of albums.
As one who owned a record store I may have a spin (hee hee) on this. At the
time of the initial release, I doubt if many stores bought direct from the
manufacturer--most used suppliers--middlemen--to buy product from. If the
record company called a recall (I went through a few) it was up to each
store owner to, IN GOOD FAITH, return the product. If he said, 'Hey, I sold
all mine', that was the end of it.
As many of the jobbers (suppliers) have gone out of business by now, I
seriously doubt if there is any real figures for what is what.
This doesn't even bring into account the possibility that some of THE KEEP
could have ended up with independent jobbers who buy up cut-out,
over-production, left-over product. I've looked--yes, Steven, I really
did--through some old catalogs I still had and found no reference to the
album. Several on-line vinyl sources also have come up nill.
For what it's worth.
Mike
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 8:29
pm
Subject: Re: Paris Edge Desc.
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Really-From: Dave Brewer
> Quoted From: BDuke25@a...
>
> Could someone please give me a (brief would suffice) description of TD's
> 'Paris Edge' and '3 Tier Dream' cd's?
> Thank you
>
I'll give it a try! :-) I have 3 Tier Dream and 3 Tier Dream On, and
Paris Edge was put together from both of them, if I'm not mistaken.
The first disc of 3TD contains about 60 minutes of the performance in 1976
at the Royal Albert Hall. It's an audience recording with pretty good
sound quality. The 2nd disc of 3TD has almost 70 minutes of the performance
in 1982 at the Hammersmith Odeon (I don't know if that is the correct
venue, but it's the one credited). It's another audience recording of
pretty good quality. The 3rd disc of 3TD contains about 35 minutes of
the performance in 1986 at the Paris Olympia, and two extra tracks. The
sound quality of the Paris music is very good, like a radio broadcast or
soundboard recording. The bonus tracks are Speed and Das Maedchen...
played at 33rpm off the Tatort single, and the sound isn't that great.
3TD On contains another 40 minutes of the 1986 Paris show, and a demo mix
of The Cliffs of Sydney as a bonus track. The entire disc is of very good
sound quality.
I think Paris Edge contains the Paris performance of 3TD and 3TD On, minus
a few minutes so it'll fit onto one CDR. I hope this all helps you! :-)
Dave B.
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 8:40
pm
Subject: Re: A name for the list
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Really-From: FredYargui@a...
Hello!
Don't you think 'Logos' by its latin origin and meaning would be appropriate?
Greetings,
Fred
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From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 8:52
pm
Subject: BRISTOL '97.
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Really-From: 'Jason P. Hopkins'
Has anyone got a fan tape of the Bristol '97 concert that they'd like to
swap? If so e-mail off-list.
--Jason.
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 9:37
pm
Subject: Re: Potshot at Steve Roach & Klaus Schulze
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------------------------------------------------------------------------------
Really-From: 'Greg Heil'
> >
----------------------------------------------------------------------------
--
> > Really-From: 'Greg Heil'
> >
> > > Ho! I've been saying the same thing about Kraftwerk since 1978!
> > >
> > > -- Steven Feldman
> >
> > Oh man.. that hurt! I believe most of Kraftwerk (IMO) is technically
> > perfect
> > composition. I find so much in that music--hard to believe eh?
> >
> > Greg H.
>
>
> I agree with Greg. Kraftwerk is much more composionally sound than Steve
> Roach or, IMO, Klaus. Have you ever listened to Roach's Stormwarning for
> an hour or more. I did once and I felt like going to the nearest
> McDonalds and shooting everyone. Roach, with the single exception ofhis
> album Empetus, starts to grate the hell out of me after ten minutes of
>
dedoedeodoedoeodeodeodoedeodoeodeodoeodoedoeodeodoededoeodoedoeodoedoeodeodo
eodeodoedoeodoedoeodoedoododededdedeededededededededede.
> I have NEVER had that problem with Kraftwerk. If anything they make me
> laugh while singing such hilarities such as 'boing boom chuk' or, 'we
> are showroom dummies'. I'll take a group of five Dieter from Schprockets
> anyday over the Californian tribal freak.
>
> Dan, the soundtrack dude
Those simple lyrics got Kraftwerk into the rock music store section. The
reason I say there's so much in Kraftwerk is that I love substituting the
lyrics with rhyming words..
'It's more fun to rebute... It's more fun to shoot..'
I can't tell you how many times my life has been threatened when I
continually
sing 'Neeee-on lights.. Shimmmmaring Neeeee-on lights and at the fall....
of night, this city is maaaaade of light.'
That music makes me more happy than most of what else I hear..
TD is much more serious, and I respect their music much more in
keeping with higher level topics/inspirations.
Greg H.
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 10:09
pm
Subject: Re: A name for the list
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------------------------------------------------------------------------------
Really-From: Gabe Yedid
On Thu, 20 Nov 1997, tadream mailing list wrote:
> Really-From: FredYargui@a...
>
>
> Hello!
>
> Don't you think 'Logos' by its latin origin and meaning would be appropriate?
erm...picky-point here..'logos' is ancient Greek.
> Greetings,
>
> Fred
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 3:59
pm
Subject: Re: Edgar Smiling + Sampler
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------------------------------------------------------------------------------
Really-From: 'Jeffrey Au-Yeung'
> Really-From: Vic Rek
>
>
> Also, there is a sampler out in the US titled 'Celestial Journey II'.
This
> is on the Rising Star label and has a track by TD and C. Franke. I don't
> have the track listing or catalog number at the moment.
>
> Vic
>
Celestial Journey II (Rising Star Records RS0340)
2) Mothers of Rain (4:59) - TD
4) Silence of the Eclipse (4:51) - Chris Franke
Hope this helps,
Jeffrey
From:
tadream@c... (tadream mailing list)
Date: Thu Nov 20, 1997 11:36
pm
Subject: item for trade
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------------------------------------------------------------------------------
Really-From: jupe
I have a copy of 'Patrolling Space Borders'CD for trade .
Dream on !
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: No Alternate Endings Mentioned in THE KEEP FAQ
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------------------------------------------------------------------------------
Really-From: goozer@a... (Hermes Guzman)
>------------------------------------------------------------------------------
>To remove yourself from this list, send a message to majordomo@c... that
>says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
>message body. You MUST do this from the address you subscribed with.
>The List owner does not read this list. Complaining here is useless.
>------------------------------------------------------------------------------
>Really-From: DJS
>
>
>TONS OF GARBAGE AND BOOKLOADS OF RUBBISH CUT...
>
>
>> would you look up for a moment and see that some of us may be tiring of
>> this tirade of yours, and wish that you would just move on. I know that I
>> am.
>>
>> goozer (who is now more than ever 'Keeped' out!) 8P
>ooze,
>
>Where did you come from, why are you here and how much do I have to pay
>you to leave and never come back? If S-dude likes the Keep...just accept
>it. I'm amazed by how much you are being affected by this soundtrack.
>Remember the end of Ferris Bueller? 'It's over...go home!'
>
>Dan the dude
Replies
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Yahoo! ID
Date
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9453
Re: No Alternate Endings Mentioned in THE KEEP FA
feldon@p...
Mon
12/15/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 10:59
pm
Subject: Goodbye
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------------------------------------------------------------------------------
Really-From: Peter.Stoeferle@t... (peter stoeferle)
Hello and goodbye...
and it has become too much effort to seperate the useful news and intelligent
remarks from more and more junk mails.
In the last weeks, I received Digest versions of 50 - 100 KB which is the text
equivalent of some 30 - 60 pages of typewriter sheets. It is not any longer
worth to spend time on reading of most of that stuff daily.
Thanks to all those who contributed ingenious messages and opinions. I invite
all those who would like to stay in touch with me to mail me privately.
Peter
---------------------------
Peter Stoeferle
Dream Collector magazine
peter.stoeferle@t...
---------------------------
Replies
Name/Email
Yahoo! ID
Date
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8939
Re: Goodbye
Vic Rek
Fri
11/21/1997
3 KB
16399
Goodbye
Daventura
Thu
5/13/1999
1 KB
16402
Re: Goodbye
Joe Shoults
Thu
5/13/1999
2 KB
27850
Goodbye
E Neal Frost
Mon
7/23/2001
2 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 2:10
am
Subject: Re: A name for the list
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------------------------------------------------------------------------------
Really-From: 'Lars R. Jones' <105411.3107@c...>
>Don't you think 'Logos' by its latin origin and meaning would be
appropriate?
-- the origin of 'logos' is greek (it is a transliteration; sorry, I can't
transcribe the greek characters here) check OED or a good latin
dictionary...
lars
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: An Open Apology re Voxel Ux
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------------------------------------------------------------------------------
Really-From: Steven Feldman
>Subject: Voxel Ux
>From: tadream@c... (tadream mailing list)
>Date: Thu, 20 Nov 1997 11:33:03 GMT
>Really-From: hkraft@c... (Hilmar Kraft)
>
>>> This, I know, considering how certain people seem to delight in
>>>witholding information and/or music from the subscribership at large.
>>>'Voxel Ux' would be another example of this.
>
>No! To anyone who thinks that the 'Voxel Ux' winners 'seem to delight
>in withholding information and/or music':
I apologize. In my zeal (no laughing out there, gol dang it!) to
forge an argument, I incorrectly used as an example a song that was
fresh in my mind from just having heard it. Bad analogy. Sorry.
>The Music: None of the 12 contestants in the game has the final track
>'Voxel Ux', as TD only gave out *one single CD* as the prize (together
>with the trip to the Easter Islands) and that was *damaged* in sending
>it to the winner, and TD have not (yet?) sent a replacement, so
>basically, Voxel Ux does not exist even once. What does exist, is the
>contest entry tape, as of course we had to share our segments to
>assemble the entire track. The quality is ridiculous (12 different
>qualities).
Yeah, but it's emininently listenable: it fluctuates from a sound
quality of about 7 to 10, IMHO, which ain't bad.
>The Information: Only two or three of us have even heard the entire
>piece while we assembled it. The information about it has been posted
>here last year and an article also appeared in 'Dream Collector'. Now,
>if you have any further questions...why don't you ask them here?
Do you want to whip me publicly or privately?
>In general, it always good to check your facts before making
>accusations, especially when you direct them at a very specific group
>of people.
Guilty as charged. Sorry. Really.
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 3:34
am
Subject: D: Beyond The Storm
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------------------------------------------------------------------------------
Really-From: Mark Jones
Gold clouds, iron wood, Bobcats in the Sun ...
Each time I pick up a new endeavor by EF or TD, I spend a great deal of
time trying to visualize the perfect visual soundtrack to accompany the
movie I'm hearing. After playing around with manipulating the images
suggested in the music to crudely approximate the various effects, it
begins to dawn on me that it's just manipulation and remanipulation over
and over again. It gets tedious. Boring. Where'd the fun in this go? So
I put it down, go listen to something else. Do more of the same. And so
it goes. And then finally, I come to a point several years later when I
can no longer do anything with the music. No movietracks, no more
visualizations. There's just the experience of being in the moment of
listening to 'Genesta in the Afterglow' while driving down an empty city
street after a good rainstorm at night and all the gold halogens are misty
and gentle. That's an example. There's lots of others. EF says his
music isn't for the marketplace, and inasmuch as he means that it's not
something that's readily packageable, quantifiable and consumable, I
agree. But there's another side to this, from the perspective of one of
those who likes to sit in the odd corner of a cafe with a decent iced au
lait and watch, and listen, to experience that rare moment when it all
comes together and I can really see that paradox of separation and
together, sadness and joy, at work in the real world. 'Epsilon in
Malaysian Pale' and one of the homeless walking through a surge in
traffic, that sort of thing. I really need to start jotting more of these
moments down so that I could actually explain what it is I'm trying to get
at in concrete details, actually write a book instead of just dreaming
about writing one, but that's the general idea.
My vote for the track that makes my bone marrow sing: 'Vault of the
Heavans.'
I'm one of those who doesn't contribute very often because by the time I
get to a lot of these messages, they're dead issues anyway, and when the
flame wars have been raging, I've stayed out to let cooler heads
prevail. I can only speak for myself, but I appreciate the fact that this
list is still here despite the rather destructive nature of it of late.
My discovery of TD was quite by accident and a rather solitary process --
I guess there aren't too many fans in Tucson, and Lars is no longer in
Phoenix. Had it not been for the TD website and this list, I would have
missed out on a lot of thinking, a lot of excellent writing, and a
much-needed sense of the 'overall picture' of TD and this area of
electronic music.
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: The Two Different TV Endings to THE KEEP
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------------------------------------------------------------------------------
Really-From: Steven Feldman
Okay, several people have contacted me about the TV endings to THE
KEEP, so I thought I'd share the results.
First, there is the version that everyone who's seen it on TV but me
has reported seeing, which is described by Alan Michaels, below:
From 'THE DREAM LIVES ON!' by Alan Vincent Michaels, 1990,
'The Tangerine Dream Movie Soundtrack Reference' section, page 3:
Note that there are several different endings to THE KEEP.
In the videotape version, Scott Glenn is shown dying at the
end, and the end credits consist of red lettering over a black
background. The USA TV shows Glenn floating around, with the
end credit music from the videotape version. The woman re-
enters the Keep and finds Glenn alive. The end credits consist
of sky shots, wind noise, and white lettering superimposed over
the background. The Japanese or European release of the film
also has a different ending.
Then, there is the version *I* saw on a UHF-channel, which I have
on audio tape. The length of the entire section of the movie which I
taped is 12:32 (twelve minutes a nd thirty-two seconds) long. At the
2:20 mark, we hear the sound of Glaeken's energy rod activating as the
talisman (the grail-shaped top part of it) is connected to the rod. The
UHF-only stuff starts at around the 3:20 mark when Glaeken tells Magda
Cuza, 'Take your father and get out of here.' We hear Glaeken's energy
rod blast out at Molasaar three more times at the 4:24 mark. The actual
song in question starts at the 5:00 mark. It is 7:32 in total. ||| The
first 3:25 is the end theme from the laserdisk/videotape/cable version
of the film, but instead of fading at the end to the sound of blowing
wind, the song takes a turn into the gutteral and ugly. At the 6:00
mark there is a quieter passage with majestic mellotron, and then the
familiar 'Theme from the Snowman' theme returns at the 6:39 mark.
The song begins the same as in the regular version, but instead of
a fade-out to blowing wind at the end, the song continues, and eventually
ends--without wind sounds.
Basically, the song is 7:32, with the old part 3:25 and the new
part running 4:07 mins.
Here, then, is an itemization of the song's actual length:
TAPE TIME... 12:32
o 2:20 Glaeken joins the parts of the power rod together.
o 3:20 'Take your father and get out of this place.' quote.
o 4:24 Glaken's rod blasts Molasaar three times.
o 5:00 Song begins...
SONG TIME... 7:32
o 0:00 The familiar end-theme starts up.
o 3:25 The unfamiliar part of the song starts.
o 6:00 quietish mellotron interlude
o 6:39 The familiar end-theme returns.
o 7:32 End
What transpires in the video portion of the music described above
is that Glaeken (Scott Glenn) blasts the bad guy three more times, and
then walks down into the bottom of the keep-- near where Dr. Cuza
obtained the talisman--with said bad guy cradled in his arms. He walks
along and near the inside of the steep cave wall that stretches upward
into the gloom. I don't really understand the significance of Glaeken
taking this long walk of his, but it does allow for some highly evokive
music, that's for sure!
I'd like to plea for a videotape of (the longer version of) THE KEEP
that runs on local and/or network TV, i.e. not on cable. The version on
regular TV has a 4 minute section at the end that does not appear on the
videotape, the laserdisc, nor cable--and it contains the most intense
music in the film.
A couple of months ago, I re-watched THE KEEP videotape for the
first time--since having read the book. It was really rather odd
actually being able to understand how Michael Mann (the director) thinks
inasmuch as I understood quite often how what he chose to film and how
he chose to film it could and even should have worked in of itself--but
how in the greater context of the entire film, it didn't really come
together. I also was able to see where other parts of the film that had
been filmed might have been chopped. For example, when the scene shifts
to the weird pylons in the cavern below the keep--before showing Dr.
Cuza rummaging for the talisman, there is an abrupt cut in the music.
Also, when Magda Cuza comes to warn her father away from Molasar, she
says, 'It [the talisman] belongs to Glaeken Trismegistis, not Molasar,'
which is odd indeed, considering that neither of these names are ever
uttered anywhere else in the film.
So, if anyone comes across variants of this film, now you have
some hints where to look for more atypical footage. :)
Right now, I am tracking down a copy of the version that I don't
have. I'd like to make a compilation tape of any other hard-to-get
footage from this film. Whatever help is offered will be accepted
and appreciated, and the results will be shared.
Steven Feldman -- 33 Brook Street, Apt. 3, Brookline, MA 02146; INTERNET:
, and BITNET: DREAMS WORD:
Electronic Dreams, POB 42385, Portland, OR 97242. The Nightcrawlers, c/o
Peter D. Gulch -- 1493 Greenwood Avenue, Camden, NJ 08103-2929. PERSONAL
FAVES: Tangerine Dream, Nightcrawlers, Ozrics, Jonn Serrie, Robert Carty.
+-----------------------------------------------------------------------+
| 'THE KEEP' SOUNDTRACK CAME OUT IN 1984. THREE TD FANS CAN'T BE WRONG! |
+-----------------------------------------------------------------------+
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 4:09
am
Subject: Re: Associations Between TIMESQUARE Tracks & Other TD
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------------------------------------------------------------------------------
Really-From: AOutland@a...
In a message dated 97-11-19 07:41:02 EST, you write:
<< Iowa (THE CLUB DREAM MIXES) >>
Dennis, is this an album I've missed hearing about? I am not familiar
with this one. Dell
Replies
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Date
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9025
Re: Associations Between TIMESQUARE Tracks & Othe
dn3
Mon
11/24/1997
4 KB
9123
Re: Associations Between TIMESQUARE Tracks & Othe
AOutland@a...
Thu
11/27/1997
2 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 4:12
am
Subject: Re: Trying To Reach You !!
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------------------------------------------------------------------------------
Really-From: AOutland@a...
In a message dated 97-11-19 08:41:25 EST, you write:
<<
If someone in Florida could check out this 'Selective Marketing' and
see if it exists, and if they are at the source of this $%@# ad, then
>>
Vincent, I am in Florida. Tell me what to do and I'll try my best, but I
am not familiar with what has happened here with this and I am relatively new
to computers. I'll do what I can if you can give me some ideas on how. Dell
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 4:26
am
Subject: Re: TD Tour of N.A.
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Really-From: AOutland@a...
In a message dated 97-11-19 13:12:37 EST, you write:
<< Serously, who really WANTS to see TD anymore. >>
I DO, I DO VERY MUCH. Just to be in the presence of someone who has
created music of this caliber, I wouldn't care if all he did was 'drop his
guitar on stage'. Not only that, but being surrounded by like-minded fans
would give me the warm fuzzies. If you are so negative about this group, why
do you stay here? And I don't mean that in a mean way either. You have
contributed many useful comments to this place, but why do you really stay
here, Dano? Dell
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: No Alternate Endings.../Reprimand
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------------------------------------------------------------------------------
Really-From: goozer@a... (Hermes Guzman)
Greetings all
Hmm...you know, it's usually those who squeal about being 'censored' that
are usually the first to advocate it...
>Really-From: DJS
>TONS OF GARBAGE AND BOOKLOADS OF RUBBISH CUT...
Some of which you should have read, as it's about to be quoted back to you...
>> would you look up for a moment and see that some of us may be tiring of
>> this tirade of yours, and wish that you would just move on. I know that I
>> am.
>>
>> goozer (who is now more than ever 'Keeped' out!) 8P
>ooze,
>
>Where did you come from, why are you here and how much do I have to pay
>you to leave and never come back? If S-dude likes the Keep...just accept
>it. I'm amazed by how much you are being affected by this soundtrack.
>Remember the end of Ferris Bueller? 'It's over...go home!'
Last of your points first:
1) In the last several years I may have posted...4 times? regarding the
Keep. It's in every single one of Steve's postings (as part of his tag).
I'm not the one who's being affected by this soundtrack! And before any of
you think I'm attacking Steven again...
2) The full quote from my post: *'If you wish to continue your myopic
ranting over a mere score, please, go right ahead. But would you look up
for a moment and see that some of us may be tiring of this tirade of yours,
and wish that you would just move on. I know that I am.'* At _NO_ time did
I tell him to leave, shut up or suggest that he be censored! If he wishes
to continue posting about the Keep, more power to him. Yes, I was harsh,
but I will never suggest to anyone in a public forum such as this to 'go
away' over a little disagreement. You'd have to be really offensive for me
to even consider thinking about that. Which brings us to some of your
posts...
I don't recall asking _you_ to leave after your purile and infantile
postings to this list. Why then have you not extended the same courtesy? At
least Steven and I, though at odds, are _on_ topic _without_ being
offensive to everyone else!
3)My parents; to discuss and trade TD with fellow enthusiasts; you'll never
even dream that kind of coin. I've probably been here as long as you have,
and will be here until this list shuts down. And no amount of 'trolling' by
you or anyone else will change that.
+++++++++++++
>Really-From: 'Douglas S. Halfen (bs cmsc)'
>In advance, let me apologize for wasting the list's time with this reprimand.
>I would have sent it to Goozer via private mail, but his own public rudeness
>and insensitivity to Steve's concerns demand a terse, tart response.
So sprinkling a reply with obscenities and accusing someone of drug use
(even in jest) is not rude? If my reply was harsh, as I have just stated it
may have been above, it was only in response to what was in the post that I
felt was unjustly rude towards me. If anyone took offense at that, I
apologize. In fact, allow me to apologize to you in public, Steven, if you
felt in any way treated unfairly by my posting. It was not a particularly
good day for me all around, and some of that may have come out
inappropriately.
>Hermes, you are obviously a rabid, devoted fan, but please control yourself
>when other folks are frustrated by some of your attempts (and claims) to be
>helpful and informative regarding a subject (and my passion for _The Keep_
>should be painfully obvious). Yes, it is 'JUST ONE SCORE!!' and it may not
>even be 'integral to the band's oeuvre,' but it _is_ a big deal to at least
>a few of us. Your defensiveness eroded much of what composure I believed that
>you had, and your reponses to Steve (especially that hilarious bit about him
>thinking he's the center of the TD universe) display a shallowness in under-
>standing that should embarrass you, as well as a viciousness that is unwar-
>ranted. (Especially since some of your responses are quite erroneous and
>attack twisted segments of Steve's comments.)
When you are attacked, you defend. Unless you don't believe in what you're
saying/doing, in which case you shouldn't _be_ saying/doing that for which
you are being attacked. As for _my_ shallowness, _I_ wasn't the one who
made this statement: *'Well, if any of these people have a recording of it
other than an Nth-generation copy off *my* tape...'*! His statement was
arrogant. My response was sarcastic, not shallow. And as I stated at the
outset of my FAQ, it's a subject that's close to my heart as well.
Furthermore, since I feel it is always important to include _in context_
the full and revelant sections of anything I am replying to, please show me
where I 'attack twisted segments of Steve's comments'? I do not paraphrase
when responding to specific accusations or questions; that would only
engender confusion and possibly anger. So please point out where I have
done this so that I can make a full retraction. Also, please share with me
(and the rest of us) what factual errors I made in my response. This is a
serious question, as I do not claim to be perfect, nor in sole posession of
all the answers, and will always immediately correct inaccurate information
I have promulgated.
>Your tone, in particular, is to be criticized. Scholarliness requires
>objectivity and humility, neither of which are apparent in your most
>recent >reply, and if you had indeed wanted to be helpful, you've come off
>the path a >good distance. If you want to help, then giving in to one
>fan's incredulity >and honesty through your own anger and resentment is
>not a good answer. For
>starters, go watch _Ghandi_.
To the above I will agree in part: guilty as charged with mitigating
circumstances; see above for apology. However, I do not resent anyone
anything, nor am I angry. Frustrated would be a better description. And I
have seen _Ghandi_, BTW. Great flick, great life, could've used a few
burgers in 'im, though. ;) I hope I didn't offend anyone with that last
bit! :) I also hope this helps to clear things up a little.
goozer
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: SOBERNOST
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Really-From: goozer@a... (Hermes Guzman)
Greetings all!
*ERRATA*
I made a teeny error in my reply to this question; I have corrected the
mistake as follows. Please forgive the duplication.
>Really-From: Steven Feldman
>
> Hi. Lars asked me to ask you all what the story on the Edgar track
>from the 1983 movie SOBERNOST is. I just heard it for the first time
>and was blown away. This (ten-minute!) track is so kick-ass that it
>makes 'Silver Scale' sound like a track of DEADLY CARE! I'm serious.
> So, does anyone know what the story is with this song?
Yup. It's a very tasty bit from the TD Oct./Nov. '81 UK tour. The name of
the track comes from an onscreen title during a TV show that featured Edgar
playing this solo outdoors in '83! They are basically identical. You can
also hear a bit of it in the movie 'Risky Business'; it's what's playing
when Joel is frantically replacing the furniture while his parents are on
the way home.
Also, for those of you with _Three Tier Dream_, you will find this track
starting at 10:00 into the disc _Digital Times_. Although it's labeled as
London Hammersmith Odeon '82, it's actually Hammersmith Odeon _'81_. We all
know which London venue they played in '82! Hope this helped!
goozer
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 5:59
am
Subject: Re: D: Beyond The Storm
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Really-From: goozer@a... (Hermes Guzman)
Greetings all-
>Really-From: Mark Jones
>
>Gold clouds, iron wood, Bobcats in the Sun ...
>
>(...)But there's another side to this, from the perspective of one of
>those who likes to sit in the odd corner of a cafe with a decent iced au
>lait and watch, and listen, to experience that rare moment when it all
>comes together and I can really see that paradox of separation and
>together, sadness and joy, at work in the real world. 'Epsilon in
>Malaysian Pale' and one of the homeless walking through a surge in
>traffic, that sort of thing. I really need to start jotting more of these
>moments down so that I could actually explain what it is I'm trying to get
>at in concrete details, actually write a book instead of just dreaming
>about writing one, but that's the general idea.
This is very similar to how I experience music as well. I'm always glad to
see another person's perspective can be both a window and a mirror to my
own. Great post!
goozer
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 6:48
am
Subject: re: TD Books
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Really-From: Sturminatr@a...
> > o am one of the few here who can check for data on this movie in all
> > four TD books (THE DREAM LIVES ON!, VOICES IN THE DUNES,
> > MYSTERIOUS SEMBLANCE, and DIGITAL GOTHIC).
>??????Where can you get these books from?
Horizon Music will be selling Digital Gothic in the near future for $16.95
(plus shipping) to both subscribers and non-subscribers.
If any of you are interested, feel free to drop me an EMail at the above
address.
-B. Kirby
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 6:48
am
Subject: re: TD Tour of N.A. & My TD Concert Fantasy
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Really-From: Sturminatr@a...
>Really-From: 'Plumer, Scott'
>If Ed says no, why don't we collect money for a tour fund, like
>they did with Marillion? (If you're not familiar with this, a group of
>fans from the Marillion mailing list collected money from fans to bring
>them to the US. They collected over $20000. That's twenty-thousand. They
>were here in September.)
Hmmm.
Scott, assuming you know more details about this, how exactly did it work? I
doubt that the Froeses would be willing to do anything of this sort if
catering to someone else's demands was one of the conditions of the tour.
They certainly have the right to that attitude, but I for one would hate to
send in any money to help a proposed tour so that I could later blow another
$30 on tickets, plus another $50 or so on merchandise so I could then watch
Edgar punch some buttons to songs I only half-like and hit the bricks after
the show faster than you could say 'Wahn.'
Then again, perhaps I'm wrong (it has happened, you know).
My TD Concert Fantasy is pretty sketchy in most details, but here are the
ones that are crystal clear:
-No songs from the Seattle Years (except maybe 'Big City Dwarves')
-No guitarist (who needs 'em? You've got Edgar, for christ sake!)
-Five Words: 'Cloudburst Flight (Guitar Workout Mix)'
-Lots o' stuff I've never heard before
-A CD for sale that compiles all the bonus tracks that have come out in the
past five years ('Fort Worth', 'Story of the Brave', 'Oriental Haze', the two
tracks from the Private Comp, 'Colorado Dawn', 'Vigour', the one on the
Miramar Oasis, etc. etc.) Sure, I've got most of them, but it would be nice
to have them all in one spot and who has time to make tapes nowadays?
-The Keep three disc set (okay, that's really for Steve Feldman, but I'd buy
it)
-A chance to spend more than 5 seconds with the band
Demanding little cuss, ain't I?
-B. Kirby
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 7:07
am
Subject: Re: Beyond The Storm
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Really-From: 'Greg Heil'
Really-From: Mark Jones
EF says his
> music isn't for the marketplace, and inasmuch as he means that it's not
> something that's readily packageable, quantifiable and consumable, I
> agree. But there's another side to this, from the perspective of one of
> those who likes to sit in the odd corner of a cafe with a decent iced au
> lait and watch, and listen, to experience that rare moment when it all
> comes together and I can really see that paradox of separation and
> together, sadness and joy, at work in the real world.
I feel the same way as you do. I have always thought that Tangerine Dream
music
has much more and is quite special when compared to commercial music.
I know people who could never 'get into' TD because commercial music has
just become
another method of speech.. words sung--something personal to the singer,
something that we artists call 'too literal and spelling it out--leaving
nothing for the viewer (listener) to discover.' Maybe I listen to too much
TD because when I listen to the radio,
only in my friends car... the words sound like jumbled sounds.. I no longer
make sense
of the words so much as listen to everything other than the words. I can
listen to a song
many times and never even once pay attention to what is being said, while
the whole time, my friend sits there singing the song.
> I guess there aren't too many fans in Tucson, and Lars is no longer in
> Phoenix.
well TD has a fan in Lake Havasu City, Arizona! =o)
Had it not been for the TD website and this list, I would have
> missed out on a lot of thinking, a lot of excellent writing, and a
> much-needed sense of the 'overall picture' of TD and this area of
> electronic music.
>Mark Jones
Same feelings here.
Greg H. Greg@I...
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 5:43
pm
Subject: Re: Voxel Ux
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Really-From: hkraft@c... (Hilmar Kraft)
>Really-From: Steven Feldman
> I apologize. In my zeal (no laughing out there, gol dang it!) to
>forge an argument, I incorrectly used as an example a song that was
>fresh in my mind from just having heard it. Bad analogy. Sorry.
Apology 100% accepted.
>>assemble the entire track. The quality is ridiculous (12 different
>>qualities).
>
> Yeah, but it's emininently listenable: it fluctuates from a sound
>quality of about 7 to 10, IMHO, which ain't bad.
Aha...you so have listened to it!?!?! Good evidence, that we haven't
been that secretive after all, since you managed to get a copy, right?
:-)
Hey, don't worry, I know you were just trying to back up your
argument. Keep up the good work on 'The Keep', I don't mind hearing
all the tiniest details about it...it is still 100 times more
interesting reading than most of the lame jokes from certain other
individuals lately...
Hilmar
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 1:39
pm
Subject: Re: Goodbye
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Really-From: Vic Rek
>Really-From: Peter.Stoeferle@t... (peter stoeferle)
>
>Hello and goodbye...
>
>and it has become too much effort to seperate the useful news and intelligent
>remarks from more and more junk mails.
I met Peter in Warsaw, Poland this last summer (he's from Germany). A super
guy and a huge TD fan. He is the editor of the TD fan magazine Dream
Collector, which I highly recommend.
Sorry to see you unsubscribe Peter. Hopefully soon we will be able to
welcome you back.
Note: Let's remember to try to edit out as much non-pertinent material as
possible when replying to cut down on the length of the messages.
Vic
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 1:54
pm
Subject: Re: Trying To Reach You !!
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Really-From: 'Vincent Goudreault'
On Nov 20, 11:12pm, tadream mailing list wrote:
> Subject: Re: Trying To Reach You !!
> Really-From: AOutland@a...
>
>
> In a message dated 97-11-19 08:41:25 EST, you write:
>
> <<
> If someone in Florida could check out this 'Selective Marketing' and
> see if it exists, and if they are at the source of this $%@# ad, then
> >>
> Vincent, I am in Florida. Tell me what to do and I'll try my best, but I
> am not familiar with what has happened here with this and I am relatively new
> to computers. I'll do what I can if you can give me some ideas on how. Dell
>-- End of excerpt from tadream mailing list
That request had nothing to do with computer per se, what I was suggesting
was the someone look-up this outfit in the phone book and perhaps contact
them and find out if they were indeed spamming us. If they were guilty of
this, then they would be fair game to return 'saturation email', the usual
net way of getting back at someone.
Of course, and that is the important consideration, one does not want do
hit innocent victims. A good example is this 'chain e-mail' of a few months
back that maintained that the American Cancer Society would donate 2 cents
for cancer research for every email they would get. Do you see the problem
here? The American Cancer Society IS already doing and sponsoring research,
they don't need email to give away the research money! Further, they get
their money from grants and donations, so where the heck would they get this
2 cents from anyway? My gess is that this chain was started by someone close
to the tabbacco industry so that unsuspecting and well intentioned web users
would do their dirty work and 'spam' the ACS site, probably to get revenge
for their position in associating cancer and cigarettes...
Now, on to the TD content:
Has anyone kept an eye on some reliable source for those latest TD CD
(those that were released at their last gig, like this 'ambiant monkey' one)
so that people this side of the Antlantic could get their greedy hands on them?
We (well, at least *I*) would like to get an e-mail address of a distributor,
either here in North America or in Europe but able and willing to ship
to Canada. Many thanks for any info you can spare.
C.B. Vincent Goudreault
online since early 93, TD fan since 77
first exposure: Stratosfear, fave albums: Rubycon/Ricochet
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 3:59
pm
Subject: UK Tour Poster
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Really-From: 'Jeffrey Au-Yeung'
Hello
Could anybody who collects concert posters, please provide some information
regarding tour posters turned up during the UK tour? Were they posters
with words only, or with the Goblin's Club album cover?? Also for those who
have spare copies available for sale or swap please contact me off-list.
Thanks
Jeffrey
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 2:22
pm
Subject: RE: TD Tour of N.A. & My TD Concert Fantasy
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Really-From: 'Plumer, Scott'
> >If Ed says no, why don't we collect money for a tour
fund, like
>>they did with Marillion? (If you're not familiar with this, a
group of
>>fans from the Marillion mailing list collected money from fans
to bring
>>them to the US. They collected over $20000. That's
twenty-thousand. They
>>were here in September.)
>Hmmm.
>Scott, assuming you know more details about this, how exactly
did it work? I
I sent a message to Freaks-L, the Marillion mailing list, but so
far haven't received a reply. I'll try someone else next. I'm not really
familiar with all the details.
>doubt that the Froeses would be willing to do anything of this
sort if
>catering to someone else's demands was one of the conditions of
the tour.
Nor should they.
> They certainly have the right to that attitude, but I for one
would hate to
>send in any money to help a proposed tour so that I could later
blow another
>$30 on tickets, plus another $50 or so on merchandise so I
could then watch
>Edgar punch some buttons to songs I only half-like and hit the
bricks after
>the show faster than you could say 'Wahn.'
I agree, but I still want to see them live again. Three times
isn't enough! Perhaps we should voice these opinions on the Website
guestbook. If enough of us made our feelings known, perhaps His Holiness
would respond to us directly.
>Then again, perhaps I'm wrong (it has happened, you know).
>My TD Concert Fantasy is pretty sketchy in most details, but
here are the
>ones that are crystal clear:
>-No songs from the Seattle Years (except maybe 'Big City
Dwarves')
Keep dreaming!
>-No guitarist (who needs 'em? You've got Edgar, for christ
sake!)
Agreed. Zlatko's good, but Ed's, well, Ed! _My_ personal fantasy
was for Ed to be the guest keyboardist/guitarist for Pink Floyd's tour
in '94. My two faves together!
>-Five Words: 'Cloudburst Flight (Guitar Workout Mix)'
>-Lots o' stuff I've never heard before
I think we'd _all_ like that.
>-A CD for sale that compiles all the bonus tracks that have
come out in the
>past five years ('Fort Worth', 'Story of the Brave', 'Oriental
Haze', the two
>tracks from the Private Comp, 'Colorado Dawn', 'Vigour', the
one on the
>Miramar Oasis, etc. etc.) Sure, I've got most of them, but it
would be nice
>to have them all in one spot and who has time to make tapes
nowadays?
Yeah right.
>-The Keep three disc set (okay, that's really for Steve
Feldman, but I'd buy
>it)
I'm still waiting for the lost tracks from Sorceror.
>-A chance to spend more than 5 seconds with the band
That's still more time than I've spent with them, and I've seen
them three times!
Scott
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 2:43
pm
Subject: The Man Inside Offer
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Really-From: Vic Rek
I can get 'The Man Inside' original CD, but I'm not sure of the price yet.
I'm taking offers, and I hate to inform you, but this CD will probably be
over $80.
Please don't complain about the price to me, I'm just the messenger.
Vic
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Fri
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Fri
11/21/1997
2 KB
8962
Re: The Man Inside Offer
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Fri
11/21/1997
3 KB
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DJS
Fri
11/21/1997
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Vic Rek
Sat
11/22/1997
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Re: The Man Inside Offer
Andrew J. Rozsa
Sat
11/22/1997
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 3:30
pm
Subject: tour cds
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Really-From: 'Lars R. Jones' <105411.3107@c...>
C.B. Vincent Goudreault writes:
>Has anyone kept an eye on some reliable source for those latest TD CD
>(those that were released at their last gig, like this 'ambiant monkey'
one)
>so that people this side of the Antlantic could get their greedy hands on
them?
>We (well, at least *I*) would like to get an e-mail address of a
distributor,
>either here in North America or in Europe but able and willing to ship
>to Canada. Many thanks for any info you can spare.
Voiceprint told me they will have these cds 'soon' so I'd suggest checking
their web page regularly; if you don't have web access, something will
certainly be posted on tadream, as soon as they appear at voiceprint (they
take MC/VISA/AMEX & have a 800 number for orders; I don't know how this
works from canada; expect to pay about $25US per CD). Of course 'soon'
might mean the upcoming release dates in jan/feb... the Keep pre-release
CDs were sold out and I wouldn't expect them to appear at voiceprint at
all... count yourself lucky if you can find one at ANY price! You'll be
best to wait for the regular Keep release (if it happens ;-) (sorry, I
couldn't resist that)...
the good news is that I have begun to see **TDI** CDs appear in US stores
(e.g.tournado) for about $15 US -- so if you can wait until late april or
may (judging by track record) you should see the stock releases of these 3
CDs in the US -- and, from what I understand, a month or so later in
Canada....
lars
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Fri
11/21/1997
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Re: tour cds
Gabe Yedid
Fri
11/21/1997
3 KB
8975
tour cds
Lars R. Jones
Sat
11/22/1997
3 KB
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Re: tour cds
Plumer, Scott
Mon
11/24/1997
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 3:42
pm
Subject: Re: The Man Inside Offer
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Really-From: 'Vincent Goudreault'
On Nov 21, 9:43am, tadream mailing list wrote:
> Subject: The Man Inside Offer
> Really-From: Vic Rek
>
>
> I can get 'The Man Inside' original CD, but I'm not sure of the price yet.
> I'm taking offers, and I hate to inform you, but this CD will probably be
> over $80.
>
> Please don't complain about the price to me, I'm just the messenger.
>
> Vic
>
What do you mean by 'original CD'? Is this a label rarity related issue?
Or do you imply that any 'L'affaire Walraf' CD is already worth a bundle?
C.B. Vincent Goudreault
online since early 93, TD fan since 77
first exposure: Stratosfear, fave albums: Rubycon/Ricochet
'If you are in touch with your inner child, is that considered pedophily?'
H.S. Watson, from his non-existant book 'How to hypnotize a blind person
and various other useless things that nobody should care for anyway'
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 3:55
pm
Subject: TD / MARRILLIAN TOUR
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Really-From: KRAUSENECKS
Hi guys,
I think it is a good idea to have us post EN MASS the official website in
order to find out if the PRIVATE tour is a real possibility. If we all posted
on the same day we might just get an answer from the GURU or even Sir Froese(
although Jerome would be a better bet. Since he seems to be the computer savvy
one in der family Froese) .
On another Keep note, the popular fan mag VIDEO WATCHDOG has had articles
on the various versions of LEGEND in a past article, and they keep reporting
to have a similiar article on THE KEEP soon. If they do I'll certinly post it.
The legend article discusses all the various versions out there, with still
photo's and the like.
Also just a personal thanks to Lars and Lawry for brightening my as of
late, messy life. I'm in the middle of a move, with no place to move.My condo
fell thu, and your kind TD music contributions have made me smile every day!
Thanks! Lets get some feedback and set up a day to post to the site OK?
chris
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 4:13
pm
Subject: Re: tour cds
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Really-From: 'Vincent Goudreault'
Thanks for the info, Lars. I don't have web access, so I'll be keeping an
eye on the messages posted here. Anyhow, I can wait -- proof of this is the 5
Bab 5 CD set that I got two weeks ago and still didn't have the time to listen
to yet.
My main fear is missing the boat entirely (e.i.: the good stuff is sold out
before I could get to it). Since I already have the Keep boot, I think I
can wait for the official release and not shed too many tears on not having
the pre-release version. Unlike you, I collect music only, so I am not too
worried about every release there is -- though I wish I had the vinyl 'Ages'
for that track missing on the CD...
C.B. Vincent Goudreault
online since early 93, TD fan since 77
first exposure: Stratosfear, fave albums: Rubycon/Ricochet
'If one suffers from multiple personalities, and one of those is paranoiac,
can one be afraid the other personalities are going to gang on him?'
H.S. Watson, from his non-existant book 'How to hypnotize a blind person
and various other useless things that nobody should care for anyway'
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 4:27
pm
Subject: RE: The Man Inside Offer
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Really-From: 'Plumer, Scott'
>> I can get 'The Man Inside' original CD, but I'm not sure of
the price yet.
>> I'm taking offers, and I hate to inform you, but this CD will
probably be
>> over $80.
Heh, heh. I bought mine for $6 used. :-) Now I'm tempted to sell
it.
Scott
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 4:26
pm
Subject: Re: tour cds
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Really-From: Gabe Yedid
On Fri, 21 Nov 1997, tadream mailing list wrote:
> the good news is that I have begun to see **TDI** CDs appear in US stores
> (e.g.tournado) for about $15 US -- so if you can wait until late april or
> may (judging by track record) you should see the stock releases of these 3
> CDs in the US -- and, from what I understand, a month or so later in
> Canada....
>
> lars
I haven't checked Sam the Record Man or HMV for some time, but Rock En
Stock does have _Tournado_ now, apparently. However, I think I'll pass
on it for the copy of _A'Dam Eve_ on the way...as soon as this bloody
postal strike comes to an end...
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 4:27
pm
Subject: Re: tour cds/The Keep special edition
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Really-From: 'Jens Peschke'
Lars wrote:
>... the Keep pre-release CDs were sold out and I wouldn't expect them
> to appear at voiceprint at all... count yourself lucky if you can find
one
> at ANY price! You'll be best to wait for the regular Keep release [...]
I´ve noticed that this TDI010CD is a special edition but I´m wondering
if it´s a limited one since their is no hint to find. Does 'pre-sales' mean
that the other CDs will be different ? With a different cover ?
With one extra or different track like some other TDI releases ? :-(
If so, what the hell is Edgar doing ? I don´t wanna buy two different
releases although I like the music of the special edition very much.
(sorry, Vic)
I´ll buy an AirSculpture CD instead. JTJFJ.
Jens
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From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 5:48
pm
Subject: 1997 UK Tour - Account Imminent
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Really-From: 'Gibbons, Conrad'
Having had time to compile an account of my recent trip to three
concerts, I now have typed it up for your information. I will post it
here very soon.
It is long, but hopefully most will find it an interseting read. All
comments welcome!
Regards,
Conrad Gibbons
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From:
tadream@c... (tadream mailing list)
Date: Tue Nov 18, 1997 5:12
pm
Subject: Are Ozric Tentacles worth seeing live from a TD-fan's point of vi ew?
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Really-From: 'Gibbons, Conrad'
Off topic slightly, but...
Ozric Tentacles play Belfast on Fri Nov. 28th. Has anyone seen them on
this tour/recently? How do they compare to TD's live performance?
Would it be mainly instrumental? Should I go? Would you go?
Regards,
Conrad Gibbons
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From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 5:56
pm
Subject: 1997 UK Tour - Account Imminent
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Really-From: 'Gibbons, Conrad'
This is my second attempt at getting this message to the list.
It will be followed by my second attempt to post the account itself.
E-mail problems somewhere along the line...
Having had time to compile an account of my recent trip to three
concerts, I now have typed it up for your information. I will post it
here very soon.
It is long, but hopefully most will find it an interseting read. All
comments welcome!
Regards,
Conrad Gibbons
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 17, 1997 6:03
pm
Subject: 1997 UK Tour - An account of 3 concerts by Conrad Gibbons
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Really-From: 'Gibbons, Conrad'
The luck of the Irish! Following Tangerine Dream on the 1997 'Tournado'
UK Tour. (Compiled by Conrad Gibbons)
This is a detailed account of events which took place during my recent
trip to three consecutive Tangerine Dream concerts held in Glasgow
(November 1st), Leeds (November 2nd) and Birmingham (November 3rd).
Saturday November 1st: Destination Glasgow
The morning immediately after halloween, myself and my brother Sean set
off on the start of our successful trip. I drove us in my Volkswagen
Golf Turbo Diesel from Derry (in north-west Ireland) to Belfast docks
where where we met up with my good friend Mark Atchison who was keen to
make the trip with us. We drove onto the 'Seacat' ferry and proceeded
to enjoy the one-and-a-half hour crossing in ideal weather conditions
for making such a sea-crossing.
We arrived in Stranraer and were back on the road before 1 pm. I had
prepared a tape of music most likely to be played at the concerts and it
suited the scenic drive to Glasgow very well. In two hours we reached
Renfrew Street and our hotel. We freshened up and went for a bite to
eat at around 3.30 pm. Once we had obtained suitable sustenance we made
our way to the Royal Concert Hall where we sussed out the layout of the
building, locating the box office, auditorium and importantly, the stage
door.
I had written to Kennedy Street Enterprises the week prior to the
concerts in the hope of being able to arrange permission to meet the
band as I had done back in 1990 (at four concerts). I followed up my
letter with a phone call to the tour promoter who explained that he had
passed my letter on to the band's manager, namely Julia Snyder after the
Bristol concert. He said that if I wanted to come to the stage door
when I would get to Glasgow that 'we'll take it from there...'. We got
to the stage door at around 4.30 pm and went inside. I asked at the
security desk inside if it would be possible to speak to Stuart Hobday.
Very shortly, by the power of portable phones Stuart descended the
stairs and I did the introductions. He informed us that we had timed it
nicely and that the band were being picked up from their hotel at 4.45
pm. I asked him about meeting the band and he said he would try to sort
us out with after-show passes. I thanked him and said that we would
hopefully chat later and that we were destined for Leeds and Birmingham
in the coming days. We went outside to wait to greet the band.
Half-an-hour later a coach with blackened windows pulled up on the busy
street, adjacent to the stage door. I was standing nearest the stage
door so I knew the Tangs would have to pass me by! First out were
Zlatko Perica and Emil Hachfeld, followed by people I later learnt were
Julia Snyder, Anja Kathmann and Rob Ayling. Last out came the Froese
family. As they walked by me I greeted them with 'Hi folks!', to which
Edgar turned to look at me and said somewhat surprisedly 'Hi, to you!'.
Having been through the motions of standing around stage doorways in the
past (both before and after concerts) I have always found it to be good
policy not to hamper artists as soon as they arrive. For this reason,
I waited over twenty minutes before attempting to make contact with
Julia Snyder. Two people came out the stage door with a trolley and
headed in the direction of the tour lorries parked round the corner. I
asked one of them, a lady (who I later discovered was Anja) if she could
pass a message on to Julia for me to say that I was at the stage door
and was wondering if she had got my letter or not. She looked at me a
little puzzled but agreed!
After this Anja and the other chap returned with a trolley-full of boxes
(two large 'Fruit of the Loom' and one medium-sized brown box with
'Tangerine Dream Ambient Monkeys' written with black marker on the
side) before re-entering the stage door. Ten minutes later I could see
the lady who I thought was most likely to be Julia standing near the
desk inside (the stage door had a portal window you see!). She looked
like she was looking for someone. Me, perhaps? I quickly persuaded
Sean and Mark to follow me in. I caught Julia's eye and introduced
myself. I asked if she had got my letter, and she said she had. She
asked if we were going to more concerts, and I mentioned Leeds and
Birmingham. She said that we would be able to meet the band after the
show. She said that we could collect passes at the box office. I
thanked her emphatically and shook hands once more. We exited in good
humour, headed for the box-office only to be told that we were too early
to see a guest-list and he suggested we call back in about an hour.
It was now after 5.30 pm and we decided to have a browse along
Sauciehall Street. Mark and myself headed for HMV while my brother
nipped into Waterstone's book shop. I had arranged by e-mail to meet
Armin Thiessen in a pub called 'The Victoria and Albert' at around 6.00
pm. To be in time, Mark and I left HMV in search of Sean in
Waterstone's. While in Waterstone's I spotted an old friend and
colleague, Siegfried Lindhorst with his friend Peter Stoeferle. We
chatted for a while. They told me how they had been to the Nottingham
concert and were going to Glasgow and Leeds before returning home to
Germany. I asked them not to tell me too much about the Nottingham gig!
They emphasised that the concert would actually start at around 7.30 pm
and to be aware of this! I explained I had to meet Armin in the pub
down the road, and that I would see them later.
Sean, Mark and myself headed for 'The Victoria and Albert' pub. Once
inside I hoped to see Armin (who I had met in 'The Moon On The Green' at
Shepherd's Bush in '96) but also that I might spot some other TD fans
who might happen to be there. Well, there was no sign of Armin, in fact
he later apologised for not being able to make it. However I did
recognise Craig Cordrey who had also been at the pre-gig pub meet-up in
'96 at Shepherd's Bush. I reacquainted myself with him before
introducing my entourage to his entourage. Craig introduced his friends
to us. They included Grant Middleton who like Craig, is a regular
contributor to the Tadream bulletin board. We had a right old chat and
a few beers. I relayed the relevance of 7.30 pm. I wanted to have a
look at the merchandise on sale so we departed from the Scottish lads
around 7.00 pm.
First stop the box office! No passes! Slight mix up - the attendant
got on his phone and came back to tell us that the passes were sitting
at the security desk inside the stage door. Out we went of the
building, right and right again to the stage door which we entered. The
security man at the desk recognised me and said 'Conrad Gibbons?' before
handing me a white envelope with my name on it and '3 Passes' beside it.
'Thank you very much' I told the man before we quickly left and made our
way back in to the building. We showed our tickets on entering before
having a quick look at the merchandise on sale and locating our seats.
An announcement said that the performance would start in one minute.
We took our seats on the left terrace. We had a good view of the stage
and the crowd. As is usual at Tangerine Dream concerts, the stage was
covered by two large semi-translucent curtains which met in the middle.
A number of lights shone from behind onto the curtain projecting the
TD/TDI logo while the stage itself was bathed in a soft blue hue. The
hall lights dimmed just before the concert started. The opening piece
was recognisable as Waterborne from 'Oasis'. Mid-way through the piece,
the curtains were pulled open but snagged on a row of lights at the
front of the stage. Two of the crew quickly ran out to free the
curtains and open them fully. Other recognisable music played included
Betrayal, Poland, Sundance Kid, Silver Scale, Warsaw In the Sun,
Stratosfear '95, Dolphin Dance, Streethawk and for the first time
performed live on tour, Beach Theme. At one point sounds reminiscent of
Edgar's 'Ages' were played as a bridging sequence. Emil played
percussion on most tracks and added an awful lot of energy to the
performance, while Zlatko played guitar occasionally and stood patiently
the rest of the time. Edgar and Jerome looked engrossed at their
keyboard workstations. The light show complemented the music and mood
of the concert. Computer graphics were projected onto the screen behind
the band, and this worked very well. Sean and I both had hand-held
binoculars which allowed us a closer look at string-picking,
bongo-tapping and keyboard-tinkling. After one hour it was time for an
interval of approximately twenty minutes.
Most people who got up from their seats headed for the toilets, but I
headed towards the merchandise counter as I knew the crowd would be
small. I was served straight away, buying 'The Keep', 'Ambient
Monkeys', 'Time Square' and a T-shirt. By the time I was served a
considerable crowd had built up behind me and I was glad that I had gone
to the booth straight away! During the interval I recognised music from
The Keep being played. I spoke briefly to Siegfried and Peter who
seemed to be enjoying the show. A quick trip to the bathroom was called
for to ensure an interruption-free second set. The second set began in
a similar fashion to the Tournado CD with Emil performing a drum solo,
though it featured an extra very Eastern latter half. This lead into
Flashflood and then into 220 Volt allowing Zlatko to join in once more.
The bridge sequence (as featured on 'Tournado') before Firetongues is a
personal favourite at the moment and I enjoyed hearing it live. Zlatko
played electric guitar for the start of Firetongues before taking a seat
and playing Spanish guitar for the last part. As in the first set, the
mesmeric computer graphics were easy to get into. Other music played
included Two Bunch Palms, Little Blond In The Park Of Attractions,
Rising Haul In Silence, Lamb With Radar Eyes, and Touchwood. The last
piece of the second set turned out to be a new composition featuring
interesting sounds and analog synth tones similar to that featured in
Church Theme from 'Wavelength' together with chord progressions more
akin to the Schmoelling/Franke/Froese era than present day TD music.
Zlatko joined in too, but reserved his soloing to complement the piece.
This tune seemed to go down well with the crowd and it brought the
second set to a close.
Edgar, Jerome, Emil and Zlatko all left the stage but returned
eventually at the audience's enthusiastic response. The first encore
played was the shorter version of Maedchen On the Stairs. This was
followed by Thief Yang And The Tangram Seal. Both went down well with
the crowd, particularly the Tangram and Thief parts. Once more the band
left the stage while the crowd clapped and whistled enthusiastically.
Finally the band returned for the last time to play Towards The Evening
Star. Edgar introduced the band members and thanked the audience before
leaving the stage followed by the band. On came the lights and so ended
our first concert of three. We had all enjoyed it considerably.
Having waited for the hall to empty, we made our way outside and round
to the stage door expecting to find a small crowd gathered, however
there were only three people - Craig, Grant and their friend. Mark,
Sean and myself went inside and asked the security man if we could
speak with Julia Snyder. Very shortly, Julia came down the stairs and
told us that she would bring us upstairs to the band. We followed her
back up the stairs and to the dressing room area. In the corridor
outside the main dressing room Edgar appeared and both talked in German
before Julia beckoned us in. We shook hands with Jerome, Edgar and
Emil. Siegfried Lindhorst and Peter Stoeferle were already seated.
Edgar offered us seats which we took, and asked about us coming over
from Ireland. I explained how I had met with them before in 1990 at 4
of the concerts. Initially my brother Sean sat with Edgar and spoke
with him about the concert. We then swapped seats and I asked Edgar to
sign some items for me. I had happened to bring enough items for three
nights of signing and Siegfried and Peter joked about this at my
expense! I divided the bundle of cd inlays in two and handed one half
to Edgar. Even he joked about it and asked me not to shock him when I
handed him the second batch, but then told me that 'I forgive you!'.
Jerome signed the appropriate inlays too. Zlatko entered the room and I
shook hands with him. Emil and Zlatko were friendly lads. They too
enjoyed signing stuff. Mark and Sean took some photographs for
posterity. I asked Jerome about a schedule for next year and whether
or not they would be likely to be touring the States. He seemed
uncertain but said there was a possibility that they might go there in
March. Edgar asked us about which other concerts we were likely to be
going to, and invited us to come backstage in Manchester where there
would be a get-together of sorts. I thanked him for the invitation and
explained that unfortunately we would not be able to go to the
Manchester concert as we had to travel back due to work commitments. He
joked about 'Sometimes it is necessary to have to work!'. After a while
we decided to leave the band and said our goodbyes, explaining that we
might see them again in Leeds and Birmingham. As we left the dressing
room I spotted Monica Froese who I recognised from the time I met her in
1990. We made our way back downstairs to the stage door. Once outside,
I told Craig and Grant how the band were in good humour and would
probably be coming out soon. Armin Thiessen and his three pals turned
up around this time and we had a short chat. They didn't hang around
too long though...
Siegfried and Peter emerged from the stage door and we continued
talking. Five minutes later the tour coach pulled up once more so I
knew the band were coming out and that Craig and Grant would have a
chance to nab them! Sure enough, out they came and made their way in
the direction of the coach before being greeted by the lads. It was
good that they too had a chance to greet Edgar and company.
I said farewell to Craig and Grant before heading off with Peter,
Siegfried, Mark and Sean in the direction of our hotel. It turned out
that Peter and Siegfried had found accommodation next door to ours. We
talked for a while before arranging to meet them in Leeds at 5 pm the
next day at the Town and Country Club.
Sunday November 2nd: Destination Leeds
Having got up early and had our breakfast we left Glasgow at 10.15 am
heading south for Leeds. We stopped off for half an hour after Carlisle
for a lunch break and a refuel, before continuing south. We reached our
accommodation in Leeds in good time (around 3 pm). The venue was less
than a five minute walk away. We left for the Town and Country Club
after 4.30 pm. As we approached the last street leading up to the gig a
certain coach drove past and we were able to follow its general
direction up to the stage door area. Just as we got there Edgar and
Jerome stepped off the coach and looked our way saying hello before
going for a sound check. At this point Peter and Siegfried turned up
and we decided we should go for a meal in advance of the concert. The
five of us had a very pleasant meal chatting about all things TD-related
and generally becoming good friends. Siegfried explained how they would
have to leave relatively soon after the concert as they had to drive
south to Antony Ainsworth's house where they would get a few hours
sleep, before getting up at 5 am to drive to Heathrow Airport to catch
their planes home. Soon it was 7 pm and time to head for the concert.
Once inside I asked about a guest-list before being handed a white
envelope similar to the previous night. The gig was standing only
(apart from two small balcony areas), but this had the advantage that it
allowed mobility during the concert. 'Ambient Monkeys' was played as
the pre-concert music. The running order of the tracks performed proved
identical to the Glasgow concert, right down to the encores. In my
opinion, the computer graphics did not work as well in Leeds as at
Glasgow, as the projector was too close to the screen; they were even
shining directly on the band's faces. At the interval as I spoke to
Peter, Anja came up to him and spoke in German. He introduced me to her
and she remembered me from Glasgow.
Being right up at the front (and in the middle) allowed an excellent
vantage point for the second set. The band were about six feet away and
we could follow the band's movements - particularly that of Emil's
percussion and Zlatko's guitar playing. The only drawbacks of the
concert were the presence of a few intoxicated individuals at the front
left who in their misguided enthusiasm persisted in shouting
uninterpretable babblings at Edgar, and the presence of the idiot who
decided to jump up on the stage, wave at the crowd and attempt to shake
hands with Edgar before being swiftly removed by crew and bouncers.
There seemed to be a smaller than expected crowd and later one of the
house staff told me that there were only 420 tickets sold. Pity, it was
a good concert.
Backstage, Siegfried and Peter said their goodbyes as they had to set
off on their return journey. I went upstairs to chat with Stuart
Hobday to thank him for his co-operation. I returned shortly to find
Mark and Sean on their own waiting for me. They told me that two fans
(only) were in with the band. I led the way to where the dressing rooms
were. Julia Snyder sat in the first room we met and she told us to go
on down the corridor to the next room, which we did. I poked my head in
the door, said hello and explained that we were not staying and that we
just wanted to say hello and goodbye. Edgar said 'Come in, you would
like a beer?' pointing to some beers held in ice. I said 'No thanks!
Its ok!' (as I don't drink beer). Edgar wasn't having this though and
pointing to my brother Sean jokingly said 'He looks like he would like a
beer!' Needless to say Sean took him up on the offer and we entered the
small room and began chatting. Jerome, Emil, Zlatko, Monica, Anja and a
German couple were all present. I seized the opportunity to ask Edgar
about something I had puzzled over for the last few years. I asked if
he knew anything about Linda Spa playing as part of the Austrian entry
in the Eurovision Song Contest which took place in Dublin in '95. He
said that this was correct and that she was asked to play by some people
in Austria. So folks, it was Linda! Anybody still got this on video
tape? I think I still have it somewhere. I asked Edgar about the new
track played at the end of the second set. He explained that it is Time
Square from 'Dream Mixes II'. Sean talked at length to Emil about his
energetic performances. Emil explained to him how he enjoys playing
percussion and that he could go for a few months playing live and that
this tour is too short for his liking! I spoke to Jerome about the
computer graphics accompanying the show. He explained that they are
done by a Japanese animist and that the music for the video project has
been finished in Berlin hopefully to be released in '98. We talked
about the graphics at last year's Shepherd's Bush gig. Jerome told me
that most of the footage is on The Video Dream Mixes. I explained the
difficulty I had experienced in trying to order it and how after a year
and a half of trying to order it I still did not have it! He shook his
head in dismay and said 'This video! So many problems!'. Having had a
second successful evening we once more said goodbye to the Tangerine
Dream entourage and began to make our way back to our accommodation very
content. Before exiting the building, I spoke briefly to Rob Ayling of
TDI who thanked me for taking the trouble of coming over for the three
concerts.
Monday November 3rd: Destination Birmingham
With two concerts down and one to go we prepared ourselves for the day
with a tasty continental breakfast at our hotel. We had a look round
Leeds before setting off for Birmingham at 11.30 am. By 2 pm we reached
our next B+B in good time. It seemed like a good idea to head into the
city centre for a browse of the shops and of the venue. We did some
shopping before heading to Symphony Hall to get our bearings and our
after-show passes courtesy of Stuart Hobday who we met there. On our
return journey to our accommodation, rush hour traffic combined with
necessary tricky lane-switching manoeuvres (which didn't always go to
plan) meant that it was well after 6 pm by the time we got back. Time
for a quick freshen-up before leaving to go to Symphony Hall. A lucky
encounter with a bus going our way allowed us to get to the gig with ten
minutes to spare. As we went to go upstairs to our seats I recognised
Antony Ainsworth in the queue waiting to buy merchandise. I spoke with
him briefly. He told me that Siegfried and Peter had stayed with him
the night before and had got up early to head off to get their flights.
I was glad that things had gone according to plan for them. We had
seats in the right hand side of the circle which meant that we were
about 20 feet above overlooking the stage. Symphony Hall is a beautiful
purpose-built venue - much nicer than Leeds, Shepherd's Bush, or
Manchester Apollo for that matter. The acoustics are very good as one
might expect from a venue that hosts an orchestra on a regular basis.
Once again the concert was identical to the previous two nights. At the
interval we went to the cafe to grab a bite to eat. On our way back I
visited the merchandise stall to purchase a few items for some friends.
Anja recognised me and we chatted a little. I could hear Emil's drum
solo starting so I returned to the circle. I moved right up to the very
front seat overlooking the stage as the seats there had been unoccupied
during the first set. I was actually far enough forward to be in behind
the main speakers beneath me so that the sound I could hear was coming
manily from the stage monitors. The computer graphics were even better
than in Glasgow and worked extremely well. Towards The Evening Star
finished the show.
Afterwards we went backstage for the last time. The attendant at the
appropriate doorway used his mobile to contact Julia on our behalf.
Very soon she appeared and greeted us with a big smile. 'Is this your
last night??!!' she asked jokingly. 'Yes, it is' I joked back. We
followed her into one of the lifts. She asked us which of the three
concerts did we prefer? Sean and Mark enjoyed Glasgow the best while I
enjoyed all three!! Once out of the lift we could see Edgar standing
in the corridor. Julia beckoned us over and Edgar extended his right
hand through the doorway. We said hello and went in to the room. Julia
and Edgar followed and closed the door. There was a piano in the room
so I tried to lift the lid off the keys but unfortunately it was locked.
Edgar also asked us if this was our last concert to which we assured
him it was. We talked about the possibility of Edgar coming to Ireland,
to which he recalled being in Dublin and Cork in the early '80s. I
clarified that if he ever wanted to holiday there that he would be very
welcome to visit us. He said that perhaps someday he might! He then
got up from his seat and apologised for the fact that he had some things
to take care of, so we thanked him for meeting us each night and shook
hands. We left the room and Julia escorted us back to the lift. I
thanked her very much for letting us back-stage and shook hands until
next time. I asked the attendant if I could speak with Stuart, so he
kindly got on the mobile for me. Stuart came downstairs and we had a
fairwell chat. He introduced me to Rob Harris of Voiceprint. Just as
we were about to leave, Zlatko and Emil appeared and it was slightly
amusing because they recognised us and they shook hands with us (rather
than vice-versa). They too were now leaving the building (via the front
door). We chatted with them on the way out, wishing them luck on the
rest of the tour, and of course inviting them to Ireland!
I was surprised by the lack in numbers of lingering fans. Are we too
shy to hang around? Surely not. I was glad to be able to meet the band
after the shows for the simple reason that very few others were making a
similar effort, and in a way we were able to represent all fans.
Similarly that is why I have written this account, so that other fans
can share some of the events which took place.
Next morning we set off for home. Our return sailing was at 6.30 pm
which allowed ample time to get back to Stranraer. After our return to
Belfast, Sean and I said farewell to Mark before driving on to Derry.
Sean and I had driven over 920 miles.
Hopefully some of you will enjoy this record of events, I certainly
enjoyed preparing it. I must sincerely thank the following for this
successful Tangerine Dream experience: Julia Snyder, Stuart Hobday,
Edgar Froese, Jerome Froese, Emil Hachfeld, Zlatko Perica, Anja
Kathmann, Monica Froese, Peter Stoeferle and Siegfried Lindhorst.
Cheers!
Replies
Name/Email
Yahoo! ID
Date
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8959
Re: 1997 UK Tour - An account of 3 concerts by Co
Plumer, Scott
Fri
11/21/1997
3 KB
9037
Re: 1997 UK Tour - An account of 3 concerts by Co
Michael Fox
Mon
11/24/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 6:12
pm
Subject: Re: Beyond The Storm
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Really-From: Dave Brewer
> Quoted From: 'Greg Heil'
>
> > QuotedFrom: Mark Jones
> >
> > EF says his
> > music isn't for the marketplace, and inasmuch as he means that it's not
> > something that's readily packageable, quantifiable and consumable, I
> >[...]
> I feel the same way as you do. I have always thought that Tangerine Dream
> music
> has much more and is quite special when compared to commercial music.
> I know people who could never 'get into' TD because commercial music has
> just become
> another method of speech.. words sung--something personal to the singer,
> something that we artists call 'too literal and spelling it out--leaving
> nothing for the viewer (listener) to discover.' Maybe I listen to too much
> TD because when I listen to the radio,
> only in my friends car... the words sound like jumbled sounds..
You've definately said it well, Greg! I listen to very little pop/rock
music anymore (unless it's the older rock, like the stuff I was raised
on). These newer bands just don't evoke anything within me, it makes
better background noise than anything else... Something easy to ignore.
Pop music is following closely behind TV in being a no-brainer. I'm glad
I discovered TD when I did in 1989, cuz I was starting to really get fed
up with pop music around that time. I would have definately liked to get
into TD much earlier than that, cuz I was getting interested in
electronic sounds in the early 80's (Wendy Carlos' Tron soundtrack is/was
excellent!). But, I was too young and didn't have my own money or the
knowledge of TD's existence. I guess it was better late then never!
> I no longer
> make sense
> of the words so much as listen to everything other than the words. I can
> listen to a song
> many times and never even once pay attention to what is being said, while
> the whole time, my friend sits there singing the song.
And it seems like so many groups mix their albums so that it is hard to
hear what they're singing over all the guitars and drums. You'd think you
were at a live show or something.
> > I guess there aren't too many fans in Tucson, and Lars is no longer in
> > Phoenix.
>
> well TD has a fan in Lake Havasu City, Arizona! =o)
And I'm in Tempe, a little bit closer to Tucson. There's also at least a
couple of others in Phx. (at least on this list) Yeah, Lars is a really
nice guy, but he's not the only one around here! :-) We should all get
together sometime over coffee!
Listening to TD is a solitary pleasure for me as well. None of my friends
around here care for them, and dismiss them as 'video game music'. (I
think they were just messing with me tho...) I do have some friends that are
into TD, but one lives in Las Vegas, and the others live in Cottonwood AZ,
so I don't get to see them very often...
Dave B.
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 7:17
pm
Subject: Re: tour cds/The Keep special edition
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
--------------------------------------------------------
> Really-From: 'Jens Peschke'
>
> Lars wrote:
>
> >... the Keep pre-release CDs were sold out and I wouldn't expect them
> > to appear at voiceprint at all... count yourself lucky if you can find
> one
> > at ANY price!
Eh, I'm not worried. One of my import distributors always gets the
concert specials (Sheperd's Bush, etc) and they have em at a great price
too. If I get multiple copies I'll let you all know.
Regards,
Dan the 'I think the Keep is pathetically overrated' man
From:
tadream@c... (tadream mailing list)
Date: Wed Nov 19, 1997 5:59
pm
Subject: 1997 UK Tour - An Account by Conrad Gibbons of 3 Concerts
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Really-From: 'Gibbons, Conrad'
The luck of the Irish! Following Tangerine Dream on the 1997 'Tournado'
UK Tour. (Compiled by Conrad Gibbons)
This is a detailed account of events which took place during my recent
trip to three consecutive Tangerine Dream concerts held in Glasgow
(November 1st), Leeds (November 2nd) and Birmingham (November 3rd).
Saturday November 1st: Destination Glasgow
The morning immediately after halloween, myself and my brother Sean set
off on the start of our successful trip. I drove us in my Volkswagen
Golf Turbo Diesel from Derry (in north-west Ireland) to Belfast docks
where where we met up with my good friend Mark Atchison who was keen to
make the trip with us. We drove onto the 'Seacat' ferry and proceeded
to enjoy the one-and-a-half hour crossing in ideal weather conditions
for making such a sea-crossing.
We arrived in Stranraer and were back on the road before 1 pm. I had
prepared a tape of music most likely to be played at the concerts and it
suited the scenic drive to Glasgow very well. In two hours we reached
Renfrew Street and our hotel. We freshened up and went for a bite to
eat at around 3.30 pm. Once we had obtained suitable sustenance we made
our way to the Royal Concert Hall where we sussed out the layout of the
building, locating the box office, auditorium and importantly, the stage
door.
I had written to Kennedy Street Enterprises the week prior to the
concerts in the hope of being able to arrange permission to meet the
band as I had done back in 1990 (at four concerts). I followed up my
letter with a phone call to the tour promoter who explained that he had
passed my letter on to the band's manager, namely Julia Snyder after the
Bristol concert. He said that if I wanted to come to the stage door
when I would get to Glasgow that 'we'll take it from there...'. We got
to the stage door at around 4.30 pm and went inside. I asked at the
security desk inside if it would be possible to speak to Stuart Hobday.
Very shortly, by the power of portable phones Stuart descended the
stairs and I did the introductions. He informed us that we had timed it
nicely and that the band were being picked up from their hotel at 4.45
pm. I asked him about meeting the band and he said he would try to sort
us out with after-show passes. I thanked him and said that we would
hopefully chat later and that we were destined for Leeds and Birmingham
in the coming days. We went outside to wait to greet the band.
Half-an-hour later a coach with blackened windows pulled up on the busy
street, adjacent to the stage door. I was standing nearest the stage
door so I knew the Tangs would have to pass me by! First out were
Zlatko Perica and Emil Hachfeld, followed by people I later learnt were
Julia Snyder, Anja Kathmann and Rob Ayling. Last out came the Froese
family. As they walked by me I greeted them with 'Hi folks!', to which
Edgar turned to look at me and said somewhat surprisedly 'Hi, to you!'.
Having been through the motions of standing around stage doorways in the
past (both before and after concerts) I have always found it to be good
policy not to hamper artists as soon as they arrive. For this reason,
I waited over twenty minutes before attempting to make contact with
Julia Snyder. Two people came out the stage door with a trolley and
headed in the direction of the tour lorries parked round the corner. I
asked one of them, a lady (who I later discovered was Anja) if she could
pass a message on to Julia for me to say that I was at the stage door
and was wondering if she had got my letter or not. She looked at me a
little puzzled but agreed!
After this Anja and the other chap returned with a trolley-full of boxes
(two large 'Fruit of the Loom' and one medium-sized brown box with
'Tangerine Dream Ambient Monkeys' written with black marker on the
side) before re-entering the stage door. Ten minutes later I could see
the lady who I thought was most likely to be Julia standing near the
desk inside (the stage door had a portal window you see!). She looked
like she was looking for someone. Me, perhaps? I quickly persuaded
Sean and Mark to follow me in. I caught Julia's eye and introduced
myself. I asked if she had got my letter, and she said she had. She
asked if we were going to more concerts, and I mentioned Leeds and
Birmingham. She said that we would be able to meet the band after the
show. She said that we could collect passes at the box office. I
thanked her emphatically and shook hands once more. We exited in good
humour, headed for the box-office only to be told that we were too early
to see a guest-list and he suggested we call back in about an hour.
It was now after 5.30 pm and we decided to have a browse along
Sauciehall Street. Mark and myself headed for HMV while my brother
nipped into Waterstone's book shop. I had arranged by e-mail to meet
Armin Thiessen in a pub called 'The Victoria and Albert' at around 6.00
pm. To be in time, Mark and I left HMV in search of Sean in
Waterstone's. While in Waterstone's I spotted an old friend and
colleague, Siegfried Lindhorst with his friend Peter Stoeferle. We
chatted for a while. They told me how they had been to the Nottingham
concert and were going to Glasgow and Leeds before returning home to
Germany. I asked them not to tell me too much about the Nottingham gig!
They emphasised that the concert would actually start at around 7.30 pm
and to be aware of this! I explained I had to meet Armin in the pub
down the road, and that I would see them later.
Sean, Mark and myself headed for 'The Victoria and Albert' pub. Once
inside I hoped to see Armin (who I had met in 'The Moon On The Green' at
Shepherd's Bush in '96) but also that I might spot some other TD fans
who might happen to be there. Well, there was no sign of Armin, in fact
he later apologised for not being able to make it. However I did
recognise Craig Cordrey who had also been at the pre-gig pub meet-up in
'96 at Shepherd's Bush. I reacquainted myself with him before
introducing my entourage to his entourage. Craig introduced his friends
to us. They included Grant Middleton who like Craig, is a regular
contributor to the Tadream bulletin board. We had a right old chat and
a few beers. I relayed the relevance of 7.30 pm. I wanted to have a
look at the merchandise on sale so we departed from the Scottish lads
around 7.00 pm.
First stop the box office! No passes! Slight mix up - the attendant
got on his phone and came back to tell us that the passes were sitting
at the security desk inside the stage door. Out we went of the
building, right and right again to the stage door which we entered. The
security man at the desk recognised me and said 'Conrad Gibbons?' before
handing me a white envelope with my name on it and '3 Passes' beside it.
'Thank you very much' I told the man before we quickly left and made our
way back in to the building. We showed our tickets on entering before
having a quick look at the merchandise on sale and locating our seats.
An announcement said that the performance would start in one minute.
We took our seats on the left terrace. We had a good view of the stage
and the crowd. As is usual at Tangerine Dream concerts, the stage was
covered by two large semi-translucent curtains which met in the middle.
A number of lights shone from behind onto the curtain projecting the
TD/TDI logo while the stage itself was bathed in a soft blue hue. The
hall lights dimmed just before the concert started. The opening piece
was recognisable as Waterborne from 'Oasis'. Mid-way through the piece,
the curtains were pulled open but snagged on a row of lights at the
front of the stage. Two of the crew quickly ran out to free the
curtains and open them fully. Other recognisable music played included
Betrayal, Poland, Sundance Kid, Silver Scale, Warsaw In the Sun,
Stratosfear '95, Dolphin Dance, Streethawk and for the first time
performed live on tour, Beach Theme. At one point sounds reminiscent of
Edgar's 'Ages' were played as a bridging sequence. Emil played
percussion on most tracks and added an awful lot of energy to the
performance, while Zlatko played guitar occasionally and stood patiently
the rest of the time. Edgar and Jerome looked engrossed at their
keyboard workstations. The light show complemented the music and mood
of the concert. Computer graphics were projected onto the screen behind
the band, and this worked very well. Sean and I both had hand-held
binoculars which allowed us a closer look at string-picking,
bongo-tapping and keyboard-tinkling. After one hour it was time for an
interval of approximately twenty minutes.
Most people who got up from their seats headed for the toilets, but I
headed towards the merchandise counter as I knew the crowd would be
small. I was served straight away, buying 'The Keep', 'Ambient
Monkeys', 'Time Square' and a T-shirt. By the time I was served a
considerable crowd had built up behind me and I was glad that I had gone
to the booth straight away! During the interval I recognised music from
The Keep being played. I spoke briefly to Siegfried and Peter who
seemed to be enjoying the show. A quick trip to the bathroom was called
for to ensure an interruption-free second set. The second set began in
a similar fashion to the Tournado CD with Emil performing a drum solo,
though it featured an extra very Eastern latter half. This lead into
Flashflood and then into 220 Volt allowing Zlatko to join in once more.
The bridge sequence (as featured on 'Tournado') before Firetongues is a
personal favourite at the moment and I enjoyed hearing it live. Zlatko
played electric guitar for the start of Firetongues before taking a seat
and playing Spanish guitar for the last part. As in the first set, the
mesmeric computer graphics were easy to get into. Other music played
included Two Bunch Palms, Little Blond In The Park Of Attractions,
Rising Haul In Silence, Lamb With Radar Eyes, and Touchwood. The last
piece of the second set turned out to be a new composition featuring
interesting sounds and analog synth tones similar to that featured in
Church Theme from 'Wavelength' together with chord progressions more
akin to the Schmoelling/Franke/Froese era than present day TD music.
Zlatko joined in too, but reserved his soloing to complement the piece.
This tune seemed to go down well with the crowd and it brought the
second set to a close.
Edgar, Jerome, Emil and Zlatko all left the stage but returned
eventually at the audience's enthusiastic response. The first encore
played was the shorter version of Maedchen On the Stairs. This was
followed by Thief Yang And The Tangram Seal. Both went down well with
the crowd, particularly the Tangram and Thief parts. Once more the band
left the stage while the crowd clapped and whistled enthusiastically.
Finally the band returned for the last time to play Towards The Evening
Star. Edgar introduced the band members and thanked the audience before
leaving the stage followed by the band. On came the lights and so ended
our first concert of three. We had all enjoyed it considerably.
Having waited for the hall to empty, we made our way outside and round
to the stage door expecting to find a small crowd gathered, however
there were only three people - Craig, Grant and their friend. Mark,
Sean and myself went inside and asked the security man if we could
speak with Julia Snyder. Very shortly, Julia came down the stairs and
told us that she would bring us upstairs to the band. We followed her
back up the stairs and to the dressing room area. In the corridor
outside the main dressing room Edgar appeared and both talked in German
before Julia beckoned us in. We shook hands with Jerome, Edgar and
Emil. Siegfried Lindhorst and Peter Stoeferle were already seated.
Edgar offered us seats which we took, and asked about us coming over
from Ireland. I explained how I had met with them before in 1990 at 4
of the concerts. Initially my brother Sean sat with Edgar and spoke
with him about the concert. We then swapped seats and I asked Edgar to
sign some items for me. I had happened to bring enough items for three
nights of signing and Siegfried and Peter joked about this at my
expense! I divided the bundle of cd inlays in two and handed one half
to Edgar. Even he joked about it and asked me not to shock him when I
handed him the second batch, but then told me that 'I forgive you!'.
Jerome signed the appropriate inlays too. Zlatko entered the room and I
shook hands with him. Emil and Zlatko were friendly lads. They too
enjoyed signing stuff. Mark and Sean took some photographs for
posterity. I asked Jerome about a schedule for next year and whether
or not they would be likely to be touring the States. He seemed
uncertain but said there was a possibility that they might go there in
March. Edgar asked us about which other concerts we were likely to be
going to, and invited us to come backstage in Manchester where there
would be a get-together of sorts. I thanked him for the invitation and
explained that unfortunately we would not be able to go to the
Manchester concert as we had to travel back due to work commitments. He
joked about 'Sometimes it is necessary to have to work!'. After a while
we decided to leave the band and said our goodbyes, explaining that we
might see them again in Leeds and Birmingham. As we left the dressing
room I spotted Monica Froese who I recognised from the time I met her in
1990. We made our way back downstairs to the stage door. Once outside,
I told Craig and Grant how the band were in good humour and would
probably be coming out soon. Armin Thiessen and his three pals turned
up around this time and we had a short chat. They didn't hang around
too long though...
Siegfried and Peter emerged from the stage door and we continued
talking. Five minutes later the tour coach pulled up once more so I
knew the band were coming out and that Craig and Grant would have a
chance to nab them! Sure enough, out they came and made their way in
the direction of the coach before being greeted by the lads. It was
good that they too had a chance to greet Edgar and company.
I said farewell to Craig and Grant before heading off with Peter,
Siegfried, Mark and Sean in the direction of our hotel. It turned out
that Peter and Siegfried had found accommodation next door to ours. We
talked for a while before arranging to meet them in Leeds at 5 pm the
next day at the Town and Country Club.
Sunday November 2nd: Destination Leeds
Having got up early and had our breakfast we left Glasgow at 10.15 am
heading south for Leeds. We stopped off for half an hour after Carlisle
for a lunch break and a refuel, before continuing south. We reached our
accommodation in Leeds in good time (around 3 pm). The venue was less
than a five minute walk away. We left for the Town and Country Club
after 4.30 pm. As we approached the last street leading up to the gig a
certain coach drove past and we were able to follow its general
direction up to the stage door area. Just as we got there Edgar and
Jerome stepped off the coach and looked our way saying hello before
going for a sound check. At this point Peter and Siegfried turned up
and we decided we should go for a meal in advance of the concert. The
five of us had a very pleasant meal chatting about all things TD-related
and generally becoming good friends. Siegfried explained how they would
have to leave relatively soon after the concert as they had to drive
south to Antony Ainsworth's house where they would get a few hours
sleep, before getting up at 5 am to drive to Heathrow Airport to catch
their planes home. Soon it was 7 pm and time to head for the concert.
Once inside I asked about a guest-list before being handed a white
envelope similar to the previous night. The gig was standing only
(apart from two small balcony areas), but this had the advantage that it
allowed mobility during the concert. 'Ambient Monkeys' was played as
the pre-concert music. The running order of the tracks performed proved
identical to the Glasgow concert, right down to the encores. In my
opinion, the computer graphics did not work as well in Leeds as at
Glasgow, as the projector was too close to the screen; they were even
shining directly on the band's faces. At the interval as I spoke to
Peter, Anja came up to him and spoke in German. He introduced me to her
and she remembered me from Glasgow.
Being right up at the front (and in the middle) allowed an excellent
vantage point for the second set. The band were about six feet away and
we could follow the band's movements - particularly that of Emil's
percussion and Zlatko's guitar playing. The only drawbacks of the
concert were the presence of a few intoxicated individuals at the front
left who in their misguided enthusiasm persisted in shouting
uninterpretable babblings at Edgar, and the presence of the idiot who
decided to jump up on the stage, wave at the crowd and attempt to shake
hands with Edgar before being swiftly removed by crew and bouncers.
There seemed to be a smaller than expected crowd and later one of the
house staff told me that there were only 420 tickets sold. Pity, it was
a good concert.
Backstage, Siegfried and Peter said their goodbyes as they had to set
off on their return journey. I went upstairs to chat with Stuart
Hobday to thank him for his co-operation. I returned shortly to find
Mark and Sean on their own waiting for me. They told me that two fans
(only) were in with the band. I led the way to where the dressing rooms
were. Julia Snyder sat in the first room we met and she told us to go
on down the corridor to the next room, which we did. I poked my head in
the door, said hello and explained that we were not staying and that we
just wanted to say hello and goodbye. Edgar said 'Come in, you would
like a beer?' pointing to some beers held in ice. I said 'No thanks!
Its ok!' (as I don't drink beer). Edgar wasn't having this though and
pointing to my brother Sean jokingly said 'He looks like he would like a
beer!' Needless to say Sean took him up on the offer and we entered the
small room and began chatting. Jerome, Emil, Zlatko, Monica, Anja and a
German couple were all present. I seized the opportunity to ask Edgar
about something I had puzzled over for the last few years. I asked if
he knew anything about Linda Spa playing as part of the Austrian entry
in the Eurovision Song Contest which took place in Dublin in '95. He
said that this was correct and that she was asked to play by some people
in Austria. So folks, it was Linda! Anybody still got this on video
tape? I think I still have it somewhere. I asked Edgar about the new
track played at the end of the second set. He explained that it is Time
Square from 'Dream Mixes II'. Sean talked at length to Emil about his
energetic performances. Emil explained to him how he enjoys playing
percussion and that he could go for a few months playing live and that
this tour is too short for his liking! I spoke to Jerome about the
computer graphics accompanying the show. He explained that they are
done by a Japanese animist and that the music for the video project has
been finished in Berlin hopefully to be released in '98. We talked
about the graphics at last year's Shepherd's Bush gig. Jerome told me
that most of the footage is on The Video Dream Mixes. I explained the
difficulty I had experienced in trying to order it and how after a year
and a half of trying to order it I still did not have it! He shook his
head in dismay and said 'This video! So many problems!'. Having had a
second successful evening we once more said goodbye to the Tangerine
Dream entourage and began to make our way back to our accommodation very
content. Before exiting the building, I spoke briefly to Rob Ayling of
TDI who thanked me for taking the trouble of coming over for the three
concerts.
Monday November 3rd: Destination Birmingham
With two concerts down and one to go we prepared ourselves for the day
with a tasty continental breakfast at our hotel. We had a look round
Leeds before setting off for Birmingham at 11.30 am. By 2 pm we reached
our next B+B in good time. It seemed like a good idea to head into the
city centre for a browse of the shops and of the venue. We did some
shopping before heading to Symphony Hall to get our bearings and our
after-show passes courtesy of Stuart Hobday who we met there. On our
return journey to our accommodation, rush hour traffic combined with
necessary tricky lane-switching manoeuvres (which didn't always go to
plan) meant that it was well after 6 pm by the time we got back. Time
for a quick freshen-up before leaving to go to Symphony Hall. A lucky
encounter with a bus going our way allowed us to get to the gig with ten
minutes to spare. As we went to go upstairs to our seats I recognised
Antony Ainsworth in the queue waiting to buy merchandise. I spoke with
him briefly. He told me that Siegfried and Peter had stayed with him
the night before and had got up early to head off to get their flights.
I was glad that things had gone according to plan for them. We had
seats in the right hand side of the circle which meant that we were
about 20 feet above overlooking the stage. Symphony Hall is a beautiful
purpose-built venue - much nicer than Leeds, Shepherd's Bush, or
Manchester Apollo for that matter. The acoustics are very good as one
might expect from a venue that hosts an orchestra on a regular basis.
Once again the concert was identical to the previous two nights. At the
interval we went to the cafe to grab a bite to eat. On our way back I
visited the merchandise stall to purchase a few items for some friends.
Anja recognised me and we chatted a little. I could hear Emil's drum
solo starting so I returned to the circle. I moved right up to the very
front seat overlooking the stage as the seats there had been unoccupied
during the first set. I was actually far enough forward to be in behind
the main speakers beneath me so that the sound I could hear was coming
manily from the stage monitors. The computer graphics were even better
than in Glasgow and worked extremely well. Towards The Evening Star
finished the show.
Afterwards we went backstage for the last time. The attendant at the
appropriate doorway used his mobile to contact Julia on our behalf.
Very soon she appeared and greeted us with a big smile. 'Is this your
last night??!!' she asked jokingly. 'Yes, it is' I joked back. We
followed her into one of the lifts. She asked us which of the three
concerts did we prefer? Sean and Mark enjoyed Glasgow the best while I
enjoyed all three!! Once out of the lift we could see Edgar standing
in the corridor. Julia beckoned us over and Edgar extended his right
hand through the doorway. We said hello and went in to the room. Julia
and Edgar followed and closed the door. There was a piano in the room
so I tried to lift the lid off the keys but unfortunately it was locked.
Edgar also asked us if this was our last concert to which we assured
him it was. We talked about the possibility of Edgar coming to Ireland,
to which he recalled being in Dublin and Cork in the early '80s. I
clarified that if he ever wanted to holiday there that he would be very
welcome to visit us. He said that perhaps someday he might! He then
got up from his seat and apologised for the fact that he had some things
to take care of, so we thanked him for meeting us each night and shook
hands. We left the room and Julia escorted us back to the lift. I
thanked her very much for letting us back-stage and shook hands until
next time. I asked the attendant if I could speak with Stuart, so he
kindly got on the mobile for me. Stuart came downstairs and we had a
fairwell chat. He introduced me to Rob Harris of Voiceprint. Just as
we were about to leave, Zlatko and Emil appeared and it was slightly
amusing because they recognised us and they shook hands with us (rather
than vice-versa). They too were now leaving the building (via the front
door). We chatted with them on the way out, wishing them luck on the
rest of the tour, and of course inviting them to Ireland!
I was surprised by the lack in numbers of lingering fans. Are we too
shy to hang around? Surely not. I was glad to be able to meet the band
after the shows for the simple reason that very few others were making a
similar effort, and in a way we were able to represent all fans.
Similarly that is why I have written this account, so that other fans
can share some of the events which took place.
Next morning we set off for home. Our return sailing was at 6.30 pm
which allowed ample time to get back to Stranraer. After our return to
Belfast, Sean and I said farewell to Mark before driving on to Derry.
Sean and I had driven over 920 miles.
Hopefully some of you will enjoy this record of events, I certainly
enjoyed preparing it. I must sincerely thank the following for this
successful Tangerine Dream experience: Julia Snyder, Stuart Hobday,
Edgar Froese, Jerome Froese, Emil Hachfeld, Zlatko Perica, Anja
Kathmann, Monica Froese, Peter Stoeferle and Siegfried Lindhorst.
Cheers!
Replies
Name/Email
Yahoo! ID
Date
Size
8960
Re: 1997 UK Tour - An Account by Conrad Gibbons o
Dave Brewer
Fri
11/21/1997
3 KB
9021
Re: 1997 UK Tour - An Account by Conrad Gibbons o
dn3
Mon
11/24/1997
4 KB
9137
Re: 1997 UK Tour - An Account by Conrad Gibbons o
Gibbons, Conrad
Mon
11/24/1997
4 KB
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 6:44
pm
Subject: Re: tour cds/The Keep special edition
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Really-From: 'Greg Heil'
Really-From: 'Jens Peschke'
Lars wrote:
>... the Keep pre-release CDs were sold out and I wouldn't expect them
> to appear at voiceprint at all... count yourself lucky if you can find
one
> at ANY price! You'll be best to wait for the regular Keep release [...]
I´ve noticed that this TDI010CD is a special edition but I´m wondering
if it´s a limited one since their is no hint to find. Does 'pre-sales' mean
that the other CDs will be different ? With a different cover ?
With one extra or different track like some other TDI releases ? :-(
If so, what the hell is Edgar doing ? I don´t wanna buy two different
releases although I like the music of the special edition very much.
(sorry, Vic)
I´ll buy an AirSculpture CD instead. JTJFJ.
Jens
----------
I bet 'Special Edition' most likely refers to the Keep's packaging. When it
gets here
to the states, it will, for practical reasons, come in a jewel case.. so we
miss out on the playdough CD holder. I think it would be a bit beyond
expensive to mass produce
the 'Special Edition' packaging for world distribution.
Maybe this isn't so, any other ideas on what the 'Standard Version' of The
Keep
will be, and how much different it will be from the other version?
Maybe Edgar is continually waiting/negociating in hopes of getting access
to
more Keep tracks before its official release.
Greg H.
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 7:42
pm
Subject: RE: 1997 UK Tour - An account of 3 concerts by Conrad Gibbons
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Really-From: 'Plumer, Scott'
Thanks for the narrative Conrad, I enjoyed it.
No one has posted a setlist from the UK tour, have they? Based on
Conrad's report, this is what I have:
Waterborne
Betrayal
Poland
Sundance Kid
Silver Scale
Warsaw In the Sun
Stratosfear '95
Dolphin Dance
Streethawk
Beach Theme
drum solo
Flashflood
220 Volt
Firetongues is a
Two Bunch Palms
Little Blond In The Park Of Attractions
Rising Haul In Silence
Lamb With Radar Eyes
Touchwood
Timsquare
Maedchen On the Stairs
Thief Yang And The Tangram Seal
Towards The Evening Star
I'm trying to compile this info for my book, so if anyone has any
additions or corrections, please let me know.
Any tapes extant of the UK tour?
Scott
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 7:56
pm
Subject: Re: 1997 UK Tour - An Account by Conrad Gibbons of 3 Concerts
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Really-From: Dave Brewer
Thank you Conrad, for your very interesting account! I really enjoy
reading stuff like this, especially when I couldn't make it to the shows
myself. I remember reading and enjoying similar accounts in the Tangible
Dream back around 1990. I think you were resposible for some of those as
well. I'd love the opportunity to see TD at more than one show at their
next NA tour, it sounds like fun! But the combination of school and work,
and a lack of serious money would make it hard... Especially if they're
coming this spring! (my last semester, hopefully!)
Again, thank you for the account. I'll be saving it in a file for future
enjoyment! :-)
Dave Brewer
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 8:06
pm
Subject: Re: tour cds/The Keep special edition
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Really-From: Dave Brewer
> Quoted From: 'Greg Heil'
>
> I bet 'Special Edition' most likely refers to the Keep's packaging. When it
> gets here
> to the states, it will, for practical reasons, come in a jewel case.. so we
> miss out on the playdough CD holder. I think it would be a bit beyond
> expensive to mass produce
> the 'Special Edition' packaging for world distribution.
I hope you're right. I don't know about anyone else, but I HATE the
cardboard packaging of full-length CDs. And I think the idea of the rubber
hub for the disc sounds rather stupid. The CD will long outlive the
packaging. Give me the good old-fashioned jewel cases anyday. They're
tried and true, and last a long time (unless they're brutally attacked by
the postal service!).
I guess those cardboard cases aren't as bad as the slip cases (like for
the earlier Miramar singles and the Shepherds Bush single). It seems
like those things are designed only to scratch up the discs!
Dayv Bru'r
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 6:58
pm
Subject: Re: The Man Inside Offer
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Really-From: Dave Brewer
> Quoted From: Vic Rek
>
> I can get 'The Man Inside' original CD, but I'm not sure of the price yet.
> I'm taking offers, and I hate to inform you, but this CD will probably be
> over $80.
>
Ouch! I want this soundtrack, but not THAT badly! I'm hoping that someone
will reissiue it sometime in the near future, so that I don't have to
donate my body to science fiction to cover the cost! :-) Will it be Silva
Screen? Or maybe One Way? Or Virgin?... Somebody??
Dave B.
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 9:20
pm
Subject: Re: Are Ozric Tentacles worth seeing live from a TD-fan's point of vi ew?
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Really-From: Gabe Yedid
On Tue, 18 Nov 1997, tadream mailing list wrote:
> Really-From: 'Gibbons, Conrad'
>
>
> Off topic slightly, but...
>
> Ozric Tentacles play Belfast on Fri Nov. 28th. Has anyone seen them on
> this tour/recently? How do they compare to TD's live performance?
> Would it be mainly instrumental? Should I go? Would you go?
>
> Regards,
>
> Conrad Gibbons
Well, if you are looking to see live musicians really play, then yes it
is much more worth going to than a TD show.
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 10:21
pm
Subject: Re: The Man Inside Offer
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Really-From: DJS
tadream mailing list wrote:
>
> ------------------------------------------------------------------------------
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> ------------------------------------------------------------------------------
> Really-From: Dave Brewer
>
> > Quoted From: Vic Rek
> >
> > I can get 'The Man Inside' original CD, but I'm not sure of the price yet.
> > I'm taking offers, and I hate to inform you, but this CD will probably be
> > over $80.
> >
> Ouch! I want this soundtrack, but not THAT badly! I'm hoping that someone
> will reissiue it sometime in the near future, so that I don't have to
> donate my body to science fiction to cover the cost! :-) Will it be Silva
> Screen? Or maybe One Way? Or Virgin?... Somebody??
>
> Dave B.
Sadly, I doubt anyone will reissue this OST because of it's unpopularity
and the fact that is was a video release instead of theatrical. In any
case, if anyone doesn't have this OST and is dying to get one for
listening pleasure (at a cost FAR less than $80, email me for more info.
Dan the 'I noticed Man Inside had a track on it that was on
Tangents...which is LAME' man
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Re: Are Ozric Tentacles worth seeing live from a T
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Really-From: Steven Feldman
>Are Ozric Tentacles worth seeing live from a TD-fan's point of view?
>From: tadream@c... (tadream mailing list)
>Date: Tue, 18 Nov 1997 17:12:47 -0000
>Really-From: 'Gibbons, Conrad'
>
>Ozric Tentacles play Belfast on Fri Nov. 28th. [. . .] How do they
>compare to TD's live performance?
Well, they don't just twiddle knobs and fake playing instruments,
if that's what you mean.
There is lots of guitar playing and knob twiddling and occasionally
one guy plays a flute, but the music is generally more hyper than on
their studio albums.
>Would it be mainly instrumental? Should I go? Would you go?
Mainly instrumental. I saw them about five years ago. It was
great.
-- Steven Feldman
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 10:01
pm
Subject: Re: The Man Inside Offer
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Really-From: Vic Rek
>What do you mean by 'original CD'? Is this a label rarity related issue?
>Or do you imply that any 'L'affaire Walraf' CD is already worth a bundle?
Sorry for the mis-leading statement. There is only one release of this CD,
so the 'original' is redundant. So this 'L'affaire Walraf' CD might be
worth something these days. I guess I'll find out the current street value
soon.
Vic
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Kraftwerk sample in 'Jungle Jacula'
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Really-From: Steven Feldman
There is sample of a Kraftwerk track at the beginning and end of
the second track on TIMESQUARE, 'Jungle Jacula.' I can't quite place
it. I *think* it's from the RALF AND FLORIAN album. It's got a flute-
like sound. Anyone know?
This isn't the first time TD's imitated Kraftwerk. The other time
is on the SORCERER soundtrack. I think it's 'Mountain Road' that has
the melody and/or synth setting.
-- Steven Feldman
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From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 10:42
pm
Subject: Re: The Man Inside Offer
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Really-From: 'Andrew J. Rozsa'
At 09:43 AM 11/21/1997 -0500, Vic wrote:
>
>I can get 'The Man Inside' original CD, but I'm not sure of the
price yet.
>I'm taking offers, and I hate to inform you, but this CD will
probably be
>over $80.
>
>Please don't complain about the price to me, I'm just the messenger.
>
While I will never pay this kind of cash for a CD, it does not
seem to be unusually expensive. Schmoelling's 'Zoo of
Tranquility' seems to be selling for about $68, while the rare
fan club release of 'Quinoa,' goes for about 85 bucks. These, at
SMD. Oh, before I forget, these CD are second-hand.
Andrew
From:
tadream@c... (tadream mailing list)
Date: Fri Nov 21, 1997 11:02
pm
Subject: Re: Kraftwerk sample in 'Jungle Jacula'
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Really-From: Gabe Yedid
On Fri, 21 Nov 1997, tadream mailing list wrote:
> Really-From: Steven Feldman
>
>
> There is sample of a Kraftwerk track at the beginning and end of
> the second track on TIMESQUARE, 'Jungle Jacula.' I can't quite place
> it. I *think* it's from the RALF AND FLORIAN album. It's got a flute-
> like sound. Anyone know?
> This isn't the first time TD's imitated Kraftwerk. The other time
> is on the SORCERER soundtrack. I think it's 'Mountain Road' that has
> the melody and/or synth setting.
Hmmm, so that's why it sounds so unusual for that time period...
The only other TD canon track I can think of that comes anywhere close to
'Mountain Road' in style is 'Santa Elena Marisal' from _BtS_.
But I would have thought that 'Impressions of Sorcerer'--later reborn as
'Graffiti Street' IMO-- was more evidently discoesque than 'Mountain Road'...
anyhow, it would thus seem that Jerome does NOT share his father's opinions
about sampling. And Ralf Hutter *has* admitted to being influenced by TD.
while we're at it, how about the opening chords of 'Melrose'?
> -- Steven Feldman
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Wed Dec 31, 1969 3:59
pm
Subject: Re: Zoo Of Tranqility Theta
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Really-From: 'Jeffrey Au-Yeung'
> Really-From: 'Andrew J. Rozsa'
>
> While I will never pay this kind of cash for a CD, it does not
> seem to be unusually expensive. Schmoelling's 'Zoo of
> Tranquility' seems to be selling for about $68, while the rare
> fan club release of 'Quinoa,' goes for about 85 bucks. These, at
> SMD. Oh, before I forget, these CD are second-hand.
>
> Andrew
>
I have a spare of Zoo of Tranquility Theta CD available for swap. In case
anybody is interested
Jeffrey
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 22, 1997 1:47
am
Subject: Re: Live In N.A.? Wishful Thinking...
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Really-From: TWeibre361@a...
In a message dated 97-11-21 16:46:12 EST, you write:
<< I
tried to get Cluster to play Cleveland last summer (Hey, they'd played
Boisie, why not Cleveland?) even booking a venue (across the street from
me), lodging (my house), and transport (my van) but for some reason they
bowed out. >>
YOU DESERVE A STANDING OVATION....
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 22, 1997 4:24
am
Subject: Re: TD tour fund
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Really-From: AOutland@a...
In a message dated 97-11-21 20:08:50 EST, you write:
<<
I'd pitch in a few $ to such a fund, on the condition that they play at
Burning Man.
>>
No, no, Pete, no conditions. All for one and one for all. If we can get
TD over here anywhere at all, we should be happy for those who can go
wherever it is. I said before, the cities would probably have to be
centrally located to the most fans to ensure the most commercial success.
Without commercial success, we don't have a hope of enticing any further
gigs. Besides, what the heck is Burning Man? Dell
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From:
tadream@c... (tadream mailing list)
Date: Sat Nov 22, 1997 4:41
am
Subject: VA - Funfundvierzig
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Really-From: Vic Rek
For those completists hiding in the corners... I guess I have to provide
this information, no matter how much it may hurt!
VA (Various Artists) - 10 Jahre Funfundvierzig - Germany Funfundvierzig 45, 1994
This is a sampler of various bands from this German label (the first u is an
umlat). This is a very cool looking sampler. A blue white city scape on
the cover and colorful flowers on the inside and on the picture disc.
Many bands on this sampler have a reggae influence with a combination of
techno, but that's not really a fair evaluation. Just a bunch of cool stuff
assembled to make it sound like an album...
The last track (of 15) titled 'Animato' is by Conrad Schnitzler + Thomasius
and is 3:25 long.
Vic
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 22, 1997 4:41
am
Subject: Shepard's Bush - Let's move on!!!
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Really-From: Vic Rek
For you new list members, there was a 'tree' established to distribute the
1996 Shepard's Bush concert to any interested list members. This was to be
a simple exchange with NOBODY making any profit - just for the fans.
It looks like our North American tree trunk got held up by Mark Filipak (a
past avid participant on this list) for various personal reasons. Since it
seems that Mark is unable to fulfill his commitments, then I strongly
recommend that we move on with someone else filling the spot.
I have contacted Mark personally and spoken to him about this, even
volunteered for him. He said he will still do it - that was two months ago
- and no word! Enough is enough! Mark, I'm sure you'll read this (and don't
take it as an insult) but we must move on!
So somebody send me the tapes (CD-R preferred), and I'll fill his spot in
the tree and everybody will have this soon.
Francisco where are you? Time to get to work...
Vic
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From:
tadream@c... (tadream mailing list)
Date: Sat Nov 22, 1997 4:59
pm
Subject: tour cds
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Really-From: 'Lars R. Jones' <105411.3107@c...>
Just a quick followup to our discussion the other day. I e-mailed
voiceprint and this was the response I got:
In message <199711211030_MC2-2907-D03C@c...>, 'Lars R. Jones'
<105411.3107@c...> writes
>Hi Anne Marie
>Have you heard anything about the availability of the TD tour merchandise?
>(the 2 posters, the ambient monkeys CD, the Timesquare CD, and The Keep
>pre-release CD?) you had previously told me that they had been sold out
>but that you would check and get back to me.
>
They are out for official release in the New Year!
so, it looks like the situation is bleak for ANY pre-release / tour stuff.
everyone will have to wait until after jan 1...
lars
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 22, 1997 5:23
pm
Subject: Re: 'V' + 666 = AntiChrist?
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Really-From: thesmitter@j... (Larry E Smith)
I bought this (See You Later) on vinyl many years ago. I have most of
Vangelis' catalog and this is one of only three that I do not like (along
with the unlistenable Invisible Connections and the odd Beaubourg).
Larry
>feedback on
>that title?
>
>Elias
>
>
From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: Kraftwerk and 'Mountain Road' (SORCERER)
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Really-From: Steven Feldman
>Subject: Re: Kraftwerk sample in 'Jungle Jacula'
>Date: Fri, 21 Nov 1997 18:02:17 -0500 (EST)
>From: tadream@c... (tadream mailing list)
>Really-From: Gabe Yedid
>
>The only other TD canon track I can think of that comes anywhere close to
>'Mountain Road' in style is 'Santa Elena Marisal' from _BtS_.
>
>But I would have thought that 'Impressions of Sorcerer'--later reborn as
>'Graffiti Street' IMO-- was more evidently discoesque than 'Mountain Road'...
Whoah. Hold on. When I compared 'Mountain Road' to Kraftwerk, I in
no way meant to imply anything about disco. While I like a lot of late
70's disco (especially that of Giorgio Moroder and Simon Sousson), pre-
RADIOACTIVITY Kraftwerk is *not* disco-esque--and it was the stuff from
before RADIOACTIVITY (1975) that I was referring to, particularly,
AUTOBAHN (1973) and RALF AND FLORIAN (1974).
-- Steven Feldman
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From:
tadream@c... (tadream mailing list)
Date: Thu Jan 1, 1970 4:59
am
Subject: THE KEEP Article in a Future VIDEO WATCHDOG Issue?
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Really-From: Steven Feldman
>Subject: TD / MARRILLIAN TOUR
>From: tadream@c... (tadream mailing list)
>Date: Fri, 21 Nov 1997 10:55:28 -0500
>Really-From: KRAUSENECKS
>
> On another Keep note, the popular fan mag VIDEO WATCHDOG has had
>articles on the various versions of LEGEND in a past article, and they
>keep reporting to have a similiar article on THE KEEP soon. If they do
>I'll certinly post it. [. . .]
Gee, great minds think alike: Thursday night, it dawned on me to
write to VIDEO WATCHDOG to request their doing an article on THE KEEP,
but when I talked to Lars on Friday, he said that someone said that VW
had just done a review on LEGEND and was planning one on THE KEEP. So,
I brought up VIDEO WATCHDOG's webpage
and did a search on articles on LEGEND and THE KEEP, but found nada.
Then, I e-mailed VW to ask if they'd thought about
doing anything on THE KEEP, and the magazine's editor e-mailed me back,
saying that he personally didn't know anything about the film other
than having seen it once in its first release. So, what I'd like to
know is, when and where did VW mention a planned KEEP article? I seldom
buy the magazine/digest, so I was wholly unaware that the film had ever
been mentioned in there (even though virtually every genre film does,
sooner or later, it seems).
VIDEO WATCHDOG has an 800 number (800-275-8395), so I *could* call
Lucas up, I suppose, to tell him about what I know about the film's
variants and rumors of more.
Perhaps Dano's KEEP-collector friend would like to attempt an
article on the various versions of the film using the videotape copies
he has in his collection??? Dano?
Anyways, below is a copy of the e-mail the editor of VW sent me:
-- Steven Feldman
+ + + + + + +
Date: Sat, 22 Nov 1997 13:38:56 -0500 (EST)
From: VIDEOWD@a...
Message-ID: <971122133856_1660025334@m...>
To: AR402004@b...
Subject: Re: 9 Diff. Vers. of THE KEEP?!
Steven --
I don't know anything about THE KEEP (I saw it once, when it was new), so
whether we did an article or not would depend entirely on whether a good
writer approached me with an article that I liked.
Thanks for the suggestion.
Tim Lucas
VIDEO WATCHDOG
Replies
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Re: THE KEEP Article in a Future VIDEO WATCHDOG I
Steven Feldman
Sun
11/23/1997
7 KB
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Re: THE KEEP Article in a Future VIDEO WATCHDOG I
DJS
Sun
11/23/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 22, 1997 9:27
pm
Subject: RE: THE KEEP Article in a Future VIDEO WATCHDOG Issue?
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: KRAUSENECKS
Hi Gang,
AHA , Mr. Feldman's keep -restless mind again stirs. On the subject of
the Keep article in Video Watchdog, I gotta go thru my old articles( I have em
all) and find out where I read it. The Legend article was a few issues back ,
and I copied it and sent it out to Lars, so maybe if the consensus is favorable
it may end up here. I'm VERY SURPRISED that Mr. Tim Lucas had only seen it
once. On the other hand he did'nt write the Legend article, it was submitted,
so maybe the same author may do one.Anyway, I am sure I read it in there
so.......perhaps this Keep vampire is playing mind tricks, EH?
On another Keep note, I saw the film in it's initial release, having
read the novel and remember being blown away, but disappointed in regards to
the novel/film diffferences. Maybe seeing it at the drive-in (remember those?)
had something to do with it. I do remember also seeing a making of special ,
and had a Fangoria with a few color stills(it was also on the cover). As far as
the soundtrack goes, I too saw the LP at my local Harmony House record store. I
had bought the Thief ST there and had it on my list of albums to get-alas never
did. Now it is gone( as well as the symphonic score to HEAVY METAL that I
never got either-DANO hint's?) and I may never see it.
Chris
----------
From: tadream mailing list
Sent: Saturday, November 22, 1997 2:53 PM
To: tadream@c...
Subject: THE KEEP Article in a Future VIDEO WATCHDOG Issue?
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Steven Feldman
>Subject: TD / MARRILLIAN TOUR
>From: tadream@c... (tadream mailing list)
>Date: Fri, 21 Nov 1997 10:55:28 -0500
>Really-From: KRAUSENECKS
>
> On another Keep note, the popular fan mag VIDEO WATCHDOG has had
>articles on the various versions of LEGEND in a past article, and they
>keep reporting to have a similiar article on THE KEEP soon. If they do
>I'll certinly post it. [. . .]
Gee, great minds think alike: Thursday night, it dawned on me to
write to VIDEO WATCHDOG to request their doing an article on THE KEEP,
but when I talked to Lars on Friday, he said that someone said that VW
had just done a review on LEGEND and was planning one on THE KEEP. So,
I brought up VIDEO WATCHDOG's webpage
and did a search on articles on LEGEND and THE KEEP, but found nada.
Then, I e-mailed VW to ask if they'd thought about
doing anything on THE KEEP, and the magazine's editor e-mailed me back,
saying that he personally didn't know anything about the film other
than having seen it once in its first release. So, what I'd like to
know is, when and where did VW mention a planned KEEP article? I seldom
buy the magazine/digest, so I was wholly unaware that the film had ever
been mentioned in there (even though virtually every genre film does,
sooner or later, it seems).
VIDEO WATCHDOG has an 800 number (800-275-8395), so I *could* call
Lucas up, I suppose, to tell him about what I know about the film's
variants and rumors of more.
Perhaps Dano's KEEP-collector friend would like to attempt an
article on the various versions of the film using the videotape copies
he has in his collection??? Dano?
Anyways, below is a copy of the e-mail the editor of VW sent me:
-- Steven Feldman
+ + + + + + +
Date: Sat, 22 Nov 1997 13:38:56 -0500 (EST)
From: VIDEOWD@a...
Message-ID: <971122133856_1660025334@m...>
To: AR402004@b...
Subject: Re: 9 Diff. Vers. of THE KEEP?!
Steven --
I don't know anything about THE KEEP (I saw it once, when it was new), so
whether we did an article or not would depend entirely on whether a good
writer approached me with an article that I liked.
Thanks for the suggestion.
Tim Lucas
VIDEO WATCHDOG
From:
tadream@c... (tadream mailing list)
Date: Sat Nov 22, 1997 11:55
pm
Subject: Re: Shepard's Bush - Let's move on!!!
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: AOutland@a...
In a message dated 97-11-22 11:55:18 EST, you write:
<<
------------------------------------------------------------------------------
Really-From: Vic Rek
For you new list members, there was a 'tree' established to distribute the
1996 Shepard's Bush concert to any interested list members. This was to be
a simple exchange with NOBODY making any profit - just for the fans.
>>
I would like to be included in this tree. Please? Dell
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 1:38
am
Subject: TD stuff for sale
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------------------------------------------------------------------------------
Really-From: JOHN BUREK <72241.2313@c...>
Hello folks,
Cleaning house today....came across a few goodies lying around taking up
space. Email *privately* if interested in any of the items below.
John
72241.2313@c...
-------------------------------------------------------
First item up for bids:
Two TD posters. Neither has ever been hung and both are in fine shape.
$20 for both (postpaid in the USA, postage extra elsewhere) or best
offer--selling only as a pair. I'll mail them in a sturdy mailing tube.
1) a very-large-format black and white photostat (approximately 2 feet by
4 feet) of a concert poster from the Brussels Vrije Universiteit November
8, 1982 concert, with the familiar Froese/Franke/Baumann (!!) heads from
the cover of 70/80. Nice quality, unfolded, though there's a very faint
line in the image where the original poster must have been folded. Still
nice.
2) The Miramar tour poster from the Rockoon 1992 tour--black-and-white on
glossy paper, with a big pic of Froese/Froese/Spa/Perica/Krieger (the
last of whom didn't play the tour at all) and two Miramar album covers.
Cost about $12 from Miramar back in '93. Not folded, mint.
-----------------------------------------------------------------
Two Chris Franke posters:
1) Full size (appx. 2x3 feet) Virgin Germany promo poster for Franke's
'Pacific Coast Highway' album (folded in four). Full color, features an
immense blow-up of the PCH 'collage' cover.
2) Full size (~2x3 feet) Sonic Images promo poster for 'The London
concert'. Folded in four, full color, features the 'bird silhouette'
cover.
Neither poster has ever been hung and both are in excellent shape. Price:
$12 (plus postage to wherever you are) or best offer--selling only as a
pair. I'll mail them flat. Reasonable swap offers will also be considered.
-------------------------------------------------------
Next item:
Peter Baumann 'Strangers in the Night' promo LP (not the promo 12', the
full-length, 10-track LP on CBS/Portrait, with a gold promo stamp on the
rear). $6 (plus postage to wherever you are) or best offer. Used; slight
wear on front cover; LP itself looks A-OK. Never released on CD as far as
I know (is that right?).Reasonable swap offers will also be considered.
-------------------------------------------------------
Next item:
TD Force Majeure (USA) CD, on Virgin USA (not the SBM edition). $6 plus
postage to wherever you are, or best offer.Reasonable swap offers will
also be considered.
-------------------------------------------------------
Next item:
Three dubbed videos, all left over from a swap that never happened....
1) Dubbed video of TD at Werner-Seelenbinder East Berlin, 20 Feb.1990. 79
minutes long, NTSC video on a TDK tape. It's a fan video, shot with a
camcorder from the audience. Original must have been PAL and was
transferred to NTSC somewhere along the line.
Watchable/average quality (by no means excellent); generation from
original unknown. Left over from a trade that never happened. Pretty good
concert--lots of stuff from Lily on the Beach and Destination Berlin, but
also some unreleased music.
2) Dubbed video of TD at Baltimore 15 Oct 1992. About 80-90 minutes long,
NTSC video on a TDK tape. It's a fan video, shot with a camcorder from
the audience. Some pretty inept camerawork, especially in the first
20-30min.
Decent but by no means excellent quality; 2nd generation copy. Also left
over from a trade that never happened.
3) Dubbed video of TD at Los Angeles 30 Oct. 92. About 110 minutes long,
NTSC video on a TDK tape. Fan video, shot with a camcorder from a balcony.
Pretty good quality; 2nd generation from original. Better camerawork than
on the Baltimore tape. Once again, left over from a trade that never
happened.
*Each* video is $10 (plus postage to you) or best offer. If lots of
people want them, perhaps I'll dig out the originals and make a few more,
within reason.Reasonable swap offers will also be considered (preferred,
really, in this case).
------------------------------------------------------------------
Last item:
Used videotape of 'The Soldier' (soundtrack by TD); shrink-wrapped but
marked 'Previously Viewed', and the sleeve shows moderate wear.
$6 (plus postage) or best offer.Reasonable swap offers will also be
considered.
------------------------------------------------------------------
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Re: TD stuff for sale
Claude Roy
Sun
11/23/1997
7 KB
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Re: TD stuff for sale
feldon@p...
Sun
11/23/1997
3 KB
8995
Re: TD stuff for sale
Claude Roy
Mon
11/24/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 4:44
am
Subject: so, just who is Sylvester Levay?
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Gabe Yedid
I had the opportunity to hear the ST for 'Three O'Clock High' for the
first time this week. While I was expecting a mess of different styles
here, I must say that this Sylvester Levay chap, whoever he is, did a
fairly creditable job of aping the general sound and style of TD at this
time. His contributions to the soundtrack fit in quite well with TD's own.
Is this his particular 'talent'--to finish soundtracks which have been
partially done by better-known artists, in the same style?
Gabe
real email addresses: gabe@c...
gyedid@p...
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 4:50
am
Subject: Re: Kraftwerk and 'Mountain Road' (SORCERER)
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Gabe Yedid
On Sat, 22 Nov 1997, tadream mailing list wrote:
>
> Whoah. Hold on. When I compared 'Mountain Road' to Kraftwerk, I in
> no way meant to imply anything about disco. While I like a lot of late
> 70's disco (especially that of Giorgio Moroder and Simon Sousson), pre-
> RADIOACTIVITY Kraftwerk is *not* disco-esque--and it was the stuff from
> before RADIOACTIVITY (1975) that I was referring to, particularly,
> AUTOBAHN (1973) and RALF AND FLORIAN (1974).
Well you didn't originally specify which era of Kraftwerk you meant.
Anyhow, I've not heard _Ralf and Florian_, but a pre-disco-KW flute
bit that sounds out in my mind is the intro from 'Morgenspaziergang',
off _Autobahn_. Could that be it, or is the 'Jungle Jacula' sample
definitely NOT off _Autobahn_?
> -- Steven Feldman
Gabe
real email addresses: gabe@c...
gyedid@p...
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 6:13
am
Subject: Re: THE KEEP Article in a Future VIDEO WATCHDOG Issue?
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: DJS
> VIDEO WATCHDOG has an 800 number (800-275-8395), so I *could* call
> Lucas up, I suppose, to tell him about what I know about the film's
> variants and rumors of more.
> Perhaps Dano's KEEP-collector friend would like to attempt an
> article on the various versions of the film using the videotape copies
> he has in his collection??? Dano?
I'll try to get these copies in my hands or the info you need. My buddy
lives 7 hours away & he's not to easy to get ahold of. Not to mention,
if everyone knew how busy I was you'd be amazed I even reply on this
list.
Dano
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 7:08
am
Subject: RE: Sylvester Levay
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'Elias Granillo, Jr.'
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 2:36
pm
Subject: RE: so, just who is Sylvester Levay?
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: Jim Moore
> Really-From: Gabe Yedid
> While I was expecting a mess of different styles
> here, I must say that this Sylvester Levay chap, whoever he is, did a
> fairly creditable job of aping the general sound and style of TD at this
> time. His contributions to the soundtrack fit in quite well with TD's own.
In case no one knows, Levay was also responsible for the
soundtrack to the series 'Airwolfe' (a helicopter version of
'Streethawk', if you will). He started off the series with a more
orchestral sound, but after a while he switched back to more
electronic music. The only other score that I know of from Levay
is maybe the 'Hot Shots' soundtracks....
- jimbo
'I object to all this sex on the television... I keep
falling off!' -- Graham Chapman
'jimbo@v...' is Jim Moore, Atlanta, Georgia
--------------> http://www.vivid.net/~jimbo/ <------------------------
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 4:47
pm
Subject: Re: TD stuff for sale
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'Claude Roy'
Hi John,
I'm interested in the videos of 1992 (25$) and the 1982 TD poster (40$),
please let me know if available. if not 1990 werner concert for 25$.
-----Original Message-----
From: tadream mailing list
To: tadream@c...
Date: 22 novembre, 1997 20:55
Subject: TD stuff for sale
>---------------------------------------------------------------------------
---
>To remove yourself from this list, send a message to majordomo@c...
that
>says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
>message body. You MUST do this from the address you subscribed with.
>The List owner does not read this list. Complaining here is useless.
>---------------------------------------------------------------------------
---
>Really-From: JOHN BUREK <72241.2313@c...>
>
>
>Hello folks,
>
>Cleaning house today....came across a few goodies lying around taking up
>space. Email *privately* if interested in any of the items below.
>
>John
>72241.2313@c...
>-------------------------------------------------------
>First item up for bids:
>
>Two TD posters. Neither has ever been hung and both are in fine shape.
>$20 for both (postpaid in the USA, postage extra elsewhere) or best
>offer--selling only as a pair. I'll mail them in a sturdy mailing tube.
>
>1) a very-large-format black and white photostat (approximately 2 feet by
>4 feet) of a concert poster from the Brussels Vrije Universiteit November
>8, 1982 concert, with the familiar Froese/Franke/Baumann (!!) heads from
>the cover of 70/80. Nice quality, unfolded, though there's a very faint
>line in the image where the original poster must have been folded. Still
>nice.
>
>2) The Miramar tour poster from the Rockoon 1992 tour--black-and-white on
>glossy paper, with a big pic of Froese/Froese/Spa/Perica/Krieger (the
>last of whom didn't play the tour at all) and two Miramar album covers.
>Cost about $12 from Miramar back in '93. Not folded, mint.
>-----------------------------------------------------------------
>Two Chris Franke posters:
>
>1) Full size (appx. 2x3 feet) Virgin Germany promo poster for Franke's
>'Pacific Coast Highway' album (folded in four). Full color, features an
>immense blow-up of the PCH 'collage' cover.
>
>2) Full size (~2x3 feet) Sonic Images promo poster for 'The London
>concert'. Folded in four, full color, features the 'bird silhouette'
>cover.
>
>Neither poster has ever been hung and both are in excellent shape. Price:
>$12 (plus postage to wherever you are) or best offer--selling only as a
>pair. I'll mail them flat. Reasonable swap offers will also be considered.
>-------------------------------------------------------
>Next item:
>
>Peter Baumann 'Strangers in the Night' promo LP (not the promo 12', the
>full-length, 10-track LP on CBS/Portrait, with a gold promo stamp on the
>rear). $6 (plus postage to wherever you are) or best offer. Used; slight
>wear on front cover; LP itself looks A-OK. Never released on CD as far as
>I know (is that right?).Reasonable swap offers will also be considered.
>-------------------------------------------------------
>Next item:
>
>TD Force Majeure (USA) CD, on Virgin USA (not the SBM edition). $6 plus
>postage to wherever you are, or best offer.Reasonable swap offers will
>also be considered.
>-------------------------------------------------------
>Next item:
>
>Three dubbed videos, all left over from a swap that never happened....
>
>1) Dubbed video of TD at Werner-Seelenbinder East Berlin, 20 Feb.1990. 79
>minutes long, NTSC video on a TDK tape. It's a fan video, shot with a
>camcorder from the audience. Original must have been PAL and was
>transferred to NTSC somewhere along the line.
>
>Watchable/average quality (by no means excellent); generation from
>original unknown. Left over from a trade that never happened. Pretty good
>concert--lots of stuff from Lily on the Beach and Destination Berlin, but
>also some unreleased music.
>
>2) Dubbed video of TD at Baltimore 15 Oct 1992. About 80-90 minutes long,
>NTSC video on a TDK tape. It's a fan video, shot with a camcorder from
>the audience. Some pretty inept camerawork, especially in the first
>20-30min.
>
>Decent but by no means excellent quality; 2nd generation copy. Also left
>over from a trade that never happened.
>
>3) Dubbed video of TD at Los Angeles 30 Oct. 92. About 110 minutes long,
>NTSC video on a TDK tape. Fan video, shot with a camcorder from a balcony.
>
>Pretty good quality; 2nd generation from original. Better camerawork than
>on the Baltimore tape. Once again, left over from a trade that never
>happened.
>
>*Each* video is $10 (plus postage to you) or best offer. If lots of
>people want them, perhaps I'll dig out the originals and make a few more,
>within reason.Reasonable swap offers will also be considered (preferred,
>really, in this case).
>------------------------------------------------------------------
>Last item:
>
>Used videotape of 'The Soldier' (soundtrack by TD); shrink-wrapped but
>marked 'Previously Viewed', and the sleeve shows moderate wear.
>
>$6 (plus postage) or best offer.Reasonable swap offers will also be
>considered.
>------------------------------------------------------------------
>
>
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 5:58
pm
Subject: Sylvester LeVay
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'Craig Shipley'
If you want to hear some early LeVay, check out the soundtrack to CAT
PEOPLE. Other than the Moroder/Bowie 'Putting Out Fire' track, he did the
rest of the soundtrack (if my memory serves correctly).
----------------------------------------------------------------------------
--------------
Craig Shipley craigs@s...
Siemens-Pyramid Information Systems, Inc.
1100 Johnson Ferry Rd. NE Suite 400
Atlanta, Georgia 30342 (404) 845-3404
Corporate Voice Mail (800) 333-5754 x-2023
----------------------------------------------------------------------------
--------------
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 7:39
pm
Subject: jim and pablo, the music
------------------------------------------------------------------------------
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------------------------------------------------------------------------------
Really-From: 'Lars R. Jones' <105411.3107@c...>
well, I put together a context-sensitive edit of the music from jim and
pablo (with some dialogue where needed to preserve the integrity of the 3
important tracks) and it turned out to be a whole 10:30 (not counting my
spacing between tracks)! or about $2.50/minute (by comparison, the Bush
CD5 was about $1/minute)
basically, there are 3 main tracks on this work (two of which play behind
the dialogue) and several shorter cue/effect-like bits that run 10-20
seconds each. the three main tracks are:
1) 'Haus der Welt I&II' which is the intro and extro theme piece and seems
to be the primary unreleased material on this disc (at least as far as I
can tell)
2) A 'Barbakane' variation (especially about the first 3 minutes) that
runs about 2 minutes in two appearances
3) an Alpha Centauri-Phaedra-Eno (Apollo)-like bit that runs about about 2
minutes in about two appearances; by this I mean that it reminds me a bit
of Alpha Centauri (wahn without voice almost) but is as melodic as bits of
Phaedra (or maybe rubycon) but really sounds like Eno (especially Apollo);
it's the spacey-est most atmospheric thing I think they've done in about 20
years.... I definitely think there are some Eno samples in here so, in the
context of our sampling discussion, it makes it quite interesting.
additionally, the short bits contain 2-3 different unreleased segments that
could be developed into nice pieces -- if it ever happens.
so, in sum, we might say that there is really about 6-7 minutes of music
here; maybe 2-3 of it is completely novel. so, over the space of 11 of
these CDs, we might find enough material for 1 music-only CD...
lars
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From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 8:17
pm
Subject: Re: jim and pablo, the music
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Really-From: 'Greg Heil'
Really-From: 'Lars R. Jones' <105411.3107@c...>
2) A 'Barbakane' variation (especially about the first 3 minutes) that
runs about 2 minutes in two appearances
3) an Alpha Centauri-Phaedra-Eno (Apollo)-like bit that runs about about 2
minutes in about two appearances; by this I mean that it reminds me a bit
of Alpha Centauri (wahn without voice almost) but is as melodic as bits of
Phaedra (or maybe rubycon) but really sounds like Eno (especially Apollo);
it's the spacey-est most atmospheric thing I think they've done in about 20
years.... I definitely think there are some Eno samples in here so, in the
context of our sampling discussion, it makes it quite interesting.
Odd how TD (Edgar actually) preaches not returning to the past and here is
an example of showing this not to be totally true. Maybe Jerome got stuck
with this one?
Greg H.
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 8:33
pm
Subject: Re: TD stuff for sale
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Really-From: feldon@p...
At 11:47 AM 11/23/97 -0500, you wrote:
>Really-From: 'Claude Roy'
>
>
>Hi John,
>I'm interested in the videos of 1992 (25$) and the 1982 TD poster (40$),
>please let me know if available. if not 1990 werner concert for 25$.
Uh oh, you sent this message to the list... guess you lost your chance...
Just kidding.
Morgan
feldon@p...
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 8:58
pm
Subject: Re: D: Beyond The Storm
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Really-From: AOutland@a...
I think I know what you are getting at Mark. Sometimes I will put on a
new age video, mute it, and put on a Tangerine Dream album instead. It will
pretty much blend with the pictures going on. However, from the moment I
heard Ricochet, the music came alive for me in daily life: the clinking of
propane cylinders being unloaded from a truck, the slapping of chains on a
flagpole, the blaring trumpet sound as you swing your car around a corner,
etc. But I also create whole scenarios to certain songs which replay
themselves in my mind like a movie, or at least a nature scene. You mentioned
one: Bobcats in the Sun. I can see Momma cat dozing fitfully, stretched out
in the sun near a tawny colored rock, almost hidden by the tall, ochre
grasses. She keeps an eye on her two cubs which are tumbling down the slope,
chasing each other and investigating curiously anything that moves.
I agree that this is what we should be doing here; discussing the music,
not slamming someone because their opinion is different. I don't often
mention other musicians, but I think Aretha Franklin had the right idea.
Respect is what we need.
It was a joy to read your article. Thank you. Dell
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 9:35
pm
Subject: Re : list name
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Really-From: FredYargui@a...
>> Don't you think 'Logos' by its latin origin and meaning would be
appropriate?
> erm...picky-point here..'logos' is ancient Greek.
Of course, you're right! I need some holidays...
I received digest #108 & 109 AFTER #110... Did it happen to anyone else? Does
the web postman need holidays too?
Greetings
Fred
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 24, 1997 9:49
pm
Subject: usubscribe tadream-digest
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Really-From: 'André'
unubscribe tadream
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 10:32
pm
Subject: Re: TD stuff for sale
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Really-From: 'Claude Roy'
Oups sorry for this one !!
I press the wrong button!!
-----Original Message-----
From: tadream mailing list
To: tadream@c...
Date: 23 novembre, 1997 15:48
Subject: Re: TD stuff for sale
>---------------------------------------------------------------------------
---
>To remove yourself from this list, send a message to majordomo@c...
that
>says: 'unsubscribe tadream' and 'unsubscribe tadream-digest' in the
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>---------------------------------------------------------------------------
---
>Really-From: feldon@p...
>
>
>At 11:47 AM 11/23/97 -0500, you wrote:
>>Really-From: 'Claude Roy'
>>
>>
>>Hi John,
>>I'm interested in the videos of 1992 (25$) and the 1982 TD poster (40$),
>>please let me know if available. if not 1990 werner concert for 25$.
>
>Uh oh, you sent this message to the list... guess you lost your chance...
>
>Just kidding.
>
>Morgan
>feldon@p...
>
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 10:55
pm
Subject: Reims Cathedral concert questions
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Really-From: 'Jens Peschke'
Hi, folks !
I´ve two question concerning the TD concert at the Reims Cathedral which
took place
in Reims, France, December the 13th in 1974.
What other artists, musicians were playing there except Nico, who opened
the concert ?
Is it correct that it was released on a CD boot entitled 'Live!
Improvised!' ?
Thanks in advance
Jens
Replies
Name/Email
Yahoo! ID
Date
Size
8998
Re: Reims Cathedral concert questions
feldon@p...
Mon
11/24/1997
3 KB
9022
Re: Reims Cathedral concert questions
Plumer, Scott
Mon
11/24/1997
3 KB
9031
Re: Reims Cathedral concert questions
Jens Peschke
Tue
11/25/1997
3 KB
9044
Re: Reims Cathedral concert questions
Plumer, Scott
Tue
11/25/1997
3 KB
9047
Re: Reims Cathedral concert questions
Vincent Goudreault
Tue
11/25/1997
3 KB
9048
Re: Reims Cathedral concert questions
Michael Richard
Tue
11/25/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Sun Nov 23, 1997 11:16
pm
Subject: Re: CDs for Sale
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Really-From: PhilPDX@a...
Hi, Larry. The CD's I bought from you are still under wraps til Christmas.
Oh, the torture!
For whatever reason, I didn't ask you for the Boddy/Pickford disc Symbiont.
You wouldn't perchance still have that one for sale for $7, would you? I'm
sure it's long gone, just thought I'd ask.
Phil Derby
Portland, Oregon
Replies
Name/Email
Yahoo! ID
Date
Size
9003
Re: CDs for Sale
Larry E Smith
Mon
11/24/1997
3 KB
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 24, 1997 12:02
am
Subject: Re: Reims Cathedral concert questions
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Really-From: feldon@p...
At 11:55 PM 11/23/97 +0100, you wrote:
>Really-From: 'Jens Peschke'
>
>
>Hi, folks !
>
>I´ve two question concerning the TD concert at the Reims Cathedral which
>took place
>in Reims, France, December the 13th in 1974.
>
>What other artists, musicians were playing there except Nico, who opened
>the concert ?
I didn't know there was an opener.
>Is it correct that it was released on a CD boot entitled 'Live!
>Improvised!' ?
Yes, and it's got amazing quality considering how long ago the recording
was made. It's 80 minutes, with (donning fireproof underwear), what I
consider about 30 minutes of album-worthy material... The rest is noodling,
but it's all interesting. Definately shows you Phaedra's and Rubycon's
roots...
Morgan
feldon@p...
From:
tadream@c... (tadream mailing list)
Date: Mon Nov 24, 1997 1:51
am
Subject: D:Solo Week 24 - Nov. 24, 1997
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Really-From: Vic Rek
This week we would like to hear comments on:
Paul Haslinger - any solo related releases
------------------------------------------
Please make subject heading 'D:Haslinger' when replying.
Note: I will be a few days late in posting next weeks subject, so if you
want to get a head start, the subject will be 'D:Hoenig'.