From:
'Feldon Feldon'
Date: Fri Mar 17, 2000 5:30
pm
Subject: Re: [tadream] tadream list shown as 'Unmoderated' on the onelist.com
Man, I didn't realize this was the moderated list. I meant to join the
unmoderated list. I would never have dreamed of even mentioning bootlegs on
this list if I knew that. *sigh*
---------------------
From www.onelist.com in reference to the tadream list:
Options:
• Listed in directory
• Open membership
• Unmoderated
• All members may post
• Primary language: English
• Public archives
We endeavor to function as a sort of 'online fan club', where you are
invited to share your memories, preferences and knowledge as a Tangerine
Dream aficianado, join in on the weekly album discussions, identify that old
unmarked bootleg tape you've had since college....
-----------------------
From www.onelist.com in reference to the tangerine dream list:
Any personal attacks or *hate* mail will not be allowed. Please use this
list as a forum for friendly chatting about the GREATEST band in the
world!!!
--------------------
When i saw this, I assumed that the tangerine dream list was more
restrictive. Not that I would personally attack anyone.
-Morgan
(sorry to make so much traffic today out of my ignorance)
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
'Carl & Jacqui Kearney'
Date: Fri Mar 17, 2000 7:42
pm
Subject: Re: [tadream] TD or not TD That is the question.
----- Original Message -----
From: 'Sean Montgomery'
To: 'TD EMAIL'
Sent: Friday, March 17, 2000 1:02 AM
Subject: Re: [tadream] TD or not TD That is the question.
> From: Sean Montgomery
>
>
>
> > From: 'Carl & Jacqui Kearney'
> >
> > I just came across the following while surfing around , can anyone shed
any
> > light on the matter ?
> > Tangerine Dream - Kaliedoscope
This is
> an album called Tangerine Dream by a group called Kaleidoscope. It was
> originally released in 1967, and was recently reissued.
> SEAN MONTGOMERY Animator
Phew !!! Thanks Sean you just saved me a great deal of embarrassment ,
thought I had found a rare item ( he he he )
I very much appreciate the help , Carl ' Orch '
From:
'Carl & Jacqui Kearney'
Date: Fri Mar 17, 2000 11:20
pm
Subject: Invisible Shadows.
Hi folks !
Just wanted to say thanks to who ever sugested sending an e-mail to
Invisible Shadows in Germany to obtain there free promo CD .
It arrived today safe and sound , listening to it now and am so far
impressed .
Thanks Again Carl ' Orch '
Replies
Name/Email
Yahoo! ID
Date
Size
21278
Re: Invisible Shadows.
Jared White
Mon
3/20/2000
4 KB
21279
Re: Invisible Shadows -- PS
Jared White
Mon
3/20/2000
2 KB
From:
Rainer Rutka
Date: Fri Mar 17, 2000 11:54
pm
Subject: Solar Eclipse CD!!/MS Encarta TD-entry
Hi!
Today's infos:
I added the Tangerine Dream entry form the german Encarta CD-ROM by
Microsoft onto my TD internet site. Start it and you'll see.
Just a question: How's about the US- or the English version (or italian,
shwedish, portugese........)? Is the TD entry in all this CDROMS or
only in the german version?
And: I got a message because of the Solar Eclipse CD with the TD
music on it. As I thought, the guys from INET are _not_ sending it to foreign
contries outside europe. The reason: The amount of postage will be higher
than the cost of the CD (ITS NOT A CD-R!!!).
I ordered some more disks today but I'm not shure I get 'em all.
If I get some more infos, I'll redirect it to you all.
This is your last change to put your fingers on it. It's an original.
I don't do this for profit! I trade or I sell it to you for the
price of the CD and the postage. The cost of the CD is approx.
15 DM/each including postage inside germany.
If you want to order it yourself, o.k.! I added a link on my td-page
to the - german language - order page. INET is selling inside europe only.
If you can't get one, ask me. And I added a german and english example
of the video-menue.
Bye...
Rainer
---------------------------------------------------------------------
Updated TD site: www.rutka.de/td
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From:
'John Marchington'
Date: Sat Mar 18, 2000 12:41
am
Subject: Re: [tadream] TD without EF
I'm sure your sentiments are shared by a lot of others, Olle, but I'd hang
in there, all the same. As far as I am concerned, the Virgin years still
hold the most interest for me, but that' s not to suggest that everything
outside that period is not worth listening to. Everybody will have their own
favourite albums and styles. For me, 'TimeSquare' off the 'Dream Mixes 2'
album is head and shoulders above anything else they've written in recent
times, but I obviously don't expect everyone to agree with that. I still
love 'Underwater Sunlight' and a number of the soundtrack albums such as
'Wavelength', 'Flashpoint', 'L'Affaire Wallraff' and 'The Park Is Mine', to
name but four. I also find that compositions I had little time for when
first encountered begin to appeal after repeated hearings. Sometimes one has
to make an effort to get 'inside' some music, TD being no exception.
When it comes to discussing TD without Edgar, I shall remain silent for who
can possibly know? It's possible that some other brilliant musician might
take over the reins -- and everybody will then be wondering what all the
fuss was about!
----- Original Message -----
From:
To:
Sent: Saturday, 18 March 2000 02:21
Subject: [tadream] TD without EF
> From: olle.rundgren@s...
>
> An interesting thread indeed. Anyone remember. Sorry for being late but I
> feel the urge to post some thoughts about this.
>
> I have often wondered why I continue buying TD albums. I sure know why I
> started back in the mid 70s. Simply because I loved the music. Rubycon was
> the first, if I am not mistaken, and buying Phaedra, Ricochet and the lot
> just made me aware that this was it. It became almost a religious thing,
> buying and listening to these masterpieces, never a disappointment.
> Working my way backwards to Electronic meditation and the period up to
Atem
> it would be an exaggeration to say that my feelings were the same. However
> it was history and if nothing else, at least interesting to have.
> During the 80s I gradually lost that religious feeling mentioned above. I
> started to hope for, as opposed to expect, a positive listening experience
> when buying the new albums. It wasn't that I didn't like the music, rather
> that they were heading in a direction towards the mainstream. Suddenly
there
> were melodies, and no matter how good a melody, once you are able to hum
it
> to yourself you are bound to get tired of it sooner or later (like that
old
> favourite shirt hanging back there in the closet. You liked it so much and
> would never throw it away even though you never use it nowadays). However,
> knowing that the line-up actually did produce Tangram was the reason for
> wanting to have the next album.
> Then off went Schmoelling and later Francke and there was Haslinger and
> towards the latter part of the 80s Tangerine Dream had completely lost its
> power over my record consuming behavior. It is impossible to say exactly
> when I lost interest in the group but it coincided with the end of the
vinyl
> era for me. Destination Berlin was probably the last TD vinyl I bought and
> listening to that one it certainly isn't difficult to understand why I
lost
> interest.
> It was only some years into the 90s that I got myself a cd equipment and I
> would say that it took until somewhere around the mid 90s before I started
> to listen to TD again. The quality of their output from that decade is
very
> mixed. However to me the absloute all time low period was the end of the
> 80s. My overall opinion is that they are releasing far too much material
for
> their own good. Still I see positive signs. Oasis and Goblins Club
certainly
> have their promising parts, What a Blast is not at all bad and so on.
>
> The key question though is: Should I have been a TD fan if I started out
> today listening to their 90's output. Probably not, at least not to the
> extent that I'd buy all the albums. However I have the history, that is, I
> know what they are capable of. If and when Froese decides to quit it will
be
> a different thing though as he is the glue that has been keeping it all
> together during the years. If Jerome wants to continue in the same vein he
> should definately do it but try to find another name for the group. It
could
> well be connected to TD but shouldn't be it. There are too many ideas
about
> what is right or wrong among the fans of Tangerine Dream to make it
healthy
> for any successor to Edgar, not least his own son.
> Whether I will continue to be interested or not depends on the quality but
> for me TD ends with the last remaining founder.
>
> Oops, there went my lunch-break. Sorry for a long one here. Finally a hint
> to you who are looking for other interesting electronic music; Try
> Waveshape, not at all bad if you like dreamy, floating stuff.
>
> Bye for now
> Olle
>
> ------------------------------------------------------------------------
> GET A NEXTCARD VISA, in 30 seconds! Get rates as low as 0.0%
> Intro or 9.9% Fixed APR and no hidden fees. Apply NOW!
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> ------------------------------------------------------------------------
>
>
> PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
> To unsubscribe: mailto:tadream-unsubscribe@o...
> Website: http://www.tadream.net
>
>
>
From:
'Jens Peschke'
Date: Sat Mar 18, 2000 1:23
am
Subject: Re: [tadream] Invisible Shadows.
> From: 'Carl & Jacqui Kearney'
>
> Hi folks !
> Just wanted to say thanks to who ever sugested sending an e-mail to
> Invisible Shadows in Germany to obtain there free promo CD .
> It arrived today safe and sound , listening to it now and am so far
> impressed .
> Thanks Again Carl ' Orch '
You're welcome, Carl. Worth every penny, eh ? ;-)))
Best Regards
Jens
Replies
Name/Email
Yahoo! ID
Date
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21280
Re: Invisible Shadows.
Bert.Hulshoff@N...
Mon
3/20/2000
3 KB
21288
Re: Invisible Shadows.
Kevin Earley
Mon
3/20/2000
3 KB
21304
Re: Invisible Shadows.
Eric Rochon
Mon
3/20/2000
2 KB
From:
Steven Feldman
Date: Sat Mar 18, 2000 5:15
am
Subject: Two Lists + One Name = Trouble
>Date: Fri, 17 Mar 2000 11:30:25 CST
>Subject: Re: [tadream] tadream list shown as
> 'Unmoderated' on the onelist.com
>From: Tangerine Dream mailing list
>Really-From: 'Feldon Feldon'
>
>Man, I didn't realize this was the moderated list. I meant to join the
>unmoderated list. I would never have dreamed of even mentioning
>bootlegs on this list if I knew that. *sigh*
>---------------------
>From www.onelist.com in reference to the tadream list:
>Options:
>• Listed in directory
>• Open membership
>• Unmoderated
>• All members may post
>• Primary language: English
>• Public archives
>We endeavor to function as a sort of 'online fan club', where you are
>invited to share your memories, preferences and knowledge as a Tangerine
>Dream aficianado, join in on the weekly album discussions, identify that
>old unmarked bootleg tape you've had since college....
>-----------------------
>From www.onelist.com in reference to the tangerine dream list:
>Any personal attacks or *hate* mail will not be allowed. Please use this
>list as a forum for friendly chatting about the GREATEST band in the
>world!!!
>--------------------
'', ''? Fuck if
*I* can remember which is which at any given time: the postings to
each seem about the same. It gives me a real pain in the ass that we
have become so factional that we have to have three goddam lists for
one band, just because some of us can't share our toys and play nice.
>When i saw this, I assumed that the tangerine dream list was more
>restrictive. Not that I would personally attack anyone.
Unlike me. ;) But then, it's partly revenge for my being shouted
down about THE KEEP so many times.
>-Morgan
>(sorry to make so much traffic today out of my ignorance)
It's not ignorance, it's having some cojones and trying -- against
the odds on these lists these days -- to think for yourself without
knuckling under to the prevailing 'wisdom.'
For example, my fave TD albums are EPSILON IN MALAYSIAN PALE and
MARS POLARIS. Note that one is a *solo album* rather than an actual TD
album, while the other is -- horrors! -- one of those beat-heavy albums
by that 'bad drummer.' Too fucking bad. They're both great. So I'm
not in a Schmoelling phase anymore. Also too fucking bad. Go ahead,
make some comment about my having a period or PMS . . . see if I care.
I *like* ranting about my favorite band. ;) :)
-- Steven Feldman
- - - - - - -
Quip: 'Absence of evidence is not evidence of absence.' --Albert Einstein
Another: 'Science is to investigate the unexplained, not to 'explain' the
uninvestigated.' --Stanton Friedman, nuclear physicist and UFO researcher
From:
Chris Richards
Date: Sat Mar 18, 2000 9:59
am
Subject: Re: [tadream] Digest Number 424
<>
Well, any artist who has a problem with his/her
music being bootlegged has the option of
releasing said music legitimately, undoctored, of
course. It doesn't help if the only 'archival'
releases that come out (or indeed, many of the
live albums that TD has released) are heavily
'doctored up' after the fact. The thing that has
to be recognised is that bootlegs exist for a
reason, and that's there being a demand for
unreleased recordings. Tangerine Dream put on
some rather legendary shows during the 70's and
early to mid 80's, and therefore, recordings of
those shows are highly sought after. I know at
least one person who never understood why the
band never released the Reims Cathedral concert
legitimately. Since Edgar has proven to be less
than ethusiastic about releasing such items (and
like I said, people want to hear the music sans
remixing, overdubbing, especially the sort that
takes place 2-3 decades later), bootleggers are
gonna step in and help fill a void in the
marketplace. That's just how it works. You have
to accept that it's part of the biz, as it were.
Now, most of my collection of 'non-official'
releases were tapes or CD-R's or videos I
acquired by trading with other collectors. On the
other hand, I have on occasion actually put down
some of my money for an actual bootleg, though
I've never done so with a Tangerine Dream item. I
happen to feel some of the live tapes I have of
TD are in fact better than the stuff that was
released (for instance, I prefer the tapes I have
of the 77 North American tour over Encore). When
one of my favorite bands releases old recordings
(such as what King Crimson or The Grateful Dead
have done), I've been more than happy to take any
of those recordings that I've been offering for
trading purposes out of circulation, so as to
'support the artist', as it were, and to
encourage others to buy the recordings from the
legitimate sources. If no such legitimate release
exists, well, then, there's only one option for
the fans, isn't there? If Edgar really gets so
upset about bootlegs, than he should do what the
Grateful Dead have done, and start issuing some
of the old shows, and I mean without RECENT
overdubs. I wouldn't mind paying good money to
get the Reims Cathedral or Cleveland 77 shows, in
their entirety, unedited, on CD, even though I
already have copies of them. And even though my
copy of the Montreal 77 show is dubbed from a
pristine radio broadcast, it would be nice to be
able to get it on CD and to be able to pay Edgar
for the efforts of making it available thusly.
And best of all, when someone says 'Which TD
album should I start with?', I can point to the
Reims or Montreal releases and without
reservation, say 'Get those two'.
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com
From:
'kayleigh'
Date: Sat Mar 18, 2000 2:10
pm
Subject: Fan Taping - flame war?
Hey there all. I'd like to throw a few nice comments into this little
conversation about fan taping/trading/bad traders. FIRST, I'd like to
commend Joe with the way he wrote regarding the entire note/bad trader
situation. Myself, I have been involved in a similar situation about two
years ago on another mailing list. The fans there are very obsessed with
this band, and speak as if the members are God-like creatures, where I've
never ever looked at musicians that way. They are simply just people maybe a
bit more talented than you or I, but they are people nonetheless, nothing
better about them.
Long story short, I have seen flame wars hundreds of times regarding fan
taping/trading. I have never taped shows myself (TRIED one time actually,
and you cannot talk, speak, burp, notta or it shows up on the tapes, and it
sounds like shit), BUT on that story, that was my one experience. I have
openly traded for FOUR YEARS, and have never ever had a bad trade. Sure,
some things have shown up that weren't the quality I was promised, but so it
goes. Things happen, no hard feelings, and I don't hold a grudge.
To trade/tape, honestly I don't think it will ever stop. MOST
artists/musicians/bands DO NOT like this sort of thing, BUT my honest
opinion, look at the Dead (i've been a HUGE trade of their material for
years, and collect it all), Dave Matthews, Pearl Jam, Metallica and MORE. I
think the more the artists ALLOW the taping/trading this cuts down
drastically on bootlegging and sales. Springsteen prosecutes ANYONE remotely
involved in trading OR taping bootlegs, and because of that, his bootlegs
SELL for a lot of money, and they are always online various sites selling,
wheras you don't see other bands who allow taping/trading being sold as
much.
What this comes down to, honestly is just my OPINION. There are people that
will never agree with taping OR trading. AND there are people like myself
that would trade for live material like TD in a heartbeat, BUT I will ALWAYS
support a band and purchase real items outright (studio releases, etc), AND
in the same case, there are others who will never agree with trading/taping.
BUT because someone does'nt like it, does that mean I will stop? Nope, it
doesn't. Because someone doesn't WANT others to tape/trade, does that mean
everyone who DOES will immediately stop? Unfortunately it does not. That's
just the way it goes.
I've seen/heard about bootlegging for YEARS AND YEARS, and they've tried to
stop it. It hasn't stopped yet, and IMHO I Don't see that happening.
At the same time, I have had people send me CDR copies of studio releases in
the past 'listen to this'. IF it is a band I WOULD NOT BUY ordinarily, if I
like it, I always ALWAYS buy the real thing. If I do not, I simply listen to
it, and about 99% of the time, send it on to someone else. Why? Because this
is money that band would NOT have gotten from me anyhow, whether I DID NOT
originally buy the cd or even after listening to the CDR, I still wouldn't
have bought it.
Just thought I'd speak a few minutes. Thanks for listening. I've heard/been
involved in flame wars for years about trading/taping. With live concerts I
do what I do with trading as I LIKE IT. I don't agree with selling/for
profit (THAT is wrong), but because say I trade live Tangerine Dream
material, does that mean 'oh, I have 40 live shows, so I don't need to pay
money to see a live concert' NO WAY. I would pay almost ANY reasonable sum
(To me that is a LOT considering I have never seen these guys perform), and
would never pass that up for a live bootleg. NO WAY. So if anyone does that,
it doesn't come to where they are trying to rip the band off, etc by having
live recordings. IF anyone would skip a live performance of a band like
Tangerine Dream cuz of a few bootlegs, they need to have their head checked
as SOMETHING isn't working upstairs.
dan
Kayleigh's Playhouse!
http://www.modempool.com/kayleigh
Crack A Smile - THE Online Poison Mailing List
TheTradingCircle - An Online CDR Trading Network!
ICQ#1247205 - AOL IM: Tootiehoot2 - Firetalk# 581211
Yahoo Pager: kayleigh_tootiehoot
Replies
Name/Email
Yahoo! ID
Date
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21260
Re: Fan Taping - flame war
Rainer Rutka
Sat
3/18/2000
2 KB
From:
Rainer Rutka
Date: Sat Mar 18, 2000 3:33
pm
Subject: Re: [tadream] Fan Taping - flame war
On Sat, 18 Mar 2000, kayleigh wrote:
> From: 'kayleigh'
> Hey there all. I'd like to throw a few nice comments into this little
> conversation about fan taping/trading/bad traders. FIRST, I'd like to
> ... rest deleted...
All I can say to this: I AGREE!
To everything kayleigh's wrote in his last mail to the list.
Rainer
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
TD-fan page: www.rutka.de/td
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From:
'koulos_'
Date: Sat Mar 18, 2000 2:35
pm
Subject: d:ost legend
legend
1 is your love strong enough [non TD related]
2 opening
3 cottage
4 unicorn theme
5 goblins
6 fairies
7 loved by the sun
8 blue room
9 the dance
10 darkness
11 the kitcen/unicorn theme reprise
a album that makes me fell like into a magic world [although i haven't seen the
moovie ]
favorites tracks are
cottage: with the opening notes to be one of the best parts of TD's song ever
fairies :i always fell like thousand of fairies fly into my room anytime i
hear this song [also having a nice tune in the last 1.15 min of the track]
the kitchen/U.T.Reprise a nice song that someone could put a drummachine in
the back and make even goa/trance out of it [but it gives me the feeling that
we are waiting for something to enter the place .........and then the good
enters the place .....[while i am always waiting to ender the drummmachine i
was talking before.....:)]
anyway this is a nice OST and i always consider playing
yours koulos from athens
n.p. a colllection of carlo santana old claasics [jin-go-lo-ba persuasion el
corazon manda .........up lifting music as i call it]
[Non-text portions of this message have been removed]
From:
'Lawry Simm'
Date: Sat Mar 18, 2000 5:08
pm
Subject: Discussion Week 28 - Sunday 18th March 2000
This week brings me to another of my favourite albums, Underwater
Sunlight.
Please mark your email with a subject of 'D:Studio [Underwater
Sunlight]' for the benefit of the list search engine.
Samples can be found at
http://www.tangerinedream.de/samples/underwater1.ram
http://www.tangerinedream.de/samples/underwater2.ram
There is also a midi file that I created of Song Of The Whale Part 1
knocking around the internet at various places. It should still be at
www.thisolehouse.freeserve.co.uk/midi
Regards,
Lawry
lawrysimm@u...
ICQ # 23267226
Instant Messenger - lawrysimm
From:
Vic Rek
Date: Sat Mar 18, 2000 11:12
pm
Subject: Okefenokee TD Trip
Hi TD fans!
So far we have about 11 people that will most likely attend the TD
Okefenokee Swap gig. I also have about 5 that are still not sure.
We have room for up to 16 so please respond soon. We can find more room
if necessary though.
This is what I have sent to the ones that are interested:
> Please confirm if you plan to attend so I can come up with a list.
> The Swamp gig is from Sunday April 9th to 12/13th.
>
> I will also have for sale from TDI 'Tango-go' - 15 copies (we'll be the
> first ones to have them) and 5 copies of 'Soundmill Navigator' - first
> come first serve. I'll sell them at my cost of $18. Also, bring an
> extra TD item for the drawings that we'll have. We'll I'm looking
> forward to it - should be fun. We'll also have some original music too!
>
> Oh, remember that the gates to the park close at 7PM. So you must be in
> by then.
>
> Call or e-mail me if you have questions:
Vic
From:
Rainer Rutka
Date: Sun Mar 19, 2000 1:34
am
Subject: Gradwohl Internet Site
Hi!
Found in the TD guestbook: Gerald Gradwohl Guitar Site.
Great site by one of TD's live guitarists.
URL: http://www.gradwohl.at/
Just for your info. I added the link in my TD-LINKS page, too.
Rainer
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
www.rutka.de/td
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From:
'C Chambers'
Date: Sun Mar 19, 2000 1:37
am
Subject: Re: [tadream] Okefenokee TD Trip
Vic,
Hi, sorry to be so unsure at this point, but I just started a new job on
Weds. and it may be difficult to commit yet. I definitely want to attend,
but I have to wait closer to the date to know for sure. If I am able to
attend, I can always make accomodations for myself (tent, car, etc...)
Again, I appreciate you organizing all of this but it is just difficult to
commit with so much going on in my work situation.
Craig
> From: Vic Rek
>
> Hi TD fans!
>
> So far we have about 11 people that will most likely attend the TD
> Okefenokee Swap gig. I also have about 5 that are still not sure.
>
> We have room for up to 16 so please respond soon. We can find more room
> if necessary though.
>
> This is what I have sent to the ones that are interested:
>
> > Please confirm if you plan to attend so I can come up with a list.
> > The Swamp gig is from Sunday April 9th to 12/13th.
> >
> > I will also have for sale from TDI 'Tango-go' - 15 copies (we'll be the
> > first ones to have them) and 5 copies of 'Soundmill Navigator' - first
> > come first serve. I'll sell them at my cost of $18. Also, bring an
> > extra TD item for the drawings that we'll have. We'll I'm looking
> > forward to it - should be fun. We'll also have some original music too!
> >
> > Oh, remember that the gates to the park close at 7PM. So you must be in
> > by then.
> >
> > Call or e-mail me if you have questions:
>
> Vic
>
>
> ------------------------------------------------------------------------
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> Website: http://www.tadream.net
>
>
Replies
Name/Email
Yahoo! ID
Date
Size
21266
Re: Okefenokee TD Trip
C Chambers
Sun
3/19/2000
2 KB
21604
Re: Okefenokee TD Trip
Vic Rek
Tue
4/4/2000
4 KB
21699
Re: Okefenokee TD Trip
C. Chambers
Wed
4/5/2000
5 KB
From:
'C Chambers'
Date: Sun Mar 19, 2000 2:18
am
Subject: Re: [tadream] Okefenokee TD Trip
Oooops!
This was meant for Vic only...sorry!
> Vic,
>
> Hi, sorry to be so unsure at this point, but I just started a new job on
> Weds. and it may be difficult to commit yet. I definitely want to attend,
BLAH! BLAH! BLAH!
From:
'teiwaz _'
Date: Sun Mar 19, 2000 2:46
am
Subject: escalators and auction houses
hmm, back to this topic again (I think)
it seems that the argument on this list over items of non-official release
hurting the artist seem to revolve around the artist getting ripped
off--which is true.
Hmm, nothing new here so far, but what about the sale of used official
releases sold at auction or in record shops that resell used music sometimes
for exhorbitant prices? It's obvious that the artist gets ripped off twice
here--once by the record company and once by the reseller. Perhaps someone
can tell me where the artist's resale cut goes.
--teiwaz
np Topping out ceremony
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
'Feldon Feldon'
Date: Sun Mar 19, 2000 2:46
am
Subject: Re: [tadream] Two Lists + One Name = Trouble
>From: Steven Feldman
>Reply-To: tadream@o...
>To: Tangerine Dream mailing list , Tangerine Dream
>mailing list
>Subject: [tadream] Two Lists + One Name = Trouble
>Date: Sat, 18 Mar 2000 00:15:16 EST
> For example, my fave TD albums are EPSILON IN MALAYSIAN PALE and
>MARS POLARIS. Note that one is a *solo album* rather than an actual TD
>album, while the other is -- horrors! -- one of those beat-heavy albums
>by that 'bad drummer.' Too fucking bad. They're both great. So I'm
>not in a Schmoelling phase anymore. Also too fucking bad. Go ahead,
>make some comment about my having a period or PMS . . . see if I care.
Just to lob my own opinion, the tracks OS 452 and PA 701, are about the only
bits of Edgar's solo stuff that spin my bowtie. And as for Mars Polaris, I
bought it I'm considering an e-bay auction... :/ The packaging is pretty
shoddy. The center part doesn't hold the CD anymore (half the pieces of the
little ring have broken off and the lid doesn't stay on anymore. And I
didn't even judge the packaging as part of my opinion! The music itself?
I've tried, I've really tried. In fact I'm listening to it now for a 5th
time trying to find enough to love. It sure didn't take this much bloody
effort to FALL IN LOVE with an album like Logos, Phaedra, Dream Mixes I (not
Timesquare though), Poland, and Force Majeure. One listen each and people
were asking me if I got lucky the night before...
I'll post a full review of Mars Polaris (I'm sure this isn't Mars Polaris
week but why conform?) in a day or two.
-Morgan
n.p. Mars Polaris, after playing Cyclone again--a cool TD album with a
distinct Altoids-strength dose of wierdness.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
Jared White
Date: Sun Mar 19, 2000 6:07
am
Subject: Shameless plug for my mailing list :)
Hi, folks,
As you may remember, I run a mailing list complimentary to this one that
focuses specifically on TD's music and related topics from 1988-present,
called 'Art of Vision'. We're in the process of starting up a weekly
track discussion, similar to the weekly album discussion going on here,
and I just wanted to let you know that in case you're interested in
participating. If you want to join, or just find out more, drop by
http://www.onelist.com/group/artofvision and check it out.
BTW, Steven, I think it's nice to have more than one list for TD. It
helps reduce the noise, OT discussions, and such. Some people are more
interested in 'fan tapes' than others, some people are more interested
in specifically modern TD subjects than others, etc. Some people are on
all the lists, or just one. It works for me, I think it works for most
other people as well.
Anyway, take care, and I hope to hear from a few 'famous' fans on the
other side! ;)
Take care,
Jared
P. S. I don't want anyone to think I'm trying to 'steal' anyone away
from Joe's list here -- that's not my intention at all. I just think the
more avenues for fun and interesting discussions, the better. Hope you
don't mind.... Talk you later!
__________________________________________
Jared White E-mail: jwhite@g...
GaelDesign: http://www.gaeldesign.com
The Digital Fine Art Gallery:
http://www.gaeldesign.com/gallery
Distant Oaks (Celtic Music Ensemble):
http://www.distantoaks.com
Personal Site: http://www.sonic.net/~jwhite
Try BeOS Today! http://www.be.com
From:
Klaus Beschorner
Date: Sun Mar 19, 2000 9:47
am
Subject: Fan taping / bootlegging
Gents,
some clarifications:
I didn't intend to personally insult Morgan with my first reply. But,
his statement was so grossly and dangerously off line, and at the
same time, typical, that I used strong language to counterpoint it.
If you see the statement on their Q&A page, together with Martin's
reaction, you will understand that TD's interpretation of each and
every 'soft, debatable' term in this statement is on the other side
of the interpretation scale compared to Morgan's.
Comments on mails by Morgan, Dennis, Chris and Dan:
>The Logostypes comment is a commonly held rumor and let's face it,
>how else would such a high-quality version of this music appear in
>1982 when portable taping technology was in its infancy?
How about, by a TD employee or stagehand illegally copying the
soundboard tape (which itself is ALWAYS done) ?
>TD may be fairly relaxed about bootlegs and tolerate them, but
>this doesn't alter the fact that boot traders are technically and
>legally on the wrong side of copyright law.
I wouldn't call TD relaxed, but the second half of this statement
hits it full on.
>That's just how it works. You have to accept that it's part of the
>biz, as it were.
Even if a band would accept that: in countries like Germany, violation
of copyright has to be prosecuted whenever authorities get wind of them,
WITHOUT waiting for a complaint to be filed. And, regardless of there
being any money/profit involved.
Of course, we all have our own 'moral' justifications and views,
and I would be the last one to debate them.
All I'm telling you is - do NOT net let this lull you into the
impression that you are NOT in the middle of a legal minefield.
>I've seen/heard about bootlegging for YEARS AND YEARS, and they've
>tried to stop it. It hasn't stopped yet, and IMHO I Don't see that
>happening.
Not the trade as a whole. But, among the hundreds of bootleg sellers
e.g. on ebay, you will see a certain fluctuation.
a) Some going out of business because they got prosecuted,
b) some coming in because of greed
c) or because they were not aware of the legal implications of what
they are doing.
My ONLY intention is to prevent migration from bin c) to bin a),
those in b) don't deserve any better.
klaus
Replies
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21281
Re: Fan taping / bootlegging
joe shoults
Mon
3/20/2000
4 KB
From:
Rainer Rutka
Date: Sun Mar 19, 2000 2:26
pm
Subject: Solar Eclipse Cd with TD music
Hi!
New infos about the Solar Eclipse (Sonnenfinsternis) CD.
1) Hurry!
The guyes form INTET have approx. 50 copies left (not 96!)
and these are selling fast. Stefan (from INET) told me, to
reserve some of the CD for our TD-fan-group. But not too long.
2) I ordered 10 more CDs for all the guys who wrote me an email from
overseas or inside europe to reserve one. So I did. Stay tuned, you'll get
it ASAP. At the moment I have approx. 7 reservations for this item.
3) A special note for my german friends: Please write me an email,
if you want to order it by yourself. Or shall I reserve one of
my copies? I have to know. So I order some more.
(In german: An alle, die aus Deutschland sind, und bei mir eine
Sonnenfinsternis CD 'bestellt' haben. Bitte sagt mir
Bescheid, ob ihr eine Kopie von mir haben wollt, oder ob ihr sie
euch selbst bestellen wollt. Ich muss es wissen, damit ich weitere
bestellen kann/muss/soll.)
This will be the last change to get this collectors item.
See: www.rutka.de/td -> NEW(s) -> Solar Eclipse CD
Rainer
PS: I do this for non profit only. Just want to help :*)
---------------------------------------------------------------------
From:
Rainer Rutka
Date: Sun Mar 19, 2000 2:32
pm
Subject: Re: [tadream] TD in ENCARTA CD by MS, Solar Eclipse CD
On Thu, 16 Mar 2000, Richard Ford wrote:
> From: Richard Ford
>
> >Just a note: Everybody who's interested in the Solar Eclipse CD should
> Hi
> I'd be interested if you have any joy.
> All the best
> Richard Ford
OK Richard!
One copy of the CD is reserved for you!
I'll get the next bulk during next week.
Bye.
Rainer
---------------------------------------------------------------------
www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From:
'Paul Fellows'
Date: Sun Mar 19, 2000 2:04
pm
Subject: [tadream] CDs offered
Hi all,
I've had duplicates of the following two CDs in my collection for a while
now, and I'd like to try to exchange them for something I don't have:
Electronic Meditation (remastered, Castle Communications ESM CD 345)
Limited World Tour Edition 1997 (TDI 005 CD, copy 4241 of 5000)
They are both in mint condition, never been played, in fact the latter is
still in its plastic wrapping, never opened.
I'd be prepared to swap both of these for any one of the following choices
(also in mint condition):
Oasis (new version with 'Chia Maroon')
Canyon Dreams (new version with 'Rocky Mountain Hawk')
Luminous Visions
Tang-go - The Best of Tangerine Dream 1990-2000
The Story of Tangerine Dream
The Best of Tangerine Dream - The Pink Years and The Blue Years (counts as
one)
Atlantic Bridges and Atlantic Walls (counts as one)
I'm sure there's someone out there who has one of the above in their
collection or can easily get hold of them...
Paul
Replies
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21274
Soundmill Navigator
Lambert Ringlage
Sun
3/19/2000
2 KB
From:
Lambert Ringlage
Date: Sun Mar 19, 2000 5:07
pm
Subject: Soundmill Navigator
The new Tangerine Dream CD 'Soundmill Navigator' (Berlin 1976) will be
available on March 28th onwards.
Price for each CD 33,- DM including postage within Germany
36,- DM including postage within Europe
40,- DM including postage outside Europe
If you are interested, let me know
Lambert Ringlage
Messings Garten 7
D-45147 Essen
Germany
phone/fax: 0049-(0)201-733018
E-mail: lambert@s...
Homepage: http://www.sphericmusic.de
From:
Andrew Rozsa
Date: Sun Mar 19, 2000 7:24
pm
Subject: Re: [tadream] Soundmill Navigator in America
From CD Universe:
Tangerine Dream - Soundmill Navigator
$11.97
Status: Pre-Order Now!
Available: Tuesday, April 04, 2000
Tangerine Dream - Tango
$13.97
Status: Pre-Order Now!
Available: Tuesday, April 04, 2000
Tangerine Dream - Great Wall Of China (Sdtk)
$13.57
Status: In Stock
Tangerine Dream - Tangents Box Set
$45.97
Status: Pre-Order Now!
Available: Tuesday, March 28, 2000
From:
'David Foster'
Date: Sun Mar 19, 2000 9:18
pm
Subject: fan taping / bootlegs / compilations
Hi folks.
I agree with what's been said about bootlegs and financial ripping off of
artists. The music TD do live is so good it's understandable that fans want
to share it in order to hear more from around the globe. During one of their
performances I hear so much stuff I can't take it in at the time. A tape
helps appreciate it all at a later date. It is a credit to artists that they
do so much in a concert and a credit to the tapers that they sit quiet during
the performance to capture it. We are lucky that technology existed so we can
now hear Rheims 74 and Montreal 77 and people had the foresight to tape it.
The fan tapers I knew years back were basically dedicated followers who swapped
tapes mostly without money ever changing hands. They supported the group, went
to the concerts, bought the band's official releases and merchandise. Just
think how many others they gave the opportunity to hear the music, who probably
then supported the group, bought the merchandise etc., etc........generated
money for the artists.
Sadly, whatever is said some will try to make money by selling bootlegs.
Commercial interests even led to the ending of the Official Fan Club. And
because fan tapers exist there is material available to bootleg with. What
can you do? As Edgar says If you don't like the music don't buy it. Equally
If you don't want bootlegs don't buy them or don't make tapes available to
others. Personally I want more official CD's of live music.
The fact that people buy bootlegs (mostly I haven't) of old stuff shows that
there is demand that the band could meet with legitimate recordings (legal
contractural obligations permitting) and receive royalties on. May be some
bands don't want to release that sort of stuff. That just denies some of us
pleasure.
Let's not forget that artists / record labels / management do compilations,
repackaging and remixes. Is that ripping off the public? It depends what
the stuff is. I don't feel good buying a whole CD of old stuff just to hear
one new track. Usually I don't. So I don't have Pink years, Blue years and
multi boxed sets.
Tapes and bootlegs do good as well as harm and to an extent they support other
industries like the blank cassette manufacturers and eBay staff.
There should be no sin in being a live taper. Just keep it off the list.
THANK YOU to the live tapers. Feel free to contact me off list.
David
fozdg@d...
[Non-text portions of this message have been removed]
From:
Gary Davis
Date: Sun Mar 19, 2000 11:39
pm
Subject: TD releases
Hi, folks:
The latest Artist Shop newsletter it out and you'll find it in its entirety
at . Here's some excerpts specifically
for TD fans.
On our Voiceprint page you'll find a
whole slew of albums soon to be released including:
Tangerine Dream/Great Wall of China - Tangerine Dream's soundtrack to this
international video production was inspired by breathtaking pictures of The
Great Wall of China. This recording mirrors the fascination for one of the
biggest man-made constructions built around 700 B.C. The Great Wall Of China
spans a total of 50,000 km, in length and was built to defend the Chinese
provinces from rival tribes. The 11 compositions on this album show the
many facets of the 3,000 years of history of the wall.
Tangerine Dream/Tang-Go - Tang-Go is a double cd compilation of 24 tracks
from their own TDI label, covering the period 1990 to 2000. Compiled by the
band members themselves, this is an ideal introduction to the magic of
Tangerine Dream's music.
Gary
**************************************************************
Gary Davis
The Artist Shop The Other Road
http://www.artist-shop.com artshop@a...
phone: 330-929-2056 fax:330-945-4923
SUPPORT THE INDEPENDENT ARTIST!!!
**************************************************************
Check out the latest Artist Shop newsletter at
http://www.artist-shop.com/news.htm
From:
Jared White
Date: Mon Mar 20, 2000 2:06
am
Subject: RE: [tadream] Invisible Shadows.
> From: 'Carl & Jacqui Kearney'
>
> Hi folks !
> Just wanted to say thanks to who ever sugested sending an e-mail to
> Invisible Shadows in Germany to obtain there free promo CD .
> It arrived today safe and sound , listening to it now and am so far
> impressed .
> Thanks Again Carl ' Orch '
I'm pleased to say I got it too, and I'm here in California, USA! Cool!
I enjoyed it very much, and I have to say (although I was already
biased) that I thought Pyramid Peak was definitely the highlight of the
album. I don't have any album of theirs (yet), but I'd fallen in love
with the MP3's they had on their site before I got the Gift, and I
enjoyed the piece on the Gift very much. So far, they sound like the
best 'neo-classical EM' band I've sampled yet, and I intend on ordering
Ocean Drive very soon. I really like the current trend towards classic
EM once again, yet I'm also rather disgusted at the amount of TD-clone
stuff going on. Can't people come up with their own style??? I don't
care HOW great Encore was and I don't care HOW great some new band is
that sounds like Encore. They ain't TD, and that's all that matters. I
certainly know that rather than being remembered as doing 'great music
in the style of Tangerine Dream', I'd want to be remembered as doing
'great music in the style of ME'. We don't need 'another Tangerine
Dream'. We already got Tangerine Dream. We need a 'somebody else' to
carry the torch into the future. We don't remember, say, Mike Oldfield
as doing great music in the style of somebody else. We remember Mike
Oldfield as doing great music in the style of Mike Oldfield, and no one
else sounds quite like him. That's where the brilliance lies. And, if
someone does sound like him, it's because they ripped him off, and I
just can't stand that. No, sir!
Sorry if I offended anyone, but I'm a strange mixture of traditionalist
and originalist. I believe it's possible to be very traditional, yet
highly original -- but it's very difficult to do that, and only the best
of the bunch can pull it off. Good luck, folks! :)
Regards,
Jared
__________________________________________
Jared White E-mail: jwhite@g...
GaelDesign: http://www.gaeldesign.com
The Digital Fine Art Gallery:
http://www.gaeldesign.com/gallery
Distant Oaks (Celtic Music Ensemble):
http://www.distantoaks.com
Personal Site: http://www.sonic.net/~jwhite
Try BeOS Today! http://www.be.com
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Re: Invisible Shadows -- PS
Jared White
Mon
3/20/2000
2 KB
From:
Jared White
Date: Mon Mar 20, 2000 2:13
am
Subject: RE: [tadream] Invisible Shadows -- PS
P. S. I want to make it clear that, for the most part, I thought the
material on the Gift didn't like TD-rip-offs at all -- some of it was
really very original sounding. I was quite impressed, and I wish the
best of luck to the Invisible Shadows label and the artists they're
producing.
Take care,
Jared
From:
Bert.Hulshoff@N...
Date: Mon Mar 20, 2000 7:57
am
Subject: RE: [tadream] Invisible Shadows.
I got the cd monday 13-3-2000.
Indeed a very good sampler with nice songs,
Jens Peschke of Kubusschnitt is also on it.
last week I almost listend to this cd only.
Especially Schulze and TD fans must have this album.
Nice and for free go to http://www.invisible-shadow.de ,
or send an email with your own adress to invisible-shadow@m...,
and ask for the Gift album.
Keep on Dreamin'
Bert
aka Phrozenlight
my Homepage
http://go.to/phrozenlight/
(still under construction)
please listen to my spacesongs and send me an review ;-)
> ----------
> From: Carl & Jacqui
> Kearney[SMTP:Carl-Jacqui@K...]
> Sent: Saturday, March 18, 2000 00:20
> To: TD EMAIL
> Subject: [tadream] Invisible Shadows.
>
> From: 'Carl & Jacqui Kearney'
>
> Hi folks !
> Just wanted to say thanks to who ever sugested sending an e-mail to
> Invisible Shadows in Germany to obtain there free promo CD .
> It arrived today safe and sound , listening to it now and am so far
> impressed .
> Thanks Again Carl ' Orch '
>
>
> ------------------------------------------------------------------------
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>
>
> PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
> To unsubscribe: mailto:tadream-unsubscribe@o...
> Website: http://www.tadream.net
>
>
From:
'joe shoults'
Date: Wed Sep 20, 2000 11:18
am
Subject: RE: [tadream] Fan taping / bootlegging
> -----Original Message-----
> From: Klaus Beschorner [mailto:klaus@c...]
...
> All I'm telling you is - do NOT net let this lull you into the
> impression that you are NOT in the middle of a legal minefield.
...
>
> Not the trade as a whole. But, among the hundreds of bootleg sellers
> e.g. on ebay, you will see a certain fluctuation.
> a) Some going out of business because they got prosecuted,
> b) some coming in because of greed
> c) or because they were not aware of the legal implications of what
> they are doing.
Agreed. Ignorance notwithstanding, it is clear in any of these auction
sites' Terms of Service or Licensing Agreements that they abide by the
copyright terms and policies of that site. It is the seller's contractual
responsibility to ensure the legality of goods sold. Just because they
didn't read the rules doesn't indemnify them.
I think of it in terms of the simple economics: each music consumer only has
a 'x' they can potentially spend on music. If part of that money goes to a
sales channel that doesn't benefit the real owner, then that illicit channel
is essentially taking that potential money from the legitimate channel.
While we would like to think that the artists themselves are the ultimate
beneficiaries, unfortunately, this is not always the case (i.e. Snapper
Records and Ozric Tentacles), but wouldn't you rather the money go to the
legitimate artist/channel? However small the portion, would that not be a
'thank you' for the benefit you gain from it?
I think I remember Edgar making comments on getting screwed over by past
labels, or something to that effect. It would be interesting to know to
which labels/albums he is referring. I wonder if there are any of TD's past
albums for which TD does not receive ANY money?
> My ONLY intention is to prevent migration from bin c) to bin a),
> those in b) don't deserve any better.
>
> klaus
>
> ------------------------------------------------------------------------
> DON'T HATE YOUR RATE!
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> 0.0% Intro or 9.9% Fixed APR and no hidden fees.
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> ------------------------------------------------------------------------
>
>
> PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
> To unsubscribe: mailto:tadream-unsubscribe@o...
> Website: http://www.tadream.net
>
>
>
From:
Heiko Heerssen
Date: Mon Mar 20, 2000 12:51
pm
Subject: getting screwed
joe shoults wrote:
> I think I remember Edgar making comments on getting screwed over by past
> labels, or something to that effect. It would be interesting to know to
> which labels/albums he is referring. I wonder if there are any of TD's past
> albums for which TD does not receive ANY money?
Just yesterday I heard an old radio interview from 1981 where Edgar told the
interviewer that it did cost them (TD) 180.000 DM (approx. US$ 90.000 nowadays)
to finally get out of the contract they had with the Ohr label and getting rid
of Rolf-Ulrich Kaiser & his 'Cosmic Couriers' nonsense. Quite an amount of money
if you'd ask me!
Heiko
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Re: getting screwed
joe shoults
Mon
3/20/2000
2 KB
From:
'joe shoults'
Date: Wed Sep 20, 2000 11:54
am
Subject: RE: [tadream] getting screwed
what is the 'Rolf-Ulrich Kaiser & his 'Cosmic Couriers' nonsense.'?
> -----Original Message-----
> From: Heiko Heerssen [mailto:heiko.heerssen@h...]
> Just yesterday I heard an old radio interview from 1981 where
> Edgar told the
> interviewer that it did cost them (TD) 180.000 DM (approx. US$
> 90.000 nowadays)
> to finally get out of the contract they had with the Ohr label
> and getting rid
> of Rolf-Ulrich Kaiser & his 'Cosmic Couriers' nonsense. Quite an
> amount of money
> if you'd ask me!
>
From:
Heiko Heerssen
Date: Mon Mar 20, 2000 1:38
pm
Subject: Re: [tadream] getting screwed
joe shoults wrote:
> what is the 'Rolf-Ulrich Kaiser & his 'Cosmic Couriers' nonsense.'?
I fear my English is too limited to explain this to you in detail, but the
'Cosmic Couriers' was Kaiser's idea of presenting the so-called 'Krautrock'
(i hate this term) music made by artists who were signed to his label (like
Ash Ra Tempel, Walter Wegmüller, etc.) His methods of releasing music was
sometimes rather doubtful, for example he taped some jam sessions by Manuel
Goettsching & some studio musicians (which were made just for fun) and
released them as official albums (which had such classic titles like
'Planetary sit-in', 'Gille's Timeship', etc.) without paying royalties to
them. Also the image of the 'Cosmic Couriers' was rather hilarious & absurd
to say the least.
Heiko
P.S.: no review of the classic 'Underwater twilight' yet??
From:
Heiko Heerssen
Date: Mon Mar 20, 2000 1:55
pm
Subject: Grab it before it's too late!
Here is the ULTIMATE collectors' item to all you TD fans out there!
~LOL~
From Karel Von Appel at Sat, 18/Mar/00 00:50:
I'm selling my car. Audi A4, looks new, it is (1998). Reason? For you
fans, a deal: Jerome threw up on the hood after too much beer.
Never washed it since then. Who could dream of a more personnal relic.
Own something that was part of Jerome! Contact me
please...
Replies
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Date
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21291
Re: Grab it before it's too late!
Gabe Yedid
Mon
3/20/2000
2 KB
21307
Re: Grab it before it's too late!
Paul Fellows
Mon
3/20/2000
2 KB
From:
'Kevin Earley'
Date: Mon Mar 20, 2000 2:20
pm
Subject: Re: [tadream] Fan taping / bootlegging
Greetings,
Just an observation regarding these Fan Taping/Trading.
Bootlegging is obviously bad, as someone else is profiting from the Artist's
work. But Fan Taping/Trading is not much better, because it lessens the control
an Artist has over his/her work. Sure, Fan Taping/Trading does not usually
involve money changing hands, but now there is an artistic work in circulation,
that the Artist has no control over.
There may even be legal ramifications - how can the Artist maintain copyright
over such a work? It may be possible to legally argue that such a work is now
in the public domain.
As Klaus said right at the beginning of this discussion - don't kid yourself
that this isn't a legal minefield.
Kevin Earley
kearley@r...
np: KS - Body Love
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Date
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21292
Re: Fan taping / bootlegging
Feldon Feldon
Mon
3/20/2000
3 KB
21336
Re: Fan taping / bootlegging
aoutland@a...
Wed
3/22/2000
2 KB
From:
Heiko Heerssen
Date: Mon Mar 20, 2000 2:35
pm
Subject: D:Studio [Underwater twilight]
This week is about one of my fave TD albums of all time. Not on par
with, let's say, 'Logos' or 'Ricochet' but still a cracker. When I
bought the album after its release I was shocked when I looked at the
back sleeve....where was Johannes Schmoelling? The internet was still a
million miles away and new information about TD (such as changes in the
line-up or album release schedules) was almost impossible to get (at
least for me). So it came with a shock when I saw this picture of the
young Austrian with spikey hair who replaced Johannes Schmoelling. But
my worries soon were over when I listened to the entire album, and
nowadays I enjoy it even more because I can listen to the beautiful
piano intro on 'Song of the whale' (Pt. 2) without hearing disturbing
noises caused by the vinyl. Some of you may disagree but I prefer Side 2
to 'Song of the whale'. 'Dolphin dance' is an all-time classic (except
for the lead lines the song was already been used on the 1982 'The
Soldier' soundtrack) and I guess it has been included on nearly every
'Best of ' compilation. Everything feels right about this track and it
shows TD as the true synth gods (ok, a bit exaggeration on my part ;-)
This would be a highlight on *any* EM album. Not much to say about the
other tracks except that there is not a weak track (or tune) on this
album. But I wish I could have been at one of TD's shows back in 1986
when they performed large parts of this album. Must've been a truly
great show.
Heiko
n.p.: Quinoa (fan club edition)
From:
'Kevin Earley'
Date: Mon Mar 20, 2000 2:31
pm
Subject: Re: RE: [tadream] Invisible Shadows.
>>> Jared White 03/19 9:06 PM >>>
From: Jared White
> I really like the current trend towards classic
> EM once again, yet I'm also rather disgusted at the amount of TD-clone
> stuff going on. Can't people come up with their own style??? I don't
> care HOW great Encore was and I don't care HOW great some new band is
> that sounds like Encore. They ain't TD, and that's all that matters.
Hey Jared,
Just a reply to your comment. Rather then thinking of these bands as TD-Clones,
you may wish to think of them of BS (Berlin School) bands instead. Think of the
Blues. How much has this genre changed since the advent of the Electric Guitar
and the Chicago Blues style in the 1950's? I prefer to think of these bands as
simply people who are making music in the style first promoted by Tangerine
Dream and Klaus Schulze. Some of it is good, some of it isn't.
> P. S. I want to make it clear that, for the most part, I thought the
> material on the Gift didn't like TD-rip-offs at all -- some of it was
> really very original sounding. I was quite impressed, and I wish the
> best of luck to the Invisible Shadows label and the artists they're
> producing.
I see that we actually agree :)
Kevin Earley
kearley@r...
np: KS - Body Love
From:
'joe shoults'
Date: Mon Mar 20, 2000 3:06
pm
Subject: RE: [tadream] escalators and auction houses
> -----Original Message-----
> From: teiwaz _ [mailto:teiwazbarana@h...]
...
> Hmm, nothing new here so far, but what about the sale of used
> official releases sold at auction or in record shops that
> resell used music sometimes for exhorbitant prices?
...
Personally, I don't agree with this- I don't think it is any different than
a painting. Unless you think each time a Picasso gets sold, you should send
a commission to his estate, or to any artist if they're still alive.
Official releases are examples of licensed works for which the proper sales
channel was already properly compensated when it was originally sold- and
illegal copies are not being sold.
Obviously, when the sale of a work of art never goes through a legitimate
channel, this is the bad thing. Even when someone spends a tremendous
amount of time and effort processing and cleaning up fan tapes, compiling
works, interviews and stuff for a compilation boot like EO, it is not legit
no matter how much ownership they think they have earned through their
efforts.
joe
From:
'Thomas'
Date: Mon Mar 20, 2000 3:19
pm
Subject: Fan taping and related subjects
Hello,
I've been sitting back, comfortably lurking, watching the discussion going
on. And what a strange discussion it is. But it's good to clarify once and
for all that bootlegging, fan taping and such is in fact illegal.
If I had been the artist in a similar situation, I know that I would be
pissed off - bigtime. Not only for screwing up the integrity of my work,
but also for taking credit and earning money on something I had created.
No need to go futher than to yourself. I'm sure that most people agree with
me.
I think I'll dive back under the surface again...
Thomas
Helsingborg, Sweden
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twosheds
Tue
3/21/2000
3 KB
From:
Gabe Yedid
Date: Mon Mar 20, 2000 3:45
pm
Subject: Re: [tadream] Grab it before it's too late!
On Mon, 20 Mar 2000, Heiko Heerssen wrote:
> From Karel Von Appel at Sat, 18/Mar/00 00:50:
> I'm selling my car. Audi A4, looks new, it is (1998). Reason? For you
> fans, a deal: Jerome threw up on the hood after too much beer.
> Never washed it since then. Who could dream of a more personnal relic.
> Own something that was part of Jerome! Contact me
> please...
Woo! I had no idea he was still such a 'wild man'!
;-)
(OTOH, if he binges often, it can't be too good for his skills...)
cheers,
Gabe
From:
'Feldon Feldon'
Date: Mon Mar 20, 2000 3:56
pm
Subject: RE: [tadream] Fan taping / bootlegging
>From: 'joe shoults'
>Reply-To: tadream@o...
>To:
>Subject: RE: [tadream] Fan taping / bootlegging
>Date: Wed, 20 Sep 2000 07:18:58 -0400
>
>
>I think of it in terms of the simple economics: each music consumer only
>has
>a 'x' they can potentially spend on music. If part of that money goes to a
>sales channel that doesn't benefit the real owner, then that illicit
>channel
>is essentially taking that potential money from the legitimate channel.
>While we would like to think that the artists themselves are the ultimate
>beneficiaries, unfortunately, this is not always the case (i.e. Snapper
>Records and Ozric Tentacles), but wouldn't you rather the money go to the
>legitimate artist/channel? However small the portion, would that not be a
>'thank you' for the benefit you gain from it?
As I've said, I have every single TD album I want to purchased. Anything
live I have is from something that I would MUCH rather have bought in
pristine undoctored quality than have an mp3 or CDR laying around that was
recorded 6 rows back and that didn't benefit Edgar and Co. financially.
>I think I remember Edgar making comments on getting screwed over by past
>labels, or something to that effect. It would be interesting to know to
>which labels/albums he is referring.
My guesses: Virgin and Miramar of course. Virgin for not letting him release
as much stuff as he wanted (hence my persistant opinion that Edgar isn't
angry that we have some non-profit recordings of material that he couldn't
get published), and Miramar for repackaging TD's music however they saw fit
(I don't think it was Edgar's idea to do all those CD5 discs where you pay
$9 for one new song and 4 old songs).
Flame away!
-Morgan
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
'Feldon Feldon'
Date: Mon Mar 20, 2000 4:48
pm
Subject: RE: [tadream] Legend Suite MIDI?
I've run across a track called 'Dream Mixes 2 : Legend Suite'. It sounds
like it's from scratch (not a remix or overdub) and not done by TD. It could
almost be a recording of a really good MIDI file... Anyone know if there is
a Legend Suite MIDI file floating around or if someone covered this track?
It's pretty close to the Legend Suite but very obviously not done by TD. I
checked my Tangerine Ambience CDs and neither one has Legend on it.
-Morgan
______________________________________________________
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Heos Holding
Mon
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3 KB
From:
'Thomas'
Date: Mon Mar 20, 2000 5:00
pm
Subject: SV: [tadream] Legend Suite MIDI?
Hi Morgan,
the song you're referring to comes from an album called Tangerine Dream
'Dream Music 2'. It's a compilation album with film music written by TD,
half of the songs are covers and half is performed by TD. This particular
song is by Mark Ayres. I don't think the members of Tangerine Dream had
anything to do with this material being released, but an interesting piece
anyway. Here's a full tracklisting for you:
1. Legend - Suite / Mark Ayres (07.22)
2. Intersection - trailer music / John Beal, adapted from 'Dead solid
perfect' (01.51)
3. Dead Solid Perfect - Suite / Original Soundtrack Recording (14.39)
4-6. HEARTBREAKERS / Origianal Soundtrack Recording
4. Footbridge to Heaven (02.56)
5. Twilight Painter (04.16)
6. Desire (05.35)
7. Theme from Streethawk / Daniel Caine (03.13)
8-12.CATCH ME IF YOU CAN / Original Soundtrack Recording
8. Dylan's Future (04.43)
9. Dylan's at Home Alone (03.28)
10. Widow - Maker Race (02.45)
11. Dylan's Triumph (04.17)
12. Catch me if You Can Main Theme (01.47)
13. Risky Business - Love on a Real Train / Mark Ayres (04.28)
1995 Silva Screen Records America / Silva America SSD1053
Hope this helps,
Thomas
Helsingborg, Sweden
> From: 'Feldon Feldon'
>
> I've run across a track called 'Dream Mixes 2 : Legend Suite'. It sounds
> like it's from scratch (not a remix or overdub) and not done by TD. It
could
> almost be a recording of a really good MIDI file... Anyone know if there
is
> a Legend Suite MIDI file floating around or if someone covered this
track?
>
> It's pretty close to the Legend Suite but very obviously not done by TD.
I
> checked my Tangerine Ambience CDs and neither one has Legend on it.
>
> -Morgan
From:
Steven Feldman
Date: Mon Mar 20, 2000 5:15
pm
Subject: BIRTH OF A BLACK HOLE by Syndromeda
Hi All,
This is a forwarded message/review of a Tangerine Dream-esque CD
that was posted to the Space Music mailing list:
-- Steven Feldman
+ + + + + + +
Date: Fri, 17 Mar 2000 20:18:06 -0500
Subject: [SPACEMUSIC] Review : 'Birth Of A Black Hole' by Syndromeda
Message-Id:
From: spacemusic@o...
Really-From: Chuck van Zyl
Review: 'Birth Of A Black Hole' by Syndromeda (Groove)
The spacemusic realized by Tangerine Dream during the mid-70s and early 80s
inspired a generation to listen to and create music differently from what
they'd been taught or imagined. We know now that a huge void was created
when TD moved on to other areas of musical expression. Of the many groups
and artists moved to create music in the mode the Tang's envisioned is
Syndromeda. The latest CD is out on the Groove label and entitled: 'Birth
Of A Black Hole'.
Syndromeda, Belgian synthesist Danny Bundts, creates pattern oriented,
rapidly developing, sequencer driven pieces seemingly meant to accompany a
fantastic inter-stellar space mission. Conveyed through his music,
Syndromeda's vision is shared by the engrossed listener. 'Birth Of A Black
Hole' is cerebral but not in a hypnotic way. The music is quite active and
tightly arranged, changing tempo, moving chords and focusing on melody
throughout, keeping the listener involved and imagining different urgent
scenarios. The presence of the occasional vocoder voice narration adds to
the already otherworldy sci-fi vibe.
'Birth Of A Black Hole' is evocative of space travel beyond the laws of
early 21st century physics. It has been made to enjoy while considering
distances measured in light years as opposed to miles. Any self respecting
traveller beyond the speed of light wouldn't leave the spaceport without
this music blasting in their shuttle cockpit.
Tune in to STAR'S END this weekend for music from the latest CD by
Syndromeda, 'Birth Of A Back Hole'.
For more on the web about 'Birth Of A Black Hole', please access:
http://www.groove.nl
Chuck van Zyl
Host: Star's End
http://www.starsend.org
chuckv@s...
------------------------------------------------------------------------
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From:
'Heos Holding'
Date: Mon Mar 20, 2000 5:23
pm
Subject: Re: [tadream] Legend Suite MIDI?
Hi Feldon,
if you wish, I have Legend Suite in mp3 format. It's a 6MB file.
It is not by TD, but I don't know who is the performer.
I found you today on Napster, but my computer had a crash down and I lost the
opportunity.
Let me know.
bye
max
-----------------------------------------------------
Click here for Free Video!!
http://www.gohip.com/freevideo/
----- Original Message -----
From: Feldon Feldon
To: tadream@o...
Sent: Monday, March 20, 2000 5:48 PM
Subject: RE: [tadream] Legend Suite MIDI?
From: 'Feldon Feldon'
I've run across a track called 'Dream Mixes 2 : Legend Suite'. It sounds
like it's from scratch (not a remix or overdub) and not done by TD. It could
almost be a recording of a really good MIDI file... Anyone know if there is
a Legend Suite MIDI file floating around or if someone covered this track?
It's pretty close to the Legend Suite but very obviously not done by TD. I
checked my Tangerine Ambience CDs and neither one has Legend on it.
-Morgan
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------------------------------------------------------------------------------
------------------------------------------------------------------------------
PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
To unsubscribe: mailto:tadream-unsubscribe@o...
Website: http://www.tadream.net
[Non-text portions of this message have been removed]
From:
Steven Feldman
Date: Mon Mar 20, 2000 5:20
pm
Subject: Public Service Announcement: There Are 4 TD Lists
Hi,
For those who have joined us only recently, it might be beneficial
to say that there are currently *four* different Tangerine Dream mailing
lists on Onelist:
o tadream -- the generic, unmoderated list (Flamewar Central, hee hee)
o tangerinedream -- the moderated, anti-flame, anti-bootlegging list
o artofvision -- the list for fans of latter-day (late 80s-to-Y2K) TD
o goblinsclub -- the list for hardcore musings over catalog numbers,
matrix stamp numbers, foreign pressings, ad nauseum
I am subscribed to all four, but I must tell you: the more lists I
subscribe to, the more posts I delete in a given day. ;)
Steve Feldman (Me) -- 33 Brook Street; Brookline, MA 02445; 617-232-3876;
. Robert Carty -- 5478 S. 235 E. #E; Murray, UT 84107;
801-281-2157; http://www.california.com/~eameece/carty.htm. Peter Gulch/
Nightcrawlers -- 1493 Greenwood Ave.; Camden, NJ 08103; ; http://www.voicenet.com/~pgulch/special.html. MAJOR E-MUSIC FAVES:
Tangerine Dream, Nightcrawlers, Robert Carty, Moroder -- *not* Kraftwerk!
+-----------------------------------------------------------------------+
| TD DISCOGRAPHY http://members.spree.com/molasar/tadream/tadream2.html |
+-----------------------------------------------------------------------+
From:
Bennett Cookson
Date: Mon Mar 20, 2000 6:39
pm
Subject: RE: [tadream] Public Service Announcement: There Are 4 TD Lists
Ok I'm confused...
I belong to tadream and I thought I belonged to 'the moderated, anti-flame,
anti-bootlegging list'
There seems to be more instances of flaming and boot talk lately so...
Will the real moderated list clearly identify itself
--Bennett
-----Original Message-----
From: Steven Feldman [mailto:ar402004@b...]
Sent: Monday, March 20, 2000 10:21 AM
To: Tangerine Dream mailing list
Subject: [tadream] Public Service Announcement: There Are 4 TD Lists
From: Steven Feldman
Hi,
For those who have joined us only recently, it might be beneficial
to say that there are currently *four* different Tangerine Dream mailing
lists on Onelist:
o tadream -- the generic, unmoderated list (Flamewar Central, hee hee)
o tangerinedream -- the moderated, anti-flame, anti-bootlegging list
o artofvision -- the list for fans of latter-day (late 80s-to-Y2K) TD
o goblinsclub -- the list for hardcore musings over catalog numbers,
matrix stamp numbers, foreign pressings, ad nauseum
I am subscribed to all four, but I must tell you: the more lists I
subscribe to, the more posts I delete in a given day. ;)
Steve Feldman (Me) -- 33 Brook Street; Brookline, MA 02445; 617-232-3876;
. Robert Carty -- 5478 S. 235 E. #E; Murray, UT 84107;
801-281-2157; http://www.california.com/~eameece/carty.htm. Peter Gulch/
Nightcrawlers -- 1493 Greenwood Ave.; Camden, NJ 08103; ; http://www.voicenet.com/~pgulch/special.html. MAJOR E-MUSIC FAVES:
Tangerine Dream, Nightcrawlers, Robert Carty, Moroder -- *not* Kraftwerk!
+-----------------------------------------------------------------------+
| TD DISCOGRAPHY http://members.spree.com/molasar/tadream/tadream2.html |
+-----------------------------------------------------------------------+
------------------------------------------------------------------------
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3/20/2000
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2 KB
From:
'Marcelo Gutierrez'
Date: Mon Mar 20, 2000 7:49
pm
Subject: Re: [tadream] Public Service Announcement: There Are 4 TD Lists
I everyone!
Glad to be back from a much needed vacation (not really, I wish I was still
on vacation!)
> Ok I'm confused...
> I belong to tadream and I thought I belonged to 'the moderated,
anti-flame,
> anti-bootlegging list'
>
Me too, I always thought that the tadream list was the moderated one and the
tangerinedream the unmoderated list, when did this change? while I was gone?
> There seems to be more instances of flaming and boot talk lately so...
>
> Will the real moderated list clearly identify itself
>
Yes, please!
Marcelo
From:
'joe shoults'
Date: Mon Mar 20, 2000 8:00
pm
Subject: RE: [tadream] Public Service Announcement: There Are 4 TD Lists
> Ok I'm confused...
> I belong to tadream and I thought I belonged to 'the
> moderated, anti-flame,
> anti-bootlegging list'
>
> Will the real moderated list clearly identify itself?
geez, you guys are even confusing me!
this, the 'tadream' list, is unmoderated in the literal sense- individual
postings do not have to be approved by me or other list moderators, Joel
Mullen and Scott Plumer. But it is monitored for relevance and netiquette,
or 'anti-flame', as you put it, by design. So, I guess you would call this
the 'moderated' list by most people's definition. It is not anti-bootleg,
except that we don't allow actual trading on list. Rude, inappropriate or
incendiary posts are not welcome.
Joel also owns the 'tangerinedream' list, which is more of an unmoderated
free-for-all forum, a completely seperate list. He and I created 'tadream'
and 'tangerinedream' at exactly the same time, intending them (separately)
to be alternatives to the old University of Wisconsin tadream list. Joel
held the tangerinedream list dormant for awhile, then kicked it into gear.
He is still an active moderator and participant on this list.
Jeffery created the 'GoblinsClub' list strictly for trading memorabilia and
items, as I understand it. i've seen soem good uses of this list for very
specific items.
I wasn't sure why Jared created the 'artofvision' list, but in fairness, I
haven't joined and don't know anything about it.
We can get really crazy with this. How about a separate list for every
album? every song? IMHO, 2 is enough, but I've seen some good focused
discussion on goblinsclub regarding specific items of memorabilia, but
there's no reason that can't be on tangerinedream, except that this sort of
trading is exactly why Jeffery set it up.
To sum it up:
* tadream - monitored. talk about anything, including boots, but be polite.
no trading on-list.
* tangerinedream - no rules. talk about anything, especially if you don't
think is appropriate for tadream (but don't use it like a toilet!)
* goblinsclub - very specific trading/memorabilia
* artofvision - ? (all the best, jared!)
joe
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Re: Public Service Announcement: There Are 4 TD
PENFOLD
Fri
3/24/2000
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From:
Steven Feldman
Date: Mon Mar 20, 2000 8:25
pm
Subject: tangerinedream vs. tadream: see what I mean?
See what I mean? I can't keep them straight:
So, the first one is the unmoderated one, while the second one is
the moderated one?!? I had it backwards. I guess that's just further
proof that there are lots of folks who can't tell the two apart on any
given day.
-- Steven Feldman
From:
Joel Mullen
Date: Mon Mar 20, 2000 8:30
pm
Subject: RE: [tadream] Public Service Announcement: There Are 4 TD Lists
Hello all-
Here is clarification on what the lists are intended for.
On Monday, March 20, 2000 11:21 AM, Steven Feldman
[SMTP:ar402004@b...] wrote:
> From: Steven Feldman
>
> Hi,
> For those who have joined us only recently, it might be beneficial
> to say that there are currently *four* different Tangerine Dream mailing
> lists on Onelist:
>
> o tadream -- the generic, unmoderated list (Flamewar Central, hee hee)
**WRONG** tadream is moderated to the extent that personal attacks,
persistant bitching about the band you love, and outright offers of bootlegs
for sale/trade are discouraged and if you violate that you can (and will) get
moderated or just kicked off (with sufficiant warnings) There are 3 people
who watch the list and try to keep things in order. tadream is approved by
TD (for now anyway) and is our direct line to the band (and Martin) AND
we would all like it to stay that way. Flamewar Central it is NOT. But
as of late it seems many see it as that. If you want to flame go sub to
the list below.
> o tangerinedream -- the moderated, anti-flame, anti-bootlegging list
**WRONG** tangerinedream is for all purposes UN moderated. There is
one person in charge of the list and I, (I mean *he*) doesn't care what
you talk about or how much you piss and moan so long as it doesn't
get into PERSONAL attacks on list members. (Remember when this list
was created the old UW-Parkside list was shut down due to many,many
disgusting personal attacks on-list and graphic descriptions of man-on-man
sex. All warnings in the description pertain to that type of undesired
postings)
> o artofvision -- the list for fans of latter-day (late 80s-to-Y2K) TD
**CORRECT** I believe this list was created for fans who like current
output and want to be able to talk about it without getting beaten over
the head with a stack of vinyl.
> o goblinsclub -- the list for hardcore musings over catalog numbers,
> matrix stamp numbers, foreign pressings, ad nauseum
>
**CORRECT** utterly boring for some and utterly ESSENTIAL for others
(myself included :-)
> I am subscribed to all four, but I must tell you: the more lists I
> subscribe to, the more posts I delete in a given day. ;)
Actually Steven you are about the only one these days that cross-posts
every message you send. tadream is the main list for all normal TD
discussion and just about everyone who subbs to the other lists subs
to tadream as well. But that does not mean that each less-used list
does not have a purpose. All minor pressing detail questions I pose to
Goblin's Club (for example) and I don't bother 300 people that don't
know or give a damn on the tadream list. If people don't want to be
bothered by it then they don't sub to Goblins Club. Simple as that.
Any questions? Anyone?
Regards,
Joel
From:
'joe shoults'
Date: Mon Mar 20, 2000 9:43
pm
Subject: RE: [tadream] Public Service Announcement: There Are 4 TD Lists
> -----Original Message-----
> From: Joel Mullen [mailto:joelm@p...]
...
> > o artofvision -- the list for fans of latter-day (late
> > 80s-to-Y2K) TD
>
> **CORRECT** I believe this list was created for fans who like current
> output and want to be able to talk about it without getting
> beaten over the head with a stack of vinyl.
LOL! very funny. thanks for the clarification.
joe
From:
'Eric Rochon'
Date: Mon Mar 20, 2000 11:37
am
Subject: Re: [tadream] Invisible Shadows.
Received my gift copy of Invisible Shadow yesterday! Great stuff!!
I am very impress with the music.
Éric
From:
'Jan Aunsholt'
Date: Mon Mar 20, 2000 10:23
pm
Subject: Sv: [tadream] fan taping / bootlegs / compilations
This is probably the oldest and most lame excuse for this activity.
No matter how you turn it, it will allways be illegal to tape or
distribute bootlegs. The artist do not deny us anything, it is their
god giving right to choose what us fans should have access to or not.
It is everyones own choice, if they want tapes, bootlegs or what
ever, but don't try to make it legal with 1012 different excuses.
That won't make it one bit more legal.
Jan
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Sv: fan taping / bootlegs / compilations
Pergamon
Wed
3/22/2000
3 KB
From:
'Carl & Jacqui Kearney'
Date: Mon Mar 20, 2000 10:46
pm
Subject: Bitchin
OK !! Enough is enough , no one else will say it so to keep up with my speak
your mind life style here goes .......
IF YOU DON'T LIKE IT GUYS JUST LEAVE .......... Simple if you just give it a
little thought ( if your capable of thought that is )
Sick of the moaning ' Orch ' Long live British EM cos this is getting very
VERY tedious .
From:
'Paul Fellows'
Date: Mon Mar 20, 2000 11:35
pm
Subject: Re : Grab it before it's too late!
Hi Heiko,
Are you serious about this? Selling a car that Jerome's thrown up over? I
don't quite know how to take this message! It's a crazy selling point, and
I would like to think that there's no-one out there who would buy a car for
such a ridiculous reason, I certainly wouldn't, and if anyone was
transparent enough to actually believe this rubbish, they don't deserve to
be called a fan, more like deeply disturbed obsessive who needs to get out
more often!
For the time being, I suggest you visit a car wash sharpish...
By the way, what colour is the car?
Paul
From:
'Carl & Jacqui Kearney'
Date: Mon Mar 20, 2000 11:36
pm
Subject: Lesson from my own book.
Well guys I would like to say it was nice but the last few weeks have been a
pain in the arse .
20 mails a day full of moaning , bitching back stabbing .
Too many bad vibes so I am out of here .
I have been on the list from the start and it has slowly degenerated into a
free for all shit hurling forum , well not for me .
I would just like to say thanks to Joe and to Alan Benson for there help in
re building my TD collection for the information I have gained from the
sensible list members , most of whom have already flown the coup as it were.
One last thing I will see you guys at Jodrell next month and I will this
time wear the England Rugby shirt OK .
Best regards Carl ' Orch ' ICQ 38818818 MIRC ' ORCH '
From:
'twosheds'
Date: Tue Mar 21, 2000 2:47
am
Subject: Re: Fan taping and related subjects
>I've been sitting back, comfortably lurking, watching the discussion going
>on. And what a strange discussion it is. But it's good to clarify once and
>for all that bootlegging, fan taping and such is in fact illegal.
Actually, according to a friend of mine who is an intellectual property
lawyer, taping a concert for your personal use is NOT illegal. Venues don't
allow you to bring in recording equipment because they & the artists assume
you will produce bootlegs of the show. This is a legitimate concern, but
it's just the venue, a private enterprise, not allowing it. You are legally
allowed to record anything you witness. It's akin to reporters recording
interviews. Producing copies (where the term 'copyright' comes from) is
where illegality begins. Reproducing is illegal.
>If I had been the artist in a similar situation, I know that I would be
>pissed off - bigtime. Not only for screwing up the integrity of my work,
>but also for taking credit and earning money on something I had created.
I understand the bootleg issue, but enlighten me on the 'integrity' issue.
You perform your music in front of hundreds of people, yet you still control
the music you perform. How does making a tape of that music compromise your
integrity?
One thing I'd like to say, that I've said countless other times, is that
many bands that allow taping build their fan base for that very reason. Most
of the bands I listen to today I would not be listening to (& buying their
CD's, going to their concerts, etc.) if they did not allow people to tape
their shows. As an example, when Ozric Tentacles came to Cleveland last
year, I was talking with a fellow taper outside the show, and he said that
he didn't know anything about them except that they allowed taping, so he
figured they must be cool. After seeing & taping the show, he was hooked,
and another fan was born. Case closed.
Scott
From:
Rudy Russo
Date: Tue Mar 21, 2000 4:07
am
Subject: Re: [tadream] Public Service Announcement: There Are 4 TD Lists
> From: Steven Feldman
>
> For those who have joined us only recently, it
> might be beneficial
> to say that there are currently *four* different
> Tangerine Dream mailing
> lists on Onelist:
>
> o tadream -- the generic, unmoderated list
> (Flamewar Central, hee hee)
> o tangerinedream -- the moderated, anti-flame,
> anti-bootlegging list
^^^^ Maybe I should switch over to that one ^^^^
> o artofvision -- the list for fans of latter-day
> (late 80s-to-Y2K) TD
Bleah. Why doesn't somebody form a list for discussion
of the Froese/Haslinger line-up, and the coupl'a
albums they did together? That oughta generate a lotta
posts.
> o goblinsclub -- the list for hardcore musings over
> catalog numbers, matrix stamp numbers, foreign
> pressings, ad nauseum
*zzzzzzzzzzzzzzz*
> MAJOR E-MUSIC FAVES:
> Tangerine Dream, Nightcrawlers, Robert Carty,
> Moroder -- *not* Kraftwerk!
Whatcha got against Kraftwerk???
Rude
__________________________________________________
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Re: Public Service Announcement: There Are 4 TD
Gabe Yedid
Tue
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From:
'Gustavo Jobim'
Date: Tue Mar 21, 2000 7:04
am
Subject: GFJM update (middle March)
Hellow folks!
I'm sorry if you receive this message more than once in different versions,
because I'm sending this message to four English-language mailing lists and
2 more lists in Portuguese.
To the point: updates in GFJMusica!
1. You can now see what I have in my albums collection - and it will be
updated as I get more albums/singles/whatever.
2. Two new excerpts of tracks. The tracks are:
2.1. Atom - a piano-based track, with an introduction that a dreamer can say
'this reminds me of the Atem (from TD) tune'... Yeah, I was a bit inspired
by this tune. I like it so much that I want to make a remix or version of it
in the future. However, this intro doesn't have much to do with the track
itself. It's a piano track, like I said, with some elements such as a house
bass to add something to the track, and a guitar which is used as another
add-on. The excerpt doesn't have the Atemic intro.
2.2. Alarm - this track sounds like an alarm to me, but I had troubles to
name it. It has some drums, but not percussion. It also has bass, the same
guitar used in Atom (If I remember correctly) and the lead instrument is a
kind of organ. It's one of my own favourites so far, and it's also the
biggest - 4:43. Some very interesting things throughout the track, but the
excerpt shows only a bit of these - 1:09. Strong candidate for a future
(don't even think about asking me when) album.
Future track: Quarks (probable name) can be the child of a marriage between
Atom and Alarm. The only instrument is still a piano, and after more than 2
minutes, I included the Alarm theme as an evolution of the track. It still
needs a lot of work.
3. A minor update: the huge (and Gustavocrazy) page title -
The-Bilingual-Homepage-etc-etc-etc-A-Página-Bilingüe-etc was changes to
simply GFJMusica. Much easier to remember, and it's not in any language (at
least neither Portuguese nor English).
I think that's it for now,
go there, check the tunes out, give feedback, sign the guestbook (just
writing 'hi' there is o.k.), etc.
Regards,
Gustavo Jobim - GFJMusica - http://gfjm.cjb.net
P.S. - After just 1 month + 1 week of life, GFJM has reached 300 hits!
______________________________________________________
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From:
'Temp Dontbother'
Date: Tue Mar 21, 2000 6:06
am
Subject: Fan Tapes
A lot of you are jumping on the bandwagon to condemn fan taping.
I find that highly ironic considering some of you are HUGE traders. This
holier than thou crap sticks in my gullet. If you have any boots in your
collection, you really shouldn't be opening your mouth about how wrong it
is.
This is especially true when you are one of 'THE' sources to go to for
boots. Gee, who would this be?
______________________________________________________
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From:
Heiko Heerssen
Date: Tue Mar 21, 2000 7:27
am
Subject: Re: [tadream] Re : Grab it before it's too late!
Paul Fellows wrote:
> Hi Heiko,
>
> Are you serious about this? Selling a car that Jerome's thrown up over? I
> don't quite know how to take this message! It's a crazy selling point, and
> I would like to think that there's no-one out there who would buy a car for
> such a ridiculous reason, I certainly wouldn't, and if anyone was
> transparent enough to actually believe this rubbish, they don't deserve to
> be called a fan, more like deeply disturbed obsessive who needs to get out
> more often!
>
> For the time being, I suggest you visit a car wash sharpish...
>
> By the way, what colour is the car?
>
> Paul
Oh my....recent postings to the Tadream list are becoming more or more
dangerous ;-)
I should have mentioned that I took this message from the TD GUESTBOOK!
And it was *not me* who wrote that, his name was Karel von Appel (please see
below!)
>From Karel Von Appel at Sat, 18/Mar/00 00:50:
Heiko
From:
NEUMANN.H-J@t...
Date: Tue Mar 21, 2000 7:31
am
Subject: 4 TD lists
Hi all,
can one of us, write me the email adress of the following TD lists for
subscribe:
a.. goblinsclub
b.. artofvision
Who can help, please write an email offline to:
NEUMANN.H-J@t...
Bye
Heiko
[Non-text portions of this message have been removed]
From:
'Pergamon'
Date: Tue Mar 21, 2000 10:03
am
Subject: Sv: [tadream] Re: Fan taping and related subjects
----- Original Message -----
From: twosheds
To:
Sent: Tuesday, March 21, 2000 3:47 AM
Subject: [tadream] Re: Fan taping and related subjects
> SNIP>
>
> One thing I'd like to say, that I've said countless other times, is that
> many bands that allow taping build their fan base for that very reason. Most
> of the bands I listen to today I would not be listening to (& buying their
> CD's, going to their concerts, etc.) if they did not allow people to tape
> their shows. As an example, when Ozric Tentacles came to Cleveland last
> year, I was talking with a fellow taper outside the show, and he said that
> he didn't know anything about them except that they allowed taping, so he
> figured they must be cool. After seeing & taping the show, he was hooked,
> and another fan was born. Case closed.
> Scott
=) I just couldn't sit back and not respond to this. This is for me just one
of the thousands of bad excuses for making it allright or legal. Most people
who tapes concerts, distributes that recording, trade it or what ever, so that
would make it illegal. To say more people would listen to you, if you as an
artist, allows fantaping is rubbish.
Regarding the fellow taper you mentioned, I can't understand his point of view.
I go for the music itself, if it's good, then I buy the records, not if they
allow fantaping or not.
I am a musician myself and has been in the situation, where a fan taped one of
my gigs and distributed the recording. He was making money and getting credits
for recording this......thanks alot. Apparantly he forgot the fact that I made
the music, worked hard to create the music and that I have the LEGAL rights to
the music.
Jan
From:
Synthhtnys@a...
Date: Tue Mar 21, 2000 11:13
am
Subject: 'D:Studio [Underwater Sunlight]'
Pretty much the last album in my favorite stretch of TD ...
It was becoming more melodic, but still had a grand vision...
If I remember correctly I saw them live on this tour before
actually having the album, and being surprised at this newcomer
Haslinger...Who was very good, but I wanted to see Schmoelling...
This album stands up well over time to my ears...
It has a great dynamic range, some very quiet parts into a wall of
sound for example about 5 minutes into Part one: From Dawn
also there is some outstanding guitar work from Edgar my favorite
being the lick at 6:50...I played this a lot when I got it.... a lot.
I can tell this one is quickly going to rejoin the rotation......
Poly
From:
'Patrik .'
Date: Tue Mar 21, 2000 3:49
pm
Subject: [tadream] 'D:Studio [Underwater Sunlight]'
Gone was Schmoelling, and I was very curious about this new guy Haslinger.
And bang! The familiar moog-sequence in Dolphin Dance (from the Soldier
soundtrack) made me smile and then this strange mix of sampled 12-string
guitar and strings which seem to float in the background. The samples are
just breathtaking, Franke´s Emulator and Edgar´s guitar creates a very
special sound. I believe Schmoelling and Franke wasn´t too happy about
guitars.
It has a grand theme with a floating quality in it. I played this record
almost every day until Tyger came. I still listen to Underwater, it´s a
great album and Haslinger proved to be the right man for it!
Patrik, Stockholm, Sweden
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Re: 'D:Studio [Underwater Sunlight]'
Nick Adams
Tue
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Re: 'D:Studio [Underwater Sunlight]'
Gabe Yedid
Tue
3/21/2000
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Re: 'D:Studio [Underwater Sunlight]'
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D:Studio [Underwater Sunlight]
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Tue
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From:
'Nick Adams'
Date: Tue Mar 21, 2000 12:11
pm
Subject: Re: [tadream] 'D:Studio [Underwater Sunlight]'
> From: Synthhtnys@a...
>
> Pretty much the last album in my favorite stretch of TD ...
Hmm, imo the last one in this stretch was Live Miles, after that Phooie,
> It was becoming more melodic, but still had a grand vision...
> If I remember correctly I saw them live on this tour before
> actually having the album, and being surprised at this newcomer
> Haslinger...Who was very good, but I wanted to see Schmoelling...
Same here, when i saw them in Birmingham in 86, i thought who the F*** is
that with the stupid hair, still i enjoyed the music that night, i must say
Haslinger redeemed himself when he played the piano intro to Ricochet pt 2.
> This album stands up well over time to my ears...
> It has a great dynamic range, some very quiet parts into a wall of
> sound for example about 5 minutes into Part one: From Dawn
I'm not a lover of side one of this album ( everybody stands back in
amazement ) but i love side 2, Dolphin Dance & Ride on the Ray are really
superb.
Nick
NP Mythos / Strange Guys
Home Nicad@c...
Work Nick.Adams@p...
From:
'joe shoults'
Date: Tue Mar 21, 2000 2:38
pm
Subject: RE: [tadream] 4 TD lists
> -----Original Message-----
> can one of us, write me the email adress of the following TD
> lists for subscribe:
>
> a.. goblinsclub
> b.. artofvision
http://www.onelist.com/community/goblinsclub
http://www.onelist.com/community/artofvision
From:
tweibre361@a...
Date: Tue Mar 21, 2000 2:51
pm
Subject: Re: [tadream] Digest Number 427
In a message dated 3/20/00 17:26:49 Eastern Standard Time,
tadream@o... writes:
<< No matter how you turn it, it will allways be illegal to tape >>
incorrect....taping off the radio is perfectly legimate, as are recordings
made of public performances...
tom w
np: studio 1 compilation
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Gabe Yedid
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From:
'joe shoults'
Date: Tue Mar 21, 2000 3:08
pm
Subject: ridiculous reactions to fantaping posts (was: Digest Number 427)
right. unless you are under contract not to do so by means of the ticket
you bought. Read the back of the ticket (go find an old stub). By using
that ticket, you accept its terms. Just like the fact that the venue is not
liable when a baseball or hockey puck hits you in the head, you agree that
you will not take pics, record music, wipe boogers on the stands, etc.. You
can agree to those terms, or just not attend.
Can you believe- a few people have actually left the list over this
discussion! Is this ridiculous, or what? I thought that _I_ was supposed
to be the anal retentive reactionary here. ;-) We're just talking about
fantaping, that's all. Nobody has to take this personally. Non-profit
fantaping is innocuous; for-profit fantaping is vile. Pretty simple, huh?
Geez, guys, lighten up a little.
Oh, wait a minute, now it's my turn to be anal: DONT FRIGGIN USE DIGEST
NUMBERS AS SUBJECTS IN YOUR POSTS!!!
There. I feel a little better.
joe
> -----Original Message-----
> incorrect....taping off the radio is perfectly legimate, as
> are recordings
> made of public performances...
From:
'Glenn Folkvord'
Date: Mon Mar 20, 2000 11:39
pm
Subject: SV: [tadream] fan taping / bootlegs / compilations
>From: 'Jan Aunsholt'
>The artist do not deny us anything, it is their
>god giving right to choose what us fans should have access to or not.
True, but sometimes it isnt even the artist that denies or OK's bootlegs.
Sometimes the artists just doesnt care at all, but the record company and the
publisher can be the ones who fight bootlegging, and they have all the right to
do so. So it doesnt matter if the band accepts bootlegs/tapes or not, the law
is clear! Pretty much you're allowed to tape from radio and TV or make tapes
from official CDs you already own for playing in your car or walkman, but other
than that, fan recordings are illegal. If the artist says bootlegs are OK, it
doesnt matter - still illegal. It is not for the artist/band to decide.
all the best,
glenn
JarreArt www.itsahit.com/jarreart
Emusic http://w3.to/_emusic
From:
Gabe Yedid
Date: Tue Mar 21, 2000 4:45
pm
Subject: Re: [tadream] Public Service Announcement: There Are 4 TD Lists
On Mon, 20 Mar 2000, Rudy Russo wrote:
> From: Rudy Russo
>
> > o artofvision -- the list for fans of latter-day
> > (late 80s-to-Y2K) TD
>
> Bleah. Why doesn't somebody form a list for discussion
> of the Froese/Haslinger line-up, and the coupl'a
> albums they did together? That oughta generate a lotta
> posts.
This is *precisely* the attitude that led to the formation of the
artofvision list. Those who post there think that there *is* something
to discuss concerning albums after Haslinger's departure.
> > o goblinsclub -- the list for hardcore musings over
> > catalog numbers, matrix stamp numbers, foreign
> > pressings, ad nauseum
>
> *zzzzzzzzzzzzzzz*
>
> > MAJOR E-MUSIC FAVES:
> > Tangerine Dream, Nightcrawlers, Robert Carty,
> > Moroder -- *not* Kraftwerk!
>
> Whatcha got against Kraftwerk???
Not everybody likes Kraftwerk, for whatever reason(s), regardless of what
their influence on music may have been. What's so strange about that?
> Rude
Gabe
(restraining something that could be construed as personal)
From:
Gabe Yedid
Date: Tue Mar 21, 2000 4:50
pm
Subject: Re: [tadream] 'D:Studio [Underwater Sunlight]'
On Tue, 21 Mar 2000, Patrik . wrote:
> From: 'Patrik .'
>
>
>
> Gone was Schmoelling, and I was very curious about this new guy Haslinger.
> And bang! The familiar moog-sequence in Dolphin Dance (from the Soldier
> soundtrack) made me smile and then this strange mix of sampled 12-string
> guitar and strings which seem to float in the background. The samples are
> just breathtaking, Franke´s Emulator and Edgar´s guitar creates a very
> special sound. I believe Schmoelling and Franke wasn´t too happy about
> guitars.
Hate to say it, but I think that this is a bit of revisionism being
propagated by Edgar. I can understand Chris not liking guitars maybe, but
if Schmoelling dislikes them so much, why does he emulate their sounds on
so many of his solo albums?
Gabe
From:
Gabe Yedid
Date: Tue Mar 21, 2000 4:58
pm
Subject: Re: [tadream] Digest Number 427
On Tue, 21 Mar 2000 tweibre361@a... wrote:
> From: tweibre361@a...
>
> In a message dated 3/20/00 17:26:49 Eastern Standard Time,
> tadream@o... writes:
>
> << No matter how you turn it, it will allways be illegal to tape >>
>
> incorrect....taping off the radio is perfectly legimate, as are recordings
> made of public performances...
>
> tom w
>
> np: studio 1 compilation
Not like I've paid a whole lot of attention to this--I just gloss over
these posts and look at what I think is important--but it definitely seems
to me that there are two distinct schools of thought on this issue, and
that they more or less follow a trans-Atlantic divide. The Europeans seem
to take one particular viewpoint (it's *not* legal) while the North
Americans seem to be doing their best to justify why it is.
Now, I'm actually NOT going to go in to what kind of socio-legal-economic
factors might be responsible for this, except to ask: does copyright law
in most European countries give more control to the artist, in general?
If it does, then is this the root of Edgar's attitude towards fan taping
and bootlegging--i.e. is he simply responding in a manner consistent with
what HE KNOWS to be the law where he lives?
Gabe
From:
'Patrik .'
Date: Tue Mar 21, 2000 9:04
pm
Subject: Re: [tadream] 'D:Studio [Underwater Sunlight]'
Patrik wrote:
I believe Schmoelling and Franke wasn´t too happy about
guitars.
And Gabe answered:
Hate to say it, but I think that this is a bit of revisionism being
propagated by Edgar. I can understand Chris not liking guitars maybe, but
if Schmoelling dislikes them so much, why does he emulate their sounds on so
many of his solo albums?
Gabe
Good question, but I´ve read somewhere that they (SFF) disagread on Edgar´s
use of electric guitar. You can´t find it on Exit, nor Logos and not on
Hyberborea or Legend. Just a thought...
Patrik
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Wed
3/22/2000
3 KB
From:
'kayleigh'
Date: Tue Mar 21, 2000 5:26
pm
Subject: Trading stuff
A lot of you are jumping on the bandwagon to condemn fan taping.
Hey there all. Wanted to post a quick note about this fan trading thing
before for some reason it dries up and goes away (GRIN). I saw this posted
on the list the last day or so (I'm not online as much as before, so not
sure exactly when it was put online)
I find that highly ironic considering some of you are HUGE traders. This
holier than thou crap sticks in my gullet. If you have any boots in your
collection, you really shouldn't be opening your mouth about how wrong it
is.
This is especially true when you are one of 'THE' sources to go to for
boots. Gee, who would this be?
AND on that note, I don't know who this person is being spoken about, as
with myself, I have openly asked for live recordings for my OWN personal
use. I am not selling/making money on this stuff, and in fact most times
when I get this material from people, I don't trade much to get it (I WOULD
Like to get more if anyone is interested), but with trading and bootlegs and
stuff, I have yet to see a Tangerine Dream Cd anywhere in the US that is a
'bootleg' where on the other hand, I see The Artist (PRince) Pearl Jam,
Metallica, the Dead (can't imagine why anyone would PAY for the Dead stuff
considering there are about 3 zillion of the shows out and about anyhow),
but others like that are nearly professional quality, the full color
artwork, etc. THAT to me is where the artists have had a problem. BUT with
TD? Why? I've never seen anyone selling this stuff.
Ok, onto the note that was posted to the list. Whoever posted it is RIGHT. I
never take sides, but saw this on the Marillion/Freaks list about two years
ago. Myself, I was involved in a nasty spat, because people wanted me to
stop trading, and I refused since it was for my PERSONAL use. what they were
against was NOT me trading, but the fact I woud not bow down and listen to
everything they wanted, and do things their way. Sorry, I'm not a puppett.
BUT in reality, I won't take sides either way. Some people like the trading
(like me), some don't. BUT honestly regardless of how I feel compared to how
someone else feels, I will not condemn anyone for their feelings, and should
anyone? Why not let everyone have their own opinion? EVEN IF someone doesn't
like the trading, unless the BAND prosecutes me, honestly I'd continue doing
it. BUT that doesn't mean I will insult someone that thinks trading is
wrong. They are entitled to their own opinion.
Just thought I'd pop that in there. I've really enjoyed this list, and have
had a great time reading what is on here, AND honestly the 'Flame wars' that
I have seen here are NOTHING compared to some of the nastiness and uglyness
that I've seen on other lists. Everyone here seems to be friendly, and
especially MOST HELPFUL with the questions I've asked (That are probably
kinda stupid considering mostly everyone on this list seems to know
EVERYTHING about the band)
THANKS for everyone who's helped out, and can't we all be friends? :)
dan
Kayleigh's Playhouse!
http://www.modempool.com/kayleigh
Crack A Smile - THE Online Poison Mailing List
TheTradingCircle - An Online CDR Trading Network!
ICQ#1247205 - AOL IM: Tootiehoot2 - Firetalk# 581211
Yahoo Pager: kayleigh_tootiehoot
From:
'Marcel Engels'
Date: Tue Mar 21, 2000 5:45
pm
Subject: D:Studio [Underwater Sunlight]
> From: 'Patrik .'
>
> Good question, but I´ve read somewhere that they (SFF) disagread
> on Edgar´s
> use of electric guitar. You can´t find it on Exit, nor Logos and not on
> Hyberborea or Legend. Just a thought...
I always like the 'added' (doesn't sound to me it's added :-)) guitar in
TD's music.
And a lot of solos of Johannes are indeed guitaresque.
Short review about Underwater Sunlight:
I really like this album.
Both Song of (or is it from?) the Whale are excellent.
They are both exciting tracks which has good build-ups and are very
powerful.
The piano, played by Haslinger, is excellent (on this and Tyger).
This record is, for me, evidence that you can make a very good album with
digital gear (and a little bit analog).
Side 2 (I didn't had a side 2 because it was a CD for me) is, for me, not
so good as side 1 except for Dolphin Dance which is very good. The tracks
are a bit directionless.
Marcel
Music-page :http://home.wxs.nl/~m1engels
Email :fsp@w...
From:
Jared White
Date: Tue Mar 21, 2000 6:39
pm
Subject: Re: [tadream] Public Service Announcement: There Are 4 TD Lists
> From: Gabe Yedid
>
> On Mon, 20 Mar 2000, Rudy Russo wrote:
>
> > From: Rudy Russo
> >
> > > o artofvision -- the list for fans of latter-day
> > > (late 80s-to-Y2K) TD
> >
> > Bleah. Why doesn't somebody form a list for discussion
> > of the Froese/Haslinger line-up, and the coupl'a
> > albums they did together? That oughta generate a lotta
> > posts.
>
> This is *precisely* the attitude that led to the formation of the
> artofvision list. Those who post there think that there *is* something
> to discuss concerning albums after Haslinger's departure.
Thanks for your support, Gabe, but actually Rudy's in luck. Art of Vision
covers TD's career from *1988* onwards, so Optical Race, Lily on the Beach,
and (of course) Melrose are all perfectly acceptable candidates for
discussion. In fact, some of the 'post-Franke' top ten TD track lists posted
to the Art of Vision list lately have included tracks from those albums. If
you like the Froese/Haslinger line-up, this list will definitely interest
you!
Thanks, take care,
Jared
From:
'Erik Sanborn'
Date: Tue Mar 21, 2000 5:51
pm
Subject: Re: Fan Taping
>Date: Fri, 17 Mar 2000 12:12:37 +0100
>From: 'TDI - Martin K.'
...
>Face it: people are not basically good.
Ah! The philosophical reason. Hmmm... I'm not sure I agree.
Philosophical question:
People are basically:
A. good
B. bad/evil
The correct answer is:
C. stupid :)
I now return you to our little flamefest that we like to call a mailing
list. ;-)
From:
Jared White
Date: Tue Mar 21, 2000 6:57
pm
Subject: D:Studio [Underwater Sunlight]
Hi, folks,
I regret to say I don't have the album 'Underwater Sunlight'. However, I've
heard Ride on a Ray, Scuba Scuba, and Underwater Twilight on the Best of the
Blue Years compilation, and I've heard the version of Dolphin Dance on
Valentine Wheels. So, I'm only missing out on Parts 1 & 2 of Song of the
Whale.
Let me just say that Ride on a Ray and Dolphin Dance are two of the most
beautiful and peaceful pieces of music I've ever heard come from the minds
of Tangerine Dream. Those drums on Dolphin Dance are ethereal and hypnotic,
and that twangy Haslinger-era sound featured most on Underwater Sunlight (I
guess) is a sound I'd almost die for. I've managed to come up with something
somewhat like it on my Korg N1r, but it still isn't the same! Next to TD's
classic Moog basses, that twangy sound is one of my favorite TD sounds of
all time.
This may sound like heresy to some of you, but a certain section of
Astrophobia on Mars Polaris sounds very much like a space version of Dolphin
Dance. (Martian Dance??) Right after the first 'breakbeat' part of
Astrophobia, there's a short interlude and mood change, and then that same
style of hypnotic drumming comes in with a simple ethereal tune in the
background. I think I first noticed it whilst listening to the sound clip of
Astrophobia on TDI's site before MP came out, and I was very impressed. See,
TD hasn't lost it yet! (OK, OK, let's not get into that again....)
Anyway, I love what I've heard of Underwater Sunlight, and I'm very anxious
to get Tyger, as I've only heard 21st Century common man (part 2) on the
Best of the Blue Years compilation, and it sounds *very* different!
Regards,
Jared
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D:Studio [Underwater Sunlight]
izyrp@o...
Wed
3/22/2000
3 KB
From:
'Greg'
Date: Tue Mar 21, 2000 8:33
pm
Subject: Re: [tadream] D:Studio [Underwater Sunlight]
> From: Jared White
>
Wow!
I was wondering the same thing.. but maybe in a different area. There's a
deep bass
sequence in that section of Astrophobia at 4:20, it sounds like it was taken
from
Rubycon Pt. 2! You can almost hear that static-like water skimming sound
too..
I also like at 6:20, a robotic like voice seems to exclaim 'I don't think
so!'
Greg H.
> This may sound like heresy to some of you, but a certain section of
> Astrophobia on Mars Polaris sounds very much like a space version of
Dolphin
> Dance. (Martian Dance??) Right after the first 'breakbeat' part of
> Astrophobia, there's a short interlude and mood change, and then that same
> style of hypnotic drumming comes in with a simple ethereal tune in the
> background. I think I first noticed it whilst listening to the sound clip
of
> Astrophobia on TDI's site before MP came out, and I was very impressed.
See,
> TD hasn't lost it yet! (OK, OK, let's not get into that again....)
>
> Regards,
>
> Jared
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Re: D:Studio [Underwater Sunlight]
Bennett Cookson
Fri
3/24/2000
2 KB
From:
'Jens Peschke'
Date: Tue Mar 21, 2000 11:02
pm
Subject: Re: [tadream] Public Service Announcement: There Are 4 TD Lists
> From: Gabe Yedid
> This is *precisely* the attitude that led to the formation of the
> artofvision list.
Not quite. People haven't concentrated on the positive side of things
enough,
those who are into TD (of any given time or all) don't wanna
read unfiltered moanings. All IMHO of course.
--- general comments, Gabe isn't meant ----
'If you have to say something positive and/or constructive do so,
if not keep your mouth sealed or at least explain your personal point of
view' is
what we should stick with. I for one ignore some of those who don't
stick with it.
I mean what postings do you like to read, what is the reason for being here
?
Fun, methinks. No ?
[Gabe]
>Those who post there think that there *is* something
> to discuss concerning albums after Haslinger's departure.
I thought this is the list of discussing all TD lineups, no ?
Anyway, it doesn't matter really as the negative waves (?)
in here are just a tad too high for my liking recently, really.
Bye
Jens
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Re: Public Service Announcement: There Are 4 TD
Gabe Yedid
Wed
3/22/2000
5 KB
From:
Grant M Somerville
Date: Tue Mar 21, 2000 11:06
pm
Subject: Bonnet Vomit!!
Gabe Yedid wrote:
> From: Gabe Yedid
>
> On Mon, 20 Mar 2000, Heiko Heerssen wrote:
>
> > From Karel Von Appel at Sat, 18/Mar/00 00:50:
> > I'm selling my car. Audi A4, looks new, it is (1998). Reason? For you
> > fans, a deal: Jerome threw up on the hood after too much beer.
> > Never washed it since then. Who could dream of a more personnal relic.
> > Own something that was part of Jerome! Contact me
> > please...
>
> Woo! I had no idea he was still such a 'wild man'!
> ;-)
> (OTOH, if he binges often, it can't be too good for his skills...)
>
> cheers,
>
> Gabe
>
Dream mixes 3...Exit (the throw-up mix)
You never know ; )
Kind Regards, Grant.
Grant M Somerville
Glasgow, Scotland.
Looking for Live Music Recordings...try
http://freespace.virgin.net/grant.somerville/2index.html
SOUNDCHECK
[Non-text portions of this message have been removed]
From:
aoutland@a...
Date: Wed Mar 22, 2000 1:36
am
Subject: Re: [tadream] Grab it before it's too late!
In a message dated 03/20/2000 8:50:45 AM Eastern Standard Time,
heiko.heerssen@h... writes:
<< Here is the ULTIMATE collectors' item to all you TD fans out there!
~LOL~ >>
Ho ho ho. I'll bid a dollar! 8-) Dell
From:
aoutland@a...
Date: Wed Mar 22, 2000 1:43
am
Subject: Re: [tadream] Fan taping / bootlegging
In a message dated 03/20/2000 9:21:58 AM Eastern Standard Time,
kearley@r... writes:
<< But Fan Taping/Trading is not much better, because it lessens the control
an Artist has over his/her work. >>
I can understand that an artist would be worried about being known for
the quality of his work, and then be upset about having a second rate hissy
tape of an old concert being bandied about by the fans. However, isn't it a
point of pride also to know that your fans will go to any lengths to get
every note you've ever played? And if that artist then released that concert
in better quality, wouldn't those same fans fall all over themselves to get
that officially released product? I know I would. 8-) Dell
From:
Gabe Yedid
Date: Wed Mar 22, 2000 3:42
am
Subject: Re: [tadream] Public Service Announcement: There Are 4 TD Lists
On Wed, 22 Mar 2000, Jens Peschke wrote:
> From: 'Jens Peschke'
>
> > From: Gabe Yedid
>
> > This is *precisely* the attitude that led to the formation of the
> > artofvision list.
>
> Not quite. People haven't concentrated on the positive side of things
> enough,
> those who are into TD (of any given time or all) don't wanna
> read unfiltered moanings. All IMHO of course.
That depends entirely on your point of view of what's positive. For
certain folks who are/were here, there isn't anything about the
music to comment positively on anymore. The ones who tend to be more
vociferously negative about it end up dominating the discussions, which
creates a bad atmosphere for those of us who appreciate at least some of
what we hear in 'modern' TD.
> --- general comments, Gabe isn't meant ----
huh????
I'm not meant...for/to see/to hear/to do what, exactly?
> 'If you have to say something positive and/or constructive do so,
> if not keep your mouth sealed or at least explain your personal point of
> view' is
> what we should stick with. I for one ignore some of those who don't
> stick with it.
> I mean what postings do you like to read, what is the reason for being here
> ?
Among other things, apparently, to be told that I don't have as much right
to my opinion on modern TD because I didn't 'grow up' with the band's
music.
> Fun, methinks. No ?
Why can't a bit of fun be part of it, eh?
It certainly has been a lot LESS fun over the past 2-3 weeks.
> [Gabe]
> >Those who post there think that there *is* something
> > to discuss concerning albums after Haslinger's departure.
>
> I thought this is the list of discussing all TD lineups, no ?
Sure, I suppose there's no problem there, right Jared?
The point was to create a place where 'post-Franke' TD music could be
discussed in a less negative climate than that which has tended to
predominate on just about every other TD-related list, going all the way
back to the old UWP list. (Yes, I have been around that long) But no, it
doesn't exclude discussion of music from other eras of TD's history.
And the tone of the above response was meant to be as blunt as the (IMO)
rather obvious implication that any TD album after _Lily_ has nothing
which merits (positive) discussion. The example proving the rule, as it
were, justifying the desire (if not the need) for artofvision.
> Anyway, it doesn't matter really as the negative waves (?)
> in here are just a tad too high for my liking recently, really.
Look, they're going to crop up every now and then, I don't think there's
any getting away from it. This can't be a love-in ALL the time, and
there's going to be dissent of varying degrees at one time or another,
which is inevitable when differing opinions clash. I do think it's worth
pointing out, though, that when things DO go sour, they tend to get rather
nasty and personal in astonishingly short order. Just why is that,
anyway? (I have my private theories on this...)
> Bye
that's not a final bye, is it?
> Jens
cheers,
Gabe
From:
Gabe Yedid
Date: Wed Mar 22, 2000 3:52
am
Subject: Re: [tadream] 'D:Studio [Underwater Sunlight]'
On Tue, 21 Mar 2000, Patrik . wrote:
> From: 'Patrik .'
>
>
> Good question, but I´ve read somewhere that they (SFF) disagread on Edgar´s
> use of electric guitar. You can´t find it on Exit, nor Logos and not on
> Hyberborea or Legend. Just a thought...
>
> Patrik
This is true.
Ed's guitar makes appearances mostly on soundtracks from this time (most
notably _Firestarter_, _Heartbreakers_, and, dare I say it, _The Keep_)
and hardly ever on the studio albums (with the possible exception of
_White Eagle_). He *did* play it at concerts during this time, but seemed
to take a real break from it from around the middle of 1982 to sometime in
1984.
As another thought for your thought: was the kind of music they were
doing at this time really appropriate for electric guitar, coming as it
did after a fairly guitar-heavy period (the 1980/81 'Thief' tour)?
Gabe
From:
Steven Feldman
Date: Wed Mar 22, 2000 7:19
am
Subject: Of Ex-Tangerine Dream and Ex-Kraftwerk Fandom
>Date: Tue, 21 Mar 2000 11:45:22 -0500 (EST)
>Subject: Re: [tadream] Public Service Announcement: There Are 4 TD Lists
>To: Tangerine Dream mailing list
>From: Gabe Yedid
>
>> From: Rudy Russo
>>
>> > From Steven Feldman
>> > MAJOR E-MUSIC FAVES:
>> > Tangerine Dream, Nightcrawlers, Robert Carty,
>> > Moroder -- *not* Kraftwerk!
>>
>> Whatcha got against Kraftwerk???
They're the know-nothing name-dropper's 70's e-music band of choice.
So many rock critics have fallen prostrated themselves before Kraftwerk
for no other reason than that they were disco influences who never got a
hit of any importance ('Autobahn' and 'The Model' didn't chart for shit),
while the biggest e-music influence on disco charted way too highly and
way too often for the nitcrits to acknowledge as having artistic (as
opposed to economic) merit. Who is this influence? Giorgio Moroder.
>Not everybody likes Kraftwerk, for whatever reason(s), regardless of
>what their influence on music may have been. [. . .]
Back in the late 1970's, Kraftwerk and Giorgio Moroder were more
often than not mentioned in the same breath, much like David Bowie and
Roxy Music was (or Tangerine Dream and Klaus Schulze are), but *now*,
disco is so out of favor historically in the rock press context that
folks have invented terms like 'trance' to re-name it, or sweep it under
the rug, as it were.
Back in the day, Moroder would tell you that he was in the business
of making Dance Music, if you asked him, whereas Kraftwerk had/has all
manner of agendas and theories with which to fill critics' heads when
the music itself just wasn't good enough to merit serious investigation.
Moroder has had *so* big an influence on pop music that few people
can separate out what is Moroder from what is pop-music-minus-Moroder
anymore! It's like trying to separate the Velvet Underground or Nirvana
from Alternate Rock. But Krafwerk? What did they ever do that Moroder
didn't do -- except not sell records?
Like most of the people on the Electronic Music mailing list, who
are disgruntled ex-Tangerine Dream fans who wish the last decade never
took place, I am a disgruntled ex-Kraftwerk fan who gave up on them in
1986 when they put out that piece of shit ELECTRIC CAFE (and what have
they done of any merit since, besides 'Tour de France'?). I loved RALF
AND FLORIAN, RADIOACTIVITY, MAN-MACHINE and COMPUTER WORLD, but found
TRANS-EUROPE EXPRESS overlong, repetitive and tiresome (and still do) --
and this is coming from an Eno fan who became a space music fan!
And when it comes to 'live' performances being a sham, Kraftwerk
was Milli Vanilli before Milli Vannilli was Milli Vannilli! They pre-
dated Edgar by 20 years -- and that's a claim to imfamy that no one
should covet!
-- Steven Feldman
- - - - - - -
ar402004@b... [ElectronicMusic@o..., 6/27/99] said:
'Live, Tangerine Dream is the electronic equivalent of Millie Vanilli.'
DaNo [ElectronicMusic@o..., 6/27/99] rejoined:
'Finally, someone who puts it into perspective no one can deny.' Ho ho.
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do we all like the same music????
Rainer Rutka
Wed
3/22/2000
4 KB
From:
'Pergamon'
Date: Wed Mar 22, 2000 8:38
am
Subject: Sv: [tadream] Digest Number 427
----- Original Message -----
From:
To:
Sent: Tuesday, March 21, 2000 3:51 PM
Subject: Re: [tadream] Digest Number 427
> From: tweibre361@a...
>
> In a message dated 3/20/00 17:26:49 Eastern Standard Time,
> tadream@o... writes:
>
> << No matter how you turn it, it will allways be illegal to tape >>
>
> incorrect....taping off the radio is perfectly legimate, as are recordings
> made of public performances...
>
> tom w
Yes radiotaping for private use, but not if you distribute it. Public
performances, yes if you get the permission from the artist(s), but not for
distribution.
Jan
From:
'Pergamon'
Date: Wed Mar 22, 2000 8:42
am
Subject: Sv: [tadream] fan taping / bootlegs / compilations
I couldn't agree more =)
Jan
----- Original Message -----
From: Glenn Folkvord
To:
Sent: Tuesday, March 21, 2000 12:39 AM
Subject: SV: [tadream] fan taping / bootlegs / compilations
> From: 'Glenn Folkvord'
>
> >From: 'Jan Aunsholt'
>
> >The artist do not deny us anything, it is their
> >god giving right to choose what us fans should have access to or not.
>
> True, but sometimes it isnt even the artist that denies or OK's bootlegs.
Sometimes the artists just doesnt care at all, but the record company and the
publisher can be the ones who fight bootlegging, and they have all the right to
do so. So it doesnt matter if the band accepts bootlegs/tapes or not, the law
is clear! Pretty much you're allowed to tape from radio and TV or make tapes
from official CDs you already own for playing in your car or walkman, but other
than that, fan recordings are illegal. If the artist says bootlegs are OK, it
doesnt matter - still illegal. It is not for the artist/band to decide.
>
> all the best,
> glenn
>
> JarreArt www.itsahit.com/jarreart
> Emusic http://w3.to/_emusic
>
>
>
>
> ------------------------------------------------------------------------
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>
>
> PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
> To unsubscribe: mailto:tadream-unsubscribe@o...
> Website: http://www.tadream.net
>
>
>
From:
Rainer Rutka
Date: Wed Mar 22, 2000 11:07
am
Subject: do we all like the same music????
On Wed, 22 Mar 2000, Steven Feldman wrote:
> From: Steven Feldman
> ...
> and this is coming from an Eno fan who became a space music fan!
Hi Steven and you all!
Well, I'm a big ENO-Fan, too and try to collect everything I can get.
'Another Green World' is my all-time favourite record no 2! Definitely
a disk I would like to take to an lonely island. (no. 1 is 'Sarabande' by
Jon Lord, no. 3 is 'Force Majeure').
This brings me to a point I allways wanted to ask some of you guys onto
the list: Do you like TD only? Or do we all like the same kind of music?
(I think our musical taste is very similar!). I don't want to start a
new discussion, But it can be interesting (IMO) to know a little bit more
by each other.
For everybody's who wants to know, here's my ALL-TIME top 20:
(if not, delete the message now!)
1) Sarabande, Jon Lord (my ALL-TIME record)
2) Another Green World, Brian Eno (soooooooo gooooooood)
3) Force Majeure, ? ('ups-foregot the name of the band')
4) The Kick Inside, Kate Bush
5) Venus And Mars, Wings
6) X, Klaus Schulze
7) Double Live Gonzo, Ted Nugent (good for washing dishes)
8) Secret Story, Pat Metheny
9) Le Parc, ? ('hmmm what was the name of the band....?')
10) Tubular Bells 2, Mike Oldfield (TB2 not TB1)
11) Koeln Concert, Keith Jarrett
12) Decade, Neil Young
13) Starpeace, Yoko Ono (YES, I like Yoko!)
14) Selling England by the Pound, Genesis
15) No Sleep 'til Hammersmith, Motoerhead (hear it while driving!)
16) North Star, Philip Glass
17) Incantations, Mike Oldfield (LP-version)
18) Ages, Edgar Froese
19) Direct, Vangelis
20) Mars Polaris, TD (oh, I remember the name!)
and many more...
These are my selections (today) for the so-called lonely island. I think
I listened to all this records more than 100 times / each.
Rainer
rainer@k...
---------------------------------------------------------------------
www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From:
tweibre361@a...
Date: Wed Mar 22, 2000 12:15
pm
Subject: Re: [tadream] Digest Number 430
In a message dated 3/22/00 3:43:04 AM Eastern Standard Time,
tadream@o... writes:
<< Yes radiotaping for private use, but not if you distribute it. Public
performances, yes if you get the permission from the artist(s), but not for
distribution. >>
by public performance i meant a free performance in a public place which then
enters the public domain...no permission required...
tom w
np: kraftwerk - expo 2000
From:
Heiko Heerssen
Date: Wed Mar 22, 2000 12:42
pm
Subject: D:Live [Fan taping]??
And now for something completely different....
FAN TAPING: is it illegal or not?
ok, a lame joke ;-)
But with all this controversial discussions (or 'flame wars'...since I
joined the list I learned such an amount of new English words it's
incredible ;-) going on at the moment I wonder what awaits us next week
when the (in)famous 'Tyger' is the subject on the weekly discussion
schedule?!
Heiko from
cloudy Hamburg
From:
'Phil White'
Date: Wed Mar 22, 2000 4:44
pm
Subject: Wolfgang Duren Query
Sorry to be slightly offlist but must be the place to ask.........
I have in my EM collection a vinyl album called 'Eyeless Dreams'
by Wolfgang Duren (WPL 5768)
It is VERY T.Dream in style and content.
Can anyone enlighten me as to his actual role with TD as I have
variously been told 'roadie' or possibly synth programmer ?
Will the real bringer of truth please stand up ?
Thanks in anticipation
Phil White
[Non-text portions of this message have been removed]
From:
Jared White
Date: Wed Mar 22, 2000 4:34
pm
Subject: D:Studio [Hyperborea]
Hi, folks,
OK, so I'm several weeks late. I never got around to posting anything about
Hyperborea, but now
with the current lull in, ah, really inspiring discussions, I figure I'd say
something.
I just got Hyperborea recently, and I've only listened to it once all the way
through, with
selected other parts a few times. I'd heard Cinnamon Road on the Dream Sequence
compilation many
times (sorry, folks, I love that piece!), so it was nice to hear it in relation
to the rest of
the album. And it's quite a rest of the album!
Hyperborea begins with a very a-typical TD composition. Bright, exotic timbres
and strange,
floating melodies predominate throughout the whole relatively short track. In a
way, it sounds
almost like a pre-cursor to the some of the more exotic portions of Optical
Race. (Or even Le
Parc? I don't know because I don't have that album, only a few tracks like Zen
Garden on the
Best of the Blue Years compilation.) Interesting track, but unfortunately,
somewhat unmemorable,
like most of the tracks on Exit (uh, oh, don't answer that!). After 'jamming'
for several
minutes, it all starts to sound the same....
Which brings us now to the title track, Hyperborea. I really can't tell you HOW
MUCH I LOVE THIS
PIECE! It certainly has one of the most sublime and haunting melodies of the
Schmoelling period,
and possibly still reigns supreme when you stretch your criteria by several
more years in either
direction. The bizarre tonalities (at least bizarre compared to other TD work
from that general
timeframe) and otherworldly synthesizer sounds (some digital, maybe?) combine
to form a powerful
echo of the beautiful yet mysterious kingdom of Hyperborea. A definite
highlight of the album,
and makes it one of the best products of TD's career when Schmoelling was part
of the band.
Cinnamon Road: corny? perhaps. Fun? You betcha! I've enjoyed and appreciated
this piece for a
long time. It's one of the better 'short tracks' from TD at that time.
Certainly blows away any
of the short tracks of Exit (uh, oh, again!), and it's definitely better than
the silly pop/new
wave track Midnight in Tula on White Eagle. Many interesting and 'different'
sequences
interweave on this piece to form almost a classical-like counterpoint that
makes you wish the
track went on longer!
And now the last track, Sphinx Lightning. You know, I have to admit I don't
remember the
slightest thing from that track. I'd have to go listen to it, but I'm afraid
I'm pressed for
time at the moment. I remember enjoying it, though....
So let's just say the first three tracks, with the middle two being the real
highlights, make
this a classic and enjoyable album that was a fitting swan song for the Virgin
Years. We love
you, Hyperborea!
NOW, let the Underwater Sunlight reviews come in! Come on, you can do it! You
know how! :)
Regards,
Jared
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D:Studio [Hyperborea]
Gustavo Jobim
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9/23/2000
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Re: D:Studio [Hyperborea]
spawnofcthulhu@w...
Sun
9/24/2000
3 KB
From:
'cinemafan'
Date: Wed Mar 22, 2000 7:02
pm
Subject: Moroder and me.......
I agree with the comment on Moroder and his influence on music. It has alway
bothered me how many musicians always act like others musicians never
influence them . The only exception may be comments on the Beatles , or
early out of reach R and B artists like .....Cat Scratch Stevens, or ole
Bonsey Malone ( box sets out on Rhino records soon-I wonder if Keith and
Mick are still buying them?)
As far as TD, I never hear them say how they reacted to Jarre or Moroder, or
how John Carpenter feels influenced by TD etc. etc. It's as if they think
the fans of this electronic style don't listen to all the different artist's
out there. In fact on the current Jarre album Metamorphoses track 10 Give Me
A Sign , has such a 'Midnight Express' riff going through it, I can't
believe Giorgio's name isn't on the credit's. I mean you can'y get any more
'influenced' than that. Let's give em his due already, I love Moroder.
Anyway, as far as Boots go- I love em, I trade em, I lost many of em. Do I
want to rebuild? Hell yes, but I don't want to make a killing, except for
the Keep -I have gotten paid for that one. But on the other hand I
recompiled all the tracks I could find from Mr. Feldon's Keep lists and the
time and effort was for those who wanted something from the film. But still
I only sold one or two, and those were for people I TRADED with, and not
meant to make a helacious killing of a profit.
Anywoo-
That's my two cents, I could be wrong,
Chris Chouinard
NP-Wolfen -James Horner
From:
Jared White
Date: Wed Mar 22, 2000 4:08
pm
Subject: D:Error [Too Many Threads]
Hi,
The problem here isn't flame wars, folks. I have yet to see anything really
that shocking. The
problem is there are too many little petty discussions going on at once. Are we
discussing fan
tapes? (Yes, unfortunately, so let's stop!) Are we discussing mailing lists?
(Several different
mailing lists out there, subscribe to the ones you like, so forget about it.)
Are we discussing
Underwater Sunlight? (Actually, no, which is a shame!) Are we discussing top 20
albums of all
time? (Let's not get into that right now, please!) Are we discussing Brian Eno
& Kraftwerk? Are
we discussing Edgar's use of guitar in the 'mid-Schmoelling' years? (well,
that's interesting at
least....)
Let's get back on track, OK? IMHO, most of the posts here the past couple of
weeks should really
have had OT in their subjects. I don't see any OTs around, so has this whole
list become OT and
nobody noticed?
To quote Logos: 'chke chke chke Wake Up!' ;)
Regards,
Jared
From:
'Jim Moore'
Date: Wed Mar 22, 2000 3:54
pm
Subject: Losing Mars Polaris
Here's a link to an article about why the Mars Lander was lost. It appears
the TD album was the only good thing to come out of the whole project...
http://news.bbc.co.uk/hi/english/sci/tech/newsid_686000/686224.stm
- jim
From:
'teiwaz _'
Date: Wed Mar 22, 2000 5:48
pm
Subject: bootlegs, fan tapes and profiteering
For profit--what it means
Seems people on this list take a dim view of bootleggers because they profit
from the artist's work without the artist being paid.
While this is true, this list seems to have taken a narrow definition of
what 'profit' means.
When you get a fantape from a concert you 'profit' from it--perhaps not
monetarily (the narrow view), but from the joy it brings.
So gimme a break when you say that fan taping is not for 'profit' and
therefore it's OK or not as bad as bootlegging or something.
As for TD and whether they like/condone fan taping. How many folks remember
the tangerine dream international fan club?
Do you remember the issue that showed a photo of a tape collection one fan
who had died had?
I mean TD may or may not condone taping, but the implication was that this
fan was fan-atical--he had what looked like several
hundred hours of TD tapes. The tapes covered the better portion of one
wall. Who got those tapes anyway?
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
izyrp@o...
Date: Wed Mar 22, 2000 7:19
pm
Subject: D:Studio [Underwater Sunlight]
This is one of my fave TD albums, so here I go:
What I love about :
~Song of the whale part 1: from dawn... :
Mesmerizing sequencer with melody played by 'sad female voice'-like
keysound
above it. After a while guitar joins in and later this perfect
orchestral mighty riff, which I love so much, follows, closing the
whole sequence.
Any time after I've heard that riff it keeps on haunting me (positively)
for 2 or 3 days.Generates great feeling.
This piece means a lot to me. Just a little universe.
~Song of the whale part two:to dusk...:
Much less pathetic, release of tension, afterwards a rhythmical passage
follows with
something I enjoy very much about this line up:chords played by one
musician with
'responding' melody played by another. Tension comes in and than again
guitar solo with everything calming down. Ascension again, with guitar
soloing before the end.Superb done.
~Dolphin dance:
I enjoy this incarnation of TD still, tight dance melody with grooving
rhythm base from the time before some simpler rhythms had slipped TD's
collective mind for some time.(NOT till today).
~Ride on the ray:
Simple, but nice and convincing.
~Scuba scuba:
Reminds me somehow of Froese's 'Stuntman' (which I love) with bossa-nova
like
rhythm.I believe this piece being mostly if not entirely Froese's.
~Underwater sunlight
To me the weakest part of the album. Never liked the Simmons drums.
Without them 'Flashpoint' would have been much better, too!
'It's still much better to listen to the sound of one hand clapping,
than to Simmon's electronic drums', hehe. (me, on zen question).
Zbig
From:
Antonio Nunes
Date: Wed Mar 22, 2000 7:42
pm
Subject: Re: [tadream] D:Error [Too Many Threads]
Jared White wrote:
>
> Let's get back on track, OK? IMHO, most of the posts here the past
> couple of weeks should really have had OT in their subjects. I don't
> see any OTs around, so has this whole list become OT and
> nobody noticed?
No offense Jared, but I think you are the moderator of artofvision, not
tadream. So please let the moderators of *this* list say what is off
topic and what is not. And BTW, I think the moderators of this list have
been doing a perfect job.
Antonio Nunes
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Thu
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From:
Antonio Nunes
Date: Wed Mar 22, 2000 7:45
pm
Subject: Re: [tadream] MS Encarta TD-entry
Rainer Rutka wrote:
>
> I added the Tangerine Dream entry form the german Encarta CD-ROM by
> Microsoft onto my TD internet site. Start it and you'll see.
> Just a question: How's about the US- or the English version (or italian,
> shwedish, portugese........)? Is the TD entry in all this CDROMS or
> only in the german version?
I have the US version of Encarta'95 but I couldn't find any reference to
Tangerine Dream in it. But I did find a short article about TD in
another Microsoft CD-ROM called CINEMANIA'95. This is the text:
' Tangerine Dream
Biography from Baseline's Encyclopedia of Film
Seminal synthesizer ensemble formed in psychedelic 1967, who achieved
cult followings in Europe, Japan and the US with a succession of
ethereal, electronically driven albums in the 1970s.
Their atmospheric conjurings made them ideal composers for film.
Beginning with William Friedkin's SORCERER (1977), Tangerine Dream has
contributed either scores or songs to such notable features as Michael
Mann's THIEF (1981), Antonioni's IDENTIFICATION OF A WOMAN (1982),
Andrei Konchalovski's SHY PEOPLE (1987) and Kathryn Bigelow's NEAR DARK
(1987). '
BTW, what TD music was used in 'Identification of a Woman'?
Antonio Nunes
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From:
'joe shoults'
Date: Wed Mar 22, 2000 10:40
pm
Subject: RE: [tadream] D:Error [Too Many Threads]
Jared's concerns are appreciated, as are anyone's that gives us feedback on
or offline about their opinions of how things are going or should go.
Thanks!
...and BTW, I think I fixed the graphics on http://tadream.net; let me knwo.
joe
> -----Original Message-----
> No offense Jared, but I think you are the moderator of
> artofvision, not
> tadream. So please let the moderators of *this* list say what is off
> topic and what is not. And BTW, I think the moderators of
> this list have been doing a perfect job.
>
From:
'Glenn Folkvord'
Date: Wed Mar 22, 2000 10:38
pm
Subject: SV: [tadream] Moroder and me.......
>From: 'cinemafan'
>
>As far as TD, I never hear them say how they reacted to Jarre or Moroder, or
>how John Carpenter feels influenced by TD etc. etc. It's as if they think
>the fans of this electronic style don't listen to all the different artist's
>out there. In fact on the current Jarre album Metamorphoses track 10 Give Me
>A Sign , has such a 'Midnight Express' riff going through it, I can't
>believe Giorgio's name isn't on the credit's. I mean you can'y get any more
>'influenced' than that.
Give me a Sign is deliberately made in a 80s synth pop style and Jarre has
earlier (not related to Metamorphoses) stated that Moroder is a definite
influence to him. But then again Jarre admits to be influenced by all sorts of
musicians/bands, except other electronic bands. I have never seen him admitting
to like TD or Vangelis or Kraftwerk, altho he do listen to them.
all the best,
Glenn
JarreArt www.itsahit.com/jarreart
Emusic http://w3.to/_emusic
From:
Jared White
Date: Thu Mar 23, 2000 12:34
am
Subject: Re: [tadream] D:Error [Too Many Threads]
> From: Antonio Nunes
>
> Jared White wrote:
> >
> > Let's get back on track, OK? IMHO, most of the posts here the past
> > couple of weeks should really have had OT in their subjects. I don't
> > see any OTs around, so has this whole list become OT and
> > nobody noticed?
>
>
> No offense Jared, but I think you are the moderator of artofvision, not
> tadream. So please let the moderators of *this* list say what is off
> topic and what is not. And BTW, I think the moderators of this list have
> been doing a perfect job.
The moderators of this list have been doing an excellent job. When did I say
they didn't? And, actually, the moderators of thist list *have* said what is
on topic and what is not. The Tadream page at ONElist says, and I quote:
'tadream@o... is a discussion list dedicated to topics on and
surrounding the musical group Tangerine Dream.'
'Nuff said. :)
All the best,
Jared
From:
'Steven '
Date: Thu Mar 23, 2000 12:53
am
Subject: THE KEEP IS MINE!!!!!!!!!!!!!!!!! My Moral Dilemma?
OK, Here we go,
A friend who I met on the list (who is longer here of course ;) Found a copy
of the Blue Moon version of The Keep, he did not like it, so he sent it to
me as a gift (3 years, I have been searching!!!). However, it is one of
those so-called boots, is it not? The music is pretty good, but not super
amazing! The thing is, I never would have really 'owned it' if it was not a
'boot' correct? I am very HAPPY I have it though!!!!!
Some time ago, he gifted me with a tape copy of his CD-R version of EO. Let
me tell you, If I had never ever heard at least a few of the tangentized
Edgar Solo Songs, MY LIFE WOULD NOT BE COMPLETE!
I am just a poor helpless fan, who is at the mercy of his passion for music,
I have never 'paid' for it... (THAT TO!;) But am seriously considering, just
to have 'something' on CD,
What am I supposed to do? Just wondering aloud.
Oh yeah, I do not want to buy a 'record player' I live in the 'aughts'. LOL
I feel so good that I have The Keep though!!!!!!!
Oh No, I have started & continued a thread! JK
>> And BTW, I think the moderators of
>> this list have been doing a perfect job.
Hey Joe? Is there like a Onelist Award for 'Best Moderator'? Cause you sure
deserve it! :)
siberkat
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From:
Sean Montgomery
Date: Thu Mar 23, 2000 12:53
am
Subject: Re: [tadream] THE KEEP IS MINE!!!!!!!!!!!!!!!!! My Moral Dilemma?
Be careful about making a posting titled 'The Keep is mine!'....you're
liable to freak out Steve Feldman. ;-)
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
From:
'Ken Mitchell'
Date: Thu Mar 23, 2000 8:07
am
Subject: Fan Taping
Fan Taping - this is not boring me at all, although I must admit I will be
relieved to get back to all those retrospective album reviews
;)
Look fan taping has been around for at least 38 years and possibly longer.
It ain't going away anytime soon.
You can debate the morals of it from here to when the cows come home
it doesn't matter - just like prostitution it will always be around.
Personally I am very glad people tape concerts - I am a great Jimi Hendrix
fan. Every time he played live he played something unique.
His idiot management rarely taped him on stage so we Hendrix fans have to
content ourselves with dodgly old recordings. I'd rather that than nothing -
imagine all that music that would otherwise be lost forever.
Similarly Tangerine Dream concerts in the 70's were unique - I don't know if
Edgar taped them all but I reckon I will be getting my letter from the Queen
before many of them see the official light of day. So we are back to relying
on those people who made the effort to tape.
So hat's off to you all tapers out there - sometimes it's the fans who
recognise genius first.
So what can the artists do about it ? Well how about taking charge ?
Check out the official home pages of the mighty Primus where you can
download MPEG's of fan tapes and even fan videos. They encourage
you to send in your stuff and they put the best of it out on their website.
Free.
So come on stop trying to be King Canute's and let's get back to those
*really* fascinating retro album reviews.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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From:
Mario Pacheco
Date: Thu Mar 23, 2000 7:43
am
Subject: Re: [tadream] Wolfgang Duren Query
I heard that at one point he was a sound engineer of
the group.
--- Phil White wrote:
>
> Sorry to be slightly offlist but must be the place
> to ask.........
> I have in my EM collection a vinyl album called
> 'Eyeless Dreams'
> by Wolfgang Duren (WPL 5768)
> It is VERY T.Dream in style and content.
> Can anyone enlighten me as to his actual role with
> TD as I have
> variously been told 'roadie' or possibly synth
> programmer ?
>
> Will the real bringer of truth please stand up ?
> Thanks in anticipation
>
> Phil White
>
>
>
>
> [Non-text portions of this message have been
> removed]
>
>
__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com
From:
'Paul Fellows'
Date: Thu Mar 23, 2000 8:49
am
Subject: Re : [tadream] Of Ex-Tangerine Dream and Ex-Kraftwerk Fandom
>From: Steven Feldman
>>> Whatcha got against Kraftwerk???
>
> They're the know-nothing name-dropper's 70's e-music band of choice.
>So many rock critics have fallen prostrated themselves before Kraftwerk
>for no other reason than that they were disco influences who never got a
>hit of any importance ('Autobahn' and 'The Model' didn't chart for shit),
Not true, 'the Model' reached number one in England...
Paul
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From:
craig.cordrey@g...
Date: Thu Mar 23, 2000 8:50
am
Subject: Re: Re : [tadream] Of Ex-Tangerine Dream and Ex-Kraftwerk Fandom
>From: 'Paul Fellows'
>
>
>
>>From: Steven Feldman
>
>>>> Whatcha got against Kraftwerk???
>>
>> They're the know-nothing name-dropper's 70's e-music band of choice.
>>So many rock critics have fallen prostrated themselves before Kraftwerk
>>for no other reason than that they were disco influences who never got a
>>hit of any importance ('Autobahn' and 'The Model' didn't chart for shit),
>
>Not true, 'the Model' reached number one in England...
I believe it was Number One across the whole of the United Kingdom!
[Sorry, pet hate alert!]
NP : Sohoman
--------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828187
Alenia Marconi Systems
Integrated Systems Division
Donibristle, Fife, Scotland
--------------------------------------------------------------
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;-Peter ;-Prisekin aka ;-Dust
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From:
Rainer Rutka
Date: Thu Mar 23, 2000 10:04
am
Subject: What can the artist do?
On Thu, 23 Mar 2000, Ken Mitchell wrote:
> From: 'Ken Mitchell'
> So what can the artists do about it ? Well how about taking charge ?
What the artists can do?
What Klaus Schulze did, after the first bootlegs of Schulze saw the light
of the world: Release a 50 cd-set with unreleased live concerts and studio-
auttakes in perfect (more or less) quality, nice covers for a good and
fair price! Who needs bad sounding bootlegs if you get it by official ways
in better quality and much cheaper and WITHOUT OVERDUBS? 50 CD mostly
75-80 minutes with everything the heart of a fan can make booooommmmm ;-)
And the artists get their money for it. This is only fair.
I know there's a problem with the copyrights of the old virgin material.
But, there's ever a chance to make up a deal.
Let's see what we get during the next years from the TD vaults. A
50 CD box? That would be greatful! I know they taped most of the concerts.
Just my opinion...
Rainer
---------------------------------------------------------------------
www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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From:
'Patrik .'
Date: Thu Mar 23, 2000 2:05
pm
Subject: Re: [tadream] What can the artist do?
Rainer,
I totally agree with you. There are so many many hours of good music just
lying around. It´s a pity. Edgar also has tons of material from the
Virgin-days with his solo contract. Release, release!!
Patrik, Stockholm, Sweden
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
horrod6
Date: Thu Mar 23, 2000 11:04
am
Subject: Re:Too many threads
I *like* having a lot of threads. It makes the digest an interesting
read. Maybe it's different for those of you who view them on the site?
What I *don't* like is discourtesy. Surely it's possible to disagree
with someone without casting doubt on their sanity, parentage and
personal habits? Maybe that's just my Brit. reticence, my age or my
female peace-maker stereotype. I take the point that compared to other
sites the 'flame wars' on this site are pretty moderate. But are they
necessary? Do they add to anyone's enjoyment? (Well yes, presumably, the
senders' - but what about the other 300 odd subscribers?)
Play nice, people.
LnH
Marion
From:
horrod6
Date: Thu Mar 23, 2000 11:20
am
Subject: Morality
Ken Mitchell wrote:
>
> You can debate the morals of it from here to when the cows come home
> it doesn't matter - just like prostitution it will always be around.
>
Ken, I'm not even going to say whether I do or don't 'approve' of fan
taping (or prostitution) or not. But I *do* have a problem with your
argument. Here's why:
Substitute the word 'murder' for the word 'prostitution' in the above
statement. The implication is that it's fine for us all to go out and
commit murder, even if it's illegal, because 'it will always be around'.
OK, fan taping is hardly in the same league as murder, but where do you
draw the line between 'illegal but allowable' and 'illegal and totally
unacceptable'? Don't ask me, I'm not a 100% law-abiding citizen myself,
and I don't suppose many of us are.
LnH
Marion
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From:
horrod6
Date: Thu Mar 23, 2000 11:46
am
Subject: Re:do we all like the same music?
Rainer Rutka wrote:
>This brings me to a point I allways wanted to ask some of you guys onto
>the list: Do you like TD only? Or do we all like the same kind of music?
>(I think our musical taste is very similar!). I don't want to start a
>new discussion, But it can be interesting (IMO) to know a little bit more
>by each other.
Rainer, _you_ might not want to start new discussion, but I do. I think
this is a very interesting question and deserves some attention. If we
know what list members' 'other' musical tastes are, apart from the one
band that unites us, it helps us to see where they're coming from. So
you think to yourself 'Of course, s/he also likes ENO, so I understand
why s/he feels that way about this track'. And when someone recommends
another EM band you will have a better idea of whether you will like it
too if you know whether their other favourites are the same as, or
different from, your own.
Judging from your top 20, the quick answer to your question is 'No'!
I'm not going to write a top 20, because it varies from hour to hour,
depending on the weather, my state of mind, and what's going on in my
life, so I don't want t fix it at one moment in time and then have it
come back to haunt me later. But here are some of the things I like:
Mozart - especially piano sonatas on a sunny day
Bach - The Art of Fugue is a great aid to concentration when I'm working
Vivaldi
Vaughan Williams - particularly the Antartic Symphony on a cold day when
I am tucked up in front of a roaring fire with a good book and a hot
toddy
Coleman Hawkins - for fun times
Spike Jones - for really fun times
Japanese drumming
African drumming
Qawwali music (not sure if I can spell it tho')
Leftfield
The Chieftains
Enya
JMJ
The Doors
Van Gelis
Led Zeppelin
Tomita
Emerson Lake & Palmer
Ry Cooder
Senegalese and Malian styles like mbalax
South American bands e.g. Rumillajta
Early techno
.... etcetera, etcetera, etcetera, as Yul Brynner would say.
Hope this sparks off another thread to add to the fun! (Sorry Jared.)
LnH
Marion
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From:
craig.cordrey@g...
Date: Thu Mar 23, 2000 12:01
pm
Subject: Re: [tadream] Re:do we all like the same music?
I used to think I had a varied listening experience, until I saw that posted by
Rainer and Marion. I am firmly in the e-music camp, with almost 80% of my
collection coming from the wide arena of e-music. Outside of it, I like a
little rock/metal (like the music, can't keep up with the terminology) and some
pop (okay, I admit it!). I do not own any classical, jazz, blues, reggae,
opera, etc.
My favourite artists are (in no particular order)
TD - obviously
Ultravox
King's X
Queensryche
Aphex Twin
Klaus Schulze
Under the Dome
but I have a large number of individual excellent records by various artists.
Makes my brain hurt just thinking about it.
--------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828187
Alenia Marconi Systems
Integrated Systems Division
Donibristle, Fife, Scotland
--------------------------------------------------------------
From:
Steven Feldman
Date: Thu Mar 23, 2000 12:21
pm
Subject: Kraftwerk: 1 Hit; Moroder: 15 Hits. End of Story.
On Thu, 23 Mar 2000 08:50:46 +0000 (GMT) said:
>From: craig.cordrey@g...
>
>>From: 'Paul Fellows'
>>
>>>From: Steven Feldman
>>
>>>>> Whatcha got against Kraftwerk???
>>>
>>> They're the know-nothing name-dropper's 70's e-music band of choice.
>>>So many rock critics have fallen prostrated themselves before Kraftwerk
>>>for no other reason than that they were disco influences who never got a
>>>hit of any importance ('Autobahn' and 'The Model' didn't chart for shit),
>>
>>Not true, 'the Model' reached number one in England...
>
>I believe it was Number One across the whole of the United Kingdom!
Well, whoop-dee-doo. That's *one* hit in *one* country; Moroder
had about fifteen *international* Number Ones (factoring in the stuff
he produced), and by 'international,' I mean all the major pop markets.
Moroder -- unlike Tangerine Dream, Jean-Michel Jarre and Kraftwerk --
did not appeal chiefly to fans of electronic music, rather, his music
enjoyed worldwide acceptance and had a long-lasting and entrenched
effect on pop music -- all the way up to the present. Perhaps that's
why music nitcrits hate him and techno dimwits snub him.
-- Steven Feldman -- unhumble
webmaster of the fantasmaglorical Chang Cheh website at
http://members.spree.com/molasar/hongkong/ch-index.html
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;-Peter ;-Prisekin aka ;-Dust
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Re: Kraftwerk: 1 Hit; Moroder: 15 Hits. End of S
craig.cordrey@g...
Thu
3/23/2000
3 KB
From:
Rainer Rutka
Date: Thu Mar 23, 2000 1:26
pm
Subject: Re: [tadream] Re:do we all like the same music?
On Thu, 23 Mar 2000, horrod6 wrote:
> From: horrod6
> Rainer Rutka wrote:
> >This brings me to a point I allways wanted to ask some of you guys onto
>..
> Rainer, _you_ might not want to start new discussion, but I do. I think
> this is a very interesting question and deserves some attention. If we
> ..
Thank you!
> Tomita
Oh yes: 'A night on bare mountain!' OH YES!!!!!
Rest is intersting, too. My taste is changed from day to day, too. But
the records I listed are my all-time-favs.. But I have so much more...
> Hope this sparks off another thread to add to the fun! (Sorry Jared.)
Rainer
---------------------------------------------------------------------
www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From:
Rainer Rutka
Date: Thu Mar 23, 2000 1:46
pm
Subject: Voices in the Dune WANTED!
Urgent!
Wanted!
Please!
I'm looking for an ORIGINAL COPY of the book:
Voices in the Dune
I'll pay a good price or you get a good swap for it.
Please help!
Rainer
---------------------------------------------------------------------
See my swap-list: www.rutka.de/td
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Andrew Rozsa
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3/24/2000
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Voices / Solar Eclipse
Rainer Rutka
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Richard Ford
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Rainer Rutka
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Rainer Rutka
Mon
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From:
craig.cordrey@g...
Date: Thu Mar 23, 2000 1:10
pm
Subject: Re: [tadream] Kraftwerk: 1 Hit; Moroder: 15 Hits. End of Story.
WARNING : ********************* : WARNING
Rare moment of lack of self control .... list members of a sensitive
disposition should delete this now (and that includes the list admins before I
get booted off-list) .....
>From: Steven Feldman
>>>>hit of any importance ('Autobahn' and 'The Model' didn't chart for shit),
>>>
>>>Not true, 'the Model' reached number one in England...
>>
>>I believe it was Number One across the whole of the United Kingdom!
>
> Well, whoop-dee-doo. That's *one* hit in *one* country; Moroder
>had about fifteen *international* Number Ones (factoring in the stuff
>he produced), and by 'international,' I mean all the major pop markets.
>Moroder -- unlike Tangerine Dream, Jean-Michel Jarre and Kraftwerk --
>did not appeal chiefly to fans of electronic music, rather, his music
>enjoyed worldwide acceptance and had a long-lasting and entrenched
>effect on pop music -- all the way up to the present. Perhaps that's
>why music nitcrits hate him and techno dimwits snub him.
Steven,
Who, but you, give a flying fucking shit?!?!?!?!
In your previous rant regarding how crap KW are and how great GM is, you
presented a sentence (well, at least one, I didn't actually read the whole
post) that was factually incorrect! Paul Fellows merely pointed out that whilst
KW 'didn't chart for shit' in the USA, they had significant success in the
singles chart with The Model (one of the tracks you singled out for particular
attention). In fact, The Model has recharted twice since then (as has various
remixes of I Feel Love by Donna Summer). My own follow-up to Paul's post was
merely to remind everyone that England does not have its own chart, but that it
addresses the whole of the United Kingdom. Along with England, Scotland, Wales
and Northern Ireland form the United Kingdom - they are not areas within
England. Accordingly, I believe the UK market is at worst the second most
'important' [depending on your definition of the term] market in the world.
Given that TD are often panned by the critics, I'm not quite sure why you find
their adoration of KW and dismissal of GM so upsetting - why should you care?
There must be less irritating and aggressive ways to spread the word of
Moroder?
Yours,
From the usually placid and diplomatic,
--------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828187
Alenia Marconi Systems
Integrated Systems Division
Donibristle, Fife, Scotland
--------------------------------------------------------------
From:
'Todd Tornow'
Date: Thu Mar 23, 2000 2:10
pm
Subject: Re: [tadream] Losing Mars Polaris
Ah! The same B.S. that killed the Challenger Seven.
>Message: 9
> Date: Wed, 22 Mar 2000 10:54:40 -0500
> From: 'Jim Moore'
>Subject: Losing Mars Polaris
>
>Here's a link to an article about why the Mars Lander was lost. It appears
>the TD album was the only good thing to come out of the whole project...
>
>http://news.bbc.co.uk/hi/english/sci/tech/newsid_686000/686224.stm
>
>- jim
______________________________________________________
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From:
Grant M Somerville
Date: Thu Mar 23, 2000 2:47
pm
Subject: Re:Kraftwerk
>
> >>> They're the know-nothing name-dropper's 70's e-music band of choice.
> >>>So many rock critics have fallen prostrated themselves before Kraftwerk
> >>>for no other reason than that they were disco influences who never got a
> >>>hit of any importance ('Autobahn' and 'The Model' didn't chart for shit),
> >>
> >>Not true, 'the Model' reached number one in England...
> >
> >I believe it was Number One across the whole of the United Kingdom!
>
> Well, whoop-dee-doo. That's *one* hit in *one* country; Moroder
> had about fifteen *international* Number Ones
>Snip
> -- Steven Feldman -- unhumble
> webmaster of the fantasmaglorical Chang Cheh website at
> http://members.spree.com/molasar/hongkong/ch-index.html
>
Hi All,
Still off topic (sorry Jared, variety is the spice of life Marion ; )).
I don't think the point was 'how many hits'
Just that the information you imparted was simply...er...wrong.
Kind Regards, Grant.
Grant M Somerville
Glasgow, Scotland.
Looking for Live Music Recordings...try
http://freespace.virgin.net/grant.somerville/2index.html
SOUNDCHECK
[Non-text portions of this message have been removed]
From:
';-Peter ;-Prisekin aka ;-Dusty ;-Chalk'
Date: Thu Mar 23, 2000 3:01
pm
Subject: Re: [tadream] Kraftwerk: 1 Hit; Moroder: 15 Hits. End of Story.
On Thu, 23 Mar 2000, Steven Feldman wrote:
> From: Steven Feldman
> >>>>> Whatcha got against Kraftwerk???
> >>> They're the know-nothing name-dropper's 70's e-music...
> >>Not true, 'the Model' reached number one in England...
> >I believe it was Number One across the whole of the United Kingdom!
> Well, whoop-dee-doo. That's *one* hit in *one* country; Moroder
> had about fifteen *international* Number Ones (factoring in the stuff
> he produced)...
As exemplified by the fact that we are all on a list regarding a band that
had _no_ number ones (AFAK), I don't think we care. I, personally, am
aware of and fans of both Moroder and Kraftwerk, but I don't _love_
Moroder, I do _love_ Kraftwerk. They're just better. Besides, I never
trusted the masses.
--
I remain,
:-Peter aka :-Dusty :-Chalk
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Re: Kraftwerk: 1 Hit; Moroder: 15 Hits. End of S
craig.cordrey@g...
Thu
3/23/2000
3 KB
From:
craig.cordrey@g...
Date: Thu Mar 23, 2000 3:14
pm
Subject: Re: [tadream] Kraftwerk: 1 Hit; Moroder: 15 Hits. End of Story.
>From: ';-Peter ;-Prisekin aka ;-Dusty ;-Chalk'
>
>As exemplified by the fact that we are all on a list regarding a band that
>had _no_ number ones (AFAK),
They're number one in my book
NP : Sohoman
--------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
Senior Software Engineer 01383 828187
Alenia Marconi Systems
Integrated Systems Division
Donibristle, Fife, Scotland
--------------------------------------------------------------
From:
'Feldon Feldon'
Date: Thu Mar 23, 2000 3:48
pm
Subject: Re: [tadream] Kraftwerk: 1 Hit; Moroder: 15 Hits. End of Story.
>From: craig.cordrey@g...
>Reply-To: tadream@o...
>To: tadream@o...
>Subject: Re: [tadream] Kraftwerk: 1 Hit; Moroder: 15 Hits. End of Story.
>Date: Thu, 23 Mar 2000 15:14:08 +0000 (GMT)
>
>
>
> >From: ';-Peter ;-Prisekin aka ;-Dusty ;-Chalk'
> >
> >As exemplified by the fact that we are all on a list regarding a band
>that
> >had _no_ number ones (AFAK),
>
>
>
>They're number one in my book
>
>
Phaedra was on the music charts in England. I Don't know long though.
NP : The Real Sohoman - Melboure, Australia 1982
-Morgan
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
Radu Velicescu
Date: Thu Mar 23, 2000 4:11
pm
Subject: Re: [tadream] What can the artist do?
> From: Rainer Rutka
>
> On Thu, 23 Mar 2000, Ken Mitchell wrote:
>
> > From: 'Ken Mitchell'
> > So what can the artists do about it ? Well how about taking charge ?
> What the artists can do?
> What Klaus Schulze did, after the first bootlegs of Schulze saw the light
> of the world: Release a 50 cd-set with unreleased live concerts and studio-
> auttakes in perfect (more or less) quality, nice covers for a good and
> fair price! Who needs bad sounding bootlegs if you get it by official ways
> in better quality and much cheaper and WITHOUT OVERDUBS? 50 CD mostly
> 75-80 minutes with everything the heart of a fan can make booooommmmm ;-)
> And the artists get their money for it. This is only fair.
>
> I know there's a problem with the copyrights of the old virgin material.
> But, there's ever a chance to make up a deal.
>
VERY true and very logical. I, as well as many others I'm sure, would
jump on any official released concerts from TDI. If all concerts from say
1975 were officially released I would never listen to another fan tape
from that year. I listen to the fan tapes because the music is amazing!
I would never give them up - but I would if the official release would
come out.
Why the worry about copyright? The music played during early concerts
(up to 1976 for sure) was different from concert to concert and on no
Virgin CD. Croydon 75 is Ricochet, but the rest of the concerts (again,
up to 1976, maybe more) have no music from the actual albums. It's
original music, never released, what's the problem with that?
That sounds logical...
Radu
np-Reims Opera 75
From:
'Glenn Folkvord'
Date: Thu Mar 23, 2000 4:16
pm
Subject: SV: [tadream] Kraftwerk: 1 Hit; Moroder: 15 Hits. End of Story.
>From: Steven Feldman
>Moroder -- unlike Tangerine Dream, Jean-Michel Jarre and Kraftwerk --
>did not appeal chiefly to fans of electronic music, rather, his music
>enjoyed worldwide acceptance and had a long-lasting and entrenched
>effect on pop music
For the record, Jarre's fan base is made up largely of people not specializing
in electronic music. That is why Oxygene sold 15 million copies and why Jarre
still pushes a million or two per album release.
all the best,
Glenn
JarreArt www.itsahit.com/jarreart
Emusic http://w3.to/_emusic
From:
Jared White
Date: Thu Mar 23, 2000 5:35
pm
Subject: Re: [tadream] Re:do we all like the same music?
Hi, Marion,
> From: horrod6
>
> Hope this sparks off another thread to add to the fun! (Sorry Jared.)
Hey, this is a lot more interesting than some of the previous discussions
here lately!
OK, so here's the kind of music I like when I don't have TD melodies running
through my brain (or my CD player):
Traditional Celtic music (well, I have to -- I perform it!
[http://www.distantoaks.com])
Traditional European music of all sorts
Classical -- mostly early music (Medieval, Renaissance, Baroque)
Jazz -- mainly classic jazz (all the way from Irving Berlin-like show music
to Cab Calloway) and of course a few more modern geniuses like Thelonious
Monk
Rock -- largely progressive rock and other misc sub-genres (no hard rock and
heavy metal)
New Age -- or rather good instrumental music than somehow manages to be
stuck into new age, plus popular stuff like Enya, George Winston, Nancy
Rumbel & Co, etc.
EM -- believe it or not, I haven't been listening to EM for terribly long
and I don't have a very large collection outside of TD. So when I try to
evaluate TD's music on a grand scale, I'm really comparing it to other
genres rather than other EM artists. Other EM and sorta-EM artists I do
have: JMJ, Synergy (my dad was really into Synergy for a while), Ronan
Hardiman (Lord of the Dance and his solo album Solas, which I think is a
better Enigma than Enigma), Edgar Froese (does that count? no??), Enigma
(actually, I've decided I don't care for them a bit -- anyone want any
Enigma albums in almost perfect condition?), and (you'll probably laugh) the
Riven soundtrack. Hey, that's great stuff I think, if you like sorta Ambient
melodies with lots o' reverb....
Bluegrass -- especially 'newgrass' such as Mark O' Connor, Edgar Meyer, and
others like Alison Krauss.
Bruce Hornsby -- he's rather a genre all his own, if you ask me. The man's
brilliant!
Folk -- not much, but a few scattered things here and there. I guess Arlo
Guthrie's considered Folk? (My mom's a big fan of his, and I'm starting to
become one....)
So there you go -- I can't think of anything else right now. In case you
hadn't guessed, I hold very little interest in most 'pop' and pop-oriented
genres of any type. Pop EM, such as all this modern techno dance craze going
on, does not interest me at all, for the most part. But, of course, that's
just me....
Well, I guess I'd best be going now -- BTW, this is really becoming a very
interesting thread, so please don't mind me! :)
Take care,
Jared
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Re: Re:do we all like the same music?
joe shoults
Thu
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Re: Re:do we all like the same music?
joe shoults
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Jared White
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From:
Jared White
Date: Thu Mar 23, 2000 5:56
pm
Subject: Formal Apology
Dear Tadream List Members,
I would like to make a formal apology. Joe Shoults (moderator of Tadream, as
I'm sure you all know) just nicely and politely informed me in private that
it is a violation of onelist's policy to promote your list on another list
without prior permission from the list owner/moderator. I had no idea this
was so when I announced I would be starting Art of Vision, but I should have
at least used good judgment and asked Joe if it would be all right with him
if I did so. I'm afraid I botched the job to some extent, and I would like
to apologize to all those concerned. I hope you don't hold it against me in
the future.
Thank you very much -- I hope you all have a great day.
Regards,
Jared
From:
Sean Montgomery
Date: Thu Mar 23, 2000 6:10
pm
Subject: Re: [tadream] Kraftwerk: 1 Hit; Moroder: 15 Hits. End of Story.
As others have pointed out, I don't think whether a band has had any hits
means anything. It's still going to be a matter of personal taste.
I think Kraftwerk enjoys favour with critics for a couple of reasons:
first of all, they took the arty intellectual high ground with their
music. Because they were never big stars, their music became an acquired
taste, which critics like. They never put out a disco record, so
their output doesn't sound as dated as Moroder (he'll get his due one
day...in another decade, I'm sure Disco will become as revered as R&B).
But most importantly, ideas were as much a part of Kraftwerk's presenation
as their music, and their exploration of the relationship between man and
technology really was innovative, and that's a relationship that's on a
lot of people's minds now.
But there's a second reason why I think they enjoy the adoration of
critics: they left the public eye early. Back in the 70s, not many people
were doing what they were doing (TD, Jarre, Vangelis, Tomita, etc), so it
was easier to be a pioneer. I've argued that this was also the reason for
TD's early success too. But by the mid 80s, every band in Europe had a
glamourous haircut and a synthesizer. When Electric Cafe arrived, it
showed that Kraftwerk was no longer in the business of blazing new trails,
but after it's release they disappeared, before they could sully their
reputation. TD, meanwhile, became a soundtrack machine and then a New
Agey band, which definitely destroyed whatever cache they might have
enjoyed with the press.
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
From:
'David Foster'
Date: Thu Mar 23, 2000 8:07
pm
Subject: Other music
In reply to Marion, Rainer, Craig
Yeah, I listen to other music too
In no particular order:
Klaus Schulze
Rainhard Lakomy
Scritti Politti
You
Patti Smith
Marcella Detroit
T Rex
Utah Saints
The Orb
Loop Guru
But most of all Tangerine Dream.
David
fozdg@d...
[Non-text portions of this message have been removed]
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Re: Other music
Yensen, Stephen
Fri
3/24/2000
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From:
'joe shoults'
Date: Thu Mar 23, 2000 10:08
pm
Subject: RE: [tadream] Re:do we all like the same music?
Hey Jared-
I'd love to grab those enigma albums. can I trade you something, or cash?
Joe
> -----Original Message-----
> From: Jared White [mailto:jwhite@s...]
> Sent: Thursday, March 23, 2000 12:35 PM
> To: tadream@o...
> Subject: Re: [tadream] Re:do we all like the same music?
>
>
> From: Jared White
>
> Hi, Marion,
>
> > From: horrod6
> >
> > Hope this sparks off another thread to add to the fun!
> (Sorry Jared.)
>
> Hey, this is a lot more interesting than some of the previous
> discussions
> here lately!
>
> OK, so here's the kind of music I like when I don't have TD
> melodies running
> through my brain (or my CD player):
>
> Traditional Celtic music (well, I have to -- I perform it!
> [http://www.distantoaks.com])
> Traditional European music of all sorts
> Classical -- mostly early music (Medieval, Renaissance, Baroque)
> Jazz -- mainly classic jazz (all the way from Irving
> Berlin-like show music
> to Cab Calloway) and of course a few more modern geniuses
> like Thelonious
> Monk
> Rock -- largely progressive rock and other misc sub-genres
> (no hard rock and
> heavy metal)
> New Age -- or rather good instrumental music than somehow
> manages to be
> stuck into new age, plus popular stuff like Enya, George
> Winston, Nancy
> Rumbel & Co, etc.
> EM -- believe it or not, I haven't been listening to EM for
> terribly long
> and I don't have a very large collection outside of TD. So
> when I try to
> evaluate TD's music on a grand scale, I'm really comparing it to other
> genres rather than other EM artists. Other EM and sorta-EM
> artists I do
> have: JMJ, Synergy (my dad was really into Synergy for a while), Ronan
> Hardiman (Lord of the Dance and his solo album Solas, which I
> think is a
> better Enigma than Enigma), Edgar Froese (does that count?
> no??), Enigma
> (actually, I've decided I don't care for them a bit -- anyone want any
> Enigma albums in almost perfect condition?), and (you'll
> probably laugh) the
> Riven soundtrack. Hey, that's great stuff I think, if you
> like sorta Ambient
> melodies with lots o' reverb....
> Bluegrass -- especially 'newgrass' such as Mark O' Connor,
> Edgar Meyer, and
> others like Alison Krauss.
> Bruce Hornsby -- he's rather a genre all his own, if you ask
> me. The man's
> brilliant!
> Folk -- not much, but a few scattered things here and there.
> I guess Arlo
> Guthrie's considered Folk? (My mom's a big fan of his, and
> I'm starting to
> become one....)
>
> So there you go -- I can't think of anything else right now.
> In case you
> hadn't guessed, I hold very little interest in most 'pop' and
> pop-oriented
> genres of any type. Pop EM, such as all this modern techno
> dance craze going
> on, does not interest me at all, for the most part. But, of
> course, that's
> just me....
>
> Well, I guess I'd best be going now -- BTW, this is really
> becoming a very
> interesting thread, so please don't mind me! :)
>
> Take care,
>
> Jared
>
>
> --------------------------------------------------------------
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>
From:
'joe shoults'
Date: Thu Mar 23, 2000 10:18
pm
Subject: RE: [tadream] Re:do we all like the same music?
oops. sorry- meant to go offlist. I will go beat myself senseless now.
np: Klaus Schulze- Body Love
From:
'kayleigh'
Date: Thu Mar 23, 2000 10:16
pm
Subject: Do we all like the same music? Law abiding citizens
Hey there all. Saw the interesting new thread (SORRY about who doesn't want
a new thread/conversation piece, myself I'm always looking for new chat
things to bring up). BUT when mentioning new music, and listening to the
same types of music, I was very impressed with the wide variety of what
people listen to on this mailing list, VERY cool. Here's a short list of
what i've been playing the last few days:
John Wetton (former singer of Asia) various live studio solo Cds
Tangerine Dream (of course)
Yes (the new CD 'Ladder' is BRILLIANT)
Grateful Dead (never bores me)
JImmy Buffett (again, another one i cannot get sick of)
Planet P Project
Tony Carey (solo material)
MARILLION (one of my all time faves)
Genesis (all eras, especially with Ray Wilson on vocals)
Sting/Police (all of it)
Garth Brooks, Tim McGraw, Alabama, Faith Hill (yes, country :))
AND on top of that, a wide variety of other music ranging from Jon Anderson
solo, Asia (VERY awesome material), to everything like Journey, Collins,
Midge Ure (very surprised to see his name pop up), Ultravox, and other
things like Peter Murphy.
I'm always excited to see what people listen to. Saw Queensryche live last
Sunday in Grand Rapids, Michigan and ABSOLUTELY fABULOUS live performance.
dan
Kayleigh's Playhouse!
http://www.modempool.com/kayleigh
Crack A Smile - THE Online Poison Mailing List
TheTradingCircle - An Online CDR Trading Network!
ICQ#1247205 - AOL IM: Tootiehoot2
Yahoo Pager: kayleigh_tootiehoot
From:
'joe shoults'
Date: Thu Mar 23, 2000 10:36
pm
Subject: RE: [tadream] Formal Apology
Don't be silly. no apology necessary at all. I just wanted to let you know
so you didn't get in trouble from another list somewhere. You know I don't
mind, and hope your list thrives!
> -----Original Message-----
> From: Jared White [mailto:jwhite@s...]
> Subject: [tadream] Formal Apology
From:
Jared White
Date: Thu Mar 23, 2000 10:59
pm
Subject: Re: [tadream] Re:do we all like the same music?
> From: 'joe shoults'
>
> oops. sorry- meant to go offlist. I will go beat myself senseless now.
Yeeowch. That oughta smart!
Jared :)
From:
'Ken Mitchell'
Date: Fri Mar 24, 2000 6:51
am
Subject: Morality
>Ken Mitchell wrote:
>
> > You can debate the morals of it from here to when the cows come home
> > it doesn't matter - just like prostitution it will always be around.
> >
>
>Ken, I'm not even going to say whether I do or don't 'approve' of fan
>taping (or prostitution) or not. But I *do* have a problem with your
>argument. Here's why:
>
>Substitute the word 'murder' for the word 'prostitution' in the above
>statement. The implication is that it's fine for us all to go out and
>commit murder, even if it's illegal, because 'it will always be around'.
>
Hmmm not sure I can equate a mutually agreed contract with forcibly taking a
persons life in the morality stakes ! However as has been said by Rainer and
others - the artist can take some measures to satisfy the hard core fans and
make a little profit. I do fail to see how an artist can ever lose money
from fan taping.
It's interestinmg to note how many modern bands really don't have a problem
with it. Ozric Tentacles encourage fan taping - all they ask is that you
send them a copy !
Ken
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
'Glenn Folkvord'
Date: Thu Mar 23, 2000 11:58
pm
Subject: SV: [tadream] Morality
>From: 'Ken Mitchell'
>However as has been said by Rainer and
>others - the artist can take some measures to satisfy the hard core fans and
>make a little profit. I do fail to see how an artist can ever lose money
>from fan taping.
Its not only about loosing money. Its also about the right to decide what you
are going to do with your own creation of art. Art in any form is intelectual
property, and you wouldnt steal physical property, would you? So why steal
intelectual property? The word 'copyright' means 'the right to copy'. Only the
artist or the one s/he allows, has the right to duplicate and distribute
copies, because artists wants to be in control of their creations.
>It's interestinmg to note how many modern bands really don't have a problem
>with it. Ozric Tentacles encourage fan taping - all they ask is that you
>send them a copy !
But that doesnt make it legal. The band cannot change international law by
saying its OK with bootlegs. I am not talking about the moral of fan taping
here, just the black and white law.
all the best,
glenn
JarreArt www.itsahit.com/jarreart
Emusic http://w3.to/_emusic
From:
Bennett Cookson
Date: Fri Mar 24, 2000 1:05
am
Subject: RE: [tadream] Other music
(FYI: In considering non-TD I am not counting TD related artists like EF,CF
singles)
Vangelis (El Greco is current favorite)
Kitaro Dream is favorite
David Arkenstone
Mannheim Steamroller (Fresh Aire) (Old time favorite)
Mike Oldfield
Patrick O'Hearn
Kansas ('Never still the same' -- Excellent)
Boston (My idea of 'Hard rock')
Enya
Alan Parsons ('On Air,' is excellent! As is Time Machine )
Note: If you don't have Alan Parsons 'On Air,' buy it (if for nothing else)
just for the instrumental track 'Apollo'
Every track is excellent, but 'Apollo' is exceptional. Solid driving beat,
very structured, with a rocking climax. (Even includes message from Pres.
Kennedy on the Apollo mission) I can't describe it like some list members
do. Any one else familiar with this one?
--Bennett
NP: TB2 - Mike Oldfield
[Non-text portions of this message have been removed]
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From:
Sean Montgomery
Date: Fri Mar 24, 2000 1:32
am
Subject: RE: [tadream] Other music
I listen to all kinds of music, so it's hard to generalize. Some of my
current favourite artists include Moby, Filla Brazillia, The Magnetic
Fields, William Orbit, Saint Etienne, Beck, Air, Massive Attack, The
Cocteau Twins, Radiohead, Underworld, Thievery Corporation, and the
Chemical Brothers. But that just scratched the surface. I also like some
mainstream alternative music (Smashing Pumpkins, Beastie Boys), ambient
(The Orb, Eno, FSOL), acid jazz/trip hop (DJ Shadow, Morcheeba), world
music (Transglobal Underground, Delerium), and all sorts of music from the
80 and early 90s (Depeche Mode, New Order, Smiths, Stone Roses). And then
there's the 70s; I still have a soft spot for Supertramp, ELO, the Alan
Parsons Project...and Pink Floyd of course. Like everyone, I love the
Beatles. And on and on it goes.
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
From:
'cinemafan'
Date: Fri Mar 24, 2000 4:44
am
Subject: Re:do we all like the same music
I think most of us here can agree that we enjoy E music. If it has keyboards
and no lyric's all the better. For what it's worth my 10 albums to which I
would rescue upon the sinking of my cruise ship:
1. Logos (or Logostypes)-some foreign band
2.Dawn of the Dead OST- Goblin
3. Escape From New York OST- John Carpenter,Alan Howarth
4. Zoolook -Jarre
5. Psalm 69 -Ministry
6. Spellbound-Paula Abdul (Don't kill me,guilty guilt pleasure)
7.Scarface OST-Giorgio Moroder
8. Valotte -Julian Lennon
9. White Eagle - Some German band
10. Sgt. Peppers- The Beatles
Oh happy day.
Chris Chouinard
np. X-Klaus S.
[Non-text portions of this message have been removed]
From:
quarlie@a...
Date: Fri Mar 24, 2000 3:49
am
Subject: Re: [tadream] Other music
I suppose I, too, will take a shot at assembling a list of my favorite non-TD
artists and groups. It's hard to trim the list down to the most notable
entries, but here goes.
Covenant (the industrial-pop trio, not the death metal band)
Dead Can Dance
Delerium (and other related projects, but Delerium's my favorite so far)
Enya
Front 242
Information Society
Juno Reactor
The Orb
Pressurehed, and the vast interconnected web of its members' side projects
(Anubian Lights, Farflung, the Brain, Spiral Realms, Zero Gravity, etc...)
Tears for Fears (especially since 1989, though I like the earlier stuff too)
In addition to these favorites, there are several genres that I have lots of,
but in which I don't have very many releases by any individual artist (yet):
ambient, synth-pop, techno, space-rock and prog-rock, most prominently.
--Daniel
NP: Gary Numan--the Pleasure Principle
From:
Andrew Rozsa
Date: Fri Mar 24, 2000 3:56
am
Subject: Re: [tadream] Voices in the Dune WANTED!
At 13:46 3/23/00 -0100, RR wrote:
>From: Rainer Rutka
>
>I'm looking for an ORIGINAL COPY of the book:
>
> Voices in the Dune
>
[....]
Ask Klaus. Betcha he still has a copy.
Andrew
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Fri
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Rainer Rutka
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Rainer Rutka
Mon
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From:
Michael Jean
Date: Fri Mar 24, 2000 1:20
am
Subject: RE: [tadream] Voices in the Dune WANTED!
I have had a copy up on EBAY all week, without any bids...
MJ
------Original Message------
From: Rainer Rutka
To: Tangerine Dream mailing list
Sent: March 23, 2000 2:46:19 PM GMT
Subject: [tadream] Voices in the Dune WANTED!
From: Rainer Rutka
Urgent!
Wanted!
Please!
I'm looking for an ORIGINAL COPY of the book:
Voices in the Dune
I'll pay a good price or you get a good swap for it.
Please help
From:
Bert.Hulshoff@N...
Date: Fri Mar 24, 2000 7:54
am
Subject: RE: [tadream] Do we all like the same music? Law abiding citizens
My Fav Music :
Klaus Schulze
Tangerine Dream
Ozric Tentacles
Hawkwind
Yes
Gong
Black Sabbath
Deep Purple
Led Zeppelin
Eat Static
And myself ;-)
Keep on Dreamin'
Bert
aka Phrozenlight
my Homepage
http://go.to/phrozenlight/
(still under construction)
please listen to my spacesongs and send me an review ;-)
From:
PENFOLD
Date: Fri Mar 24, 2000 8:28
am
Subject: RE: [tadream] Public Service Announcement: There Are 4 TD Lists
What about the TD 'The Keep' list?
(waits for the big wave)
Pete Isaacson
DJ DreamHead
mailto:penfold@a...
Saw copy of _The Keep_ LP, held it in his hands, but didn't have the $
'We throw each piece of equipment three times out of the third floor of
our studio complex. If it's still functioning properly, we'll take it on the
road. If not, we send it back to Tokyo!...' -- Edgar Froese, on the way
Tangerine Dream decides on which instruments to take on the road. From an
interview in _Keyboard_ magazine.
[Non-text portions of this message have been removed]
From:
'Pergamon'
Date: Fri Mar 24, 2000 10:20
am
Subject: Invisible shadows
Hello all
Just got the 'invisible shadows' CD today, this CD is brilliant. As
Cartman would say it, 'this CD kicks ass'. Thanks to all the artist appearing
on the CD.
Jan
pergamon@g...
[Non-text portions of this message have been removed]
From:
'Yensen, Stephen'
Date: Fri Mar 24, 2000 10:12
am
Subject: Re: Other music
Hi Dreamers,
My list of other faves, in no particular order are:
Fairport Convention
Richard Thompson
Sandy Denny
Jean-Michel Jarre
Vangelis
Emerson Lake and Palmer
Yes
Rick Wakeman
Kraftwerk
Mike Oldfield
Otherwise it's lots of TD ...
As far as the initial entries are concerned, I was a folkie long before I
was introduced to EM. In my defence, there is at least one other Fairport
Convention freak on this list (at the time of writing) ...
Cheers,
Steve
np: Underwater Sunlight
- --
Home: syensen@i... http://www.innotts.co.uk/~syensen/
Work: Stephen.Yensen@s...
See Charlie and Bertie on http://www.beaglebuddies.com/charlie/charlie.html
No animals were harmed in the production and transmission of this e-mail ...
From:
Tomas Rydqvist
Date: Fri Mar 24, 2000 10:54
am
Subject: Re: [tadream] Invisible shadows
I can agree , i just got it and it was a very nice suprise, big thanks to the
man that tipped us to
get this cd.Thanks again
Totta
Pergamon wrote:
> From: 'Pergamon'
>
> Hello all
>
> Just got the 'invisible shadows' CD today, this CD is brilliant. As
Cartman would say it, 'this CD kicks ass'. Thanks to all the artist appearing
on the CD.
>
> Jan
>
> pergamon@g...
>
>
> [Non-text portions of this message have been removed]
>
> ------------------------------------------------------------------------
> GET A NEXTCARD VISA, in 30 seconds! Get rates as low as 2.9%
> Intro or 9.9% Fixed APR and no hidden fees. Apply NOW!
> http://click.egroups.com/1/936/3/_/24785/_/953893256/
> ------------------------------------------------------------------------
>
> PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
> To unsubscribe: mailto:tadream-unsubscribe@o...
> Website: http://www.tadream.net
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Gabe Yedid
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Marcelo Gutierrez
Fri
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From:
'Patrik .'
Date: Fri Mar 24, 2000 4:29
pm
Subject: [tadream] Re: Other music
Hi there in Orange Community!
This is some of the stuff I listen to except TD:
Genesis
Flower Kings
Kaipa
Terje Rypdal
Jeff Beck
Wolfgang A. Mozart
Steve Hackett
Ludvig van Beethoven
Emerson Lake & Palmer
Miles Davis
------------
Greetings from Estoccolmo
Patrik
______________________________________________________
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Re: Re: Other music
Carlo Ruggiero
Fri
3/24/2000
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Re: Re: Other music
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From:
Tom Richmond
Date: Fri Mar 24, 2000 1:50
pm
Subject: Other music...
I'll chime in on this topic too. One of the main reasons I hang out here
and on other lists is to learn what else is out there that people with
similar tastes listen to (and like). The only downside is I'll never make
enough money to buy it all. :-(
So here's a quick list of non-TD things I like:
Other EM:
Redshift
Jarre
Synergy
Intelligentsia
Andy Pickford
Ian Boddy
Schulze (some more than others...)
Free System Projekt (most excellent BS EM, buy it so he keeps making more)
+ some others I'm surely forgetting
I also have the following on order, based on hearing small samples that I
liked:
Ashra, Ramp, Weird, Kubuschnitt, Arcane and Can Atilla (looking
forward to hearing them all)
Non-EM:
Pink Floyd
Yes
Black Sabbath
Led Zeppelin (going to see John Paul Jones this evening!)
Live
Bush
Mike Oldfield
Patrick O'Hearn
The Beatles
Garbage
Garbage probably qualifies as pop (as do the Beatles, but so what), but they
have a sound that I'm quite hooked on. If anybody else is doing this style
as well, I'd like to know about it.
Cheers!
Tom Richmond
Menomonee Falls, WI USA
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PENFOLD
Sun
3/26/2000
2 KB
From:
'teiwaz _'
Date: Fri Mar 24, 2000 2:15
pm
Subject: >just the black and white law.
>just the black and white law.
I thought the law was that piracy was illegal--copying copyrighted
material--e.g. dubbing a copy of 'the keep' or 'force majeure'.
Fan tapes/tapes of live shows or whatever are generally not copyrighted.
I'm not so sure that the artists--immediately upon the cessation of a
concert--rush out and apply for copyrights on
said performances.
As for intellectual rights, perhaps the only way for an artist to
maintain thode rights is to leave them where they may have been first
created--in their heads.
--teiwaz (who wishes he was playing air guitar to the 'great white
buffalo/hibernation (tm)' right now, but I haven't heard double
live gonzo in 20 years--what a great slab of vinyl.
Time to track down a CD of it I suppose.)
.)
______________________________________________________
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Re: >just the black and white law.
craig.cordrey@g...
Fri
3/24/2000
4 KB
21442
Re: >CAn Attila
Michael A Jean
Sat
3/25/2000
2 KB
From:
'C Chambers'
Date: Fri Mar 24, 2000 2:41
pm
Subject: Re: [tadream] Do we all like the same music?
I would take from Bert's list:
> Klaus Schulze
> Tangerine Dream
> Ozric Tentacles
> Hawkwind
> Yes
> Gong
> Deep Purple
and add the following:
Pink Floyd (Echoes at least once a day!)
Manuel Gottsching (in any incarnation, but especially Ashra)
Grobschnitt (Rockpommel's Land...oh yeah!!)
Eloy (Ocean 1 and 2)
Fish/Marillion (what a killer Fish show in Atlanta last month!)
Roger Waters (Amused to Death--last centuries great rock and roll epitaph!)
Mike Oldfield (Ommadawn...my wife even gets into this one!)
King Crimson (when I want some structured dissonance)
Dixie Dregs/Steve Morse Band (when I want to listen to the 'best' guitarist
on the planet)
Grand Funk (Closer to Home is one of the seminal radio songs from the 70's)
Agitation Free (Second!!)
Pat Metheny (when my wife is in the mood)--some TD works well for this
also...
Genesis (the Live Lamb still blows me away...Firth of Fifth has one of the
greatest Tension/Release segments in rock and roll)
Van der Graaf Generator (man, I love that Hammond! and that sax! and Peter
Hammill's 200db of dynamic vocal range...which is on top of some of the
spookiest, deepest penetrating lyrics ever written!)
After listening to (er, studying) Peter Hammill's lyrics it is easy to see
how I got spoiled by GREAT song writing and tend to ignore the typical song
with lyrics these days...which is pretty much why I am into instrumental
music. Only two people come close to Peter Hammill's lyrics (IMO, of
course) and they are Roger Waters and Fish (neither of which are even
close!) Enough??
Craig
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David Foster
Fri
3/24/2000
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Craig Chambers
Fri
3/24/2000
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aoutland@a...
Sat
3/25/2000
2 KB
From:
craig.cordrey@g...
Date: Fri Mar 24, 2000 2:35
pm
Subject: Re: [tadream] >just the black and white law.
>From: 'teiwaz _'
Having recently done a short Contract Law course covering issues of Copyright
and IPR, just thought I'd throw in my tuppence worth. Note the following all
applies to English Law (probably Scottish Law too, but it is a different beast
so cannot be 100% sure).
>Fan tapes/tapes of live shows or whatever are generally not copyrighted.
>I'm not so sure that the artists--immediately upon the cessation of a
>concert--rush out and apply for copyrights on
>said performances.
Copyright exists as soon as an item is produced - you do not apply for
copyright. It is the owner's right to either make copies him/herself or to
allow nominated other(s) to do so. As such, anything that is issued/presented
by anyone is their copyright. Thus, the musical material played by Tangerine
Dream (or any other artist) in their concert _is_ their copyright and, as such,
it is illegal for others to _copy_ this material without the artist's consent,
irrespective of whether or not this is done for profit.
The other side of copyright is the trademark/patents side of things, which
_must_ be applied for, e.g. the TDI logo.
All very boring, definitely getting off-topic and pretty irrelevant. If you
(that's a general 'you' aimed at all on the list, not you specifically, Teiwaz)
were tape trading under the misapprehension that it was legal, and were only
doing so because you felt it was safe, then stop trading immediately.
NP : Ave by Can Atilla - interestingly, whilst breach of copyright _is_
illegal, plagiarism is not ...
At the start of everything, there was this really big guy who thought to
himself, I'll make a nice, small, easily managed eco-system to study ....
--------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
crjc@t...
Senior Systems Engineer
Tel : +44 (0) 1383 828187
Alenia Marconi Systems, Integrated Systems Division
Donibristle, Fife, Scotland
--------------------------------------------------------------
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Re: >CAn Attila
Michael A Jean
Sat
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2 KB
From:
Rainer Rutka
Date: Fri Mar 24, 2000 3:48
pm
Subject: Voices / Solar Eclipse
Hi you all!
Two things:
1) Thank you all for the kind offers of VOICES IN THE DUNE! I got
much more offers than I ever expected. Now I got a copy. Again: This
was very nice of you all.
2) Got the last bulk of the 'SOLAR ECLIPSE' CDs today. During the next days
I'll buy some packages and ship the disk to all of you, who did a
reservation.
Btw: Fond some interesting new links for TD sites onto the internet.
See my updated links site (unfortunately they are in german language).
have fun....
Rainer
---------------------------------------------------------------------
www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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Richard Ford
Fri
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Rainer Rutka
Sat
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Rainer Rutka
Mon
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From:
'C Chambers'
Date: Fri Mar 24, 2000 2:56
pm
Subject: Re: [tadream] Other music
> Note: If you don't have Alan Parsons 'On Air,' buy it (if for nothing
else)
> just for the instrumental track 'Apollo'
> Every track is excellent, but 'Apollo' is exceptional. Solid driving
beat,
> very structured, with a rocking climax. (Even includes message from Pres.
> Kennedy on the Apollo mission) I can't describe it like some list members
> do. Any one else familiar with this one?
Yes, I have it and love it also...Apollo is one of those killer tracks that
AP sprinkles onto each of his albums. Reminds a bit of the Mike Oldfield
'Songs of Distant Earth' which is a favorite also.
From:
Bert.Hulshoff@N...
Date: Fri Mar 24, 2000 3:17
pm
Subject: RE: [tadream] Do we all like the same music?
Well Graig
you've got a lot of good Groups in your list.
after reading your list I realized that I had forgotten some in my list ;-)
Eloy, Grobschnitt, Novalis, Ashra, Ashra Temple, etc
( see your list )
> ----------
> From: C Chambers[SMTP:craigchambers@c...]
> Sent: Friday, March 24, 2000 15:41
> To: tadream@o...
> Subject: Re: [tadream] Do we all like the same music?
>
> From: 'C Chambers'
>
> I would take from Bert's list:
>
> > Klaus Schulze
> > Tangerine Dream
> > Ozric Tentacles
> > Hawkwind
> > Yes
> > Gong
> > Deep Purple
>
> and add the following:
>
> Pink Floyd
> Manuel Gottsching (in any incarnation, but especially Ashra)
> Grobschnitt (Rockpommel's Land...oh yeah!!)
> Eloy (Ocean 1 and 2)
> Fish/Marillion
> Roger Waters
> Mike Oldfield (Ommadawn...)
> King Crimson
>
> Genesis ( with Peter Gabriel )
>
> Van der Graaf Generator
>
> Keep on Dreamin'
>
> Bert
> aka Phrozenlight
>
> my Homepage
> http://go.to/phrozenlight/
> (still under construction)
> please listen to my spacesongs and send me an review ;-)
> my home-email phrozenlight@z...
>
From:
Vic Rek
Date: Fri Mar 24, 2000 3:39
pm
Subject: Re: [tadream] Other music... & Okefenokee
> From: Tom Richmond
[...]
> Free System Projekt (most excellent BS EM, buy it so he keeps making more)
> + some others I'm surely forgetting
Marcel Engels, the man behind FSP, will be at the Okefenokee Swamp trip
next month - all the way from The Nederlands! We are hoping to record
some of Marcel's music along with David Brewer's. We still have openings
for the trip. Please contact me if you are still interested.
Vic
From:
Bennett Cookson
Date: Fri Mar 24, 2000 4:23
pm
Subject: RE: [tadream] D:Studio [Underwater Sunlight]
This album represents why I'm a TD fan. A big enough fan to join a mailing
list.
Song Of The Whale Part Two: to dusk from Underwater Sunlight is a total
masterpiece.
Ride on the Ray is another favorite.
I wish they would release live versions from Underwater Sunlight tours...
--Bennett
np: Ride on the Ray
[Non-text portions of this message have been removed]
From:
Gabe Yedid
Date: Fri Mar 24, 2000 4:32
pm
Subject: Re: [tadream] Invisible shadows
On Fri, 24 Mar 2000, Tomas Rydqvist wrote:
> I can agree , i just got it and it was a very nice suprise, big thanks to the
man that tipped us to
> get this cd.Thanks again
>
Where does one write to acquire this CD again?
cheers,
Gabe
From:
Antonio Nunes
Date: Fri Mar 24, 2000 4:41
pm
Subject: Re: [tadream] Invisible shadows
Gabe Yedid wrote:
>
> Where does one write to acquire this CD again?
Send a message to invisible-shadow@m...
Antonio Nunes
np: Invisible Shadows 'Gift' No.75 of 500
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Fri
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From:
'Marcelo Gutierrez'
Date: Fri Mar 24, 2000 5:01
pm
Subject: Re: [tadream] Invisible shadows
> From: Gabe Yedid
>
> On Fri, 24 Mar 2000, Tomas Rydqvist wrote:
>
> > I can agree , i just got it and it was a very nice suprise, big thanks
to the man that tipped us to
> > get this cd.Thanks again
> >
>
> Where does one write to acquire this CD again?
>
> cheers,
>
> Gabe
>
Just follow this link http://www.invisible-shadow.de/ and I agree that it
is a fantastic compilation, I specially like the first track by
'Tranquillity' (I think)
Marcelo
From:
'Feldon Feldon'
Date: Fri Mar 24, 2000 5:53
pm
Subject: Re: [tadream] >just the black and white law.
>From: 'teiwaz _'
>Reply-To: tadream@o...
>To: tadream@o..., teiwazbarana@h...
>Subject: [tadream] >just the black and white law.
>Date: Fri, 24 Mar 2000 06:15:30 PST
>
I hate to continue this thread, and this e-mail is not a support of
for-profit bootlegs. As much as I like the stuff on Electronic Orgy, I'll
say again, disc 4 was pretty much un-called for. But anyways, on to my
rant...
>I thought the law was that piracy was illegal--copying copyrighted
>material--e.g. dubbing a copy of 'the keep' or 'force majeure'.
Actually, the Supreme Court of the US decided that making a copy for your
own personal not-for-profit use [provided you don't distribute to an extent
of $500, even if no profit is involved]. This was decided when VCRs were
coming out. The movie industry and TV broadcasters tried to stop the sale of
VCRs saying their only purpose was to record programs and copy movies. The
word 'fair use' was born.
By the way, the stuff in brackets above was added by our wonderful liberal
President Clinton, software protection agencies, etc. last year as the
Digital Millenium Copyright Act. This is the provision under which college
students are going to prison for sharing software that they wouldn't have
bought ANYWAY.
>Fan tapes/tapes of live shows or whatever are generally not copyrighted.
>I'm not so sure that the artists--immediately upon the cessation of a
>concert--rush out and apply for copyrights on
>said performances.
If the artists really have no problem with copying, then they need to make a
public statement that we don't mind if our concerts are taped, but if we
release that concert on tape/CD, then all fantapes must be destroyed or
whatever. (And of course they probably need to have their own label because
no label is going to allow that!!!) I agree with the concept that I wouldn't
bother to have a fantape for a concert which is officially released for 2
reasons, to profit the artist for his hard work, and hell, for the sound
quality!
Did I mention how excited I am over Soundmill Navigator? Hrmm guys, should I
wait to see if it's Tangentized or just buy it?
-Morgan
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21416
Re: >just the black and white law.
Bennett Cookson
Fri
3/24/2000
2 KB
21422
Re: >just the black and white law.
Feldon Feldon
Fri
3/24/2000
2 KB
21431
Re: >just the black and white law.
Rainer Rutka
Sat
3/25/2000
2 KB
From:
Bennett Cookson
Date: Fri Mar 24, 2000 6:35
pm
Subject: RE: [tadream] >just the black and white law.
Morgan said:
I agree with the concept that I wouldn't bother to have a fantape for a
concert which is officially released ...
The interesting thing here is that most people into fan tapes are not in It
to save money. They probably already bought everything they can buy from
the artist, but still hunger for more
. As opposed to someone tapping popular hits off the radio to avoid buying
the whole album.
--Bennett
[Non-text portions of this message have been removed]
From:
Gabe Yedid
Date: Fri Mar 24, 2000 7:15
pm
Subject: Re: [tadream] Invisible shadows
Thank you very much!
Gabe
From:
'David Foster'
Date: Fri Mar 24, 2000 7:53
pm
Subject: Re: [tadream] Do we all like the same music?
----- Original Message -----
From: C Chambers
To:
Sent: Friday, March 24, 2000 2:41 PM
Subject: Re: [tadream] Do we all like the same music?
> From: 'C Chambers'
>
>' I would take from Bert's list.........and add
>
> > > Fish/Marillion (what a killer Fish show in Atlanta last month!)
> > Van der Graaf Generator (man, I love that Hammond! and that sax! and
Peter
> Hammill's 200db of dynamic vocal range...which is on top of some of the
> spookiest, deepest penetrating lyrics ever written!)
>
> After listening to (er, studying) Peter Hammill's lyrics it is easy to see
> how I got spoiled by GREAT song writing and tend to ignore the typical
song
> with lyrics these days...which is pretty much why I am into instrumental
> music. Only two people come close to Peter Hammill's lyrics (IMO, of
> course) and they are Roger Waters and Fish (neither of which are even
> close!) Enough??
>
> Craig'
>
I agree. Great music, great artists. Don't take this personally but I
went to see Peter Hammill years ago when he supported Marillion and the
Marrillion fans were so badly behaved during Peter Hammill's set, it was
awful being in the same auditorium as them. Its nice to see that some of us
can like both. Peter Hammill is a good poet as well. Have you read his
books? No, I haven't got any but I'm sure someone out there has. When I
saw them they were worth reading.
David
fozdg@d...
>
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>
From:
Richard Ford
Date: Fri Mar 24, 2000 7:14
pm
Subject: Re: [tadream] Voices / Solar Eclipse
Hi Rainer
I've not heard if you want any money??
>
>Hi you all!
>
>Two things:
>
>1) Thank you all for the kind offers of VOICES IN THE DUNE! I got
> much more offers than I ever expected. Now I got a copy. Again: This
> was very nice of you all.
>
>2) Got the last bulk of the 'SOLAR ECLIPSE' CDs today. During the next days
> I'll buy some packages and ship the disk to all of you, who did a
> reservation.
>
>Btw: Fond some interesting new links for TD sites onto the internet.
>See my updated links site (unfortunately they are in german language).
>
>have fun....
>
> Rainer
>
>---------------------------------------------------------------------
> www.rutka.de/td
>- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
>
>
>
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>
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>
>
--
Richard Ford
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21432
Re: Voices / Solar Eclipse
Rainer Rutka
Sat
3/25/2000
2 KB
21479
Re: Voices / Solar Eclipse
Rainer Rutka
Mon
3/27/2000
2 KB
From:
'twosheds'
Date: Fri Mar 24, 2000 8:04
pm
Subject: re: Morality
>Substitute the word 'murder' for the word 'prostitution' in the above
>statement. The implication is that it's fine for us all to go out and
>commit murder, even if it's illegal, because 'it will always be around'.
>OK, fan taping is hardly in the same league as murder, but where do you
>draw the line between 'illegal but allowable' and 'illegal and totally
>unacceptable'? Don't ask me, I'm not a 100% law-abiding citizen myself,
>and I don't suppose many of us are.
I think the point at which most would draw the line is where they felt it
was hurting someone. Murder, obviously, hurts lots of people, whereas
prostitution can be practiced without hurting anyone. Taping is in the same
league, I think, for most of us. If we thought it REALLY hurt the artist,
we'd stop. Phish's biggest fan site, phish.net, says that if you have
unwittingly bought a bootleg, you should copy it for as many people as you
can, thus denying the bootlegger any additional profits. Sounds good to me.
Scott
From:
'twosheds'
Date: Fri Mar 24, 2000 8:08
pm
Subject: Re: Morality
>>It's interestinmg to note how many modern bands really don't have a
problem
>>with it. Ozric Tentacles encourage fan taping - all they ask is that you
>>send them a copy !
>But that doesnt make it legal. The band cannot change international law by
saying its OK with bootlegs. I am >not talking about the moral of fan taping
here, just the black and white law.
Maybe not in Norway, but it makes it legal here. Bands that allow taping
usually have formal taping policies posted on their websites. in summary,
most allow taping & trading for personal use only, and not for profit. If
anyone's interested (and at this point, I doubt anyone is) I can post links
to some taping policies.
Scott
From:
'Feldon Feldon'
Date: Fri Mar 24, 2000 8:07
pm
Subject: RE: [tadream] >just the black and white law.
I've got pretty much every TD album that I care to own. :)
>From: Bennett Cookson
>Reply-To: tadream@o...
>To: ''tadream@o...''
>Subject: RE: [tadream] >just the black and white law.
>Date: Fri, 24 Mar 2000 11:35:11 -0700
>
>Morgan said:
> I agree with the concept that I wouldn't bother to have a fantape for a
>concert which is officially released ...
>
>
>The interesting thing here is that most people into fan tapes are not in It
>to save money. They probably already bought everything they can buy from
>the artist, but still hunger for more
>
>. As opposed to someone tapping popular hits off the radio to avoid buying
>the whole album.
>
>
>--Bennett
>
>
>
>
>[Non-text portions of this message have been removed]
>
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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Re: >just the black and white law.
Rainer Rutka
Sat
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2 KB
From:
aslanfan1@a...
Date: Fri Mar 24, 2000 9:10
pm
Subject: My listening
I'll chime in on this as I've got stuff nobody else seems to listen to. I
like artist's execution and sound far more than any one genre. Some of this
is pretty heavy for some of you.
Dream Theater (holy cow, musicianship at its finest, but heavy toons)
Saga (great guitar/keyboard interplay)
Keiko Matsui (beautiful, accessible piano mood music)
Eric Johnson (astounding guitar playing)
Iona (amazing mix of celtic, rock and progressive with Christian lyrics)
Alan Parsons (old faithful, production quality is stunning)
Flower Kings (unknown prog in the spirit of 70s Genesis)
Fates Warning post No Exit (Pleasant Shade of Grey is outstanding)
Megadeth (can't help it, I just like em)
Mike Oldfield (annoying guitar at times, but truly unique)
Geoff Downes (Yes/Asia)
Marillion (older is better)
Rush (classic)
Kings X (heavy but innovative)
Pink Floyd (overexposed, but classic)
Spock's Beard (unique progressive)
Pat Metheny GROUP (some of his stuff is genius, some is awful)
Red Shift (it's a clone of TD, but pretty good nonetheless)
Classic Kansas (way ahead of their time)
Enigma (when it's new its great, wears off over time)
Dixie Dregs/Steve Morse (guitar wiz)
The Rippingtons (happy jazz, very melodic)
MAGNA CARTA label releases
From:
Carlo Ruggiero
Date: Fri Mar 24, 2000 9:14
pm
Subject: Re: [tadream] Re: Other music
Ok, I'll bite on this one:
Besides TD and ex-members Haslinger, Schmoelling, Schulze and Franke:
AirSculpture; Patrick O'Hearn; Enigma; Delerium; U2; Seal; Steve Roach; Phil
Collins/Genesis; Sting/Police; Sarah McLachlan; Eagles/Don Henley; Bryan
Adams;
Amanda Marshall; Duncan Sheik; Mark Snow (X-Files)
There are plenty of other artists (EM, Rock, Pop) that I listen to and I
keep finding more good music. Lost interest in JMJ and Vangelis awhile
ago. I am curious about Arcane, Andy Pickford, and Redshift, and Under the
Dome (among others) but have no albums by them yet. I just got Deep Space
by John Stanford (Techno EM) - it is very repetitive, but the music is so
clean and sharp (if you get my drift).
Talk to you later,
Carlo
From:
'Craig Chambers'
Date: Fri Mar 24, 2000 9:57
pm
Subject: Re: [tadream] Do we all like the same music?
> I agree. Great music, great artists. Don't take this personally but I
> went to see Peter Hammill years ago when he supported Marillion and the
> Marrillion fans were so badly behaved during Peter Hammill's set, it was
> awful being in the same auditorium as them. Its nice to see that some of
us
> can like both. Peter Hammill is a good poet as well. Have you read his
> books? No, I haven't got any but I'm sure someone out there has. When I
> saw them they were worth reading.
I can believe the Marillion fans were a bit rowdy...but it is ironic that
Fish cites Hammill as one of his biggest influences. PH's 'Fool's Mate' and
'Over' both appear on Marillion album covers.
But no, I have not ever seen any of his books, didn't even know they existed
frankly! Gee thanks, for showing me just one more thing that I have to go
on a quest to find...I will never rest...
This seriously going off topic here, isn't it. Sorry.
Craig
From:
'Craig Chambers'
Date: Fri Mar 24, 2000 10:04
pm
Subject: Re: [tadream] My listening
> Dream Theater (holy cow, musicianship at its finest, but heavy toons)
> Dixie Dregs/Steve Morse (guitar wiz)
The double-billed recent tour was magnificent! Is this the list that we can
talk about fantapes on? I am confused...
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Re: My listening
joe shoults
Fri
3/24/2000
2 KB
21434
Re: My listening
Craig Chambers
Sat
3/25/2000
3 KB
From:
tweibre361@a...
Date: Fri Mar 24, 2000 11:09
pm
Subject: Re: [tadream] Digest Number 432
In a message dated 3/23/00 5:14:47 PM Eastern Standard Time,
tadream@o... writes:
<< OK, fan taping is hardly in the same league as murder >>
it isnt? have u ever taped a show? believe me, its murder....
tom w
np: the orb @ woodstock
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Re: Digest Number 432
Craig Chambers
Sat
3/25/2000
2 KB
From:
'joe shoults'
Date: Fri Mar 24, 2000 11:44
pm
Subject: RE: [tadream] My listening
yes, we talk about TD fantapes here, but if you mean fantapes about Dream
Theater and Marillion, that would be a little TOO far OT.
joe
> -----Original Message-----
> From: Craig Chambers [mailto:craigchambers@c...]
> > Dream Theater (holy cow, musicianship at its finest, but
> heavy toons)
> > Dixie Dregs/Steve Morse (guitar wiz)
>
> The double-billed recent tour was magnificent! Is this the
> list that we can
> talk about fantapes on? I am confused...
>
From:
'Glenn Folkvord'
Date: Fri Mar 24, 2000 10:32
pm
Subject: SV: [tadream] Re: Morality
>From: 'twosheds'
>Maybe not in Norway, but it makes it legal here. Bands that allow taping
>usually have formal taping policies posted on their websites.
If the band owns the rights to their own music, then it is fine. If they dont,
they encourage criminal activity if they encourage fan taping.
Besides, the moment you copy a tape/CDR and hand it to your friend (for free or
for money) you are in the bootleg business which is a separate field from only
'fan taping' for personal use.
>in summary,
>most allow taping & trading for personal use only, and not for profit.
I dont belive 'most' allow taping for personal use, because most bands/artists
does not own the publishing rights to their own music. Some bands does, of
course. Maybe TD does, but certainly not most bands who hand over publishing
rights as part of getting a record contract.
all the best,
Glenn
JarreArt www.itsahit.com/jarreart
Emusic http://w3.to/_emusic
From:
'Glenn Folkvord'
Date: Fri Mar 24, 2000 10:44
pm
Subject: SV: [tadream] Re: Other music
Well........
(in no particular order):
Vangelis
some Mike Oldfield
Jean-Michel Jarre
Biosphere
Erasure
Kraftwerk
Billy Ocean
John Williams (soundtrack composer)
Sigmund Groven
and more!
glenn
From:
Rainer Rutka
Date: Sat Mar 25, 2000 1:10
am
Subject: RE: [tadream] >just the black and white law.
On Fri, 24 Mar 2000, Feldon Feldon wrote:
> From: 'Feldon Feldon'
> >The interesting thing here is that most people into fan tapes are not in It
> >to save money. They probably already bought everything they can buy from
> >the artist, but still hunger for more
O H Y E S S O O O O O T R U E ! ! ! ! !
Rainer
---------------------------------------------------------------------
www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From:
Rainer Rutka
Date: Sat Mar 25, 2000 1:16
am
Subject: Re: [tadream] Voices / Solar Eclipse
On Fri, 24 Mar 2000, Richard Ford wrote:
> From: Richard Ford
> Hi Rainer
> I've not heard if you want any money??
Yes. Not now. Because I don't know how much I have to pay for the
postage (airmail).
The disk is 14 DM / $7 + postage.
But I'll send an email to everybody later.
First the disk - later the money. I'll trust you all ;-)
Rainer
---------------------------------------------------------------------
www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From:
'Craig Chambers'
Date: Sat Mar 25, 2000 2:00
am
Subject: Re: [tadream] Digest Number 432
>
> << OK, fan taping is hardly in the same league as murder >>
>
> it isnt? have u ever taped a show? believe me, its murder....
>
> tom w
Especially when you have some drunk a**hole who sings at the top of his
lungs, out of key, wrong lyrics, off time...right?
The lunatic is on the grass!! You gonna try again this go round? Let me
know...
Craig C.
From:
'Craig Chambers'
Date: Sat Mar 25, 2000 2:02
am
Subject: Re: [tadream] My listening
Sorry, just checking to see if your paying attention... :-)
I would not want to talk about these shows on list, but if anybody wants to
discuss offlist, give me a note.
> yes, we talk about TD fantapes here, but if you mean fantapes about Dream
> Theater and Marillion, that would be a little TOO far OT.
>
> joe
>
> > -----Original Message-----
> > From: Craig Chambers [mailto:craigchambers@c...]
> > > Dream Theater (holy cow, musicianship at its finest, but
> > heavy toons)
> > > Dixie Dregs/Steve Morse (guitar wiz)
> >
> > The double-billed recent tour was magnificent! Is this the
> > list that we can
> > talk about fantapes on? I am confused...
> >
>
>
> ------------------------------------------------------------------------
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>
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> Website: http://www.tadream.net
>
>
From:
'Frank'
Date: Sat Mar 25, 2000 1:21
pm
Subject: Fan Taping / Food For Thought / Musical taste
Hi Gang,
This fan taping sure has stirred up interest in many. That's probably why it
hasn't gone away. For some people it's quite easy to see things in black and
white, right or wrong, but for others it's not as simple as that. Maybe its a
matter of not seeing the forest from the trees, I don't know. A couple
reoccurring thoughts though. It seems to me that not only are we at the mercy
of our passions, [For me collecting art and music and building great sound
systems has costed me a fortune] but maybe we're also at the mercy of Edgar
and other outside forces [Publishers, labels, etc]. I seem to recall reading a
statement that Edgar once made, 'that it would take an army of lawyers....'.
Now what I'm presuming he was talking about was prosecuting people for whatever
their misdeeds were. Now how many of us wouldn't feel a bit uncomfortable if
'the fuzz' or say the IRS came knocking on our door? I believe the majority of
us would. Some of us may not even be able to walk away and could even end up
taking 'an extended vacation in the big house'. Are we not guilty of something?
I know I'm guilty of loving TD's music too much, I'll admit that. On that basis
I would ask for mercy. All I can say is 'count your blessings' for Edgar's
tolerance. His reasons are many, I'm sure. Sorry if this seems a bit
unorganized, I'm an artist of many facets, but writing wouldn't be one of them.
Frank Arellano
PS. I welcome any comments or feedback, thanks.
These days I mostly listen to electronic groups, [TD and TD esque Berlin School
sequencers] but I do have an affinity for contemporary native american
instrumental music. If you've never heard the music of say Peter Buffett's '500
Nations', Sacred Spirits, Brule, Lee Blaske's 'The Spirit Of Native America',
Douglas Spotted Eagle's 'Common Ground' or a number of others, you've got to
give them a try. I think you all would be pleasantly surprised!
A few of my favorites:
David Arkenstone
Peter Buffett
Clannad
CUSCO
Dylan
Enigma
Enya
Fleetwood Mac
Moody Blues
O'Hearn
Pink Floyd
Santana
Douglas Spotted Eagle
Springsteen
Rod Stewart
U2
Yanni
Neil Young
[Non-text portions of this message have been removed]
From:
tweibre361@a...
Date: Sat Mar 25, 2000 12:41
pm
Subject: Re: [tadream] Digest Number 435
In a message dated 3/25/00 3:27:23 AM Eastern Standard Time,
tadream@o... writes:
<< Especially when you have some drunk a**hole who sings at the top of his
lungs, out of key, wrong lyrics, off time...right?
The lunatic is on the grass!! You gonna try again this go round? Let me
know... >>
well that one made me want to commit murder...it was a trio though...and yes,
ill try to do the MSG show...
tom w
np: waters @ jones 99
From:
Glynn Naughton
Date: Sat Mar 25, 2000 1:25
pm
Subject: D: Studio {Underwater Sunlight]
Hello there,
A classic album! In which TD do their best Pink Floyd impersonation, at
least on 'Song of the Whale'. All the Floyd hallmarks are there - the
pompous, laid-back beat, the soaring guitar solos. (On part 1, Edgar somehow
does a pretty good Gilmour impersonation and still ends up sounding like
Edgar. Quite an achievement.)
But side two: with the possible exception of 'Dolphin Dance' - oh dear! As
far as I'm concerned, this is useless filler. 'Ride on the Ray' is yet
another rehash of that 'Vermillion Sands' sequence, 'Scuba Scuba' has the
daftest title ever given to a piece of music, and 'Underwater Twilight'
blatantly rips of a well-known Jarre track - sorry, don't know enough about
Jarre to know the name of the track. If they'd put, say, 'Valley of the Sun'
across the whole of side 2, this would have been an outstanding album from
beginning to end. Presumably commercial considerations inclined them towards
including some short, snappy tracks.
Prior to _Dream Roots_, I could never work out how much credit Haslinger
deserves for this album (apart from the piano opening to SOW Part 2). The
answer seems to be: not much. The 'Song of the Whale' style was clearly
something that Edgar and Chris had worked up themselves before he came on
the scene. You need only listen to 'Vanishing Blue' to hear this.
Despite the weak stuff, this is, for me, the last great TD album, and marks
the boundary between a band that could do extraordinary things, and band
that, although past its peak, occasionally produces nice music.
Glynn
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Re: D: Studio {Underwater Sunlight]
Michael A Jean
Sat
3/25/2000
2 KB
From:
Glynn Naughton
Date: Sat Mar 25, 2000 1:29
pm
Subject: The End of the 'Zoo'
Hello all,
Just a quick note: the Mechanical Cabaret in Covent Garden (which I wrote
about at some length on the list about a year ago), part-inspiration for
_The Zoo of Tranquility_, is no more! (Actually, it's moved to Southend).
I'm not really surprised; it always amazed me that such an otherwordly
'business' survived so long in a location where the rent must have been
astronomical.
Shame, as it was one of the two 'off the beaten track' musical sights that I
always encouraged London-visiting TD fans to have a look at. (The other,
seeing as TD fans are usually Floyd fans, being PF's
amazingly-accessible-if-you-know-where-to-look studio in Islington.)
Glynn
From:
horrod6
Date: Sat Mar 25, 2000 2:04
pm
Subject: Re: what can the artist do
Thanks Rainer for giving us the sensible suggestion from Klaus
Schultze's example. I'd certainly prefer to have a nice clean
well-recorded piece of live concert music that's been officially
released than a poor quality boot. And it might be easier to get hold of
too, especially if you're as cautious about buying on the net as I am.
From:
horrod6
Date: Sat Mar 25, 2000 2:04
pm
Subject: OT: For non-UK members only
Craig jumped on one of his pet hates, which just happens to be one of
mine too. I'm born Welsh, I was brought up in England, and now I live in
Scotland. None of this involved a change of nationality. As Craig
pointed out, the UK is a single country. Non-English citizens of the UK
get very peeved (to put it mildly) when people speak of England as if it
was the whole shebang.
Having said that, the Scots law and education systems are very different
from those of England and Wales. I would guess that those for N. Ireland
are too, but I don't know. And now we have a Scottish Parliament and a
Welsh assembly, which gives us, in part, separate legislative bodies
too. But hey, different US states have their own laws too, but nobody
thinks that Washington is the whole of America (do they?).
But we still have one music chart.
Sorry, guess somebody pressed one of my buttons there!
LnH
Marion
np: Johannes Schmoelling - The zoo of tranquillity
From:
horrod6
Date: Sat Mar 25, 2000 2:04
pm
Subject: Invisible shadows 'Gift'
Got my copy yesterday. Very interesting on first listen - definitely
worth the absolutely minimal effort of sending off the e-mail and the
slight risk of being added to some spammer's address list!
Just wanted to say thanks to whoever put us on to this.
Hey, I just thought - if we all get a copy that will use up the whole
limited edition. Maybe we should leave some for the other folks? LOL
See ya
Marion
From:
'Michael A Jean'
Date: Sat Mar 25, 2000 3:05
pm
Subject: RE: [tadream] >CAn Attila
Speaking of Can Attila, I am still searching for his second disc
(W.O.W.)...I would even settle for a copy... ;^)
MJ
>
> NP : Ave by Can Atilla - interestingly, whilst breach of copyright _is_
> illegal, plagiarism is not ...
>
> At the start of everything, there was this really big guy who thought to
> himself, I'll make a nice, small, easily managed eco-system to study ....
>
> --------------------------------------------------------------
> Craig R. J. Cordrey craig.cordrey@g...
> crjc@t...
> Senior Systems Engineer
> Tel : +44 (0) 1383 828187
> Alenia Marconi Systems, Integrated Systems Division
> Donibristle, Fife, Scotland
> --------------------------------------------------------------
>
>
>
From:
'Michael A Jean'
Date: Sat Mar 25, 2000 3:15
pm
Subject: RE: [tadream] D: Studio {Underwater Sunlight]
Don't forget the opening to SHY PEOPLE...I thought I was playing WISH YOU
WERE HERE!
> -----Original Message-----
> From: Glynn Naughton [mailto:glynnn@o...]
> Sent: Saturday, March 25, 2000 7:26 AM
> To: 'tadream@o...'
> Subject: [tadream] D: Studio {Underwater Sunlight]
>
>
> From: Glynn Naughton
>
> Hello there,
>
> A classic album! In which TD do their best Pink Floyd impersonation, at
> least on 'Song of the Whale'.
>
From:
Antonio Nunes
Date: Sat Mar 25, 2000 3:12
pm
Subject: Re: [tadream] D: Studio {Underwater Sunlight]
Glynn Naughton wrote:
>
> and 'Underwater Twilight'
> blatantly rips of a well-known Jarre track - sorry, don't know enough about
> Jarre to know the name of the track.
What? Where's Glenn Folkvord when we need him? :-)
Well, I admit that the first 2 minutes of 'Underwater Twilight' have a
sound close to Jarre's, but not the melody. Anyway when the beat starts
at around the 2 minutes mark, now this is typical TD sound of the 80's
and has nothing to do with Jarre. All IMHO of course.
Antonio Nunes
np: Underwater Sunlight
From:
aoutland@a...
Date: Sat Mar 25, 2000 6:16
pm
Subject: Re: [tadream] Do we all like the same music?
In a message dated 03/24/2000 9:42:12 AM Eastern Standard Time,
craigchambers@c... writes:
<< Grand Funk (Closer to Home is one of the seminal radio songs from the 70's)
>>
Grand Funk Railroad was a stepping stone on my way to finding Tangerine
Dream. I don't remember the name of the album, but the song 'Paranoia' used
to send me into a trance with its long central passage. At the time I had a
friend who was a disc jockey. He received lots of promo albums that he
couldn't use on his rock oriented show. Knowing my love of Grand Funk, he one
day handed me an album called Ricochet. The rest is history. 8-) Dell
PS: regarding listening to other music: no, not very often, but I do
like classical, some older rock, and some country but there's no other artist
that I particularly collect.
From:
aoutland@a...
Date: Sat Mar 25, 2000 6:50
pm
Subject: Re:Murder
In a message dated 03/24/2000 6:11:16 PM Eastern Standard Time,
tweibre361@a... writes:
<< << OK, fan taping is hardly in the same league as murder >>
it isnt? have u ever taped a show? believe me, its murder....
tom w
>>
LOL, Tom you absolutely crack me up. You ought to tell some of the newer
members here about some of your experiences. I recall a couple of them had me
rolling under my chair. Good to see you on the list again. 8-) Dell
From:
'Glenn Folkvord'
Date: Sat Mar 25, 2000 4:25
pm
Subject: SV: [tadream] D: Studio {Underwater Sunlight]
>Glynn Naughton wrote:
>>
>> and 'Underwater Twilight'
>> blatantly rips of a well-known Jarre track - sorry, don't know enough about
>> Jarre to know the name of the track.
>
>What? Where's Glenn Folkvord when we need him? :-)
I am right here! :-) Unfortunately I dont have Underwater Sunlight, so I wont
be able to identify which Jarre track they have ripped off (if at all).
all the best,
Glenn
JMJ Fanclub Norway www.jmjfkn.com
JarreArt www.itsahit.com/jarreart
Emusic http://w3.to/_emusic
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Re: SV: [tadream] D: Studio {Underwater Sunlight]
Gabe Yedid
Sun
3/26/2000
3 KB
21451
'Ripping Off'
Glynn Naughton
Sun
3/26/2000
6 KB
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Re: SV: [tadream] D: Studio {Underwater Sunlight]
Synthhtnys@a...
Sun
3/26/2000
3 KB
From:
Gabe Yedid
Date: Sun Mar 26, 2000 2:52
am
Subject: Re: SV: [tadream] D: Studio {Underwater Sunlight]
On Sat, 25 Mar 2000, Glenn Folkvord wrote:
> From: 'Glenn Folkvord'
>
> >Glynn Naughton wrote:
> >>
> >> and 'Underwater Twilight'
> >> blatantly rips of a well-known Jarre track - sorry, don't know enough about
> >> Jarre to know the name of the track.
> >
> >What? Where's Glenn Folkvord when we need him? :-)
>
> I am right here! :-) Unfortunately I dont have Underwater Sunlight, so I
wont be able to identify which Jarre track they have ripped off (if at all).
>
> all the best,
> Glenn
It's one of the parts of Equinoxe (part 3 or 4, I think)
Anyhow, why is it that anytime two pieces of music with different times of
origin happen to share something like a similar chord progression, it
automatically makes the latter one a *ripoff* of the earlier one?
In the case of 'Shy People' it's hard to deny, but in the case of
'Underwater Twilight' I think it's a bit dodgier. As another example, the
chords underlying 'Running Out of Time' always struck me as being very
much like the ones that can be heard in the last minute of Kraftwerk's
'Sex Object'--so does that make it a double ripoff?
And again, people have called 'Logos (Red Part)' a blatant ripoff of
Steve Reich's 'Music for 18 Musicians'--there is a clear and heavy Reich
influence, to be sure, but it does not sound like a verbatim lift of any
sections of 'MFEM', mostly because the Logos music is in a solid duple
metre, while the Reich piece is '3-in-a-bar' 12/8 time pretty much the
whole way through.
cheers,
Gabe
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'Ripping Off'
Glynn Naughton
Sun
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From:
Synthhtnys@a...
Date: Sun Mar 26, 2000 4:08
am
Subject: Re: SV: [tadream] D: Studio {Underwater Sunlight]
<< And again, people have called 'Logos (Red Part)' a blatant ripoff of
Steve Reich's 'Music for 18 Musicians'--there is a clear and heavy Reich
influence, to be sure, but it does not sound like a verbatim lift of any
sections of 'MFEM', mostly because the Logos music is in a solid duple
metre, while the Reich piece is '3-in-a-bar' 12/8 time pretty much the
whole way through.
cheers,
Gabe >>
*Interesting.... Well outside the stacatto marimba patterns
I don't hear anything overtly Reich(ian)... although the
American Minimalist movement was most certainly an
influence on the Berlin School (Riley, Young, Reich, Glass)
To my way of thinking before you blame something like'ripping off' someone's
music, you should have evidence of the same chord
patterns and melody....(not that you are Gabe, just to make a point)
All of music is standing on the shoulders
of those who came before ... It extends what has been established.
The Blues and Folk traditions are based on certain already existing
patterns, for instance...
Actually, that is one thing I have always liked about Logos.
I always considered it more of an homage to Reich, rather than a ripoff
as the music is their own....
Poly
Paul Ellis / Secret Fire Music
Synthhtnys@a...
New solo album: Appears to Vanish
Member: Dweller at the Threshold
http://threshold.opb.org
From:
'David Foster'
Date: Sun Mar 26, 2000 7:02
am
Subject: First Contact
Looks like some people enjoyed exchanging details of 'other music'. Can I
suggest another thread? Chances are it's been done before, but I am newer to
the list than some, so here goes. What was your first contact with TD / the
music?
By accident I saw them on UK tv playing a 75 Cathedral concert. I didn't take
it in and it didn't really make an impression.
Then someone suggested seeing this band that were playing live locally. I
knew nothing else about them. March 26th 1978 I went to see them play
Liverpool Empire. I think it was the second largest concert venue in the UK
at the time. It was packed. It started off with very long slow cymbal rolls,
slow sequencers, dry ice, Steve Jolliffe vocoder/ vocals, lasers. It was a
totally new experience. I count that as the first time.
It has been the longest addiction I have had, 22 years ago today. I still
have the Cyclone tour poster and badge. Since then I must have been to 20
plus of their concerts. I can't go now without my daughter coming with me.
I think the addiction passes through the generations.
Anyone else got any stories?
David
fozfg@d...
[Non-text portions of this message have been removed]
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Rainer Rutka
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From:
'Glynn Naughton'
Date: Sun Mar 26, 2000 12:21
pm
Subject: 'Ripping Off'
Gabe sez:
> Anyhow, why is it that anytime two pieces of music with different
times of
> origin happen to share something like a similar chord progression,
it
> automatically makes the latter one a *ripoff* of the earlier one?
> In the case of 'Shy People' it's hard to deny, but in the case of
> 'Underwater Twilight' I think it's a bit dodgier. As another
example, the
> chords underlying 'Running Out of Time' always struck me as being
very
> much like the ones that can be heard in the last minute of
Kraftwerk's
> 'Sex Object'--so does that make it a double ripoff?
> And again, people have called 'Logos (Red Part)' a blatant ripoff of
> Steve Reich's 'Music for 18 Musicians'--there is a clear and heavy
Reich
> influence, to be sure, but it does not sound like a verbatim lift
of any
> sections of 'MFEM', mostly because the Logos music is in a solid
duple
> metre, while the Reich piece is '3-in-a-bar' 12/8 time pretty much
the
> whole way through.
>
> cheers,
>
> Gabe
I've always found this a fascinating subject, and although I wasn't
intending to kick this thread off, I'm glad I did.
The crux is that rock and pop music is immensely simple, harmonically
and melodically. All bands draw from the same limited musical
vocabulary, although some, like Rush, add superficial surface
complexity by playing in odd time signatures, etc. (Sorry if I sound
like I'm pricking bubbles, but I assure you that TD and Rush use
exactly the same chord sequences as the Spice Girls.) As a result,
there is often overlap. The honest and unpretentious thing for pop
artists to do in this case is to admit, 'Ah well, we're both using
the same 3 chords, so things are bound to sound similar now and
again.' Instead, we get lots of nonsense about 'stealing my artistic
vision' and unnecessary court cases.
A lot of this is based around the very Western concept of
'authorship'. In Balinese Gamelan music, for instance, there is
little attempt by individuals to claim to be the 'composer' of a
particular piece. The piece is simply an extension of a much larger
tradition. One might draw a parellel between that and 12-bar blues.
If I come up with a 12-bar based on the C, F and G chords, can I
claim to be the 'composer' of that music? Can I fuck! I'm basically
using a 'public domain' chord sequence. However, in the West I would
be quite within my rights to say 'music by Glynn Naughton'.
Incidentally, this is one of the things that never ceases to amaze me
about early rock 'n' roll and blues records. The music consists of
three chords, used in a completely standard way, yet these tracks
often have four or five composers listed on the byline! What did they
do, write one note each? How many of these guys would it have taken
to write the 'Art of Fugue'?
Paradoxically, this is why I find rock music so fascinating. I know
in advance exactly what chord seqences and melodies I'm going to
hear. The interest lies in the performace, the arrangement and the
studio trickery: the way in which bands endlessly re-invent the same
extremely limited material. This is *the* fundamental difference
between popular and serious music. In serious music, the pure
structure is enough to carry the day. That's why you can take
immensely sophisticated music by Bach or Beethoven, play it on an
incredibly bare instrument like a harpsichord, and it's still
wonderful. (Or don't even play it: just read the score and admire the
breathtaking complexity.) Try doing that with pop music and it sounds
like shite. Pop music is fundamentally performance/arrangement
driven. When you go to a classical concert, you're going to hear
Beethoven's Eroica symphony or whatever; whichever orchestra is
performing it is an irrelevance. (Or it should be: at the more vulgar
'Three Tenors' end of the classical spectrum there are personality
cults.) In pop music, you are going to see the performer and hear
*them* play the music as much as you are going for the music itself.
People who listen to the classier end of the pop music spectrum (TD,
Pink Floyd, Rush etc.) often delude themselves that they, unlike less
sophisticated fans of more 'poppy' pop music, are in it just for the
music. If this were truly the case, a tour by a Pink Floyd tribute
band would fill giant sport stadiums the world over. After all, if
it's just about the music, why should Gilmour, Mason and Wright need
to be there? Any guitarist, drummer and keyboarder would do.
So, although 'Underwater Twilight' clearly 'borrows' (to use a more
polite word) from JMJ, within the context of pop music I don't think
this is an issue. It's just an occupational hazard, as it were.
Glynn
From:
Rainer Rutka
Date: Sun Mar 26, 2000 2:36
pm
Subject: Re: [tadream] First Contact
On Sun, 26 Mar 2000, David Foster wrote:
> From: 'David Foster'
> Looks like some people enjoyed exchanging details of 'other music'. Can I
suggest another thread? Chances are it's been done before, but I am newer to
the list than some, so here goes. What was your first contact with TD / the
music?
I remember very well.
I heard radio in the mid 70ies (the 'good old radio time'). It was the
Bavarian Rundfunk. A friday. Evening. The disjokey (it was Ingeborg
Schober. She wrote a very good book about Amon Düül btw.) played some
music by Brian Eno, Steve Hillage and an excerpt from MONOLIGHT (the
single?). Tangerine Dream in BAVARIAN RADIO!! This is something we'll
never get again. ;-(
Well, I heard a lot of 'strange' music this time and I was a T. Rex,
Sweet, Slade fan, too. And I liked jazz this time (Don Cherry, Coltrane)
and hardrock (Deep Purple, Nazareth......).
What I heard was unique! Something new. And: Ingeborg Schober told us
all on the radios what she played. 'This was a short excerpt from the
new live double lp by Tangerine Dream. The track is called MONOLIGHT'!
Rest is history (the run began).
So, it was the 'fault' of Ingeborg Schober why I'm a dreamaholic since
'77. Thank you Ingeborg whereever you are!
Rainer
rainer@k...
---------------------------------------------------------------------
Ingeborg's fault: www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From:
tweibre361@a...
Date: Sun Mar 26, 2000 1:56
pm
Subject: Re: [tadream] Digest Number 436
In a message dated 3/26/00 3:25:32 AM Eastern Standard Time,
tadream@o... writes:
<< LOL, Tom you absolutely crack me up. You ought to tell some of the newer
members here about some of your experiences. I recall a couple of them had
me
rolling under my chair. Good to see you on the list again. 8-) Dell
>>
they are not technically 'experiences'...more like memorex (or tdk or maxell)
moments...
tom w
np: some damn live TD
From:
'Darrin Ballman'
Date: Sun Mar 26, 2000 3:21
pm
Subject: re: first contact
Being new to the list, here goes:
I was probably one of many that was first exposed to TD through seeing Risky
Business. I was introduced to Jarre a couple years earlier, and naturally some
of the TD music caught my ear. I saw Tangerine Dream on the credits and figured
I'd buy something of theirs, and check them out. So I did the only logical
thing you could do get an overview, and so I bought the 70-80 box set as my
first purchase!! Been addicted ever since - no desire for rehab....Fortunate
enough to see them in LA, 86- Universal Amp. and 88 - at the Wiltern and Irvine
Meadows. Re: some other threads...
Taping - Personally I ascribe to the Grateful Dead model, wide open, free
exchange, forget paying $20 for a crappy bootleg when you can get it for
free...and support the band you love so much by purchasing what they release,
small price to pay for a life time of good times
Listening to: TD, Grateful Dead, Jorma Kaukonen/Hot Tuna, Clannad, Phil Keaggy,
Sarah McLachlan, Capercaille, David Lanz, Michelle Nordeman, Concrete Blonde,
Strawbs
-Darrin
drballman@q...
[Non-text portions of this message have been removed]
From:
'Jeffrey Au Yeung' <220Volt@i...>
Date: Sun Mar 26, 2000 4:12
pm
Subject: Off-topic: The Orb
Hi all
The Orb will play a concert here in Hong Kong on April's Fool (10pm to 4am).
Anybody has any experience with their gigs? Any comment/opinion?
Jeffrey
[Non-text portions of this message have been removed]
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From:
Scribe1964@a...
Date: Sun Mar 26, 2000 4:14
pm
Subject: Re: [tadream] re: first contact
I think this is a great topic. My first exposure was the movie 'Sorcerer.'
I stayed up late one night to watch it on HBO. I think this was in 1980 or
so. I loved the movie, but the music was a revelation. Of course, no one I
knew had heard of this band (I'm sure that's a common thing!). But that
added to the exciting feeling that I was discovering something new. Not long
after that, I saw 'Thief,' then bought the soundtrack to that film. And
about twenty years later, I'm sitting here waiting for Soundmill Navigator!!!
Scribe
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Re: re: first contact
Sean Montgomery
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craig.cordrey@g...
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3/28/2000
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re: first contact
Patrik .
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From:
'Paul Fellows'
Date: Sun Mar 26, 2000 4:45
pm
Subject: [tadream] Chia Maroon
Hi all,
Can anyone out there who has the 'Dream Dice' box set please confirm if the
extra track 'Chia Maroon' is on the version of 'Oasis' included in this box
set.
Thanks
Paul
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Re: Chia Maroon
Michael A Jean
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Steven Feldman
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quarlie@a...
Mon
3/27/2000
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From:
PENFOLD
Date: Sun Mar 26, 2000 7:13
pm
Subject: Re: [tadream] Other music...
my €0.02
Devo
Beatles
Queen
ELO
Pink Floyd
Walter/Wendy Carlos
Einsturzende Neubauten
P.D.Q. Bach
Jean-Michel Jarre
& of course TD
Pete Isaacson
DJ DreamHead
mailto:penfold@a...
Saw copy of _The Keep_ LP, held it in his hands, but didn't have the $
'We throw each piece of equipment three times out of the third floor of
our studio complex. If it's still functioning properly, we'll take it on the
road. If not, we send it back to Tokyo!...' -- Edgar Froese, on the way
Tangerine Dream decides on which instruments to take on the road. From an
interview in _Keyboard_ magazine.
[Non-text portions of this message have been removed]
From:
'Michael A Jean'
Date: Sun Mar 26, 2000 7:54
pm
Subject: RE: [tadream] Chia Maroon
I don't have the DD box, but I am pretty sure it only appears on the US
release...
MJ
> -----Original Message-----
> From: Paul Fellows [mailto:pfellows@c...]
> Sent: Sunday, March 26, 2000 10:45 AM
> To: tadream@o...
> Subject: [tadream] Chia Maroon
>
>
> From: 'Paul Fellows'
>
> Hi all,
>
> Can anyone out there who has the 'Dream Dice' box set please
> confirm if the
> extra track 'Chia Maroon' is on the version of 'Oasis' included
> in this box
> set.
>
> Thanks
>
> Paul
>
> ------------------------------------------------------------------------
> GET A NEXTCARD VISA, in 30 seconds! Get rates as low as 0.0%
> Intro or 9.9% Fixed APR and no hidden fees. Apply NOW!
> http://click.egroups.com/1/937/3/_/24785/_/954089099/
> ------------------------------------------------------------------------
>
>
> PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
> To unsubscribe: mailto:tadream-unsubscribe@o...
> Website: http://www.tadream.net
>
>
>
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Steven Feldman
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From:
'twosheds'
Date: Sun Mar 26, 2000 8:28
pm
Subject: Re: First contact
>Looks like some people enjoyed exchanging details of 'other music'. Can I
suggest another thread? >Chances are it's been done before, but I am newer
to the list than some, so here goes. What was your first >contact with TD
/ the music?
Good thread! I first _heard_ of them in '77 when they came to Cleveland for
the first time. Unfortunately, I was only 10. They had a funny name, so I
remembered them. Then a friend of mine rented The Soldier around fall of 83
or so. He said it had really cool music and he wanted me to check it out. I
saw the name 'Tangerine Dream' in the credits and said 'Yeah! I've heard of
them.' We went up to the head shop/record store at the mall and I got
Phaedra on vinyl and was hooked. Soon after, we found Hyperborea in the same
store, flipped it over, and saw it was recorded in August '83, which was
mere months earlier. We both exclaimed 'August '83?!?!' and bought it.
Scott
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horrod6
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Chris Richards
Sat
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6 KB
From:
'Feldon Feldon'
Date: Sun Mar 26, 2000 9:43
pm
Subject: Re: [tadream] re: first contact
My first TD experience was the movie Miracle Mile. I was 14 then and didn't
know much about music, so other than knowing the soundtrack was by TD, I
didn't do much with that knowledge until I was 17 and found someone with a
tape of the soundtrack. My next exposure was Turn of the Tides, which at the
time, I really liked (it's still a *decent* album) and that, along with 220
Volt and Rockoon helped me through some tough times. Then I got shocked by
Electronic Meditation. I didn't touch anything pre-1985 for a while because
of that.
I wandered back in time, grabbing Logos and instantly falling in love,
likewise with Phaedra, Poland 2CD, and Force Majeure. Tangram and Encore
took me more than one listen to get into, as did White Eagle. Rubycon and
Ricochet didn't come until later and I think they're great. Most of my CDs
disappeared shortly after this. (I had them in one of those Case Logic cases
and I don't know where it went, probably stolen). Then my car stereo was
stolen and of course, an original of Ratikon was inside it, after my having
only heard half of it. And my CD changer walked away with an original of
Tangerine Ambience II in it (this is the only missing disc I have yet to
replace). Suffice it to say, I keep most of my Tangerine Dream in mp3 form
and keep several copies of everything safe. I did end up going out and
re-buying a fair amount of my collection, including that interesting 'Disky'
compilation of Phaedra. I've owned 2-3 copies of Logos and Dream Mixes I
too.
Anyways, that about wraps it up, I guess. I did run out and get the Private
Music of TD compilation, as well as several other 1988-1999 albums but have
been mostly disappointed, and after seeing their musical genius pre-1987, my
love for their post-1987 stuff has slipped. Tragic, I know. Other than 220
Volt, Flashflood and Waterbourne from Oasis, Firetongues from Turn of the
Tides, the remixed tracks on Dream Mixes I, the last track on Dream Mixes I
import disc 2 (this also walked away with the CD changer... DAMN IT!), some
of Timesquare, and some of Mars Polaris, I pretty much fit into the
1974-1987 obsessives category who think TD permanently downshifted after
Livemiles was released.
-Morgan
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
'Lawry Simm'
Date: Sun Mar 26, 2000 9:21
pm
Subject: Discussion Week 28 - Sunday 26th March 2000
This week brings us to the 'controversial' studio album TYGER.
Please make your subject read 'D:Studio [Tyger]' when posting comments
or reviews.
Regards
Lawry Simm
PS - sorry that this reminder is a little late... just been to the 7th
Alfa Centauri festival in the Netherlands. Subscribe to
beyond_em@o... if you want to read my report!
lawrysimm@u...
ICQ # 23267226
Instant Messenger - lawrysimm
From:
quarlie@a...
Date: Mon Mar 27, 2000 3:01
am
Subject: Re: [tadream] Chia Maroon
In a message dated 3/26/00 11:45:35 AM, 'Paul Fellows'
writes:
>Can anyone out there who has the 'Dream Dice' box set please confirm if
>the extra track 'Chia Maroon' is on the version of 'Oasis' included in this
>box set.
Yes, the bonus track is included.
--Daniel
NP: Massive Attack--Mezzanine
From:
'David Foster'
Date: Mon Mar 27, 2000 5:25
am
Subject: Re: [tadream] Off-topic: The Orb
----- Original Message -----
From: Jeffrey Au Yeung <220Volt@i...>
To:
Sent: Sunday, March 26, 2000 5:12 PM
Subject: [tadream] Off-topic: The Orb
> From: 'Jeffrey Au Yeung' <220Volt@i...>
>
> Hi all
>
> The Orb will play a concert here in Hong Kong on April's Fool (10pm to
4am). Anybody has any experience with their gigs? Any comment/opinion?
>
> Jeffrey
>
Dear Jeffrey
My experience of seeing The Orb, last time they played Liverpool was that
they had a load os support acts, they came on stage with little announcement
and played a mixture of old nd new like TD do with new gaps in between.
The light show / stage set was more original than the average band. The
sound is loud.
At that gig I was offered Ecstasy by a fan. Which caused my mates much
amusement, considering I am a lawyer/attorney! And no, I didn't accept,
before anyone asks.
David
fozdg@d...
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Re: Off-topic: The Orb
Jeffrey Au Yeung
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6 KB
From:
Chris Richards
Date: Mon Mar 27, 2000 9:06
am
Subject: Re: [tadream] Digest Number 437
<>
Actually, you're completely wrong. Having
recently spent a great deal of time in the last
couple years on the classical boards on both AOL
and Prodigy (in both it's Internet and now
defunct Classic guises), and have found that
there are people who, just as you or may I
differentiate between different guitarists or
synthesists, there are those who have have
favorite conductors, composers, and musicians in
the classical field. If you say, for instance,
the Cleveland Orchestra is performing Bartok's
Violin Concerto this Sunday, with Pierre Boulez
conducting and Itzhak Pearlman will be the
soloists, the audience will break down in several
categories:
1. Those who go to see the orchestra once a week,
regardless of what's on the program.
2. Those who are going, because they are Bartok
afficiandos.
3. Those who are Boulez afficiandos, and
therefore attend any Cleveland Orchestra
performance (or whichever orchestra they are able
to attend) when he appears.
4. Those who are Pearlman afficiandos, and
therefore there to hear Mr. Pearlman play.
And of course, there is overlap in all of those
areas. If you go to a classical board online, and
say 'What is the best recording of the Mahler
symphonies', you will get a dozen or more
answers, each one as often as not, completely
different. And you frequently get answers such
as:
'Well, for the first symphony, I'd go with the 57
recording of Bernstein conducting the NY Phil,
while the second one I like Boulez conducting the
Chicago Symphony from 78, etc'.
To say the performers involved in a classical
performance are immaterial, therefore, would be
rather incorrect. Maybe I personally can't
distinguish the subtle differences between a
piano piece with Sviastlav Richter a the soloist
or the same piece performed by Glenn Gould, but
there are those who do and are frequently very
specific about the issue.
NP: Miles Davis 'Country Son' (Miles In The Sky)
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
__________________________________________________
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Re: Digest Number 437
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From:
Chris Richards
Date: Mon Mar 27, 2000 9:17
am
Subject: Re: Off Topic: The Orb Live
<>
I 'saw' them a couple years ago and was very
disappointed. For one thing, there were numerous
DJ's on the bill, with The Orb as the headliners.
Each DJ would come on, do his/her set, and as
they left the stage, their gear was carried off
as a new artist (or whatever you wanna call em)
came on and took over, with no announcement as to
who was who or exactly WHEN The Orb was coming
on, or anything.
The only indication that The Orb's set had
actually begun was when someone stepped into the
space ship at the center of the stage and films
appeared on the sides of the ship (actually, it
was one film, shown on four different screens at
once). Eventually, 'they' hit on familiar themes
(like Blue Room) that I recognised, but never
once was I ever sure that I was actually hearing
live music. For all I know, Alex Patterson (who
basically IS The Orb, everyone else being
whichever collaborators he chooses to work with
at any given moment) wasn't even in the building
(or indeed, he could have not even had bothered
travelling to the US for this trip) as the
performance took place. At the very least, a
great deal of sequencing was being used virtually
all the time.
Also, they had these lights that moved around,
and no matter where you stood in the audience,
the lights would managed to hit you square in the
eyes every 10 seconds. Overall, I found it a
rather unenjoyable performance. Maybe I was just
expecting too much of the conventional concert
thing (ya know, actual live musicians).
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
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From:
TomX01@a...
Date: Mon Mar 27, 2000 10:27
am
Subject: Re: [tadream] 'Ripping Off'
I watched thief last night and I couldnt help but notice the similarity
between the music over the last scene and Pink Floyds Comfortably Numb. Its
easy to accuse TD of ripping off over artists, but at the end of the day the
Director probably says 'Hey, do something like this' ... so they do. Thats
their job.
best regards
Tom (Melrose)
From:
'Christopher Lomas'
Date: Mon Mar 27, 2000 11:38
am
Subject: Re: [tadream] Re: Other music
>As far as the initial entries are concerned, I was a folkie long before I
>was introduced to EM. In my defence, there is at least one other Fairport
>Convention freak on this list (at the time of writing) ...
Make that two. I too was a bit of a folky before TD wove their magic (it was
seeing The Keep that did it for me), and I still make the annual pilgrimage
to Cropredy.
As for other stuff that I listen to - if anybody's remotely interested
Lots of prog rock:
IQ
Yes
Genesis
Van der Graf Generator
Flower Kings
Spocks Beard
Rush
Timothy Pure etc etc
Folky stuff:
Fairport
Mr Richard Thompson
Clannad
Small dismembered bits of jazz
Some classical - Vaughan Williams & Holst particularly
Even some pop if I'm feeling very open minded!
And, of course an ever growing range of EM:
Schulze
RMI
Arcane
Air Sculpture
JMJ
Neuronium etc
And, of course, my other fave band Jethro Tull
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From:
tweibre361@a...
Date: Mon Mar 27, 2000 12:17
pm
Subject: Re: [tadream] Digest Number 437
In a message dated 3/27/00 3:30:49 AM Eastern Standard Time,
tadream@o... writes:
<< The Orb will play a concert here in Hong Kong on April's Fool (10pm to
4am). Anybody has any experience with their gigs? Any comment/opinion? >>
tape it....
tom w
np: orb ny 97
From:
'Thomas'
Date: Mon Mar 27, 2000 12:34
pm
Subject: SV: [tadream] 'Ripping Off'
> From: TomX01@a...
>
>
> I watched thief last night and I couldnt help but notice the similarity
> between the music over the last scene and Pink Floyds Comfortably Numb.
Its
> easy to accuse TD of ripping off over artists, but at the end of the day
the
> Director probably says 'Hey, do something like this' ... so they do.
Thats
> their job.
>
> best regards
>
> Tom (Melrose)
Are you referring to the guitar based rock instrumental track? If so you'll
have to blaim a guy named Craig Safan, because he's the one who wrote it.
Can't really think of anything else on that record that sounds like
'Comfortably Numb'.
This track was btw only available on the US LP on the Elektra label.
Thomas
Helsingborg, Sweden
From:
'teiwaz _'
Date: Mon Mar 27, 2000 1:18
pm
Subject: a tour by a Pink Floyd tribute
>a tour by a Pink Floyd tribute
band would fill giant sport stadiums the world over. After all, if
it's just about the music, why should Gilmour, Mason and Wright need
to be there? Any guitarist, drummer and keyboarder would do.
Egads, I guess that's why I'm going to see Roger Water's Band.
--twz
np Roger Waters Quebec 1987
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From:
'teiwaz _'
Date: Mon Mar 27, 2000 1:36
pm
Subject: RE: 'Ripping Off'
Lemme get this straight. So if Tangerine Dream sounds like JMJ then it's
'borrowing', but if it sounds like Steve Reich (a modern classical
composer), then it's 'Ripping Off'? Or is it that Music for 18 Musicians
borrows from Gamelan?...
--teiwaz (confused and looking forward to seeing Music for 18
Musicians live with Steve Reich and the SF symphony)
np The Orb--Little Fluffy Clouds
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From:
'Patrick L'
Date: Mon Mar 27, 2000 2:48
pm
Subject: Ripping off
Hi there,
To me the interesting thing is all those TD rip-offs by TD!
'Where have I heard this before? Wait a minute, isn´t this
from....Optical Race...no it must be Underwater Sunlight?' Do you
know what I mean? But you never really get it. The Dream is always
the same. Variation on themes...
Maybe this is what Tangerine Dream is all about?
Patrik, Stockholm, Sweden
From:
aslanfan1@a...
Date: Mon Mar 27, 2000 3:15
pm
Subject: Tyger
The great half album. The instrumental tracks are great, but the ones with
vocals are less than I expected after the excellent Underwater Sunlight. I
like what Paul Haslinger brought to TD, and Alchemy of the Heart is
wonderful. But London and Tyger are really mediocre. TD does not have good
success merging vocals with their music, in my opinion.
IF anyone has heard both versions of Tyger, there is a clear winner. The
re-release version drums sounded terrible. And if I recall, when I bought the
record, there was one more track on the album than listed on the jacket.
Overall, it's just a fair album, but Alchemy of the Heart makes the CD worth
the price of admission alone. Still, after Underwater Sunlight's remarkable
beauty, this CD was always a letdown for me.
-Alan Cox
From:
tweibre361@a...
Date: Mon Mar 27, 2000 3:37
pm
Subject: Re: [tadream] Digest Number 437
In a message dated 3/27/00 03:30:49 Eastern Standard Time,
tadream@o... writes:
<< The Orb will play a concert here in Hong Kong on April's Fool (10pm to
4am). Anybody has any experience with their gigs? Any comment/opinion? >>
tape it!
tom w
np: the orb in nyc 97
From:
'joe shoults'
Date: Mon Mar 27, 2000 3:53
pm
Subject: tadream admin message: bouncing e-mails
hey folks-
tadream subscribers are automatically placed into the 'bouncing' status
after three consecutive days of undeliverable email. onelist/eGroups stops
attempting to deliver messages to these members after three days of bouncing
messages.
If any of the addresses below are an alternate/old address for you, or if
you know to whom they belong, please let me know:
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joe
From:
Sean Montgomery
Date: Mon Mar 27, 2000 5:36
pm
Subject: Re: [tadream] Off-topic: The Orb
> The Orb will play a concert here in Hong Kong on April's Fool (10pm to 4am).
Anybody
> has any experience with their gigs? Any comment/opinion?
I saw them play on a double bill with the Chemical Brothers about four
years ago, and quite enjoyed it. They emphasized the more danceable side
of their music, which was appropriate given that they were playing in
large dance clubs. The light show and projected visuals were nice eye
candy. The only complaint I had is that they would get great head-bobbing
grooves going and then abandon them too soon...not unlike recent TD,
actually! I'd recommend going though...especially since this show will be
a long one. It's bound to be more ambient and spacey. Hopefully Mr.
Patterson won't be *totally* stoned.
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
From:
'Lawry Simm'
Date: Mon Mar 27, 2000 5:54
pm
Subject: Alfa Centauri 7 Report.
By request, I'm sending this to Tadream... slightly off topic I
suppose, but no worse than some of the stuff lately. You may see pics
(and put some names to some faces you may be familiar with if you
visit www.thisolehouse.freeserve.co.uk/alfa7 but beware that the whole
page loads and is just under 1MB.
Regards,
Lawry
----------------------------
Well, I'm back from Amsterdam, and as ever, a good time was had by
all. Well, by me at least.
For those not in the know (where have you been?) the concert was
supposed to feature Mind~Flux, Pyramid Peak, Radio Massacre
International, Robert Rich, Patrick Kosmos and Wave World. I say
'supposed to' because Mind~Flux did not actually turn up.
So, instead of doing 3 mini sets upstairs, Pyramid Peak took
Mind~Flux's place as the opening act on the main stage downstairs. I
must say that I found their set rather boring. The highlight was when
they were joined on stage by Cosmic Kaufmann for one track. This was
easily the best of the set, but not at all difficult. Although the
music was ok, I found the lack of sound dynamics quite disappointing.
They used pretty much the same synth sounds and the same key
throughout (well, it seemed that way). After about 20 minutes they
actually changed key, but to my ears, it was completely the _wrong_
key to change to. It did absolutely nothing for the music.
Next up were RMI. Of course, I only saw them 2 weeks ago at JB and got
a pleasant surprise, so I was looking forward to their set. It was
pretty much the same as JB, except that they were much more 'showbiz',
Steve doing his best to look like a Zebra in his natty 70's look black
and white coat. I did however notice that this set was not quite so
crisp as it was at JB. On one or two occasions they had far too much
going on at one time, and the sounds turned into a jumbled mess.
Still, well worth sitting through. Even Jens nearly managed to make it
the whole way through! :-)
Robert Rich was next. Talk about boring. Well, actually, no - I won't.
Only to say that I personally found this to be utter s***e. Well, what
I heard anyway. I fell asleep after 10 minutes, woke up again after
another 20, and promptly extricated myself from the crowd and headed
off to find the rest of our 'crew', 2 of which only managed to listen
to 5 seconds worth of RR!
Next was probably the highlight for me. The socialising aspect! This
year 7 of us made it to the Chinese restaurant. Myself, Jens, Marcel,
Otso, Jari, Tom, and Tom's friend Geert.
It was a good laugh, degenerating at times to a 'take the piss out of
each other's language' session. The food was good. Which was nice.
(Photos to be uploaded later - need to charge up my camera before I
can offload the pics). I think the best bit about these events is
getting to interact with people in real time. I also got to meet Ruud
(hi! :-) for the first time. Not at all how I thought he looked! :-)
And hi to the other people I also met.....
Back to the theatre then, for the Patrick Kosmos concert. Again I had
never heard any of this guys stuff, and having never seen him I must
admit that when I entered the concert hall (15 minutes late) I thought
the guy had no legs. It turns out that he was just sitting on the
floor with his synths around him.... strange chap. He seemed a
thoroughly nice bloke though. Chatted and interacted well with the
audience. Unfortunately, his music, though enjoyable in parts, was not
really my cup of tea. Still glad to have seen/heard him though.
Finally was Wave World. F**k me rigid - what a spectacle. This seemed
more about the 'performance' than the music. The guys came on stage in
huge brown hooded cloaks, like giant Jawa. They were jabbering in some
alien language (their set being billed as a journey to an alien world
via music and graphics). The video projection behind them was at
times stunning. I found their presentation wholly unique. They stayed
in character throughout the concert (the hoods came off eventually to
reveal heavily made up 'alien' heads). The music was very ambient /
space oriented, so again was not my cup of tea, but the visuals held
the interest enough for me to stay - at least until I hat to leave to
get the train. Overall, these guys were the more 'professional' and
certainly an experience.
My only purchases were the two Arcane CD's, (listening to the first
one now, and this _is_ my cup of tea. In fact it is ace. So there.
Last point of note was bumping into Paul Nagle in the streets of
Amsterdam on this morning... he never made it to the festival
(surprise) and in fact seemed a bit surprised that it was Sunday
already! :-) Would that be about right Paul? I'm not quite sure
whose tree Paul was in this morning, but it sure wasn't his! :-)
Well, that's all for now. Photo upload later.....
Lawry
lawrysimm@u...
ICQ # 23267226
Instant Messenger - lawrysimm
From:
Rainer Rutka
Date: Mon Mar 27, 2000 5:59
pm
Subject: Re: [tadream] Voices / Solar Eclipse
On Fri, 24 Mar 2000, Richard Ford wrote:
> From: Richard Ford
Hi Richard!
Just wanted to send the CD.
Unfortunately you didn't posted your postal address in your last
emails. So I can't send it ;-(
Please! I need your address!
have fun....
Rainer
---------------------------------------------------------------------
www.rutka.de/td
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From:
Sean Montgomery
Date: Mon Mar 27, 2000 6:33
pm
Subject: Re: [tadream] re: first contact
> I think this is a great topic. My first exposure was the movie 'Sorcerer.'
> I stayed up late one night to watch it on HBO.
This reminds me...I saw Sorcerer on T.V. last week for the first time, and
was surprised at how well the music actually fit the film. The flutey
mellotron parts actually sound a bit like the mouth pipes used in South
American music. I'd never thought of this until I heard it together with
images of the rainforest.
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
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Re: re: first contact
craig.cordrey@g...
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3 KB
From:
'Miguel Farah F.'
Date: Mon Mar 27, 2000 6:49
pm
Subject: Re: Do we all like the same music?
Here's my favorite music, in no particular order:
Rush
Genesis - Steve Hackett
King Crimson
Gentle Giant
Tangerine Dream
Dream Theater
ELP
Camel
Spock's Beard
Which Tangerine Dream period is my favorite should be perfectly obvious.
--
MIGUEL FARAH // miguel@w...
#include // http://www.webhost.cl/~miguel
<*>
'Trust me - I know what I'm doing.'
- Sledge Hammer
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Re: Do we all like the same music?
jjoy
Wed
3/29/2000
3 KB
From:
'Tin'
Date: Mon Mar 27, 2000 10:00
pm
Subject: R: [tadream] Off-topic: The Orb
Hi Jeffrey i'm Marco from Italy...My girlfriend have bought Electronic orgy
and Prayer of.... by you...
I saw the Orb concert in Milano in 1996-97 , i don't very impresed
me!!!They didn't play never instruments( i don't saw some instruments
controlled by computer and few mixers) the music was very miscellaneous of
Orb repertoir!!!!20$ was the tickets!!!!!
If you are very fans of them!!!
-----Messaggio originale-----
Da: Jeffrey Au Yeung <220Volt@i...>
A: tadream@o...
Data: domenica 26 marzo 2000 18.09
Oggetto: [tadream] Off-topic: The Orb
>From: 'Jeffrey Au Yeung' <220Volt@i...>
>
>Hi all
>
>The Orb will play a concert here in Hong Kong on April's Fool (10pm to
4am). Anybody has any experience with their gigs? Any comment/opinion?
>
>Jeffrey
>
>
>[Non-text portions of this message have been removed]
>
>
>------------------------------------------------------------------------
>Free Cool Black Virgin T-shirt with ANY order at virginmega.com!
>http://click.egroups.com/1/2625/3/_/24785/_/954086961/
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>
>
>PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
>To unsubscribe: mailto:tadream-unsubscribe@o...
>Website: http://www.tadream.net
>
>
From:
'Jeffrey Au Yeung' <220Volt@i...>
Date: Mon Mar 27, 2000 11:59
pm
Subject: Re: [tadream] Off-topic: The Orb + Air
Thanks David, Chris, Sean (Hi!!), Tin (Hello!) for the comments. I probably
will see them this weekend. The flyer I have showed them as 2 guys plus guests
so it might be the same situation like Chris described. Anyway, I hope this
will turn out a surprise.
BTW I noticed Air has a soundtrack album out. Forgot the title but reads
something like 'Woman Suicides' (?). Any comment on that too? Sean? Conrad? 8-)
Jeffrey
Few minutes before another trip to China
----- Original Message -----
From: Sean Montgomery
To: tadream@o...
Sent: Tuesday, March 28, 2000 1:36 AM
Subject: Re: [tadream] Off-topic: The Orb
From: Sean Montgomery
> The Orb will play a concert here in Hong Kong on April's Fool (10pm to
4am). Anybody
> has any experience with their gigs? Any comment/opinion?
I saw them play on a double bill with the Chemical Brothers about four
years ago, and quite enjoyed it. They emphasized the more danceable side
of their music, which was appropriate given that they were playing in
large dance clubs. The light show and projected visuals were nice eye
candy. The only complaint I had is that they would get great head-bobbing
grooves going and then abandon them too soon...not unlike recent TD,
actually! I'd recommend going though...especially since this show will be
a long one. It's bound to be more ambient and spacey. Hopefully Mr.
Patterson won't be *totally* stoned.
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
------------------------------------------------------------------------------
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[Non-text portions of this message have been removed]
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Re: Off-topic: The Orb + Air
Sean Montgomery
Tue
3/28/2000
2 KB
From:
Sean Montgomery
Date: Mon Mar 27, 2000 11:52
pm
Subject: Re: [tadream] Off-topic: The Orb + Air
> BTW I noticed Air has a soundtrack album out. Forgot the title but reads
something
> like 'Woman Suicides' (?). Any comment on that too? Sean? Conrad? 8-)
That would be The Virgin Suicides. I haven't heard all of it; just the 6
or 7 mp3s I've downloaded. But what I've heard is pretty good. Very 70s,
in a Pink Floyd/10 CC kind of way. Not as immediately enagaging as Moon
Safari though.
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
From:
Steven Feldman
Date: Tue Mar 28, 2000 4:21
am
Subject: RE: [tadream] Chia Maroon
On Sun, 26 Mar 2000 13:54:59 -0600 Michael A Jean said:
>From: 'Michael A Jean'
>
>I don't have the DD box, but I am pretty sure it only appears on the US
>release...
That's what *I* thought, too, until I got a TDI copy with 'Chia
Maroon' on it (TDI CD009).
-- Steven Feldman
From:
craig.cordrey@g...
Date: Tue Mar 28, 2000 8:24
am
Subject: Re: [tadream] re: first contact
>> I think this is a great topic. My first exposure was the movie 'Sorcerer.'
>> I stayed up late one night to watch it on HBO.
My postman delivered a 'package' to me at the weekend (Thanks again, you) and
had been told by a mutaul friend that I was into music. 'What kind?' he asked.
'Electronic music' I replied. He looked a little baffled. 'Oh no, I like blues
just now' he says. 'Tangerine Dream', I explain. Suddenly the light goes on.
'Oh, I love Rubycon' he says, 'one of my favourite albums ever.' Then he
continues, 'And the film with the lorry going through the jungle, with the
dynamite in the back, and the bridge'. 'Sorceror' I tell him. 'Right, yeah,
that's great too'.
Another one of the 'they're still around?!?!?!' brigade.
--------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
crjc@t...
Senior Systems Engineer
Tel : +44 (0) 1383 828187
Alenia Marconi Systems, Integrated Systems Division
Donibristle, Fife, Scotland
--------------------------------------------------------------
From:
Rainer Rutka
Date: Tue Mar 28, 2000 10:23
am
Subject: Solar Eclipse sended. Last copies available.
Hi!
Sorry, but I posted this to the mailing list, because it's
simple and faster.
I posted the first bulk of the Solar Eclipse CDs today to everybody
who did a 'reservation' and posted their addresses (most of the guys
didn't!). All in all 16 packages and 150 DM for the damm. post!
Be carefull: The amount on the german stamps are in Pfennig (these are
the german cents) not in DM! So, '500' means 5 DM = $ 2.50
and _not_ 500 DM ($250). The german post is expensise but not this way.
I have 6 more reservations. Unfortunately without the postal addresses.
Only Email. (Is this so complicate?) If I didn't get the address until
end of the week I sell (or trade) these CD, too.
And: I have some more (but not much!!!) CD available!
This is your last chance to get it. If it's gone - it's gone.
The price is $8 for the disk and the package. Plus the postage.
The postage is different. To the U.S. I'm paying between
10 DM ($5) and 16 DM ($8) if I send it by airmail. Sometimes the
postage is more expensive as the disk ;-(
That means: One disk to the US will cost approx. $16 or less!
And don't make money with this. It's just the price I payed!
See: www.rutka.de/td -> NEW -> Solar Ecliplse
Rainer
AND PLEASE: Send me your address if you want a disk. It helps me.
---------------------------------------------------------------------
Rainer Rutka E-Mail : rainer@k...
Griesseggstrasse 27 D
Telefon : +49 (0)7531 29842
D-78462 Konstanz Fax : +49 (0)7531 29879
Germany/Deutschland
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From:
Nigbur D
Date: Tue Mar 28, 2000 12:27
pm
Subject: RE: [tadream] OT: Other music
Since everyone's spilling the beans here...
My favourite artists, as they are at the moment and have been for a while.
Tangerine Dream
Jethro Tull
Tori Amos
They Might Be Giants
Chris Franke
Klaus Schulze
Julian Cope
Frank Black
Jean Michel Jarre
Anne Clark
(roughly in order, averaging over albums)
I'm also quite fond of 1980s electro-pop music and the slightly more
mainstream proponents of punk rock. And, contrary to some contemporaries,
I'm not finding the current pop music scene too bleak at all.
But let's get back to on-topic subjects...
Dennis
From:
'Patrik .'
Date: Tue Mar 28, 2000 8:12
pm
Subject: [tadream] re: first contact
My first encounter with Tangerine Dream was springtime in 1979.
A friend of mine played Coldwater Canyon. And he played it really loud!! I
believe the guitar is being wired through a vocoder and/or a talkbox. I´ve
never ever heard a sound like this before...
So from there on I started the Dream journey.
Patrik, Stockholm, Sweden
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From:
'Szatmari, Pal'
Date: Fri Jul 28, 2000 12:02
pm
Subject: D: Studio Tyger
Although I prefer the non-vocal TD albums, I have nothing against Tyger. I
think Jocelyn did a great job in interpreting the Blake poems. Her voice is
unique and she uses it appropriately. Some of the fans who detest this album
may reject the very idea of TD 'songs' (I wonder when we will hear Edgar or
Jerome belt out a REAL TD song i.e. when they DON'T hire a singer hehehe).
These fans may argue that lyrics distract their attention, which can be
true, but in the case of TD the few lyrics they sometimes use are important:
they are supposed to distract you in a way. TD lyrics are not like 'What am
I supposed to do? Sit around and wait for you? Well, I can't do
that...there's no turning back' :)), which is OK in a disco on a hot summer
night...
Let's get back to Tyger. It is not the vocals that bothers me, it is rather
the baroque harpsicord tunes (I think they are the results of Haslinger's
Viennese education). But they fit the time of the Blake poems I guess so it
is OK.
When I first heard Tyger, the track, it reminded me of ABBA especially the
repeated chorus at the end of the track. And I went 'COOL...' I am a great
ABBA fan :))
I have listened to Tyger so many times, I cannot talk about it objectively.
London is more interesting because it is more varied. Again, the vocals are
evocative, match the poems very well. It is the favourite track of a friend
of mine, who is also a video artist and usually listens to jazz or
alternative rock. I must add that I use the Tyger tracks in my work: I teach
English, and as part of the curriculum, I teach the students some poems, so
the album comes very handy because I can even play them to the students (I
wish TD would do a Poe album, too hehehe).
In my opinion the album is well rounded and has a certain balance between
vocal and instrumental parts; short and long tracks. I like the bonus tracks
on the CD too (the live version is even better on 20th Century Serenades).
Thanks to TD, I rediscovered Blake. We had studied Tyger in Literature back
in high school but I quickly forgot about the 'British rebel'. When TD came
out with Tyger, it made me read more and more of his poems and strange
prose. He was a real dreamer... :) As I have already pointed it out in an
earlier post, I think William Blake would be a TD fan if he lived in our
time (or he would have founded Tangerine Dream itself....Is Edgar a
reincarnation of WB??? - new thread hehehe).
n.p. nothing (Tyger has just finished)
p.s. Save the Siberian Tiger!!!
Pal
From:
horrod6
Date: Tue Mar 28, 2000 6:08
pm
Subject: Re: First contact
Another interesting thread! I'm going to do an Al Benson, and clip the
story from another e-mail, with a few modifications - so Frank, if you
think you've seen this before, you're right!
I was introduced to TD by a housemate in the mid-seventies. As far as I
can remember, he had Phaedra and Rubycon and one other. I was intrigued
by the covers, then grew to love the music, especially when stoned.
Unfortunately, the other two people in the house (his girlfriend and my
boyfriend) weren't so keen. When the various members of the household
went their different ways, I forgot all about TD (heresy!)
In the early eighties I separated from my first husband (the boyfriend
of the previous paragraph), and sort of started all over again as a
teenager, building a new record collection, dating, trying out new kinds
of food, changing my style of dressing and so on. There was a great
place near my new flat - a kind of 'head shop' selling books, unusual
clothes, ethnic jewelry, records and with a chess cafe upstairs. I lived
in the place - the people you met in the cafe were so interesting, and
they didn't mind if you sat for an hour
with a cup of tea and the newspaper. I found some TD amongst the records
they were selling, and remembered how much I'd enjoyed my friend's
records in the past, bought a few (the ones I knew), bought a few more
(Hyperborea was one of the earlier purchases, which came as a bit of a
surprise, being so different from the stuff I knew)... and here I am,
many years later, with a medium-sized but far from complete collection.
(I only buy one version of things - hell, it's the music that counts for
me, and I get them in record shops, so there's a limit to what's
obtainable.)
From:
'Todd Tornow'
Date: Tue Mar 28, 2000 8:19
pm
Subject: Okefenokee Swamp
Greetings:
I live about three hours from the Okefenokee and have been there two or
three times.
Some things I would like to point out before everyone goes there.
If you forget something and want to go to a convenience store to get it, you
are about one hour away from NOWHERE. So, make sure you have everything you
need with you, or else it is a long trip to Lake City, Florida, for a
toothbrush.
Also, in transit off the interstate to and from the swamp, remember that you
are traveling through rural south Georgia (and a bit of Florida if you are
approaching from the south). Obey the speed limits or else you will
understand what ‘Southern Justice’ means.
What are worse are the small shacks on the side of the road staffed by some
dudes with bad attitudes who enforce the hunting regulations. I have no
idea where they get some of these people or who they work for.
But on the way out of the area, if you have a truck (not a car), you MUST
stop so they can check under the ash tray for an illegal deer that you just
poached.
To deal with these individuals, it is ‘yes sir’, ‘no sir’, and ‘have a good
day sir’. Also, if they ask you what you are doing in the area, tell them
the straight truth. Remember above all, they do not have a sense of humor!
As expected, the dudes that work the late morning/afternoon shift are much
easier to deal with than the dudes that work the early AM hours before the
crack of dawn. Therefore, if it is 3 AM and it can wait for the morning
hours, I highly recommend that you delay your trip to Lake City till the
daytime.
I know they have one of these ‘check points’ on the way south to Lake City.
I approached the entrance from the east about ten years ago and did not run
into one of these ‘check points’ there. But, that was ten years ago. I
have no idea if they have these ‘storm troopers’ posted on the routs to the
swamp from the west or the north. I have never been in those two areas
relative to the swamp.
* * * The Swamp Itself * * *
You have to do something very stupid to get yourself hurt.
We have been in a drought for about three years now so the water level
should be low. But there probably will be a fire danger so be careful where
you drop that match after you light your cigarette.
The park rangers and tourist guides can tell you several stories of people
who took their cute little manicured poodles down to the boat landing to get
a close look at the alligator that frequented the dock area. Needless to
say, they became an easy meal for the 'gator. Therefore, if you are going
to bring ‘Fluffy’, you MUST keep it on a leash or else it will be digested
by the local mascot!
Surprisingly, the bugs were not that bad when we were there. Bring the bug
spray in spite of this observation.
Todd E. Tornow
Tallahassee, Florida
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
'Jordi J.'
Date: Tue Mar 28, 2000 11:26
pm
Subject: Mars Polaris 'error'
Hello!
The people of Dock (distribution of TDI in Spain) to have some copies of
'bad' versión of Mars Polaris. 5 songs are in 'Great Wall of China'.
The address is:
michael@d...
Error of part of cd´s of 'Mars Polaris'? I only to have this version. 11
songs and 60 minutes. The good versión is 71 min. and 10 songs. The
cover back list is 10 songs.
Is very strange!!
Grettings!
Jordi Jiménez
Barcelona-Spain
From:
'cinemafan'
Date: Wed Mar 29, 2000 2:23
am
Subject: Tyger, Tyger
Tyger Tyger burning bright..........
Smash
Smash
Crinkle
Snap.
Thank goodness they never went there again....
Snicker snicker. Sorry guys This just came up on the CD changer. I must remove
it now........
Chris
[Non-text portions of this message have been removed]
From:
'joe shoults'
Date: Wed Mar 29, 2000 12:38
am
Subject: D: Studio [tyger]
I actually don't own Tyger, but I have Book of Dreams, which has Alchemy of
the Heart,
London part 1 (The Dungeon Cry), London part 2 (Rotten Row Patriot), & Tyger
(Jungle Myster Song), comprising about 26 and 1/2 minutes. The first time I
heard it- and for a while afterwards- I had mixed feelings about this album.
I am not alone; Tyger has provoked a lot of discussion in the past. Most
people who like it now say they didn't at first, but it grew on them, as it
did me:
ALCHEMY (all instrumental)
When I first heard all of Alchemy, I said, 'OK, this is good...kinda a
progression out of Underwater Sunlight...in that same vein, and in
retrospect, still not hearing a huge Haslinger influence... I like it!'
LONDON PART 1 (vocals by Jocelyn Smith)
Then on London Part 1, at 1:00, there came this New York Artsy-Fartsy
sounding poetry reading stuff. It evoked in me associations with the kind
of people who are always pretentious, wear black all the time and think they
have this intellectual thing going that the rest of the world can't possibly
comprehend- and they're probably right, because I just didn't get it. I had
no idea about the Blake thing; it just sounded weird... I thought, 'OK...
different...it has it's moments'. But I probably wouldn't play it for
anybody else. The music was definitely TD, but this chick had to go...
LONDON PART 2
Then, London part 2, all instrumental, definitely solidified the conection
to Underwater Su8nlight with its instrumentation and overall feel. Edgar(?)
comes in for the short guitar(real or synth?) solo around 3:10, and as the
song ends, I think parts of this song would be great music for a movie.
TYGER
There's that chick again. But wait, this time, she's singing. Hmmm...
nice clear voice. not too pretentious this time. Bells in the background
are a nice compliment to her voice. Still, not knowing about Blake, these
lyrics were way too inaccessible to me. But wait! There's a little booklet
I hadn't read yet. Of course, it explained it, and having a browser handy,
I looked up Blake and learned a bit. OHHH, so it *IS* poetry! So this is
SUPPOSED to sound like this. Then I was impressed: they had adapted the
words to music quite well, allthings considered. ...And whaddya know- she's
from New York after all!
But before I had a real chance to acclimate myself to it, I lent it to a
friend, and didn't see it again for months. The thing is, I had the Tyger
lyrics running through my head all that time, so when I got it back, I was
actually eager to hear it! (this happens a lot, BTW)
I pop it in and listen all the way through about once every 6 weeks or so.
Joe
From:
LilDavid72@a...
Date: Wed Mar 29, 2000 12:40
am
Subject: Re: [tadream] tadream admin message: bouncing e-mails
Hello, Heathpow@a... was an e-mail address issued to me by a company I
no longer work for so I now have my own e-mail address. It is
LilDavid72@a... Thank you, Heath Powell/Overland Park, KS/USA
From:
'Greg'
Date: Wed Mar 29, 2000 5:09
am
Subject: [tadream] D: Studio [tyger]
TYGER
I consider Tyger one of Tangerine Dream's best albums. I usually like the
Virgin, and Millenium era albums, but this one is a true gem for the latter
half of the 80's. The instrumentation of the vocal tracks is just GREAT! I
am
a fan of Blake and I feel he was well ahead of his time judging by his
poetry
and art. Blake seemed to have a view that is now considered
anti-industrialist which also came out in some of his paintings. I think it
is interesting that TD comes across to me having a simmilar view.. just
consider
the previous two albums Underwater Sunlight and Le Parc! Both have a hint
the human and nature relationship. I even hear this on the genious that is
'Horizon.'
Even though this is all IMO and my interpretation, I still think it's valid,
and I still feel
Tyger is definately valid. I appreciate art on different levels.. some times
I'll
allow a message to be expressed at the expense of some techincal flaws. Some
times it just can't be helped! TD, unlike numerous electronic based bands,
has
showed an incredible human touch, as well as an ability to touch a much
broader
range of emotions. It is a rare moment for TD to release an album like
Tyger. I
welcome it wholely because it gives insight on everything else they have
done.
I'm surprised more women don't like Tangerine Dream; my ex loved Tyger, and
I
have an friend who is an artist who named her daughter Tangerine Jean.
Maybe I'll post a picture that my friend took of Tangerine Jean and me in
front of
my painting 'Tangerine' =)
Alchemy of the Heart is again a strike of gold... I love this track! It's a
good
seperation between London and Smile. The classical influence as well as the
sequencing is top notch. Did I mention that Tyger has some of the best
guitar
work? I can't believe so many people don't like this. The vocals are great..
Jocelyn did a pretty good job with the rough to sing peoms.
I think about this album.. then I think about the polar opposite..
Livemiles.
This album has a lot of human emotioal elements, lyrics, warmth, nature,
humanity. Livemiles is cold, purely technical, machine like, emotionless,
and persistant. But I love both albums!
Greg H.
NP: Crazy Taxi
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From:
jjoy
Date: Wed Mar 29, 2000 6:35
am
Subject: Re: Do we all like the same music?
I noticed that almost anyone mentioned certain progressive rock bands -
some, like, Yes, appeared in almost all lists. Not really surprising is
the fact that I like those bands too.
Here's my current favorite electronic-related music (besides TD!):
Vangelis, Orbital, FSOL, The Orb, Talvin Singh's 'OK', Ryuichi Sakamoto,
Franke, Schulze, Hoenig, Autechre, 808 State, Underworld, 'Run Lola Run'
soundtrack, Enigma, Aphex Twin, Tomita, Photek, In The Nursery, Chandeen.
My fave rock-related bands: Rush, Dream Theater, Midnight Oil, Lycia,
Pixies, Slowdive, New Model Army, Steve Howe, Mickey Hart's Planet Drum,
and a myriad of others.
My dearest classical: Stravinsky, Prokofiev, Mahler, Debussy, J.S.Bach's
organ works, Holst's 'Planets' and other loud and complex pieces... and
Philip Glass, if he belongs here, and John Williams' soundtracks.
I like jazz too, but it would be boring to mention all those well known
names. In that department I include Tom Jobim's bossa nova songs - true
classics of our time.
Recently I bought 'Goldbug' from Ben Neill, who makes a very competent
mixture of 'modern' trumpet (with mute and reverb effects) and
neck-breaking Drum'n'Bass. Sounds almost like Miles Davis remixed by
Photek...
James Joystick
NP - Orbital: The Middle of Nowhere
From:
Vic Rek
Date: Wed Mar 29, 2000 12:23
pm
Subject: SwampPack 11
To promote our upcoming Tangerine Dream fan Okefenokee Swamp event in 11
days,
I am offering one special package which I'll call:
SwampPack 11
This one-of-a-kind package will contain 11 items and will include:
1. Marakesh PROMO CD single with all inserts (only 600 made) - VERY RARE
2. Tang-go CD with promo booklet from TDI
3. Great Wall of China CD
4. In the Beginning - 6 LP Box set from UK (with neon cover)
5. Hyperborea - US SBM CD
6. Four back issues of Dream Collector (Number 15-18)
7. Melrose - US Private Music CD with Promo hole in barcode
8. Tournado Tour UK promo flyer + autographed photo from Valentine
Wheels package
9. Rockoon - US Miramar CD
10. CD-R(s) recorded at The Swamp Event + fan photos + special souvenirs
11. Stratosfear 7' single from Holland with beautiful picture sleeve
(promoting the album that gave us the track '3 AM at the Border of the
Marsh from Okefenokee').
This SwampPack 11 will help cover some of the costs of hosting the event
and will be a great gift for any Tangerine Dream collector.
The price for the SwampPack 11 is 29 Palms, where each Palm is worth
$10.
If more than one person is interested in this package, then I'll have a
lottery, whereby each request gets 'n' number of tickets based on how
many days before the event the request is received. For example, if you
send a request for the package today, you would get 11 tickets, if you
send it on April 9th, you will get one ticket.
This offet ends at 9am April 9th, Eastern Standard Time (GMT -5:00
hours)
Good luck!
Vic
From:
Heiko Heerssen
Date: Wed Mar 29, 2000 12:51
pm
Subject: Streethawk
Yesterday I received a copy of the 'Reflex' magazine from 1988 which
contained an interview with TD and - most important - the flexi single
of 'House of the rising sun'. There was a 3-page interview and at some
point Edgar said:
'To this day I don't know what Universal is doing with all those masses
of music'...'we are not allowed to release even a single out of the
Streethawk music....We know there is brilliant music here which has
never been released. A lot of chasing music. I remember we did some
experimental stuff with new ways of getting sequences together..'
Damn! Just imagine TD would bring out an album with all the best
stuff...but of course this will never happen :-(
Heiko
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Wed
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Fri
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TD / Miami Vice
Sean Montgomery
Fri
5/12/2000
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Streethawk
Paul Fellows
Sat
7/22/2000
2 KB
From:
craig.cordrey@g...
Date: Wed Mar 29, 2000 1:47
pm
Subject: Re: [tadream] Streethawk
>From: Heiko Heerssen
>
>Damn! Just imagine TD would bring out an album with all the best
>stuff...but of course this will never happen :-(
Remember, that was 15 years ago. Ed might not think it's 'great' now. He seems
a little more selective (as we all are) about the 'great things' of the past. I
rarely listen to those 'great' Duran Duran records any more. 8-)
NP : Klopzeichen - Kluster
--------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
crjc@t...
Senior Systems Engineer
Tel : +44 (0) 1383 828187
Alenia Marconi Systems, Integrated Systems Division
Donibristle, Fife, Scotland
--------------------------------------------------------------
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Sean Montgomery
Wed
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From:
'joe shoults'
Date: Wed Mar 29, 2000 2:38
pm
Subject: RE: [tadream] Streethawk
edgar has stated that he never listens to his past material (which certainly
explains how TD's style has evolved), and said that listening to them again
to do remixes is like torture.
> -----Original Message-----
> From: craig.cordrey@g...
...
> Remember, that was 15 years ago. Ed might not think it's
> 'great' now. He seems
> a little more selective (as we all are) about the 'great
> things' of the past. I
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Wed
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craig.cordrey@g...
Wed
3/29/2000
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Joel Mullen
Wed
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Patrik .
Wed
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From:
Heiko Heerssen
Date: Wed Mar 29, 2000 3:07
pm
Subject: Re: [tadream] Streethawk
craig.cordrey@g... wrote:
> Remember, that was 15 years ago. Ed might not think it's 'great' now. He seems
> a little more selective (as we all are) about the 'great things' of the past.
I
> rarely listen to those 'great' Duran Duran records any more. 8-)
With Edgar it's like an old ABC song: 'That was then, but this is now'...
But talking about the past: I just can't wait to listen to 'Soundmill
Navigator'. I
ordered it in advance and hope to find my copy lying on the doormat this evening
:-)
> NP : Klopzeichen - Kluster
I knew he had taste ;-)
Heiko
From:
Rudy Russo
Date: Wed Mar 29, 2000 3:04
pm
Subject: Re: [tadream] Streethawk
> From: craig.cordrey@g...
>
> I rarely listen to those 'great' Duran Duran
> records any more. 8-)
Hey, Craig, you shouldn't admit to things like
listening to Duran Duran. What's next, Bronski Beat
and Soft Cell? LOL!!!!!
Rude
__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com
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From:
Joel Mullen
Date: Wed Mar 29, 2000 3:18
pm
Subject: RE: [tadream] Streethawk
On Wednesday, March 29, 2000 9:04 AM, Rudy Russo [SMTP:rudy_russo@y...]
wrote:
> What's next, Bronski Beat
> and Soft Cell? LOL!!!!!
>
> Rude
@!%$#$!!!!! (Thanks alot)
NP (in my head) .....Tainted Love...... oohooh .... tainted love....
From:
'Patrik .'
Date: Wed Mar 29, 2000 8:28
pm
Subject: Re: [tadream] Streethawk
From: Heiko Heerssen
Damn! Just imagine TD would bring out an album with all the best
stuff...but of course this will never happen :-(
Streethawk and that was in 1985, a great year and Schmoelling is still with
them! I consider the Schmoelling years as incredibly important both in terms
of composition and technically speaking. Just remember how the drums evolved
from the Linn-type of sound (rather stiff and static) on Thief to the
dramatic arpeggios on Hyperborea and Poland! Yes I know, I´m living in the
past, can´t help it!
Patrik, Stockholm, Sweden
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
craig.cordrey@g...
Date: Wed Mar 29, 2000 4:38
pm
Subject: Re: [tadream] Streethawk
>From: Rudy Russo
>
>> From: craig.cordrey@g...
>>
>> I rarely listen to those 'great' Duran Duran
>> records any more. 8-)
>
>Hey, Craig, you shouldn't admit to things like
>listening to Duran Duran. What's next, Bronski Beat
>and Soft Cell? LOL!!!!!
Despite its dubious lyrics and sentiments (we won't go there again), I thought
Age of Consent by Bronski Beat was actually quite good (at the time). And I
still like Soft Cell's Non-Stop Erotic Cabaret when I occassionally play it. I
was a real New Romatic/Electro-Pop fan back then. Wish I'd been old enough to
try for a Midge Ure pencil-thin moustache and sideburns. Cool!!!!
--------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
crjc@t...
Senior Systems Engineer
Tel : +44 (0) 1383 828187
Alenia Marconi Systems, Integrated Systems Division
Donibristle, Fife, Scotland
--------------------------------------------------------------
From:
Sean Montgomery
Date: Wed Mar 29, 2000 5:29
pm
Subject: Re: [tadream] Streethawk
On Wed, 29 Mar 2000 craig.cordrey@g... wrote:
> Remember, that was 15 years ago. Ed might not think it's 'great' now. He seems
> a little more selective (as we all are) about the 'great things' of the past.
I
> rarely listen to those 'great' Duran Duran records any more. 8-)
Hey, don't go knocking Duran Duran...they wrote some catchy tunes! How
can you not admire a Hungry Like the Wolf or a New Moon on Monday?
Sorry, I'm an unapologetic fan of 80s music. :-)
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
From:
'joe shoults'
Date: Wed Mar 29, 2000 6:06
pm
Subject: OT: not RE: [tadream] Streethawk
Actually, I think Rio is a great album, especially The Chauffeur. call me
cheesy.
We've been getting way off topic; whaddya say let's try to steer the boat
back towards shore?
joe
> -----Original Message-----
> Hey, don't go knocking Duran Duran...they wrote some catchy
> tunes! How
> can you not admire a Hungry Like the Wolf or a New Moon on Monday?
>
> Sorry, I'm an unapologetic fan of 80s music. :-)
From:
'Paul Fellows'
Date: Wed Mar 29, 2000 6:10
pm
Subject: [tadream] Streethawk single
Hi all,
I've been trying to work out a dilemma for the past few months concerning
the various versions, catalogue numbers and exact contents of the different
'Streethawk' 7 and 12 inch vinyl singles.
Well, for those of you who are interested, I've finally worked it out, and I
think I have the definitive information. In fact, 'Voices in the Dunes' has
a mistake (the Jive 12 inch has the Radio Mix of 'Streethawk', not the album
version), and Rainer Rutka has omitted to mention the 7 inch Jive version,
catalogue number JIVE 101, on his very comprehensive discography.
I have split the information onto two pages now, one for 'Streethawk', the
other for 'Tiergarten', which is more logical and clearer.
Here are the links:
http://perso.club-internet.fr/pfellows/singles/webpages/streethawk.html
http://perso.club-internet.fr/pfellows/singles/webpages/tiergarten.html
Cheers
Paul
From:
Bennett Cookson
Date: Wed Mar 29, 2000 9:27
pm
Subject: RE: [tadream] D: Studio [tyger]
When I first bought tyger I usually only listened to Common man and Vigour
and the CD mostly gathered dust for many years. Like others, I was turned
off my the vocals, but over the year the rest of the album grew on me. Now
my favorite part is 'Alchemy of the Heart' and the last half of London
(after the vocals) which is my very favorite guitar solo!
'Alchemy of the Heart.' What a masterpiece! I now feel it is one of the
all time best TD tracks! My advice if you don't like it, don't give up on
that track, keep listening to it, listen closer...
--Bennett
[Non-text portions of this message have been removed]
From:
Vic Rek
Date: Wed Mar 29, 2000 9:41
pm
Subject: Re: [tadream] D: Studio [tyger]
> From: Bennett Cookson
>
> 'Alchemy of the Heart.' What a masterpiece! I now feel it is one of the
> all time best TD tracks! My advice if you don't like it, don't give up on
> that track, keep listening to it, listen closer...
What about 'Smile'? I love this track even though many fans hate it. Vic
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From:
Sean Montgomery
Date: Wed Mar 29, 2000 10:06
pm
Subject: Re: [tadream] D: Studio [tyger]
> What about 'Smile'? I love this track even though many fans hate it. Vic
Of all the vocal tracks on Tyger, this is the one I can most readily
tolerate. And that's because on Smile, they did not try to write a song
that conforms to a pop music verse-chorus-verse structure. That has never
been their forte, and whenever they've tried to do 'pop', it's come out
all wrong (Dominion, Cinnamon Road, Tyger, Optical Race, Alexander
Square). On 'Smile', they stick to their area of strength, which is lush
atmospherics. The vocals merely add seasoning (as they did on one of my
all-time favourite TD pieces, Kiew Mission).
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
From:
Bennett Cookson
Date: Wed Mar 29, 2000 11:14
pm
Subject: RE: [tadream] D: Studio [tyger]
From: Vic Rek
> From: Bennett Cookson
>
> 'Alchemy of the Heart.' What a masterpiece! I now feel it is one of the
> all time best TD tracks! My advice if you don't like it, don't give up on
> that track, keep listening to it, listen closer...
What about 'Smile'? I love this track even though many fans hate it. Vic
This one is still growing on me, and may take a little longer... maybe by
the time we get back around to D:Tyger
--Bennett
[Non-text portions of this message have been removed]
From:
'joe shoults'
Date: Thu Mar 30, 2000 12:17
am
Subject: Okefenokee info
For those who were just curious about what's going on with the Okefenokee
Gathering, or are actually planning to go and want some more specific info
about what to watch out for, and to bring, we've posted the info on
http://www.tadream.net.
joe
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21521
Re: Okefenokee info
Marcel Engels
Thu
3/30/2000
2 KB
From:
Sean Harvey
Date: Thu Mar 30, 2000 2:31
pm
Subject: Questions about new albums
Hi, I've been here for a month or so. Everything's been fine
up until now, but with everyone discussing Great Wall of China
Soundmill Navigator and other albums, I thought I'd ask. Are
all of these must-haves? The only places I can get them are
online, as all of the music retailers in Canada seem to think TD
doesn't exist. Are any of the compilations or 'Best of''s?
Here's the albums I'm interested in:
Great Wall of China
Soundmill Navigator
Tang-go
Sohoman
Atlantic Walls
Atlantic Bridges
Architecture in Motion
Any help is appreciated. Thanks!
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21517
Re: Questions about new albums
craig.cordrey@g...
Thu
3/30/2000
4 KB
21522
Re: Questions about new albums
Sean Montgomery
Thu
3/30/2000
2 KB
From:
craig.cordrey@g...
Date: Thu Mar 30, 2000 4:20
pm
Subject: Re: [tadream] Questions about new albums
Another Sean, just what we need. 8-)
>Here's the albums I'm interested in:
>
>Great Wall of China
New soundtrack - very '90s TD style. 'Must-have-ness' dependant on appreciation
of 90s TD.
>Soundmill Navigator
'New' release of 1976 Berlin concert. Must have if fan of mid-70s TD.
>Tang-go
New compilation of 90s TD material. Can't remember track list but I think it's
all TDI stuff.
>Sohoman
'New' release of 1982 Melbourne concert, but it has been Tangetized (i.e. parts
have been re-recorded or over-dubbed with new material).
>Atlantic Walls
>Atlantic Bridges
Both are compilations of Private Music/TDI stuff (i.e. post 1988). Actually
enjoy Bridges quite a bit, despite the period not being one of my favourites.
>Architecture in Motion
Newish soundtrack in the 90s style. Don't like this as much as some others on
the list appear to.
I don't have everything on this list (Tang-go isn't even out yet, and Soundmill
Navigator is due any day), and I'm not clear whether you are or are not looking
for compilations, but I'd go for Soundmill Navigator certainly (if you like
earlier TD) and select only one of the three compilations you listed.
Hope this helps a little,
--------------------------------------------------------------
Craig R. J. Cordrey craig.cordrey@g...
crjc@t...
Senior Systems Engineer
Tel : +44 (0) 1383 828187
Alenia Marconi Systems, Integrated Systems Division
Donibristle, Fife, Scotland
--------------------------------------------------------------
From:
'koulos_'
Date: Thu Mar 30, 2000 3:58
pm
Subject: Re: [tadream] Questions about new albums
Here's the albums I'm interested in:
Great Wall of China
From:
Nigbur D
Date: Thu Mar 30, 2000 4:14
pm
Subject: [tadream] Great Wall of Rockoon
I was baffled and a bit disappointed when first listening to 'Great Wall of
China' (after having gone to lengths to order the thing through my local
record shop), and finding just how similar some of the compositions are to
Rockoon/220V period music. For instance, the first minute or so of 'Summer
in Shauxi' is very close to 'Body Corporate' from Rockoon. The sequence and
effects from 'Girls on Broadway' also appear on one of the tracks (I can't
remember which one now).
There are A LOT of cases on the album of Rockoon/220V material apparently
packaged into a more trance-y, 'millennium years' TD style. I don't mean to
slate here, the album is certainly not without its merits, but not as
creative and fresh (in my opinion) as Mars Polaris or Transsiberia. If it is
true that TD chuck their new material into the vaults after release and
never listen to it again, I wonder how such recycling of melodies and
sequences can occur?
[Non-text portions of this message have been removed]
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21520
Re: Great Wall of Rockoon
tom807@a...
Thu
3/30/2000
3 KB
21524
Re: Great Wall of Rockoon
Gabe Yedid
Thu
3/30/2000
5 KB
21542
Re: Great Wall of Rockoon
Nigbur D
Fri
3/31/2000
3 KB
From:
tom807@a...
Date: Thu Mar 30, 2000 5:52
pm
Subject: Re: [tadream] Great Wall of Rockoon
TD have always 'recycled' melodies. So what. They are good melodies.
GWoC is a great album. Lots of Jerome on it, which is not a bad thing, in my
(not so) humble opinion.
Actually, I've been quite surprised at the lack of postings regarding the
opinions from the tadream'ers. Every time a new album is released there are
bound to be complaints. Then a few years go by, and it's a classic. Hmm. I
see a pattern here.
Long live TD.
tom807 (http://www.mp3.com/tom807)
In a message dated 3/30/00 11:15:59 AM Eastern Standard Time,
D.Nigbur@r... writes:
> I was baffled and a bit disappointed when first listening to 'Great Wall of
> China' (after having gone to lengths to order the thing through my local
> record shop), and finding just how similar some of the compositions are to
> Rockoon/220V period music. For instance, the first minute or so of 'Summer
> in Shauxi' is very close to 'Body Corporate' from Rockoon. The sequence and
> effects from 'Girls on Broadway' also appear on one of the tracks (I can't
> remember which one now).
>
> There are A LOT of cases on the album of Rockoon/220V material apparently
> packaged into a more trance-y, 'millennium years' TD style. I don't mean to
> slate here, the album is certainly not without its merits, but not as
> creative and fresh (in my opinion) as Mars Polaris or Transsiberia. If it
is
> true that TD chuck their new material into the vaults after release and
> never listen to it again, I wonder how such recycling of melodies and
> sequences can occur?
From:
'Marcel Engels'
Date: Thu Mar 30, 2000 6:49
pm
Subject: RE: [tadream] Okefenokee info
> From: 'joe shoults'
>
> For those who were just curious about what's going on with the Okefenokee
> Gathering, or are actually planning to go and want some more specific info
> about what to watch out for, and to bring, we've posted the info on
> http://www.tadream.net.
Hmm not sure but isn't anyone playing there? :-)
Nice background picture!
Marcel
Music-page :http://home.wxs.nl/~m1engels
Email :fsp@w...
From:
Sean Montgomery
Date: Thu Mar 30, 2000 7:09
pm
Subject: Re: [tadream] Questions about new albums
> The only places I can get them are online, as all of the music retailers
> in Canada seem to think TD doesn't exist.
Mostly true, but not entirely. Are you in the Toronto area? The flagship
Sam the Record Man store downtown usually has new TDI releases (but
they're outrageously priced), and so does Second Spin Records on Bloor
near Bathurst. Shopping online is still your best bet though...even
taking shipping costs and the U.S. exchange rate into account, it's
generally cheaper for the TDI releases.
As for the albums you mention, Tang-go will probably be your best bet if
you don't have many of TDs recent albums. It's a decent compilation of
their 90s music. You can see a track listing on the TDi webpage:
http://www.tdi-music-mall.de/tanggo.html
SEAN MONTGOMERY Animator
T O P I X / Mad Dog
http://www.topix.com/~sean
From:
'joe shoults'
Date: Thu Mar 30, 2000 8:15
pm
Subject: RE: [tadream] Okefenokee info
well, I didn't say it was 'complete'! ;-)
give me some text and I'll put it in. Has anyone compiled an actual
itenerary/agenda? that would be good to list...
please help.
thanks,
joe
> -----Original Message-----
> From: Marcel Engels [mailto:fsp@w...]
...
> Hmm not sure but isn't anyone playing there? :-)
> Nice background picture!
>
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Date
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21525
Re: Okefenokee info
Vic Rek
Thu
3/30/2000
3 KB
21526
Re: Okefenokee info
Dave Brewer
Fri
3/31/2000
2 KB
From:
Gabe Yedid
Date: Thu Mar 30, 2000 11:05
pm
Subject: Re: [tadream] Great Wall of Rockoon
On Thu, 30 Mar 2000, Nigbur D wrote:
> I was baffled and a bit disappointed when first listening to 'Great Wall of
> China' (after having gone to lengths to order the thing through my local
> record shop), and finding just how similar some of the compositions are to
> Rockoon/220V period music. For instance, the first minute or so of 'Summer
> in Shauxi' is very close to 'Body Corporate' from Rockoon. The sequence and
> effects from 'Girls on Broadway' also appear on one of the tracks (I can't
> remember which one now).
On the whole, I'd have to say 'Summer in Shauxi' reminds me most of 'One
Fine Day In Siberia' from _BtS_ in terms of its structure and main theme.
It would have fit right in, and I consider it almost a companion piece.
The rhythmic pattern from 'Girls on Broadway' is, which reappears on
'Silence The Barking Monk' is, I believe, a preset pattern from the Korg
Wavestation, and is also used on 'Last Trumpet on 23rd Street' from _What
a Blast_. This is not, IMO, the same as wholesale repackaging of
material, and I felt I had to speak out on this before somebody gets the
idea that these two tracks are remixes/retreads of earlier pieces, in the
same way that 'The Golden Horn' from _Transsiberia_ was (it's 'Turning Off
The Wheel' minus some layers). I'm pretty sure the melody and harmonic
background of 'Silence...' are quite different from those of 'Girls on
Broadway'.
> There are A LOT of cases on the album of Rockoon/220V material apparently
Would you mind mentioning some others?
Apart from these two examples (one of which I don't agree with), and the
usual suspects (harpsichord sound etc.), I don't hear a whole lot of
Rockoon/220V influence on this album. If anything I would have to say
certain parts remind more of 1989 TD, especially _L'Affaire Wallraff_;
two(maybe three?) pieces are obviously more in the TimeSquare/Mars Polaris
mold, and one piece is IMO a clear nod to '70s TD: 'The South Gate
Knights', which I think of as a sort of dark version of 'Astral Voyager'.
> packaged into a more trance-y, 'millennium years' TD style. I don't mean to
> slate here, the album is certainly not without its merits, but not as
> creative and fresh (in my opinion) as Mars Polaris or Transsiberia. If it is
> true that TD chuck their new material into the vaults after release and
> never listen to it again, I wonder how such recycling of melodies and
> sequences can occur?
Now that's a can of worms I'm not sure we want to open on the moderated
list...(the implication as to what my view is should be clear enough)
but, for anyone who has heard (dare I say it?) live tapes from the
1980/81 tour, how many times was the 'Diamond Diary' sequence used on that
tour? At least once a show...and it reappeared again on _The Park Is
Mine_...and let's not forget how the track we know now as 'Ayers Majestic'
(from the 1982 Australian tour) was repackaged into the third section of
'Horizon' over a year later on _Poland_.
I'm not very concerned about this because, IMO, there's nothing new
and disturbing about it at all.
Gabe
From:
Vic Rek
Date: Thu Mar 30, 2000 11:54
pm
Subject: Re: [tadream] Okefenokee info
joe shoults wrote:
>
> well, I didn't say it was 'complete'! ;-)
>
> give me some text and I'll put it in. Has anyone compiled an actual
> itenerary/agenda? that would be good to list...
>
> please help.
Well, The itinerary is loose at the moment. The plan goes like this:
We arrive somewhere between 2PM and 7PM April 9th.
We find the best place to record the music (talk to park rangers about
any details) and unpack and relax.
We have the reknown artist Marcel Engels at the Berlin EM helm and David
Brewer as the partner. We may even have a surprise EM musician guest
from Florida (code name 'Enterphase').
Then we improvise from there. This is an intimate fan event, so no
strict agenda exists, but the main goals are:
1. To meet with fellow TD fans and listen to TD and gain exposure to new
EM artists
2. To record live music celebrating the event (hoping to do this during
April 9-10, day or night)
3. Have a swamp tour and enjoy the nature and beautiful surroundings
4. Have a 3AM canoe cruise through the swamp with a near full moon (if
allowed by law :-)
5. Have fond memories for the Year 2000!
Anyone else care to join us? Our committed list has dropped so now is a
perfect time to get a spot for the event. If you wish to meet us in
Atlanta on April 8th or early April 9th, we can caravan down on April
9th. It's about a 5 hour drive from Atlanta.
Hope to hear from you and please contact me if you need further
information or help in making arrangements.
Vic
From:
'Dave Brewer'
Date: Fri Mar 31, 2000 12:28
am
Subject: Re: [tadream] Okefenokee info
Hmmm, I was wondering that myself, Marcel! :-) Maybe we're just going to hang
out in the swamp, listening to the alligators' grunting and hissing noises.
Some of us can beat on fallen logs with rocks and sticks to give the music some
rhythm! We might be able to get something that sounds a little bit like
Electronic Meditation! :-)
Dave B.
-----Original Message-----
From: Marcel Engels
To: tadream@o...
Date: Thursday, March 30, 2000 11:45 AM
Subject: RE: [tadream] Okefenokee info
Hmm not sure but isn't anyone playing there? :-)
Nice background picture!
Marcel
[Non-text portions of this message have been removed]
From:
'Hermes Guzman'
Date: Fri Mar 31, 2000 1:54
am
Subject: Soundmill Navigator
*SLAM!*
*thumpthumpthUMPTHUMPTHUMP*
*crinklestraiiinkle*
*tchock...click*
*chik...whirrdle...*
(wait for it)
wow.
The intro is amazing! I don't care if it is modern! It absolutely *
feels* vintage! This part alone should reaffirm Edgar's genius! A
whole
album in this vein would be...a nice Dream!
(8:00) Hello...some of the original intro bits are filtering in...
(12:00) Now we get into the familiar material...yes, it has modern
overdubs. Get over it. (Although I think they may be a little high in
the mix...)
(15:00)Mmmmmmmmmmmm...the Sequence(tm). Yessssssssssss...(although
there's this noise thats jumps from l to r that I'm not sure is an
overdub or a flaw in the disc.) The additions now are better balanced
in the mix and...OH MY!!! GUITAR!!! REAL VINTAGE EDGAR AXE!!! FROESEN
LICKS FRENZY!!! YEEEEEEEEHAAAAAAAAAAAAAAAA!!! (that noise is starting
to bug me. I hope it *is* a flaw...) WOOOOOOOOOOHOOOOOOOOOOOOOO!!!
Some
of the additions are a little to forward again...but I have to say I *
love* the new drone underneath it all! The guitar is mixed to far
back
for my tastes...
(rrrrrrrrrr...that noise is now starting to become the focus...tssst-
tssst-tssst-tssst-tssst-tssst...)
(32:00) For a minute the overdubs were gone...ooops. Tape flaw at
33:35
(a <.5 sec dropout.)
(37:00) whoa. The intro/drone reprise. It reminds me tangentally [;)]
of Metropolis (it would make a great compliment to that, in fact.)
This
will ovbiously take us out of the disk. And it has. And that annoying
noise *is* a mastering flaw!! $#@^*(#^@(!!!
Let the praise and vitriol begin.
goozer
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Re: Soundmill Navigator
Jared White
Fri
3/31/2000
3 KB
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Re: Soundmill Navigator
Hermes Guzman
Fri
3/31/2000
2 KB
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Re: Soundmill Navigator
Gabe Yedid
Fri
3/31/2000
2 KB
21538
Soundmill Navigator
Heiko Heerssen
Fri
3/31/2000
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Re: Soundmill Navigator
horrod6
Sun
4/2/2000
2 KB
21581
Soundmill Navigator
Michael V Miller
Sun
4/2/2000
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Soundmill Navigator
Heiko Heerssen
Mon
4/3/2000
3 KB
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Soundmill Navigator
Michael V Miller
Mon
4/3/2000
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21831
Soundmill Navigator
Michael V Miller
Tue
4/11/2000
2 KB
From:
'Jared White'
Date: Fri Mar 31, 2000 2:19
am
Subject: RE: [tadream] Soundmill Navigator
> -----Original Message-----
> From: Hermes Guzman [mailto:goozer@a...]
> Sent: Thursday, March 30, 2000 5:55 PM
> To: tadream@o...
> Subject: [tadream] Soundmill Navigator
>
>
>
>
> *SLAM!*
>
> *thumpthumpthUMPTHUMPTHUMP*
>
> *crinklestraiiinkle*
>
> *tchock...click*
>
> *chik...whirrdle...*
>
> (wait for it)
>
> wow.
>
> The intro is amazing! I don't care if it is modern! It absolutely *
> feels* vintage! This part alone should reaffirm Edgar's genius! A
> whole
> album in this vein would be...a nice Dream!
Uh, oh -- I hope some of the other fans here don't go screaming into the
night with this bit. :)
Not that I mind, but I thought TDI said Soundmill Navigator wasn't
'tangentized?'
Sounds interesting, anyway -- I sure hope SN makes its way into Borders
Books & Music here in Santa Rosa, CA (Great Wall of China didn't, I had
to order it from the Web)!
Take care,
Jared
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21530
Re: Soundmill Navigator
Hermes Guzman
Fri
3/31/2000
2 KB
21531
Re: Soundmill Navigator
Gabe Yedid
Fri
3/31/2000
2 KB
From:
'Hermes Guzman'
Date: Fri Mar 31, 2000 2:29
am
Subject: Soundmill Navigator Again
Greetings all-
I gotta say I liked it. Some nice pics (though not as many as one
would
like...) and the liner notes are very good.
Upon a second listen, the new intro/outro also remind me of Steve
Roach's Stormwarning-era stuff minus the sequencers. I'm gonna be
listening to this a lot. It's a majestic theme that I feel fits well
with the material. Those of you who will disagree, will disagree. If
you didn't like Sohoman for the overdubs, you'll hate this one, so do
us all a favor and don't buy it. Oh wait, then you won't have a
reason
to be here...never mind.:)
goozer
From:
'Hermes Guzman'
Date: Fri Mar 31, 2000 2:35
am
Subject: Re: RE: [tadream] Soundmill Navigator
> Uh, oh -- I hope some of the other fans here don't go
> screaming into the night with this bit. :)
I can hear the whining invective already...
> Not that I mind, but I thought TDI said Soundmill Navigator wasn't
> 'tangentized?'
Nope. Never said it.
> Sounds interesting, anyway -- I sure hope SN makes its way
> into Borders Books & Music here in Santa Rosa, CA (Great Wall
> of China didn't, I had to order it from the Web)!
I got mine at the Border's here in Dallas. And they have *all* of the
other TDI discs, including Tang-Go, which I didn't pick up.
goozer
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Re: Soundmill Navigator
Gabe Yedid
Fri
3/31/2000
2 KB
From:
Gabe Yedid
Date: Fri Mar 31, 2000 3:18
am
Subject: Re: RE: [tadream] Soundmill Navigator
On Fri, 31 Mar 2000, Hermes Guzman wrote:
> > Uh, oh -- I hope some of the other fans here don't go
> > screaming into the night with this bit. :)
>
> I can hear the whining invective already...
>
> > Not that I mind, but I thought TDI said Soundmill Navigator wasn't
> > 'tangentized?'
>
> Nope. Never said it.
Um, yes they did. Martin Kay said as much ON THIS LIST.
I wish I had kept that particular message so I could repost it.
(Anybody else actually willing to back me on this?)
There is something overwhelmingly negative I want to say here, but I have
neither the time, desire, or energy to deal with the fallout that would
inevitably result from provoking TDI's sentinels.
Gabe
NP: JMJ: _Metamorphoses_--this is the most sickeningly Eurodisco thing
he's ever done IMO, but it's grown on me considerably.
From:
'Jared White'
Date: Fri Mar 31, 2000 3:51
am
Subject: FW: [tadream] Soundmill...
Here it is from my mailbox archive:
(Gee, I really don't know why I'm fueling the fire here, but I guess I
feel kinda bad for you folks out there who were really wishing for a
completely untouched original. I hope the few new elements in there
after all really do work as well as 'goozer' has stated!)
-----Original Message-----
From: TDI - Martin K. [mailto:manager@t...]
Sent: Monday, February 14, 2000 9:18 AM
To: tadream@o...
Subject: Re: [tadream] Soundmill...
From: 'TDI - Martin K.'
At 18:05 14.02.00 +0100, you wrote:
>From: Olle.Rundgren@s...
>
>Sean Montgomery wrote:
>
>>I predict more remixes of TDI era stuff only. (another remix of
Towards
>>the Evening Star, perhaps?)
>
> ....or Touchwood, heaven forbid.
>
>Have a backlog on tadream digests now and just read about Soundmill
>navigator. I am certain this has been discussed before on the list but
still
>would be happy if somebody could tell me where this was recorded
>(Philharmonics?), under what concert name, and if this is going to be
an
>official release or semi-official, limited number of copies release,
>official release for those who pay well enough, unofficial or -
whatever
>release?
>
>Tack på förhand
>Olle
Hello,
Soundmill Navigator is an official release, normal price.
It is a recording of a concert performed 1976 at the Philharmonie
Berlin.
The recordings have been remastered but not remixed ('tangentized' as
you
would call it in list jargon ;-))
Its release date is March 30th, 2000.
hope this helps...
All the best,
Martin K.
TDI- Music- Support.
Tel:-49-30-23620995
Fax:-49-30-23620996
Visit our Website at:
http://www.tdi-music-mall.de
Have a nice day!
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From:
'Cinemafan'
Date: Fri Mar 31, 2000 6:47
am
Subject: Duran Duran
Fellow Duranies,
I am watching ANDY TAYLOR -THUNDER LIVE FROM JAPAN, right now- the one solo
durrannie I really liked.
TD Content- There is a 2 cd Streethawk Collection availible for those who
care. Email me if you need one.
Chris
NP-Get it On ...Live
[Non-text portions of this message have been removed]
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Chris Richards
Fri
3/31/2000
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Re: Duran Duran
Chris Richards
Sun
4/2/2000
2 KB
From:
'Feldon Feldon'
Date: Fri Mar 31, 2000 5:05
am
Subject: Re: [tadream] Soundmill Navigator
>From: 'Hermes Guzman'
>Subject: [tadream] Soundmill Navigator
>Date: Fri, 31 Mar 2000 01:54:52 -0000
>
yes, it has modern
>overdubs. Get over it. (Although I think they may be a little high in
>the mix...)
Nooooooooooooo!!!!!!!!!!!!!!!!!!!!!!!
E-mail me if you have the unmolested version.
-Morgan
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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pergamon@g...
Fri
3/31/2000
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Greg
Fri
3/31/2000
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Re: Soundmill Navigator
Feldon Feldon
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4/1/2000
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Dave Brewer
Sat
4/1/2000
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Heiko Heerssen
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4/4/2000
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David Foster
Thu
4/6/2000
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Re: Soundmill Navigator
Joe Shoults
Thu
4/6/2000
2 KB
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Re: Soundmill Navigator
Gabe Yedid
Thu
4/6/2000
3 KB
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Re: Soundmill Navigator
aoutland@a...
Sat
4/8/2000
2 KB
From:
Chris Richards
Date: Fri Mar 31, 2000 7:18
am
Subject: Re: Duran Duran
Someone sited Duran Duran's The Chauffer as a
great song. I'll second that one! The first coule
Duran albums had some cool songs on em, and that
was my favorite.
NP: Charles Mingus 'Girl Of My Dreams' (Mingus Ah
Um)
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com
From:
pergamon@g...
Date: Fri Mar 31, 2000 10:30
am
Subject: RE: RE: [tadream] Soundmill Navigator
Yes I will back you up, I can't actually recall the persons name. But there
where a statement
from TDI saying it wasn't tangenized.
Jan
> > > Not that I mind, but I thought TDI said Soundmill Navigator wasn't
> > > 'tangentized?'
> >
> > Nope. Never said it.
>
> Um, yes they did. Martin Kay said as much ON THIS LIST.
> I wish I had kept that particular message so I could repost it.
> (Anybody else actually willing to back me on this?)
>
pergamon@g...
From:
'Greg'
Date: Fri Mar 31, 2000 10:28
am
Subject: Re: [tadream] Soundmill Navigator
From: 'Hermes Guzman'
> will ovbiously take us out of the disk. And it has. And that annoying
> noise *is* a mastering flaw!! $#@^*(#^@(!!!
>
> Let the praise and vitriol begin.
>
> goozer
On the second excerpt of the Soundmill Navigator clips from the TDI
website, the right/left panning 'tisk tisk' can be clearly heard. It sounds
particularly hypnotic to me. As far as the 'tangentizing' is concerned..
I could have told you this when the SN clips first came on the TDI site
quite a while back.. I knew the high shrill sounds were not from that time!
Do I care? No.. I can understand that mastering some old recordings
can be difficult.. especially with drop outs and a sheer lack of a broad
range of sound. I realize as with Sohoman, Soundmill Navigator probably
has a lot of high range additions and probably some low range as well.
I'm definately going to get this album! It will be particularly inspiring
for
me.
Greg H.
From:
Heiko Heerssen
Date: Fri Mar 31, 2000 10:34
am
Subject: Soundmill Navigator
With all the talk about 'tangentizing' I wonder if this CD would sound
the same if at least Chris Franke and/or Peter Baumann would still be in
the band. Until this day I don't know exactly if Edgar alone was
responsible for mastering TD's music (and therefore the person who
decided how a record should sound in the end), or if past members also
had control over what was to be the final 'product'.
I hope to get my copy of Soundmill Navigator very soon & it will be nice
to compare it with the radio broadcast versions I have.
Heiko
From:
Winston Edmond
Date: Fri Mar 31, 2000 10:30
am
Subject: Digest Number 441 in quoted-printable?
Yuck. Tadream digest #441 arrived in 'quoted-printable' format.
Would whoever made that change please undo it. Thanks,
-WBE
From:
Tomas Rydqvist
Date: Fri Mar 31, 2000 12:34
pm
Subject: Rubycon revisited
Hi folks
Just question,
Rubycon revisited is that a cdr from the beginning or is it a real
boot??
I think i have been riped of, caus i recived a cdr with coulor label on
it.
Im i right or ,,,??
Thanks
Totta
From:
Vic Rek
Date: Fri Mar 31, 2000 12:37
pm
Subject: Re: [tadream] Rubycon revisited
> Hi folks
> Just question,
> Rubycon revisited is that a cdr from the beginning or is it a real
> boot??
> I think i have been riped of, caus i recived a cdr with coulor label on
> it.
> Im i right or ,,,??
This release is a CD, NOT a CD-R. Vic
Replies
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Date
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21544
Re: Rubycon revisited
Michael A Jean
Fri
3/31/2000
3 KB
From:
Nigbur D
Date: Fri Mar 31, 2000 2:49
pm
Subject: RE: [tadream] Great Wall of Rockoon
> ----------
> From: Gabe Yedid[SMTP:gabe@p...]
> Reply To: tadream@o...
> Sent: 31 March 2000 00:05
> To: tadream list
> Cc: artofvision@o...
> Subject: Re: [tadream] Great Wall of Rockoon
>
> The rhythmic pattern from 'Girls on Broadway' is, which reappears on
> 'Silence The Barking Monk' is, I believe, a preset pattern from the Korg
> Wavestation, and is also used on 'Last Trumpet on 23rd Street' from _What
> a Blast_.
>
Ah, that would explain it. I really liked the track apart from this reminder
of 'Girls on Broadway', so it was a bit of a sore thumb.
> This is not, IMO, the same as wholesale repackaging of
> material, and I felt I had to speak out on this before somebody gets the
> idea that these two tracks are remixes/retreads of earlier pieces, in the
> same way that 'The Golden Horn' from _Transsiberia_ was (it's 'Turning Off
> The Wheel' minus some layers).
>
No, I didn't mean to give the impression that this was the case. None of the
tracks on 'Great Wall of China' could be considered re-mixes or alternative
versions of existing tracks. A lot of the sounds, rhythms, and melodies,
however, seem quite similar.
> I'm pretty sure the melody and harmonic
> background of 'Silence...' are quite different from those of 'Girls on
> Broadway'.
>
The first part of the piece is very different from anything else and
a very interesting and novel composition. In stark contrast, the second part
is _very_ similar to 'Girls on Broadway', with the rhythmic sequence and
effects being identical, and just an additional, very quiet chords/melody
layer added. It really isn't very far away from 'Girls on Braodway'.
>
> > There are A LOT of cases on the album of Rockoon/220V material
> apparently
>
> Would you mind mentioning some others?
>
The problem is that I'm writing this from work, and I haven't listened to
the CD recently enough to have it all ready here. I'll give it another
listen.
> mold, and one piece is IMO a clear nod to '70s TD: 'The South Gate
> Knights', which I think of as a sort of dark version of 'Astral Voyager'.
>
I agree on that one.
From:
'Paul Fellows'
Date: Fri Mar 31, 2000 5:34
pm
Subject: TDI Message about Soundmill Navigator
Hi all,
Someone said something about wishing they still had the message from Martin
at TDI reference 'Soundmill Navigator', and in particular whether it was
'Tangentised' or not, well here it is:
>From: 'TDI - Martin K.'
>
>Hello,
>
>Soundmill Navigator is an official release, normal price.
>It is a recording of a concert performed 1976 at the Philharmonie Berlin.
>The recordings have been remastered but not remixed ('tangentized' as you
>would call it in list jargon ;-))
>Its release date is March 30th, 2000.
>
>hope this helps...
>
>All the best,
>
>Martin K.
>TDI- Music- Support.
>Tel:-49-30-23620995
>Fax:-49-30-23620996
>
>Visit our Website at:
>
>http://www.tdi-music-mall.de
>
>Have a nice day!
From:
'Michael A Jean'
Date: Fri Mar 31, 2000 7:22
pm
Subject: RE: [tadream] Rubycon revisited
Regardless of whether it is a CD or a CDR you have been ripped off anyway,
because it is just awful (and not a TD project)...
MJ
> -----Original Message-----
> From: Vic Rek [mailto:torque19@i...]
> Sent: Friday, March 31, 2000 6:38 AM
> To: tadream@o...
> Subject: Re: [tadream] Rubycon revisited
>
>
> > Hi folks
> > Just question,
> > Rubycon revisited is that a cdr from the beginning or is it a real
> > boot??
> > I think i have been riped of, caus i recived a cdr with coulor label on
> > it.
> > Im i right or ,,,??
>
> This release is a CD, NOT a CD-R. Vic
>
>
> ------------------------------------------------------------------------
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>
> PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
> To unsubscribe: mailto:tadream-unsubscribe@o...
> Website: http://www.tadream.net
>
>
>
From:
'Hermes Guzman'
Date: Fri Mar 31, 2000 7:37
pm
Subject: Where did it go?
Joe, Joel, Scott...
Where did the reply that I posted last night to Jared's second
message go? There wasn't anything in there that would've offended
anyone, as I don't attach personal attacks to such subjective
matters. So wher'd it go? I saw it this morning....
goozer
From:
'Joe Shoults'
Date: Fri Mar 31, 2000 8:16
pm
Subject: RE: [tadream] Where did it go?
> -----Original Message-----
> From: Hermes Guzman
> Where did the reply that I posted last night to Jared's second
> message go?
what do you mean? Nothing has been deleted... send it again if you need
to. keep in mind the view is different in the archives when you 'View by
Thread'.
joe shoults
np: Schulze- Body Love (has anyone seen this movie?!?)
From:
'Joe Shoults'
Date: Fri Mar 31, 2000 10:14
pm
Subject: RE: [tadream] Re: Duran Duran
yup. dat wuz moi.
actually, Hungry like the wolf, the most popular song on the album was the
weakest, IMO. But I think that about a lot of albums...
joe
> -----Original Message-----
> From: Chris Richards [mailto:kohntarkosz@y...]
> Sent: Friday, March 31, 2000 2:18 AM
> To: tadream@o...
> Subject: [tadream] Re: Duran Duran
>
>
> Someone sited Duran Duran's The Chauffer as a
> great song. I'll second that one! The first coule
> Duran albums had some cool songs on em, and that
> was my favorite.
>
> NP: Charles Mingus 'Girl Of My Dreams' (Mingus Ah
> Um)
>
> =====
> May you never thirst!
> The Scuba Diver Presently Known As Chris
>
> 'Heaven can always turn around'-Eiffel 65
>
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
> http://im.yahoo.com
>
> --------------------------------------------------------------
> ----------
> Get a NextCard Visa, in 30 seconds!
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> 3. Get rates as low as 2.9% Intro or 9.9% Fixed APR
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> --------------------------------------------------------------
> ----------
>
>
> PLEASE EDIT UNNECESSARY TEXT FROM YOUR MESSAGES.
> To unsubscribe: mailto:tadream-unsubscribe@o...
> Website: http://www.tadream.net
>
From:
'Joe Shoults'
Date: Fri Mar 31, 2000 10:52
pm
Subject: OT: RE: [tadream] Re: Duran Duran
oops. dammit!
meant for off-list.
sorry (again).
From:
Airwave
Date: Sat Apr 1, 2000 1:12
am
Subject: SENSATION : Edgar and Jerome to join chat
Hi everyone.
About a month ago I sent an invitation to Edgar and Jerome
to join the chat on IRC for a fan meeting. This was to take
place sometime whenever they could find the time to so.
Today 01/04/2000 I got the confirmation.
Edgar and Jerome will join us on #tadream on SorceryNet
tonight 01/04/2000 at 10pm (GMT) on IRC for a 1 hour meeting.
I know this is short notice, but as schedules has made it
impossible to give advanced notice there has been nothing
I could do. Join us if you can. A transscript of the
chat will be posted as soon as the meeting is over.
mIRC for PC can be downloaded at www.mirc.com
It is fairly easy to set up.
---------------------------------------------------------------
__
\ O /_ AirWave, airwave@1...
\/ /_ \ http:// (in the works)
\ ICQ #65014061
Visit the TaDream Chat on IRC, SorceryNet, #tadream.
Fridays and Saturdays 9pm-2am (GMT) (Usually ;-)
Feel free to email me for details on how to access IRC.
---------------------------------------------------------------
Replies
Name/Email
Yahoo! ID
Date
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21550
Osnabrueck live photos (NEW!!!)
Rainer Rutka
Sat
4/1/2000
3 KB
21568
SENSATION : Edgar and Jerome to join chat
Airwave
Sat
4/1/2000
3 KB
From:
Rainer Rutka
Date: Sat Apr 1, 2000 2:17
am
Subject: Osnabrueck live photos (NEW!!!)
Hi!
Just for your pleasure!
While I was sufing though the internet I found some very interesting
TD related sites. Some of them are strange.
And I found some new (for me!) photos from the Klangart/Osnabrueck
concert last year. The strange thing was: I found it on a smokers-
fansite. Yes a site for smokers / tabako fans! And I found a very interesting
TD page from Switzerland.
See my updated links seite : www.rutka.de/td -> links
or the updated Klangart pate: www.rutka.de/td -> klangart pictures (left).
Or: www.schmauch.de/99-06-12/99-06-12-Katalog.html
(this is the Klangart page only)
Unfortunately these sites are in the german language (but we have some
nice pictures).
Rainer
PS: I will ship the next Solar-Eclipse CDs on monday.
---------------------------------------------------------------------
www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From:
aoutland@a...
Date: Sat Apr 1, 2000 1:52
am
Subject: Re: [tadream] SENSATION : Edgar and Jerome to join chat
In a message dated 03/31/2000 7:10:06 PM Eastern Standard Time,
airwave@1... writes:
<<
Edgar and Jerome will join us on #tadream on SorceryNet
tonight 01/04/2000 at 10pm (GMT) on IRC for a 1 hour meeting.
>>
Is this an April Fool's joke? 8-) Dell
Replies
Name/Email
Yahoo! ID
Date
Size
21554
Re: SENSATION : Edgar and Jerome to join chat
Jared White
Sat
4/1/2000
2 KB
21561
Klaus Schulze to appear April 2 (not an April Foo
joe shoults
Sat
4/1/2000
2 KB
From:
'Gustavo Jobim'
Date: Sat Apr 1, 2000 5:16
am
Subject: OT: Mail problem
Hello all,
I've been having problems with my email server, so I'll be using the
Hotmail address for now. If anyone sent me anything and got no reply, please
send again to this address: gustavofj@h... .
The problem should be solved soon.
And sorry for the OT message!
G.F.Jobim - GFJM: http://gfjm.cjb.net
p.s. If you know any free (and good) POP mail account provider, please tell
me!
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
'Miguel Farah F.'
Date: Sat Apr 1, 2000 4:14
am
Subject: Check this out! New prog compilation album
Hi all.
I found this on another music-related mailing list I am subscribed to,
and I thought you might be interested:
NEW COMPILATION ALBUM
THE WORLD'S MOST IMPORTANT PROGRESSIVE RAP
Proghead Music is proud to present the most important progressive rap
songs ever, all together in a unique compilation album.
This compilation is not about the 'hits' or the most popular tracks, it
is instead about the most *important* songs: the ones that helped define
the genre and posed the biggest influence (of course, everyone knows
that means these are the best!).
Get this album and you will have all there is needed to fully understand
and enjoy progressive rap!
THE WORLD'S MOST IMPORTANT PROGRESSIVE RAP's track listing is:
Disc 1:
1. Nemesis - Invisible Couch
2. Queen Crimson - Bohemian Discipline
3. Gabriel Peters - Spank the Monkey
4. Steele Bracket - Spectral Moanings
5. Rust - Free Willy
6. Genitals A-Giant - Asspirations
7. Emerson, Lake and Hammer - Love Bitch
8. Tangerine Theater - Images and Logos
9. Queen Crimson - 23rd Century Schizoid Narn
10. The Notorious A.P. - Pervert Aunts And Nieces
Disc 2:
11. Gabriel Peters - I Go Sniffing
12. Scott's Mustache - The Blight
13. Emerson, Lake and Hammer - Lucky Strike
14. Kink Freud - The Wart
15. Nemesis - Seven Stoned
16. Affirmative - The Bladder
17. Genitals A-Giant - Nigga Cat
18. Keith E - Wanky
19. Rust - Bitch Hunt
20. ICQ - Subterfugia
Catalog number: PRGH0401
Go to your favorite music store and buy your copy NOW!
ATTENTION: if you buy directly from Proghead Music's on-line store,
you'll get a bonus single with Mellotronic's 'Pump Up The Hammond' and
'This Beat Is Mellotronic' for FREE! Go to
http://www.usenet.cl/proghead-music right away!!!
--
MIGUEL FARAH // miguel@w...
#include // http://www.webhost.cl/~miguel
<*>
'Trust me - I know what I'm doing.'
- Sledge Hammer
From:
'Jared White'
Date: Sat Apr 1, 2000 4:32
am
Subject: RE: [tadream] SENSATION : Edgar and Jerome to join chat
Yes, it has nothing to do with reality. Unfortunately.... :(
Weird,
Jared
> -----Original Message-----
> From: aoutland@a... [mailto:aoutland@a...]
> Sent: Friday, March 31, 2000 5:53 PM
> To: tadream@o...
> Subject: Re: [tadream] SENSATION : Edgar and Jerome to join chat
>
>
> In a message dated 03/31/2000 7:10:06 PM Eastern Standard Time,
> airwave@1... writes:
>
> <<
> Edgar and Jerome will join us on #tadream on SorceryNet
> tonight 01/04/2000 at 10pm (GMT) on IRC for a 1 hour meeting.
> >>
>
> Is this an April Fool's joke? 8-) Dell
Replies
Name/Email
Yahoo! ID
Date
Size
21561
Klaus Schulze to appear April 2 (not an April Foo
joe shoults
Sat
4/1/2000
2 KB
From:
'David Foster'
Date: Fri Mar 31, 2000 7:16
pm
Subject: Mars Polaris
Astrophobia is favourite track at the moment.
UK news says that it's official........NASA underspent on the project by
33%....probably why the first mission shot past and the second crashed. What I
really want to know is.......when the workers at NASA backup the car in the
parking lot every day, do they use feet and inches or convert into metric?
'Sorry, Honey, I crashed the car this morning, I couldn't calculate the
velocity of that back wall...the space was 33% smaller than I expected.'
David
[Non-text portions of this message have been removed]
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Yahoo! ID
Date
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22153
Mars Polaris
Synthhtnys@a...
Mon
4/24/2000
2 KB
24924
Mars Polaris
Frank Arellano
Thu
11/9/2000
2 KB
24925
Re: Mars Polaris
Jared White
Thu
11/9/2000
2 KB
24926
Re: Mars Polaris
Feldon Feldon
Thu
11/9/2000
5 KB
24927
Re: Mars Polaris
Jared White
Thu
11/9/2000
4 KB
24935
Re: Mars Polaris
Feldon Feldon
Thu
11/9/2000
4 KB
24963
Re: Mars Polaris
PENFOLD
Fri
11/10/2000
2 KB
24937
Re: Mars Polaris
Joe Shoults
Thu
11/9/2000
2 KB
24938
Re: Mars Polaris
quarlie@a...
Thu
11/9/2000
2 KB
From:
'Dave Brewer'
Date: Sat Apr 1, 2000 8:42
am
Subject: Soundmill Navigator First Impressions
After Goozer was able to get a copy from his local Borders, I thought I'd
check mine today. Lo and behold, they had a copy, so I snagged it up quick!
They also had a copy of Tang Go there as well, but since I have everything
on there except the two tracks from the Dream Dice bonus disc, I passed. I
also saw a copy of GWoC there, with a slightly different cover art than
mine. (mine has a white border around the front, whereas this one had no
border) Again, my condolences to those who must collect every variant of
artwork... ;-)
Before I started listening, I already realized that it was tangentized from
hearing the clips on the website. Personally, I don't agree with this
practice, but I respect it. It's Edgar's music after all, and he can do what
he darn well pleases with it! Still, I do wish he'd leave the vintage
recordings alone, except for cleaning up the sound quality as best as
possible. But like I said, he can do what he feels is best for the music.
Now, my first impression was listening in the car. I know, that's not the
best place to listen to music, since it has to compete with all sorts of
noise. But, that's just the way it is, to quote Bruce Hornsby. :-)
Even tho it's modern, I do like the intro quite a bit! Some very interesting
sound layers in there! But after three minutes into it, some annoying sound
comes on. It sounds like a looped sample of someone spraying glass cleaner
on something, panning back and forth in the stereo image. At first I think
it's just part of one of the keyboard sounds, since a lot of the modern
keyboard sounds have all sorts of little effects like that in them. After a
while, some vintage mellotron sounds start seeping through. That 'spray'
sound is still around... Some more time passes, and some excellent sequencer
sounds come to life... Spray sound continues to be there... Starting to
distract me... The sequencers get more active, and then Edgar's guitar
begins to sing. Ahhhh, wonderful-waitaminute... That spray sound is still
going! I'm really starting to focus more on that than the rest of the music.
It's kinda hard for me not to, since it's what I can hear the easiest in the
car! Anyway, you probably get my drift. That spray sound just continues to
be there, and makes it hard to listen to the rest of the music. The piece
eventually ends with the same figure it started with, which I like. They're
still spraying away tho and I've been hearing it for almost 40 minutes
straight now! The combination of hearing that sound constantly for that long
and enduring rush hour traffic at the same time is really fraying my nerves!
The spray sound doesn't end until the disc does... Ugh!
This 'spray' sound I've been fixating on must be the sound Goozer was
mentioning. I'm not sure what it is or if it was intentional or not. But
either way, it is a mastering flaw. If it is a keyboard sound, they probably
shouldn't have had it going for about 38 minutes straight. And if it is
something on the tape or something like that, then they should have noticed
it in the monitor speakers as they were mastering it and did something about
it. Okay so I was listening to it in the car, maybe it will sound more
balanced and the constant 'fffft fffft fffft fffft' won't be as noticeable
on my home stereo. But this is one of those things that makes you wonder,
'what the hell is that?!'
Putting that sound aside, I like the disc. Yeah, it could be longer, and do
without modern overdubs, but it's still good. But if we can find out what
the deal is with this sound, then I could rest easier. :-)
Speaking of rest... It is late, and I must sleep now... Good night,
all!
Dave Bzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz...
From:
Chris Richards
Date: Sat Apr 1, 2000 9:19
am
Subject: Re: [tadream] Digest Number 441
<>
Wow!! I had no idea such a thing existed. I have
part of his first solo concert, which was
televised live on MTV on New Year's Eve 86. I
remember because it opened it with a version of
Thin Lizzy's Rosalie/The Cowgirl Song. Well,
actually, Rosalie is a Bob Seger song, but Lizzy
covered it, and when they performed it onstage,
they would stick a little Cowboy Song tease in
(hence 'The Cowgirl Song' part of the title).
Well, Andy does this PERFECT performance of the
song, very faithful to the version on Lizzy's
'not so live' live album, Live And Dangerous, the
only real difference being that they he had a
power trio and was therefore the only guitarist,
and he didn't sing during the Cowgirl Song bit.
Well, after Andy's set, one of the original MTV
VJ's, that shmuck Mark Goodman, comes on and says
'Andy opened with Rosalie, the old Bob Seger
song', and didn't even TRY to point out the
obvious tip of the hat to Lizzy (probably in
commeration of their leader Phil Lynott, who had
passed away the previous January). :-P
Yeah, this is has nothing to do with TD, but this
does: Does anyone have the untampered with
version of the Soundmill Navigator show?
WP: Kiss 'Rock N Roll All Night' (Dressed To Kill)
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com
From:
Chris Richards
Date: Sat Apr 1, 2000 9:46
am
Subject: Re: First contact
Well, with me, it was a bit weird. I got into
rock music real early. Like when I was two! My
oldest brother was always playing Uriah Heep,
Kiss, Peter Frampton, that sorta stuff. So, very
early on, I knew I wanted to be a guitarist.
By the time I was 10, I was reading whatever I
could find about music, reading guitar magazines,
and also borrowing whatever books I could find
about musical instruments from the library.
Including books about synthesizers. I remember
seeing Tangerine Dream mentioned in a book called
Rock Hardware, which was an occasionally
inaccurate (according to the authors, Elvis
Costello played a Fender Jaguar during the early
part of his career...it was actually a
Jazzmaster) book that had a picture of Chris
Franke onstage, sometime in the late 70's or
early 80's, maybe. I remember the caption said he
used a customised modular synth, a Elka string
synth and I forget what else.
From there, I think next I saw a book that
Keyboard magazine put out, I think just called
Electronic Music. This book consisted largely of
reprinted articles, one of which was on Tangerine
Dream. I think it was from around 81 or 82, I
know it was configured as an interview with the
entire group, but not all of them were present
(it was something like Chris starting the
interview, then Johannes walked in half way
through and joined the interview, and then Edgar
was interviewed seperately). I also remember them
talking about, I think, the soundtrack to Theif,
and how they didn't like the way it was used
during the last 10 or 15 minutes of the movie,
with the music fading in and out. I think it was
Chris who also talked about the idea of doing a
soundtrack for a movie that no one see...they
would just hear the music they created for the
visuals. I also remember this photo from 80 or
so, maybe from the Pergammon, and they just had
TONS of gear onstage!!! That looked impressive to
this 11 year old!!!!
Anyway, somewhere in there, I saw Wavelength on
TV. Two things that stand out in my mind: this is
what Cherie Currie did after The Runaways broke
up(Ya remember The Runaways, the band that Joan
Jett and Lita Ford played in!!! Anyway, Cherie
played the female lead in this movie, the blond
who had the psychic link with the
extraterrestrials). I remember really liking the
music that was played over the closing credits,
and I spotted the words TANGERINE DREAM in the
credits, listed under 'Music by' or some such.
I'm not sure exactly WHEN it was, but somewhere
in there, maybe around 85 or so, I finally bought
Tangram. I think I went to the record store, and
saw four or five albums, probably mainly the
Virgin stuff. I think I picked Tangram because of
the two or three records that I had the money to
buy, I think this one impressed because there was
one track on each side. So I bought it.
I can't really verbalise what I thought of Set I
at the time. What a wonderful piece of music! I
remember laying on the couch in the wood panelled
basement, listening to that album on the stereo.
I just remember really liking the way the whole
thing unfolds so perfectly. I also remember it
was ages before I really got into side two, and
in fact, for a long time, I couldn't even
remember what it sounded like, but it's very
sweet as well. A great album.
So as the next few years went by, I bought
whatever vinyl I could. I remember buying
Rubycon, and borrowing the old Relativity double
CD version of Zeit from the library (and being
disappointed at how 'uneventful' the music
seemed). I remember going to one store (which
later burned down) and asking them to play a
little bit of Encore on the turntable before I
bought, as I feared it would be like Zeit (I like
Zeit now, btw, but then, I just couldn't get into
it). After hearing about 5 seconds of whichever
track the person played (she dropped the needle
in a random place, I think), I said 'I'LL TAKE
IT!'. I also remember getting the old Virgin
issues of Cyclone, Force Majeur, and Logos on CD
(the latter two I bought when I was living in San
Diego). Then, I eventually found people who had
bootlegs and I started doing tape trades and got
some stuff. I remember actually buying a couple
bootleg videos (non-TD ones) at a record store,
and taking them back a week later because I was
dissatisfied and exchanging them for the Tangents
set, that had to have been something like 95 or
so (because I tried to listen to the entire set
in sequential order, it took me AGES to discover
Silver Scale).
Well, that's a bit more than just the first
contact thing, but at least I didn't go on about
the dude I met who maintains that TD should have
released the Reims performance way back when! :-)
NP: Aerosmith 'No More, No More' (Toys In The Attic)
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com
From:
Synthhtnys@a...
Date: Sat Apr 1, 2000 9:56
am
Subject: Re: [tadream] Re: First contact
In a message dated 4/1/2000 9:46:51 AM !!!First Boot!!!,
kohntarkosz@y... writes:
<< (because I tried to listen to the entire set
in sequential order, it took me AGES to discover
Silver Scale).
*Where can I find this track, again? I've been reading about it lately and am
curious.... It seems like it also appeared on a live release(?)
NP: Aerosmith 'No More, No More' (Toys In The Attic)>>
*oh now that's taking me back.... I loved that album
also loved the cut 'Round and Round'
Poly
Replies
Name/Email
Yahoo! ID
Date
Size
21563
silver scale
joe shoults
Sat
4/1/2000
2 KB
From:
'Glenn Folkvord'
Date: Sat Apr 1, 2000 1:27
pm
Subject: SV: [tadream] Re: First contact
Hey,
I heard TD music for years without knowing it was TD, and I loved it!
In the early to mid 80s there was a science program on Norwegian TV called
MAGNUS. They used Chimes & Chains as the intro, and I thought it was so cool!
This was even before I knewe who Jarre was. In the early 90s I discovered TD
for real and had a suspicion that the MAGNUS intro was TD, and not until 1996
when I got the 70s-90s box set I had confirmation about it.
all the best,
Glenn
JarreArt www.itsahit.com/jarreart
Emusic http://w3.to/_emusic
From:
'joe shoults'
Date: Sat Apr 1, 2000 2:31
pm
Subject: Klaus Schulze to appear April 2 (not an April Fool's Joke)
From the KS website:
'Guest appearance of Klaus Schulze in London
KS will play in London on April 2nd, 'just as Manuel's guest' as Klaus said,
at a concert of Manuel Göttsching in the Royal Festival Hall. More info will
be in the Ashra website.'
Klaus Shulze website:
http://www.klaus-schulze.com/
Ashra website:
http://www.ashra.com/
Ashra pic from 1973:
http://www.tadream.net/images/TD_and_Ashra_1973.jpg
From:
'Feldon Feldon'
Date: Sat Apr 1, 2000 2:58
pm
Subject: Re: [tadream] Soundmill Navigator
>From: 'Dave Brewer'
>Reply-To: tadream@o...
>To:
>Subject: [tadream] Soundmill Navigator First Impressions
>Date: Sat, 1 Apr 2000 01:42:20 -0700
>
>Before I started listening, I already realized that it was tangentized from
>hearing the clips on the website. Personally, I don't agree with this
>practice, but I respect it. It's Edgar's music after all, and he can do
>what
>he darn well pleases with it!
It's not Edgar's music, it's Edgar, Chris, and Peter's music.
-Morgan
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
From:
'joe shoults'
Date: Sat Apr 1, 2000 2:51
pm
Subject: silver scale
> -----Original Message-----
> From: Synthhtnys@a... [mailto:Synthhtnys@a...]
> > Silver Scale).
> *Where can I find this track, again? I've been reading about it
> ...curious.... It seems like it also appeared on a live release(?)
yes, they have played it live, but I don't know which shows. I have it on
at least one of the old tape tree tapes, but I misplaced my key to which
tapes are what shows (anybody got this?).
It is also on the Wavelength OST as 'Church Theme'. (which is a great
soudtrack, IMO)
joe
np: Schulze- Irrlicht (I wish Satz Gewintter was longer!)
From:
Carlo Ruggiero
Date: Sat Apr 1, 2000 4:35
pm
Subject: Re: [tadream] silver scale
Silver Scale has been officially released in several versions. It is on Disk
5 of the Tangetns compilation at just over 9 minutes. It is also available on
Valentine Wheels
with a running time of over 5 minutes. The opening part of the track does
appear as Church Theme on Wavelength.
If you want to hear the whole long track - get the Firenze, Italy 8 Feb 1981
concert on tape or CD-R. Essentially this track goes on for the better part
of 25 minutes. Of course, it is also available on Transfer Blue Night. You
may also hear the entire track on Absolutely Hypnotized - it is the second
track.
This track is among my favorites, as it is for so may TD fans. One of their
best tracks ever.
Carlo
np: WestWorld by AirWave (Promo Copy) - More on it later, as I need to speak
with the musician who is a personal friend
> From: Synthhtnys@a... [mailto:Synthhtnys@a...]
> > > Silver Scale).
> > *Where can I find this track, again? I've been reading about it
> > ...curious.... It seems like it also appeared on a live release(?)
>
> yes, they have played it live, but I don't know which shows. I have it on
> at least one of the old tape tree tapes, but I misplaced my key to which
> tapes are what shows (anybody got this?).
>
> It is also on the Wavelength OST as 'Church Theme'. (which is a great
> soudtrack, IMO)
Replies
Name/Email
Yahoo! ID
Date
Size
21569
Re: silver scale
Rudy Russo
Sun
4/2/2000
3 KB
21570
Re: silver scale
Synthhtnys@a...
Sun
4/2/2000
2 KB
From:
'Dave Brewer'
Date: Sat Apr 1, 2000 5:21
pm
Subject: Re: [tadream] Soundmill Navigator
-----Original Message-----
From: Feldon Feldon
To: tadream@o...
Date: Saturday, April 01, 2000 7:58 AM
Subject: Re: [tadream] Soundmill Navigator
It's not Edgar's music, it's Edgar, Chris, and Peter's music.
-Morgan
Okay, yeah, it's not really just Edgar's music. I just stated it like that
because a. (it seems like) he's the one in posession/control of the recording
(not Chris or Peter) and b. even though most of us (fans) would rather not see
him do that to it, it's not ours to dictate what he should do with it. That's
what I was getting at. I'm sorry, I didn't mean to imply that Chris and Peter
had nothing to do with it. That music could never exist without their input
along with Edgar's. Shame on me for trampling on one of the classic TD lineups!
:-)
Dave B.
[Non-text portions of this message have been removed]
From:
Airwave
Date: Sat Apr 1, 2000 6:38
pm
Subject: Re: Body Love
Joe wrote:
> np: Schulze- Body Love (has anyone seen this movie?!?)
I searched for it a long time ago and found it had been
deleted. No chance of ordering it anywhere, except
if you can find it through 2nd hand outlets.
The movie was directed by German porn director
Lasse Braun, and it's only soft porn.
Released by Love Film Production 1977.
Starring :
Lolita Da Nova (debut)
Jack Gatteau
Linda Verell
Jean Gerard Sorlin
Gilda Arancio
Gemma Giminnez
Music by Klaus Schulze
Drums by Harald Grosskopf.
Judging from the screen shots on the original LP cover
you're not missing out on an exceptional porn experience ;-)
Would be fun watching it though with Schulze's music ;-)
NP Klaus Schulze : Body Love II
---------------------------------------------------------------
__
\ O /_ Flemming Larsen, airwave@1...
\/ /_ \ http:// (in the works)
\ ICQ #65014061
Visit the TaDream Chat on IRC, SorceryNet, #tadream.
Fridays and Saturdays 9pm-2am (GMT) (Usually ;-)
Feel free to email me for details on how to access IRC.
---------------------------------------------------------------
From:
'Daniel Hobrecht'
Date: Sat Apr 1, 2000 9:38
pm
Subject: RE: [tadream] Digest Number 442
There is a live cut of Silver Scales on Valentine Wheels.
-----Original Message-----
From: tadream@o... [mailto:tadream@o...]
Sent: Saturday, April 01, 2000 3:27 AM
To: tadream@o...
Subject: [tadream] Digest Number 442
------------------------------------------------------------------------
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Classmates.com has them all. And with 4.4 million alumni already
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There are 24 messages in this issue.
Topics in this digest:
1. RE: RE: Soundmill Navigator
From: pergamon@g...
2. Re: Soundmill Navigator
From: 'Greg'
3. Soundmill Navigator
From: Heiko Heerssen
4. Digest Number 441 in quoted-printable?
From: Winston Edmond
5. Rubycon revisited
From: Tomas Rydqvist
6. Re: Rubycon revisited
From: Vic Rek
7. RE: Great Wall of Rockoon
From: Nigbur D
8. TDI Message about Soundmill Navigator
From: 'Paul Fellows'
9. RE: Rubycon revisited
From: 'Michael A Jean'
10. Where did it go?
From: 'Hermes Guzman'
11. RE: Where did it go?
From: 'Joe Shoults'
12. RE: Re: Duran Duran
From: 'Joe Shoults'
13. OT: RE: Re: Duran Duran
From: 'Joe Shoults'
14. SENSATION : Edgar and Jerome to join chat
From: Airwave
15. Osnabrueck live photos (NEW!!!)
From: Rainer Rutka
16. Re: SENSATION : Edgar and Jerome to join chat
From: aoutland@a...
17. OT: Mail problem
From: 'Gustavo Jobim'
18. Check this out! New prog compilation album
From: 'Miguel Farah F.'
19. RE: SENSATION : Edgar and Jerome to join chat
From: 'Jared White'
20. Mars Polaris
From: 'David Foster'
21. Soundmill Navigator First Impressions
From: 'Dave Brewer'
22. Re: Digest Number 441
From: Chris Richards
23. Re: First contact
From: Chris Richards
24. Re: Re: First contact
From: Synthhtnys@a...
________________________________________________________________________
________________________________________________________________________
Message: 1
Date: 31 Mar 2000 11:30:23 +0100
From: pergamon@g...
Subject: RE: RE: Soundmill Navigator
Yes I will back you up, I can't actually recall the persons name. But there
where a statement
from TDI saying it wasn't tangenized.
Jan
> > > Not that I mind, but I thought TDI said Soundmill Navigator wasn't
> > > 'tangentized?'
> >
> > Nope. Never said it.
>
> Um, yes they did. Martin Kay said as much ON THIS LIST.
> I wish I had kept that particular message so I could repost it.
> (Anybody else actually willing to back me on this?)
>
pergamon@g...
________________________________________________________________________
________________________________________________________________________
Message: 2
Date: Fri, 31 Mar 2000 03:28:53 -0700
From: 'Greg'
Subject: Re: Soundmill Navigator
From: 'Hermes Guzman'
> will ovbiously take us out of the disk. And it has. And that annoying
> noise *is* a mastering flaw!! $#@^*(#^@(!!!
>
> Let the praise and vitriol begin.
>
> goozer
On the second excerpt of the Soundmill Navigator clips from the TDI
website, the right/left panning 'tisk tisk' can be clearly heard. It sounds
particularly hypnotic to me. As far as the 'tangentizing' is concerned..
I could have told you this when the SN clips first came on the TDI site
quite a while back.. I knew the high shrill sounds were not from that time!
Do I care? No.. I can understand that mastering some old recordings
can be difficult.. especially with drop outs and a sheer lack of a broad
range of sound. I realize as with Sohoman, Soundmill Navigator probably
has a lot of high range additions and probably some low range as well.
I'm definately going to get this album! It will be particularly inspiring
for
me.
Greg H.
________________________________________________________________________
________________________________________________________________________
Message: 3
Date: Fri, 31 Mar 2000 12:34:41 +0200
From: Heiko Heerssen
Subject: Soundmill Navigator
With all the talk about 'tangentizing' I wonder if this CD would sound
the same if at least Chris Franke and/or Peter Baumann would still be in
the band. Until this day I don't know exactly if Edgar alone was
responsible for mastering TD's music (and therefore the person who
decided how a record should sound in the end), or if past members also
had control over what was to be the final 'product'.
I hope to get my copy of Soundmill Navigator very soon & it will be nice
to compare it with the radio broadcast versions I have.
Heiko
________________________________________________________________________
________________________________________________________________________
Message: 4
Date: Fri, 31 Mar 2000 05:30 EST
From: Winston Edmond
Subject: Digest Number 441 in quoted-printable?
Yuck. Tadream digest #441 arrived in 'quoted-printable' format.
Would whoever made that change please undo it. Thanks,
-WBE
________________________________________________________________________
________________________________________________________________________
Message: 5
Date: Fri, 31 Mar 2000 14:34:36 +0200
From: Tomas Rydqvist
Subject: Rubycon revisited
Hi folks
Just question,
Rubycon revisited is that a cdr from the beginning or is it a real
boot??
I think i have been riped of, caus i recived a cdr with coulor label on
it.
Im i right or ,,,??
Thanks
Totta
________________________________________________________________________
________________________________________________________________________
Message: 6
Date: Fri, 31 Mar 2000 07:37:31 -0500
From: Vic Rek
Subject: Re: Rubycon revisited
> Hi folks
> Just question,
> Rubycon revisited is that a cdr from the beginning or is it a real
> boot??
> I think i have been riped of, caus i recived a cdr with coulor label on
> it.
> Im i right or ,,,??
This release is a CD, NOT a CD-R. Vic
________________________________________________________________________
________________________________________________________________________
Message: 7
Date: Fri, 31 Mar 2000 15:49:24 +0100
From: Nigbur D
Subject: RE: Great Wall of Rockoon
> ----------
> From: Gabe Yedid[SMTP:gabe@p...]
> Reply To: tadream@o...
> Sent: 31 March 2000 00:05
> To: tadream list
> Cc: artofvision@o...
> Subject: Re: [tadream] Great Wall of Rockoon
>
> The rhythmic pattern from 'Girls on Broadway' is, which reappears on
> 'Silence The Barking Monk' is, I believe, a preset pattern from the Korg
> Wavestation, and is also used on 'Last Trumpet on 23rd Street' from _What
> a Blast_.
>
Ah, that would explain it. I really liked the track apart from this reminder
of 'Girls on Broadway', so it was a bit of a sore thumb.
> This is not, IMO, the same as wholesale repackaging of
> material, and I felt I had to speak out on this before somebody gets the
> idea that these two tracks are remixes/retreads of earlier pieces, in the
> same way that 'The Golden Horn' from _Transsiberia_ was (it's 'Turning Off
> The Wheel' minus some layers).
>
No, I didn't mean to give the impression that this was the case. None of the
tracks on 'Great Wall of China' could be considered re-mixes or alternative
versions of existing tracks. A lot of the sounds, rhythms, and melodies,
however, seem quite similar.
> I'm pretty sure the melody and harmonic
> background of 'Silence...' are quite different from those of 'Girls on
> Broadway'.
>
The first part of the piece is very different from anything else and
a very interesting and novel composition. In stark contrast, the second part
is _very_ similar to 'Girls on Broadway', with the rhythmic sequence and
effects being identical, and just an additional, very quiet chords/melody
layer added. It really isn't very far away from 'Girls on Braodway'.
>
> > There are A LOT of cases on the album of Rockoon/220V material
> apparently
>
> Would you mind mentioning some others?
>
The problem is that I'm writing this from work, and I haven't listened to
the CD recently enough to have it all ready here. I'll give it another
listen.
> mold, and one piece is IMO a clear nod to '70s TD: 'The South Gate
> Knights', which I think of as a sort of dark version of 'Astral Voyager'.
>
I agree on that one.
________________________________________________________________________
________________________________________________________________________
Message: 8
Date: Fri, 31 Mar 2000 19:34:05 +0200
From: 'Paul Fellows'
Subject: TDI Message about Soundmill Navigator
Hi all,
Someone said something about wishing they still had the message from Martin
at TDI reference 'Soundmill Navigator', and in particular whether it was
'Tangentised' or not, well here it is:
>From: 'TDI - Martin K.'
>
>Hello,
>
>Soundmill Navigator is an official release, normal price.
>It is a recording of a concert performed 1976 at the Philharmonie Berlin.
>The recordings have been remastered but not remixed ('tangentized' as you
>would call it in list jargon ;-))
>Its release date is March 30th, 2000.
>
>hope this helps...
>
>All the best,
>
>Martin K.
>TDI- Music- Support.
>Tel:-49-30-23620995
>Fax:-49-30-23620996
>
>Visit our Website at:
>
>http://www.tdi-music-mall.de
>
>Have a nice day!
________________________________________________________________________
________________________________________________________________________
Message: 9
Date: Fri, 31 Mar 2000 13:22:46 -0600
From: 'Michael A Jean'
Subject: RE: Rubycon revisited
Regardless of whether it is a CD or a CDR you have been ripped off anyway,
because it is just awful (and not a TD project)...
MJ
> -----Original Message-----
> From: Vic Rek [mailto:torque19@i...]
> Sent: Friday, March 31, 2000 6:38 AM
> To: tadream@o...
> Subject: Re: [tadream] Rubycon revisited
>
>
> > Hi folks
> > Just question,
> > Rubycon revisited is that a cdr from the beginning or is it a real
> > boot??
> > I think i have been riped of, caus i recived a cdr with coulor label on
> > it.
> > Im i right or ,,,??
>
> This release is a CD, NOT a CD-R. Vic
>
>
> ------------------------------------------------------------------------
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>
>
________________________________________________________________________
________________________________________________________________________
Message: 10
Date: Fri, 31 Mar 2000 19:37:04 -0000
From: 'Hermes Guzman'
Subject: Where did it go?
Joe, Joel, Scott...
Where did the reply that I posted last night to Jared's second
message go? There wasn't anything in there that would've offended
anyone, as I don't attach personal attacks to such subjective
matters. So wher'd it go? I saw it this morning....
goozer
________________________________________________________________________
________________________________________________________________________
Message: 11
Date: Fri, 31 Mar 2000 15:16:33 -0500
From: 'Joe Shoults'
Subject: RE: Where did it go?
> -----Original Message-----
> From: Hermes Guzman
> Where did the reply that I posted last night to Jared's second
> message go?
what do you mean? Nothing has been deleted... send it again if you need
to. keep in mind the view is different in the archives when you 'View by
Thread'.
joe shoults
np: Schulze- Body Love (has anyone seen this movie?!?)
________________________________________________________________________
________________________________________________________________________
Message: 12
Date: Fri, 31 Mar 2000 17:14:48 -0500
From: 'Joe Shoults'
Subject: RE: Re: Duran Duran
yup. dat wuz moi.
actually, Hungry like the wolf, the most popular song on the album was the
weakest, IMO. But I think that about a lot of albums...
joe
> -----Original Message-----
> From: Chris Richards [mailto:kohntarkosz@y...]
> Sent: Friday, March 31, 2000 2:18 AM
> To: tadream@o...
> Subject: [tadream] Re: Duran Duran
>
>
> Someone sited Duran Duran's The Chauffer as a
> great song. I'll second that one! The first coule
> Duran albums had some cool songs on em, and that
> was my favorite.
>
> NP: Charles Mingus 'Girl Of My Dreams' (Mingus Ah
> Um)
>
> =====
> May you never thirst!
> The Scuba Diver Presently Known As Chris
>
> 'Heaven can always turn around'-Eiffel 65
>
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
> http://im.yahoo.com
>
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________________________________________________________________________
Message: 13
Date: Fri, 31 Mar 2000 17:52:03 -0500
From: 'Joe Shoults'
Subject: OT: RE: Re: Duran Duran
oops. dammit!
meant for off-list.
sorry (again).
________________________________________________________________________
________________________________________________________________________
Message: 14
Date: Sat, 01 Apr 2000 02:12:38 +0100
From: Airwave
Subject: SENSATION : Edgar and Jerome to join chat
Hi everyone.
About a month ago I sent an invitation to Edgar and Jerome
to join the chat on IRC for a fan meeting. This was to take
place sometime whenever they could find the time to so.
Today 01/04/2000 I got the confirmation.
Edgar and Jerome will join us on #tadream on SorceryNet
tonight 01/04/2000 at 10pm (GMT) on IRC for a 1 hour meeting.
I know this is short notice, but as schedules has made it
impossible to give advanced notice there has been nothing
I could do. Join us if you can. A transscript of the
chat will be posted as soon as the meeting is over.
mIRC for PC can be downloaded at www.mirc.com
It is fairly easy to set up.
---------------------------------------------------------------
__
\ O /_ AirWave, airwave@1...
\/ /_ \ http:// (in the works)
\ ICQ #65014061
Visit the TaDream Chat on IRC, SorceryNet, #tadream.
Fridays and Saturdays 9pm-2am (GMT) (Usually ;-)
Feel free to email me for details on how to access IRC.
---------------------------------------------------------------
________________________________________________________________________
________________________________________________________________________
Message: 15
Date: Sat, 1 Apr 2000 02:17:28 -0100 (MEZ)
From: Rainer Rutka
Subject: Osnabrueck live photos (NEW!!!)
Hi!
Just for your pleasure!
While I was sufing though the internet I found some very interesting
TD related sites. Some of them are strange.
And I found some new (for me!) photos from the Klangart/Osnabrueck
concert last year. The strange thing was: I found it on a smokers-
fansite. Yes a site for smokers / tabako fans! And I found a very
interesting
TD page from Switzerland.
See my updated links seite : www.rutka.de/td -> links
or the updated Klangart pate: www.rutka.de/td -> klangart pictures (left).
Or: www.schmauch.de/99-06-12/99-06-12-Katalog.html
(this is the Klangart page only)
Unfortunately these sites are in the german language (but we have some
nice pictures).
Rainer
PS: I will ship the next Solar-Eclipse CDs on monday.
---------------------------------------------------------------------
www.rutka.de/td
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
________________________________________________________________________
________________________________________________________________________
Message: 16
Date: Fri, 31 Mar 2000 20:52:55 EST
From: aoutland@a...
Subject: Re: SENSATION : Edgar and Jerome to join chat
In a message dated 03/31/2000 7:10:06 PM Eastern Standard Time,
airwave@1... writes:
<<
Edgar and Jerome will join us on #tadream on SorceryNet
tonight 01/04/2000 at 10pm (GMT) on IRC for a 1 hour meeting.
>>
Is this an April Fool's joke? 8-) Dell
________________________________________________________________________
________________________________________________________________________
Message: 17
Date: Sat, 01 Apr 2000 00:16:36 EST
From: 'Gustavo Jobim'
Subject: OT: Mail problem
Hello all,
I've been having problems with my email server, so I'll be using the
Hotmail address for now. If anyone sent me anything and got no reply, please
send again to this address: gustavofj@h... .
The problem should be solved soon.
And sorry for the OT message!
G.F.Jobim - GFJM: http://gfjm.cjb.net
p.s. If you know any free (and good) POP mail account provider, please tell
me!
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
________________________________________________________________________
________________________________________________________________________
Message: 18
Date: Sat, 1 Apr 2000 00:14:14 -0400
From: 'Miguel Farah F.'
Subject: Check this out! New prog compilation album
Hi all.
I found this on another music-related mailing list I am subscribed to,
and I thought you might be interested:
NEW COMPILATION ALBUM
THE WORLD'S MOST IMPORTANT PROGRESSIVE RAP
Proghead Music is proud to present the most important progressive rap
songs ever, all together in a unique compilation album.
This compilation is not about the 'hits' or the most popular tracks, it
is instead about the most *important* songs: the ones that helped define
the genre and posed the biggest influence (of course, everyone knows
that means these are the best!).
Get this album and you will have all there is needed to fully understand
and enjoy progressive rap!
THE WORLD'S MOST IMPORTANT PROGRESSIVE RAP's track listing is:
Disc 1:
1. Nemesis - Invisible Couch
2. Queen Crimson - Bohemian Discipline
3. Gabriel Peters - Spank the Monkey
4. Steele Bracket - Spectral Moanings
5. Rust - Free Willy
6. Genitals A-Giant - Asspirations
7. Emerson, Lake and Hammer - Love Bitch
8. Tangerine Theater - Images and Logos
9. Queen Crimson - 23rd Century Schizoid Narn
10. The Notorious A.P. - Pervert Aunts And Nieces
Disc 2:
11. Gabriel Peters - I Go Sniffing
12. Scott's Mustache - The Blight
13. Emerson, Lake and Hammer - Lucky Strike
14. Kink Freud - The Wart
15. Nemesis - Seven Stoned
16. Affirmative - The Bladder
17. Genitals A-Giant - Nigga Cat
18. Keith E - Wanky
19. Rust - Bitch Hunt
20. ICQ - Subterfugia
Catalog number: PRGH0401
Go to your favorite music store and buy your copy NOW!
ATTENTION: if you buy directly from Proghead Music's on-line store,
you'll get a bonus single with Mellotronic's 'Pump Up The Hammond' and
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--
MIGUEL FARAH // miguel@w...
#include // http://www.webhost.cl/~miguel
<*>
'Trust me - I know what I'm doing.'
- Sledge Hammer
________________________________________________________________________
________________________________________________________________________
Message: 19
Date: Fri, 31 Mar 2000 20:32:35 -0800
From: 'Jared White'
Subject: RE: SENSATION : Edgar and Jerome to join chat
Yes, it has nothing to do with reality. Unfortunately.... :(
Weird,
Jared
> -----Original Message-----
> From: aoutland@a... [mailto:aoutland@a...]
> Sent: Friday, March 31, 2000 5:53 PM
> To: tadream@o...
> Subject: Re: [tadream] SENSATION : Edgar and Jerome to join chat
>
>
> In a message dated 03/31/2000 7:10:06 PM Eastern Standard Time,
> airwave@1... writes:
>
> <<
> Edgar and Jerome will join us on #tadream on SorceryNet
> tonight 01/04/2000 at 10pm (GMT) on IRC for a 1 hour meeting.
> >>
>
> Is this an April Fool's joke? 8-) Dell
________________________________________________________________________
________________________________________________________________________
Message: 20
Date: Fri, 31 Mar 2000 20:16:09 +0100
From: 'David Foster'
Subject: Mars Polaris
Astrophobia is favourite track at the moment.
UK news says that it's official........NASA underspent on the project by
33%....probably why the first mission shot past and the second crashed.
What I really want to know is.......when the workers at NASA backup the car
in the parking lot every day, do they use feet and inches or convert into
metric?
'Sorry, Honey, I crashed the car this morning, I couldn't calculate the
velocity of that back wall...the space was 33% smaller than I expected.'
David
[Non-text portions of this message have been removed]
________________________________________________________________________
________________________________________________________________________
Message: 21
Date: Sat, 1 Apr 2000 01:42:20 -0700
From: 'Dave Brewer'
Subject: Soundmill Navigator First Impressions
After Goozer was able to get a copy from his local Borders, I thought I'd
check mine today. Lo and behold, they had a copy, so I snagged it up quick!
They also had a copy of Tang Go there as well, but since I have everything
on there except the two tracks from the Dream Dice bonus disc, I passed. I
also saw a copy of GWoC there, with a slightly different cover art than
mine. (mine has a white border around the front, whereas this one had no
border) Again, my condolences to those who must collect every variant of
artwork... ;-)
Before I started listening, I already realized that it was tangentized from
hearing the clips on the website. Personally, I don't agree with this
practice, but I respect it. It's Edgar's music after all, and he can do what
he darn well pleases with it! Still, I do wish he'd leave the vintage
recordings alone, except for cleaning up the sound quality as best as
possible. But like I said, he can do what he feels is best for the music.
Now, my first impression was listening in the car. I know, that's not the
best place to listen to music, since it has to compete with all sorts of
noise. But, that's just the way it is, to quote Bruce Hornsby. :-)
Even tho it's modern, I do like the intro quite a bit! Some very interesting
sound layers in there! But after three minutes into it, some annoying sound
comes on. It sounds like a looped sample of someone spraying glass cleaner
on something, panning back and forth in the stereo image. At first I think
it's just part of one of the keyboard sounds, since a lot of the modern
keyboard sounds have all sorts of little effects like that in them. After a
while, some vintage mellotron sounds start seeping through. That 'spray'
sound is still around... Some more time passes, and some excellent sequencer
sounds come to life... Spray sound continues to be there... Starting to
distract me... The sequencers get more active, and then Edgar's guitar
begins to sing. Ahhhh, wonderful-waitaminute... That spray sound is still
going! I'm really starting to focus more on that than the rest of the music.
It's kinda hard for me not to, since it's what I can hear the easiest in the
car! Anyway, you probably get my drift. That spray sound just continues to
be there, and makes it hard to listen to the rest of the music. The piece
eventually ends with the same figure it started with, which I like. They're
still spraying away tho and I've been hearing it for almost 40 minutes
straight now! The combination of hearing that sound constantly for that long
and enduring rush hour traffic at the same time is really fraying my nerves!
The spray sound doesn't end until the disc does... Ugh!
This 'spray' sound I've been fixating on must be the sound Goozer was
mentioning. I'm not sure what it is or if it was intentional or not. But
either way, it is a mastering flaw. If it is a keyboard sound, they probably
shouldn't have had it going for about 38 minutes straight. And if it is
something on the tape or something like that, then they should have noticed
it in the monitor speakers as they were mastering it and did something about
it. Okay so I was listening to it in the car, maybe it will sound more
balanced and the constant 'fffft fffft fffft fffft' won't be as noticeable
on my home stereo. But this is one of those things that makes you wonder,
'what the hell is that?!'
Putting that sound aside, I like the disc. Yeah, it could be longer, and do
without modern overdubs, but it's still good. But if we can find out what
the deal is with this sound, then I could rest easier. :-)
Speaking of rest... It is late, and I must sleep now... Good night,
all!
Dave Bzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz...
________________________________________________________________________
________________________________________________________________________
Message: 22
Date: Sat, 1 Apr 2000 01:19:53 -0800 (PST)
From: Chris Richards
Subject: Re: Digest Number 441
<>
Wow!! I had no idea such a thing existed. I have
part of his first solo concert, which was
televised live on MTV on New Year's Eve 86. I
remember because it opened it with a version of
Thin Lizzy's Rosalie/The Cowgirl Song. Well,
actually, Rosalie is a Bob Seger song, but Lizzy
covered it, and when they performed it onstage,
they would stick a little Cowboy Song tease in
(hence 'The Cowgirl Song' part of the title).
Well, Andy does this PERFECT performance of the
song, very faithful to the version on Lizzy's
'not so live' live album, Live And Dangerous, the
only real difference being that they he had a
power trio and was therefore the only guitarist,
and he didn't sing during the Cowgirl Song bit.
Well, after Andy's set, one of the original MTV
VJ's, that shmuck Mark Goodman, comes on and says
'Andy opened with Rosalie, the old Bob Seger
song', and didn't even TRY to point out the
obvious tip of the hat to Lizzy (probably in
commeration of their leader Phil Lynott, who had
passed away the previous January). :-P
Yeah, this is has nothing to do with TD, but this
does: Does anyone have the untampered with
version of the Soundmill Navigator show?
WP: Kiss 'Rock N Roll All Night' (Dressed To Kill)
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
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Message: 23
Date: Sat, 1 Apr 2000 01:46:11 -0800 (PST)
From: Chris Richards
Subject: Re: First contact
Well, with me, it was a bit weird. I got into
rock music real early. Like when I was two! My
oldest brother was always playing Uriah Heep,
Kiss, Peter Frampton, that sorta stuff. So, very
early on, I knew I wanted to be a guitarist.
By the time I was 10, I was reading whatever I
could find about music, reading guitar magazines,
and also borrowing whatever books I could find
about musical instruments from the library.
Including books about synthesizers. I remember
seeing Tangerine Dream mentioned in a book called
Rock Hardware, which was an occasionally
inaccurate (according to the authors, Elvis
Costello played a Fender Jaguar during the early
part of his career...it was actually a
Jazzmaster) book that had a picture of Chris
Franke onstage, sometime in the late 70's or
early 80's, maybe. I remember the caption said he
used a customised modular synth, a Elka string
synth and I forget what else.
>From there, I think next I saw a book that
Keyboard magazine put out, I think just called
Electronic Music. This book consisted largely of
reprinted articles, one of which was on Tangerine
Dream. I think it was from around 81 or 82, I
know it was configured as an interview with the
entire group, but not all of them were present
(it was something like Chris starting the
interview, then Johannes walked in half way
through and joined the interview, and then Edgar
was interviewed seperately). I also remember them
talking about, I think, the soundtrack to Theif,
and how they didn't like the way it was used
during the last 10 or 15 minutes of the movie,
with the music fading in and out. I think it was
Chris who also talked about the idea of doing a
soundtrack for a movie that no one see...they
would just hear the music they created for the
visuals. I also remember this photo from 80 or
so, maybe from the Pergammon, and they just had
TONS of gear onstage!!! That looked impressive to
this 11 year old!!!!
Anyway, somewhere in there, I saw Wavelength on
TV. Two things that stand out in my mind: this is
what Cherie Currie did after The Runaways broke
up(Ya remember The Runaways, the band that Joan
Jett and Lita Ford played in!!! Anyway, Cherie
played the female lead in this movie, the blond
who had the psychic link with the
extraterrestrials). I remember really liking the
music that was played over the closing credits,
and I spotted the words TANGERINE DREAM in the
credits, listed under 'Music by' or some such.
I'm not sure exactly WHEN it was, but somewhere
in there, maybe around 85 or so, I finally bought
Tangram. I think I went to the record store, and
saw four or five albums, probably mainly the
Virgin stuff. I think I picked Tangram because of
the two or three records that I had the money to
buy, I think this one impressed because there was
one track on each side. So I bought it.
I can't really verbalise what I thought of Set I
at the time. What a wonderful piece of music! I
remember laying on the couch in the wood panelled
basement, listening to that album on the stereo.
I just remember really liking the way the whole
thing unfolds so perfectly. I also remember it
was ages before I really got into side two, and
in fact, for a long time, I couldn't even
remember what it sounded like, but it's very
sweet as well. A great album.
So as the next few years went by, I bought
whatever vinyl I could. I remember buying
Rubycon, and borrowing the old Relativity double
CD version of Zeit from the library (and being
disappointed at how 'uneventful' the music
seemed). I remember going to one store (which
later burned down) and asking them to play a
little bit of Encore on the turntable before I
bought, as I feared it would be like Zeit (I like
Zeit now, btw, but then, I just couldn't get into
it). After hearing about 5 seconds of whichever
track the person played (she dropped the needle
in a random place, I think), I said 'I'LL TAKE
IT!'. I also remember getting the old Virgin
issues of Cyclone, Force Majeur, and Logos on CD
(the latter two I bought when I was living in San
Diego). Then, I eventually found people who had
bootlegs and I started doing tape trades and got
some stuff. I remember actually buying a couple
bootleg videos (non-TD ones) at a record store,
and taking them back a week later because I was
dissatisfied and exchanging them for the Tangents
set, that had to have been something like 95 or
so (because I tried to listen to the entire set
in sequential order, it took me AGES to discover
Silver Scale).
Well, that's a bit more than just the first
contact thing, but at least I didn't go on about
the dude I met who maintains that TD should have
released the Reims performance way back when! :-)
NP: Aerosmith 'No More, No More' (Toys In The Attic)
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
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________________________________________________________________________
Message: 24
Date: Sat, 1 Apr 2000 04:56:49 EST
From: Synthhtnys@a...
Subject: Re: Re: First contact
In a message dated 4/1/2000 9:46:51 AM !!!First Boot!!!,
kohntarkosz@y... writes:
<< (because I tried to listen to the entire set
in sequential order, it took me AGES to discover
Silver Scale).
*Where can I find this track, again? I've been reading about it lately and
am
curious.... It seems like it also appeared on a live release(?)
NP: Aerosmith 'No More, No More' (Toys In The Attic)>>
*oh now that's taking me back.... I loved that album
also loved the cut 'Round and Round'
Poly
________________________________________________________________________
________________________________________________________________________
Replies
Name/Email
Yahoo! ID
Date
Size
21585
Re: Digest Number 442
joe shoults
Mon
4/3/2000
2 KB
From:
Airwave
Date: Sat Apr 1, 2000 10:49
pm
Subject: SENSATION : Edgar and Jerome to join chat
To those who didn't notice.
Today was April 1st. Aprils fool !
Quite a few people fell for it. Hope you weren't
too unhappy with it ;-)))
-------------------------------------------------------------
> Subject: SENSATION : Edgar and Jerome to join chat
>
> Hi everyone.
>
> About a month ago I sent an invitation to Edgar and Jerome
> to join the chat on IRC for a fan meeting. This was to take
> place sometime whenever they could find the time to so.
>
> Today 01/04/2000 I got the confirmation.
>
> Edgar and Jerome will join us on #tadream on SorceryNet
> tonight 01/04/2000 at 10pm (GMT) on IRC for a 1 hour meeting.
>
> I know this is short notice, but as schedules has made it
> impossible to give advanced notice there has been nothing
> I could do. Join us if you can. A transscript of the
> chat will be posted as soon as the meeting is over.
>
> mIRC for PC can be downloaded at www.mirc.com
> It is fairly easy to set up.
---------------------------------------------------------------
AirWave.
From:
Rudy Russo
Date: Sun Apr 2, 2000 1:53
am
Subject: Re: [tadream] silver scale
Brussels, 1981 or 1982, forget which. Don't have it
right in front of me. The unabridged version rules!
Rude
--- joe shoults wrote:
>
> > -----Original Message-----
> > From: Synthhtnys@a...
> [mailto:Synthhtnys@a...]
> > > Silver Scale).
> > *Where can I find this track, again? I've been
> reading about it
> > ...curious.... It seems like it also appeared on a
> live release(?)
>
> yes, they have played it live, but I don't know
> which shows. I have it on
> at least one of the old tape tree tapes, but I
> misplaced my key to which
> tapes are what shows (anybody got this?).
>
> It is also on the Wavelength OST as 'Church Theme'.
> (which is a great
> soudtrack, IMO)
>
> joe
>
> np: Schulze- Irrlicht (I wish Satz Gewintter was
> longer!)
>
>
>
>
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From:
Synthhtnys@a...
Date: Sun Apr 2, 2000 3:08
am
Subject: Re: [tadream] silver scale
In a message dated 4/2/2000 1:54:58 AM !!!First Boot!!!, rudy_russo@y...
writes:
<< Brussels, 1981 or 1982, forget which. Don't have it
right in front of me. The unabridged version rules!
Rude >>
* A kind soul tipped me off that it was on oct. 13 1980 Brussels....
I've listened to it a couple of times.... the more I listen to it , the more
it sounds like a variation of a sequence off Poland (still cool, but I was
familiar with it, and was kind of hoping for something new and
earth-shattering...)
Poly
From:
Chris Richards
Date: Sun Apr 2, 2000 7:27
am
Subject: Re: Duran Duran
<>
Yeah, me too! I'm always in the position of
getting responses like 'never heard of it' when I
name my favorite songs by a lot of bands. For
some reason, I'm just drawn more to the obscure
tunes, maybe because the record company thought
they were too quirky or whatever to put on a
single. Of course, I thought the idea of having
that entire instrumental verse at the start of
Hungry Like The Wolf to be completely
superfluous.
Another good example of that is The Buggles. I
don't actually have either of their albums, but I
do have the Video Killed The Radio Star single,
and I actually like the B side, Kid Dynamo,
better than the hit!
NP: WRUW 91.1 FM in Cleveland, and streaming MP3
at radio.cwru.edu in the rest of the world! :-)
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
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From:
Chris Richards
Date: Sun Apr 2, 2000 7:35
am
Subject: Re:Silver Scale/Aerosmith
<< (because I tried to listen to the entire set
in sequential order, it took me AGES to discover
Silver Scale).
*Where can I find this track, again? I've been
reading about it lately and am
curious.... It seems like it also appeared on a
live release(?)>>
It's on the Tangents boxset, and I believe
there's also a version on one of the recent live
releases (Valentine's Wheel?). I only know the
version on Tangents, so I can't advise on the
live version.
<>
*oh now that's taking me back.... I loved that
album also loved the cut 'Round and Round'>>
Yeah, that's a great song too! My favorite track
on that album, actually, is You See Me Crying.
There's a story that back around 85 or so, the
original lineup got together to have dinner for
the first time in like 5 years. Supposedly,
someone up some music on the stereo, apparently
putting on the Toys In The Attic album, and when
You See Me Crying came on, Steven Tyler said
'Hey, that's a cool song!!! We should do a cover
of that! Who is it?' and Joe Perry said 'That's
US! Remember? You made us hire a 90 piece
orchestra for it!'. But anyway, there's another
example of my preference for the obscure tunes!
:-)
=====
May you never thirst!
The Scuba Diver Presently Known As Chris
'Heaven can always turn around'-Eiffel 65
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From:
'David Foster'
Date: Sun Apr 2, 2000 7:45
am
Subject: SkyNewsReport
Music:
Hawkwind are to rerelease their album 'In search of Space' with the bonus track
'Uncle Sam's.......NOT..........on Mars'.
At the Oscars:
It is rumoured Roswell Film Studios are to ask TD to do the music for the
remake of the classic film starring David Bowie - 'The man who fell to Earth'
The Weather:
Florida: It will be cloudy with occasional cloud breaks
Mars: High winds and low visibility may prove dangerous for interplanetary
vessels.
Sports News:
Mars 2
Earth 1
News Just In:
At Crater, Colorado, archaeologists have discovered a red saucerlike structure.
An inscription bears the words 'Been there, Done that, Bought The T-Shirt.'
Government is to send NASA scientists to investigate.
News brought to you by Rockitman
The Man who fell to Mirth
In our next bulletin things will be strictly on topic.
[Non-text portions of this message have been removed]
From:
'Lawry Simm'
Date: Sun Apr 2, 2000 9:32
am
Subject: Discussion Week 29 - Sunday 2nd April 2000
This week covers two more soundtracks. Deadly Care and Canyon Dreams.
Please make your subject read 'D:Soundtrack [Deadly Care]' or
'D:Soundtrack [Canyon Dreams]' as appropriate when posting comments or
reviews.
I notice that discussions/reviews are becoming a bit thin on the
ground these days.....
Please note my new email address below.
Regards,
Lawry
NEW email address - lawry.simm@f...
ICQ # 23267226
Instant Messenger - lawrysimm
From:
horrod6
Date: Sun Apr 2, 2000 10:54
am
Subject: Recycling
IMO, the policy of not listening to previous releases could contribute
to the 'recycling' effect. After all, the band in its various line-ups
has released an incredible amount of material. So if Edgar (or any other
band member) finds this incredible riff running through their head, can
they be sure they haven't already used it? And if it's good and it fits
the new piece they are developing, does it really matter? Even if there
wasn't a _policy_ of not listening to previously released material, can
you really see them going back over hundreds (thousands?) of hours of
material, just to make sure that the new piece doesn't recycle an old
tune?
LnH
Marion
From:
horrod6
Date: Sun Apr 2, 2000 10:54
am
Subject: Re: Soundmill Navigator
Goozer - thanks for one of the most atmospheric reviews ever!
(Think I'll avoid this one unless the 'tssst' noise _does_ turn out to
be a pressing flaw and gets corrected.)
LnH
Marion
From:
'Lawry Simm'
Date: Sun Apr 2, 2000 11:57
am
Subject: D:Soundtrack [Deadly Care]
Deadly Care (1987) - Soundtrack released 1992
1. Deadly Care Main Theme (4:56)
2. Paddles/Stolen Pills (2:54)
3. A Strong Drink/A Bad Morning (2:00)
4. Wasted And Sick (1:22)
5. Hope For Future (4:01)
6. The Hospital (5:42)
7. In Bed (1:52)
8. Annie And Father (1:25)
9. More Pills (1:26)
10. In The Head Nurses Office/At Father's Grave (1:26)
11. Clean And Sober (4:02)
Froese/Franke.
Some quotes from the cover....
'The movie details the slow decline of Annie as professional and
personal pressures slowly pull her into alcohol and drug abuse. Since
the process of the decline is a slow one, so is the music of Tangerine
Dream. The music tends to be slower paced and downbeat to reinforce
the character's mental and physical self-destruction from chemical
dependence. Scenes of tension filled emergencies have the familiar
sequencer rhythms. This helps relieve the dark and moody score that
prevails for most of the movie.'
and...
'The music on this CD is not the edited versions used in the movie.
This is all of the music in the full length versions as supplied by
Tangerine Dream to Universal Studios.'
If only that second quote were true of all soundtrack albums! (Hey
Keep fans? :-) )
Well, I suppose the first quote explains partly why I don't really
like this album much. Slow, downbeat, dark and moody are words taken
from the quote above, and they are probably all of the qualities I
dislike most about TD. I love the stomping rhythms and sequences,
tinkly melodies and repeated phrases. Slow chord changes repeated for
five minutes with little or no development, and with a semblance of a
melody over the top just don't usually do it for me, unless it is an
exceptionally moving piece. Unfortunately, none of the pieces on this
album are exceptionally moving. TD just can't really produce many of
those style of pieces. Maybe one decent one every 5 years. The excel
(or excelled) at driving multilayered sequences.
At just over 32 minutes long, this album, nowadays could almost be
classed as a CD-single! I suppose allowances must be made for the
fact that this is a soundtrack, and therefore composed with specific
goals and images in mind.
Highlights of the album are the last minute of track 6. Uptempo
sequence... but unfortunately just repeated for 1 minute with no
changes. Track seven which is a short but unusual (in as much as it
differs from the rest of the album) piece. Dark and percussive, yet
too short to actually develop into much. This track could have been
something if it had been grown to a full blown track.
The rest of the album is very 'take it or leave it' and I choose,
mostly, to leave it.
Regards,
Lawry Simm
PS - Please note my new email address below.
NEW email address - lawry.simm@f...
ICQ # 23267226
Instant Messenger - lawrysimm
Replies
Name/Email
Yahoo! ID
Date
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Re: D:Soundtrack [Deadly Care]
Lawry Simm
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From:
'kayleigh'
Date: Sun Apr 2, 2000 12:25
pm
Subject: TD MP3 files
Hey there all. Wanted to post something sort of on subject with TD. I'd
asked in the past related to Mp3 files, AND have been told that since
trading is so open and there is SO MUCH out there (NOT getting onto this
subject again), just thought I'd bring it up. A friend of mine referred me
to a site http://www.napster.com and this stuff is totally AMAZING.
Everytime you're online, you automatically connect to a complete server of
MP3 files and this means AnYONE that is linked to the napster network also
is always immediately available. IF you go into the library/search section
(like a search engine), and simply type on the name of the band you're
looking for, IF there is anyone online that has accessable TD stuff (or any
other band for that fact), you can set it up to auto download (as long as
the other computer stays online, you can keep going continuously)
Just wanted to pass it along that I was able to find about 80 TD Related
files (all music files, NOTHING that was commercially available) if anyone
is interested.
Also for a short note, I DO NOT always openly speak about this stuff, BUT
for those of you that do get offended by trading/MP3 files, etc, I don't
think I have YET to find someone who would NOT buy anything that is
commercially available. Myself, I always want the REAL THING, not a copy.
Just isn't the same.
BUT to share information/music is something I've loved doing, that's why
this post. Anyone out there that even TOUCHES sound files or Mp3 files, USE
this napster program. Believe me, it's the wave of music online.
dan
Kayleigh's Playhouse!
http://www.modempool.com/kayleigh
Crack A Smile - THE Online Poison Mailing List
TheTradingCircle - An Online CDR Trading Network!
ICQ#1247205 - AOL IM: Tootiehoot2
Yahoo Pager: kayleigh_tootiehoot
From:
'Lawry Simm'
Date: Sun Apr 2, 2000 12:39
pm
Subject: D:Soundtrack [Canyon Dreams]
Canyon Dreams (1987)
1. Shadow Flyer (5:53)
2. Canyon Carver (4:17)
3. Water's Gift (5:24)
4. Canyon Voices (4:26)
5. Sudden Revelation (4:46)
6. A Matter Of Time (8:53)
7. Purple Nightfall (2:04)
8. Colorado Dawn (4:26) (not found on the video release)
Froese/Franke/Haslinger except track 8 composed by Jerome Froese (His
first TD outing?). Interesting to note that the cover says all tracks
performed by FFH and then says all tracks composed by FFH except track
8. This to me implies that Jerome did not actually play track 8, but
merely gave his composition to his dad and the boys to play. In fact,
Mysterious Semblance (A Tangerine Dream Chronology by Scott Plumer)
also draws the same conclusion.
I actually had the video for this long before the CD. So the first
time I heard the music, I actually saw the visuals that it was
composed to compliment. I remember being struck by how well the music
fitted the images.
The album opens with a great track that despite being nearly six
minutes long, just seems to fly by. Quite an apt title in fact. Whilst
the instrumental choices made could be construed to be cheesy, they
actually manage to put them together well here. Quite 'New Age' in
orchestration - pan pipes etc, yet still unmistakably TD.
Whilst nothing on the album is truly exceptional, nothing is truly
dire either. All tracks are average to above average. Highlights for
me must be the track Canyon Voices (for which there is a midi file
knocking around somewhere) and Shadow Flyer.
Low point would be track 5, which is another of those slow meandering
pieces. No doubt Dell would love it! :-)
This whole album reminds me a great deal of Le Parc. Similar sounds
and compositional structure, and as Le Parc is one of my top ten TD
albums, then it's hardly a surprise to see that this also makes it in
the illustrious list. Not played very often I must admit, as I tend to
gravitate towards 1978-1983 when picking an album out at random, but a
nice revisit all the same.
This for me is a 3AS.
Regards,
Lawry
NEW email address - lawry.simm@f...
ICQ # 23267226
Instant Messenger - lawrysimm
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Re: D:Soundtrack [Canyon Dreams]
Michael A Jean
Sun
4/2/2000
3 KB
From:
'Michael A Jean'
Date: Sun Apr 2, 2000 2:53
pm
Subject: RE: [tadream] D:Soundtrack [Canyon Dreams]
Since you have the video, you will note that Jerome's Colorado Dawn doesn;t
appear on the video. Since the video came out in 1987 and the CD didn't show
up until 1991, I suspect COLORADO DAWN was actually composed and performed
by Jerome in 1991 as a bonus track to encourage us to buy it. Jerome was in
the band by that time. I recall his first official performance on CD t be on
1989s Lily on The Beach, where he played guitar on the track Radio City.
MJ
> Froese/Franke/Haslinger except track 8 composed by Jerome Froese (His
> first TD outing?). Interesting to note that the cover says all tracks
> performed by FFH and then says all tracks composed by FFH except track
> 8. This to me implies that Jerome did not actually play track 8, but
> merely gave his composition to his dad and the boys to play. In fact,
> Mysterious Semblance (A Tangerine Dream Chronology by Scott Plumer)
> also draws the same conclusion.
>
> I actually had the video for this long before the CD. So the first
> time I heard the music, I actually saw the visuals that it was
> composed to compliment. I remember being struck by how well the music
> fitted the images.
From:
Michael V Miller
Date: Sun Apr 2, 2000 5:54
pm
Subject: Soundmill Navigator
Hi all,
I just got Soundmill Navigator and I did not hear the sound you all were
talking about. Or I am hearing it and I just think it is a part of the
music? Sounds great to me.
Mike
'The LORD said to me that He loved me. I asked 'How much?'
He said, 'This much.' and streached out His arms and died
on a cross for me.'
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From:
'David Foster'
Date: Sun Apr 2, 2000 6:00
pm
Subject: SkyNewsChannel
After the break we return to 'Who wants to be a zillionaire' where Arfur C
Quark is being asked 'What do Mars and the London Millenium Dome have in
common'. Is it answer:
A They are embarrasing for politicans at the moment?
B Intelligent life hasn't been discovered there yet?
C They lack atmosphere?
D It costs a fortune to get there?
Stay tuned for the answer..................
Still playing Astrophobia from Mars Polaris.
Rockitman
[Non-text portions of this message have been removed]
From:
Heiko Heerssen
Date: Mon Apr 3, 2000 7:40
am
Subject: Ffft Ffft Ffft Ffft (Soundmill Navigator)
Hi Gang,
I received my copy of 'Soundmill Navigator' last Friday & since then I
heard the CD 3 or 4 times. I already had the original recording on tape
and to me this was and still is an absolute EM masterpiece and one (if
not the best) as yet unreleased live recordings from TD. When someone
should ask me what's so special about electronic music...well, this is
what it's all about. Knowing that the original track had a length of 30
minutes it was clear to me that we get another 'tangentized' version and
I approached the music with a bit less enthusiasm. But I have to admit
that the first 10 minutes (which have nothing to do with the original
recording!) were excellent and very promising. But unfortunately these
new sounds continue throughout the whole track and at some point it was
really hard for me to identify the vintage sounds as they were way too
low in the mix. Less is more but you won't find that on 'Soundmill
Navigator'.
If you think that 'Sohoman' was over-produced, wait until you've heard
this one. And to make it even worse, there is an absolute distracting
sound (others have mentioned it too) which starts after 3 minutes and
which is completely nerve-racking. By now you will be aware that I'm not
that satisfied with 'Soundmill Navigator'. And this mastering flaw (or
whatever it is) almost urges me to ask: 'Can I have my money back?'
Heiko
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Missing SN (Groove Unlimited)
Rainer Rutka
Mon
4/3/2000
2 KB